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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A89AB it is the complementary color #C57654. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A89AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A89AB shade: #3F89A6, #509BB9, #61ADCC, #72BFDF and #83D1F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A89AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A89AB shade: #3A89AB, #297798, #186585, #075372 and #00415F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A89AB shade: #3B89AB, #3B6BAB, #3B4CAB, #473BAB and #653BAB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A89AB shade: #3B89AB, #3B6BAB, #3B4CAB and #3B3BAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A89AB shade matches the following richer shades: #3B89AB, #2891BE, #1598D0 and #039FE3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A89AB shade: #3B89AB, #4D8298, #607A86, #727373 and #856C61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A89AB shade: #3BAB91, #3BA7AB, #3B89AB, #3B6BAB and #3B4DAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A89AB shade: #25586E, #30708C, #3B89AB, #4D9FC2 and #6CAFCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A89AB shade: #3A89AB, #733BAB and #ABA03B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A89AB shade: #3A89AB, #AB3B89 and #89AB3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A89AB shade: #3A89AB, #733BAB, #AB5C3B and #73AB3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A89AB shade: #3A89AB, #943BAB, #AB5C3B and #51AB3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 20 / 0 / 33

HEX #3A89AB

RGB 58 137 171

HSL 198.05, 0.49%, 0.45%

LAB 53.74, -13.25, -25.08

 

Complementary color

CMYK 0 / 40 / 57 / 23

HEX #C57654

RGB 197 118 84

HSL 18.05, 0.49%, 0.55%

LAB 57.53, 27.63, 31.79

 

CMYK 62 / 17 / 0 / 35

HEX #3F89A6

RGB 63 137 166

HSL 196.89, 0.45%, 0.45%

LAB 53.71, -13.98, -22.24

 

CMYK 57 / 16 / 0 / 27

HEX #509BB9

RGB 80 155 185

HSL 197.14, 0.43%, 0.52%

LAB 60.47, -14.53, -22.63

 

CMYK 52 / 15 / 0 / 20

HEX #61ADCC

RGB 97 173 204

HSL 197.38, 0.51%, 0.59%

LAB 67.12, -14.94, -23

 

CMYK 49 / 14 / 0 / 13

HEX #72BFDF

RGB 114 191 223

HSL 197.61, 0.63%, 0.66%

LAB 73.65, -15.24, -23.36

 

CMYK 46 / 14 / 0 / 5

HEX #83D1F2

RGB 131 209 242

HSL 197.84, 0.81%, 0.73%

LAB 80.09, -15.48, -23.71

 

CMYK 66 / 20 / 0 / 33

HEX #3A89AB

RGB 58 137 171

HSL 198.05, 0.49%, 0.45%

LAB 53.74, -13.25, -25.08

 

CMYK 73 / 22 / 0 / 40

HEX #297798

RGB 41 119 152

HSL 197.84, 0.58%, 0.38%

LAB 46.89, -12.27, -24.67

 

CMYK 82 / 24 / 0 / 48

HEX #186585

RGB 24 101 133

HSL 197.61, 0.69%, 0.31%

LAB 39.91, -10.87, -24.19

 

CMYK 94 / 27 / 0 / 55

HEX #075372

RGB 7 83 114

HSL 197.38, 0.88%, 0.24%

LAB 32.8, -8.89, -23.61

 

CMYK 100 / 32 / 0 / 63

HEX #00415F

RGB 0 65 95

HSL 198.95, 1%, 0.19%

LAB 25.58, -5.97, -22.86

 

CMYK 65 / 20 / 0 / 33

HEX #3B89AB

RGB 59 137 171

HSL 198.21, 0.49%, 0.45%

LAB 53.77, -13.08, -25.03

 

CMYK 65 / 37 / 0 / 33

HEX #3B6BAB

RGB 59 107 171

HSL 214.29, 0.49%, 0.45%

LAB 44.78, 4.64, -39.09

 

CMYK 65 / 56 / 0 / 33

HEX #3B4CAB

RGB 59 76 171

HSL 230.89, 0.49%, 0.45%

LAB 36.06, 24.61, -53.07

 

CMYK 58 / 65 / 0 / 33

HEX #473BAB

RGB 71 59 171

HSL 246.43, 0.49%, 0.45%

LAB 32.72, 37.4, -58.46

 

CMYK 41 / 65 / 0 / 33

HEX #653BAB

RGB 101 59 171

HSL 262.5, 0.49%, 0.45%

LAB 35.66, 43.12, -53.54

 

CMYK 65 / 20 / 0 / 33

HEX #3B89AB

RGB 59 137 171

HSL 198.21, 0.49%, 0.45%

LAB 53.77, -13.08, -25.03

 

CMYK 65 / 37 / 0 / 33

HEX #3B6BAB

RGB 59 107 171

HSL 214.29, 0.49%, 0.45%

LAB 44.78, 4.64, -39.09

 

CMYK 65 / 56 / 0 / 33

HEX #3B4CAB

RGB 59 76 171

HSL 230.89, 0.49%, 0.45%

LAB 36.06, 24.61, -53.07

 

CMYK 65 / 65 / 0 / 33

HEX #3B3BAB

RGB 59 59 171

HSL 240, 0.49%, 0.45%

LAB 31.8, 35.52, -60

 

CMYK 65 / 20 / 0 / 33

HEX #3B89AB

RGB 59 137 171

HSL 198.21, 0.49%, 0.45%

LAB 53.77, -13.08, -25.03

 

CMYK 79 / 24 / 0 / 25

HEX #2891BE

RGB 40 145 190

HSL 198, 0.65%, 0.45%

LAB 56.51, -13.67, -31.68

 

CMYK 90 / 27 / 0 / 18

HEX #1598D0

RGB 21 152 208

HSL 197.97, 0.82%, 0.45%

LAB 59.13, -12.61, -37.74

 

CMYK 99 / 30 / 0 / 11

HEX #039FE3

RGB 3 159 227

HSL 198.21, 0.97%, 0.45%

LAB 61.97, -10.23, -43.88

 

CMYK 65 / 20 / 0 / 33

HEX #3B89AB

RGB 59 137 171

HSL 198.21, 0.49%, 0.45%

LAB 53.77, -13.08, -25.03

 

CMYK 49 / 14 / 0 / 40

HEX #4D8298

RGB 77 130 152

HSL 197.6, 0.33%, 0.45%

LAB 51.62, -11.37, -17.28

 

CMYK 28 / 9 / 0 / 47

HEX #607A86

RGB 96 122 134

HSL 198.95, 0.17%, 0.45%

LAB 49.65, -6.4, -9.61

 

CMYK 1 / 0 / 0 / 55

HEX #727373

RGB 114 115 115

HSL 180, 0%, 0.45%

LAB 48.36, -0.38, -0.14

 

CMYK 0 / 19 / 27 / 48

HEX #856C61

RGB 133 108 97

HSL 18.33, 0.16%, 0.45%

LAB 47.72, 8.12, 9.88

 

CMYK 65 / 0 / 15 / 33

HEX #3BAB91

RGB 59 171 145

HSL 166.07, 0.49%, 0.45%

LAB 63.43, -37.81, 4.17

 

CMYK 65 / 2 / 0 / 33

HEX #3BA7AB

RGB 59 167 171

HSL 182.14, 0.49%, 0.45%

LAB 62.93, -28.78, -11.09

 

CMYK 65 / 20 / 0 / 33

HEX #3B89AB

RGB 59 137 171

HSL 198.21, 0.49%, 0.45%

LAB 53.77, -13.08, -25.03

 

CMYK 65 / 37 / 0 / 33

HEX #3B6BAB

RGB 59 107 171

HSL 214.29, 0.49%, 0.45%

LAB 44.78, 4.64, -39.09

 

CMYK 65 / 55 / 0 / 33

HEX #3B4DAB

RGB 59 77 171

HSL 230.36, 0.49%, 0.45%

LAB 36.32, 23.95, -52.64

 

CMYK 66 / 20 / 0 / 57

HEX #25586E

RGB 37 88 110

HSL 198.08, 0.5%, 0.29%

LAB 35, -9.58, -17.65

 

CMYK 66 / 20 / 0 / 45

HEX #30708C

RGB 48 112 140

HSL 198.26, 0.49%, 0.37%

LAB 44.39, -11.25, -21.4

 

CMYK 65 / 20 / 0 / 33

HEX #3B89AB

RGB 59 137 171

HSL 198.21, 0.49%, 0.45%

LAB 53.77, -13.08, -25.03

 

CMYK 60 / 18 / 0 / 24

HEX #4D9FC2

RGB 77 159 194

HSL 197.95, 0.49%, 0.53%

LAB 61.89, -14.52, -25.53

 

CMYK 47 / 15 / 0 / 20

HEX #6CAFCD

RGB 108 175 205

HSL 198.56, 0.49%, 0.61%

LAB 68.21, -13.21, -21.85

 

CMYK 66 / 20 / 0 / 33

HEX #3A89AB

RGB 58 137 171

HSL 198.05, 0.49%, 0.45%

LAB 53.74, -13.25, -25.08

 

CMYK 33 / 65 / 0 / 33

HEX #733BAB

RGB 115 59 171

HSL 270, 0.49%, 0.45%

LAB 37.32, 46.15, -50.78

 

CMYK 0 / 6 / 65 / 33

HEX #ABA03B

RGB 171 160 59

HSL 54.11, 0.49%, 0.45%

LAB 65.05, -8.35, 52.2

 

CMYK 66 / 20 / 0 / 33

HEX #3A89AB

RGB 58 137 171

HSL 198.05, 0.49%, 0.45%

LAB 53.74, -13.25, -25.08

 

CMYK 0 / 65 / 20 / 33

HEX #AB3B89

RGB 171 59 137

HSL 318.21, 0.49%, 0.45%

LAB 43.64, 53.93, -19.78

 

CMYK 20 / 0 / 65 / 33

HEX #89AB3B

RGB 137 171 59

HSL 78.21, 0.49%, 0.45%

LAB 65.56, -28.37, 51.94

 

CMYK 66 / 20 / 0 / 33

HEX #3A89AB

RGB 58 137 171

HSL 198.05, 0.49%, 0.45%

LAB 53.74, -13.25, -25.08

 

CMYK 33 / 65 / 0 / 33

HEX #733BAB

RGB 115 59 171

HSL 270, 0.49%, 0.45%

LAB 37.32, 46.15, -50.78

 

CMYK 0 / 46 / 65 / 33

HEX #AB5C3B

RGB 171 92 59

HSL 17.68, 0.49%, 0.45%

LAB 47.79, 29.28, 32.96

 

CMYK 33 / 0 / 65 / 33

HEX #73AB3B

RGB 115 171 59

HSL 90, 0.49%, 0.45%

LAB 64.23, -36.87, 50.12

 

CMYK 66 / 20 / 0 / 33

HEX #3A89AB

RGB 58 137 171

HSL 198.05, 0.49%, 0.45%

LAB 53.74, -13.25, -25.08

 

CMYK 13 / 65 / 0 / 33

HEX #943BAB

RGB 148 59 171

HSL 287.68, 0.49%, 0.45%

LAB 41.79, 53.79, -43.37

 

CMYK 0 / 46 / 65 / 33

HEX #AB5C3B

RGB 171 92 59

HSL 17.68, 0.49%, 0.45%

LAB 47.79, 29.28, 32.96

 

CMYK 53 / 0 / 65 / 33

HEX #51AB3B

RGB 81 171 59

HSL 108.21, 0.49%, 0.45%

LAB 62.67, -48.05, 47.97

 

Description

Color code: HEX #3A89AB | qconv.com Color code: HEX #3A89AB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 137 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 137 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 20 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 20% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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