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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A885F it is the complementary color #C577A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A885F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A885F shade: #3F885A, #509A6D, #61AC80, #72BE93 and #83D0A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A885F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A885F shade: #3A885F, #29764C, #186439, #075226 and #004013

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A885F shade: #3A885F, #3A884A, #3F883A, #54883A and #69883A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A885F shade: #3A885F, #3A8874, #3A8788, #3A7288 and #3A5D88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A885F shade matches the following richer shades: #3A885F, #2A975E, #1BA75D and #0BB75C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A885F shade: #3A885F, #4A7860, #596861, #695961 and #794962

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A885F shade: #3F883A, #3A884A, #3A885E, #3A8873 and #3A8888

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A885F shade: #214E36, #2E6B4B, #3A885F, #47A573 and #5BB988

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A885F shade: #3A885F, #3A5488 and #883F3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A885F shade: #3A885F, #5E3A88 and #885E3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A885F shade: #3A885F, #3A5488, #883A63 and #886E3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A885F shade: #3A885F, #3A3D88, #883A63 and #88853A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 30 / 47

HEX #3A885F

RGB 58 136 95

HSL 148.46, 0.4%, 0.38%

LAB 51.08, -34.08, 14.96

 

Complementary color

CMYK 0 / 40 / 19 / 23

HEX #C577A0

RGB 197 119 160

HSL 328.46, 0.4%, 0.62%

LAB 59.53, 36.11, -8.95

 

CMYK 54 / 0 / 34 / 47

HEX #3F885A

RGB 63 136 90

HSL 142.19, 0.37%, 0.39%

LAB 51.16, -33.85, 17.94

 

CMYK 48 / 0 / 29 / 40

HEX #509A6D

RGB 80 154 109

HSL 143.51, 0.32%, 0.46%

LAB 57.96, -33.68, 16.66

 

CMYK 44 / 0 / 26 / 33

HEX #61AC80

RGB 97 172 128

HSL 144.8, 0.31%, 0.53%

LAB 64.65, -33.45, 15.5

 

CMYK 40 / 0 / 23 / 25

HEX #72BE93

RGB 114 190 147

HSL 146.05, 0.37%, 0.6%

LAB 71.22, -33.2, 14.44

 

CMYK 37 / 0 / 20 / 18

HEX #83D0A6

RGB 131 208 166

HSL 147.27, 0.45%, 0.66%

LAB 77.69, -32.94, 13.45

 

CMYK 57 / 0 / 30 / 47

HEX #3A885F

RGB 58 136 95

HSL 148.46, 0.4%, 0.38%

LAB 51.08, -34.08, 14.96

 

CMYK 65 / 0 / 36 / 54

HEX #29764C

RGB 41 118 76

HSL 147.27, 0.48%, 0.31%

LAB 44.16, -34, 16.37

 

CMYK 76 / 0 / 43 / 61

HEX #186439

RGB 24 100 57

HSL 146.05, 0.61%, 0.24%

LAB 37.12, -33.58, 17.99

 

CMYK 91 / 0 / 54 / 68

HEX #075226

RGB 7 82 38

HSL 144.8, 0.84%, 0.17%

LAB 29.96, -32.48, 19.84

 

CMYK 100 / 0 / 70 / 75

HEX #004013

RGB 0 64 19

HSL 137.81, 1%, 0.13%

LAB 22.7, -29.92, 21.85

 

CMYK 57 / 0 / 30 / 47

HEX #3A885F

RGB 58 136 95

HSL 148.46, 0.4%, 0.38%

LAB 51.08, -34.08, 14.96

 

CMYK 57 / 0 / 46 / 47

HEX #3A884A

RGB 58 136 74

HSL 132.31, 0.4%, 0.38%

LAB 50.69, -38.13, 26.2

 

CMYK 54 / 0 / 57 / 47

HEX #3F883A

RGB 63 136 58

HSL 116.15, 0.4%, 0.38%

LAB 50.65, -39.16, 34.6

 

CMYK 38 / 0 / 57 / 47

HEX #54883A

RGB 84 136 58

HSL 100, 0.4%, 0.38%

LAB 51.61, -32.33, 35.96

 

CMYK 23 / 0 / 57 / 47

HEX #69883A

RGB 105 136 58

HSL 83.85, 0.4%, 0.38%

LAB 52.86, -24.26, 37.74

 

CMYK 57 / 0 / 30 / 47

HEX #3A885F

RGB 58 136 95

HSL 148.46, 0.4%, 0.38%

LAB 51.08, -34.08, 14.96

 

CMYK 57 / 0 / 15 / 47

HEX #3A8874

RGB 58 136 116

HSL 164.62, 0.4%, 0.38%

LAB 51.57, -29.1, 3.55

 

CMYK 57 / 1 / 0 / 47

HEX #3A8788

RGB 58 135 136

HSL 180.77, 0.4%, 0.38%

LAB 51.84, -23.11, -7.7

 

CMYK 57 / 16 / 0 / 47

HEX #3A7288

RGB 58 114 136

HSL 196.92, 0.4%, 0.38%

LAB 45.24, -11.69, -17.68

 

CMYK 57 / 32 / 0 / 47

HEX #3A5D88

RGB 58 93 136

HSL 213.08, 0.4%, 0.38%

LAB 38.74, 0.92, -27.75

 

CMYK 57 / 0 / 30 / 47

HEX #3A885F

RGB 58 136 95

HSL 148.46, 0.4%, 0.38%

LAB 51.08, -34.08, 14.96

 

CMYK 72 / 0 / 38 / 41

HEX #2A975E

RGB 42 151 94

HSL 148.62, 0.56%, 0.38%

LAB 55.52, -43.94, 21.47

 

CMYK 84 / 0 / 44 / 35

HEX #1BA75D

RGB 27 167 93

HSL 148.29, 0.72%, 0.38%

LAB 60.48, -52.17, 28.5

 

CMYK 94 / 0 / 50 / 28

HEX #0BB75C

RGB 11 183 92

HSL 148.26, 0.89%, 0.38%

LAB 65.52, -59.02, 35.41

 

CMYK 57 / 0 / 30 / 47

HEX #3A885F

RGB 58 136 95

HSL 148.46, 0.4%, 0.38%

LAB 51.08, -34.08, 14.96

 

CMYK 38 / 0 / 20 / 53

HEX #4A7860

RGB 74 120 96

HSL 148.7, 0.24%, 0.38%

LAB 46.62, -21.54, 8.27

 

CMYK 14 / 0 / 7 / 59

HEX #596861

RGB 89 104 97

HSL 152, 0.08%, 0.38%

LAB 42.59, -7.22, 2.03

 

CMYK 0 / 15 / 8 / 59

HEX #695961

RGB 105 89 97

HSL 330, 0.08%, 0.38%

LAB 39.6, 8.05, -2.18

 

CMYK 0 / 40 / 19 / 53

HEX #794962

RGB 121 73 98

HSL 328.75, 0.25%, 0.38%

LAB 37.32, 24.25, -5.97

 

CMYK 54 / 0 / 57 / 47

HEX #3F883A

RGB 63 136 58

HSL 116.15, 0.4%, 0.38%

LAB 50.65, -39.16, 34.6

 

CMYK 57 / 0 / 46 / 47

HEX #3A884A

RGB 58 136 74

HSL 132.31, 0.4%, 0.38%

LAB 50.69, -38.13, 26.2

 

CMYK 57 / 0 / 31 / 47

HEX #3A885E

RGB 58 136 94

HSL 147.69, 0.4%, 0.38%

LAB 51.05, -34.29, 15.5

 

CMYK 57 / 0 / 15 / 47

HEX #3A8873

RGB 58 136 115

HSL 163.85, 0.4%, 0.38%

LAB 51.55, -29.36, 4.09

 

CMYK 57 / 0 / 0 / 47

HEX #3A8888

RGB 58 136 136

HSL 180, 0.4%, 0.38%

LAB 52.16, -23.63, -7.23

 

CMYK 58 / 0 / 31 / 69

HEX #214E36

RGB 33 78 54

HSL 148, 0.41%, 0.22%

LAB 29.51, -21.99, 9.61

 

CMYK 57 / 0 / 30 / 58

HEX #2E6B4B

RGB 46 107 75

HSL 148.52, 0.4%, 0.3%

LAB 40.58, -27.96, 12.1

 

CMYK 57 / 0 / 30 / 47

HEX #3A885F

RGB 58 136 95

HSL 148.46, 0.4%, 0.38%

LAB 51.08, -34.08, 14.96

 

CMYK 57 / 0 / 30 / 35

HEX #47A573

RGB 71 165 115

HSL 148.09, 0.4%, 0.46%

LAB 61.21, -39.69, 17.75

 

CMYK 51 / 0 / 26 / 27

HEX #5BB988

RGB 91 185 136

HSL 148.72, 0.4%, 0.54%

LAB 68.53, -39.35, 16.5

 

CMYK 57 / 0 / 30 / 47

HEX #3A885F

RGB 58 136 95

HSL 148.46, 0.4%, 0.38%

LAB 51.08, -34.08, 14.96

 

CMYK 57 / 38 / 0 / 47

HEX #3A5488

RGB 58 84 136

HSL 220, 0.4%, 0.38%

LAB 36.02, 6.67, -32.03

 

CMYK 0 / 54 / 57 / 47

HEX #883F3A

RGB 136 63 58

HSL 3.85, 0.4%, 0.38%

LAB 36.17, 30.73, 17.9

 

CMYK 57 / 0 / 30 / 47

HEX #3A885F

RGB 58 136 95

HSL 148.46, 0.4%, 0.38%

LAB 51.08, -34.08, 14.96

 

CMYK 31 / 57 / 0 / 47

HEX #5E3A88

RGB 94 58 136

HSL 267.69, 0.4%, 0.38%

LAB 32.22, 32.62, -37.88

 

CMYK 0 / 31 / 57 / 47

HEX #885E3A

RGB 136 94 58

HSL 27.69, 0.4%, 0.38%

LAB 43.57, 12.94, 27.33

 

CMYK 57 / 0 / 30 / 47

HEX #3A885F

RGB 58 136 95

HSL 148.46, 0.4%, 0.38%

LAB 51.08, -34.08, 14.96

 

CMYK 57 / 38 / 0 / 47

HEX #3A5488

RGB 58 84 136

HSL 220, 0.4%, 0.38%

LAB 36.02, 6.67, -32.03

 

CMYK 0 / 57 / 27 / 47

HEX #883A63

RGB 136 58 99

HSL 328.46, 0.4%, 0.38%

LAB 36.29, 38.14, -7.91

 

CMYK 0 / 19 / 57 / 47

HEX #886E3A

RGB 136 110 58

HSL 40, 0.4%, 0.38%

LAB 47.87, 3.59, 32.54

 

CMYK 57 / 0 / 30 / 47

HEX #3A885F

RGB 58 136 95

HSL 148.46, 0.4%, 0.38%

LAB 51.08, -34.08, 14.96

 

CMYK 57 / 55 / 0 / 47

HEX #3A3D88

RGB 58 61 136

HSL 237.69, 0.4%, 0.38%

LAB 29.45, 21.91, -42.52

 

CMYK 0 / 57 / 27 / 47

HEX #883A63

RGB 136 58 99

HSL 328.46, 0.4%, 0.38%

LAB 36.29, 38.14, -7.91

 

CMYK 0 / 2 / 57 / 47

HEX #88853A

RGB 136 133 58

HSL 57.69, 0.4%, 0.38%

LAB 54.36, -9.37, 40.09

 

Description

Color code: HEX #3A885F | qconv.com Color code: HEX #3A885F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 136 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 136 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 30 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 30% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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