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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A838C it is the complementary color #C57C73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A838C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A838C shade: #3F8387, #50959A, #61A7AD, #72B9C0 and #83CBD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A838C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A838C shade: #3A838C, #297179, #185F66, #074D53 and #003B40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A838C shade: #3A838C, #3A6D8C, #3A578C, #3A418C and #4A3A8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A838C shade: #3A838C, #3A6D8C, #3A578C, #3A418C and #3A3A8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A838C shade matches the following richer shades: #3A838C, #2A8F9C, #1A9CAC and #0AA8BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A838C shade: #3A838C, #4A767C, #5A6A6C, #6A5D5B and #7B514B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A838C shade: #3A8C68, #3A8C7E, #3A848C, #3A6E8C and #3A588C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A838C shade: #224C52, #2E686F, #3A838C, #469EA9 and #5DB1BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A838C shade: #3A838C, #533A8C and #8C733A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A838C shade: #3A838C, #8C3A84 and #848C3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A838C shade: #3A838C, #533A8C, #8C423A and #738C3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A838C shade: #3A838C, #6B3A8C, #8C423A and #5B8C3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 6 / 0 / 45

HEX #3A838C

RGB 58 131 140

HSL 186.59, 0.41%, 0.39%

LAB 50.72, -19.83, -11.72

 

Complementary color

CMYK 0 / 37 / 42 / 23

HEX #C57C73

RGB 197 124 115

HSL 6.59, 0.41%, 0.61%

LAB 59.46, 27.34, 16.83

 

CMYK 53 / 3 / 0 / 47

HEX #3F8387

RGB 63 131 135

HSL 183.33, 0.36%, 0.39%

LAB 50.73, -20.23, -8.75

 

CMYK 48 / 3 / 0 / 40

HEX #50959A

RGB 80 149 154

HSL 184.05, 0.32%, 0.46%

LAB 57.59, -20.36, -9.4

 

CMYK 44 / 3 / 0 / 32

HEX #61A7AD

RGB 97 167 173

HSL 184.74, 0.32%, 0.53%

LAB 64.32, -20.42, -10

 

CMYK 41 / 4 / 0 / 25

HEX #72B9C0

RGB 114 185 192

HSL 185.38, 0.38%, 0.6%

LAB 70.93, -20.44, -10.57

 

CMYK 38 / 4 / 0 / 17

HEX #83CBD3

RGB 131 203 211

HSL 186, 0.48%, 0.67%

LAB 77.42, -20.43, -11.1

 

CMYK 59 / 6 / 0 / 45

HEX #3A838C

RGB 58 131 140

HSL 186.59, 0.41%, 0.39%

LAB 50.72, -19.83, -11.72

 

CMYK 66 / 7 / 0 / 53

HEX #297179

RGB 41 113 121

HSL 186, 0.49%, 0.32%

LAB 43.74, -19.37, -11.03

 

CMYK 76 / 7 / 0 / 60

HEX #185F66

RGB 24 95 102

HSL 185.38, 0.62%, 0.25%

LAB 36.63, -18.59, -10.24

 

CMYK 92 / 7 / 0 / 67

HEX #074D53

RGB 7 77 83

HSL 184.74, 0.84%, 0.18%

LAB 29.36, -17.3, -9.28

 

CMYK 100 / 8 / 0 / 75

HEX #003B40

RGB 0 59 64

HSL 184.69, 1%, 0.13%

LAB 21.94, -15.04, -8.05

 

CMYK 59 / 6 / 0 / 45

HEX #3A838C

RGB 58 131 140

HSL 186.59, 0.41%, 0.39%

LAB 50.72, -19.83, -11.72

 

CMYK 59 / 22 / 0 / 45

HEX #3A6D8C

RGB 58 109 140

HSL 202.68, 0.41%, 0.39%

LAB 43.84, -7.48, -22.21

 

CMYK 59 / 38 / 0 / 45

HEX #3A578C

RGB 58 87 140

HSL 218.78, 0.41%, 0.39%

LAB 37.13, 6.13, -32.7

 

CMYK 59 / 54 / 0 / 45

HEX #3A418C

RGB 58 65 140

HSL 234.88, 0.41%, 0.39%

LAB 30.82, 20.65, -42.79

 

CMYK 47 / 59 / 0 / 45

HEX #4A3A8C

RGB 74 58 140

HSL 251.71, 0.41%, 0.39%

LAB 30.34, 28.75, -43.48

 

CMYK 59 / 6 / 0 / 45

HEX #3A838C

RGB 58 131 140

HSL 186.59, 0.41%, 0.39%

LAB 50.72, -19.83, -11.72

 

CMYK 59 / 22 / 0 / 45

HEX #3A6D8C

RGB 58 109 140

HSL 202.68, 0.41%, 0.39%

LAB 43.84, -7.48, -22.21

 

CMYK 59 / 38 / 0 / 45

HEX #3A578C

RGB 58 87 140

HSL 218.78, 0.41%, 0.39%

LAB 37.13, 6.13, -32.7

 

CMYK 59 / 54 / 0 / 45

HEX #3A418C

RGB 58 65 140

HSL 234.88, 0.41%, 0.39%

LAB 30.82, 20.65, -42.79

 

CMYK 59 / 59 / 0 / 45

HEX #3A3A8C

RGB 58 58 140

HSL 240, 0.41%, 0.39%

LAB 28.95, 25.29, -45.8

 

CMYK 59 / 6 / 0 / 45

HEX #3A838C

RGB 58 131 140

HSL 186.59, 0.41%, 0.39%

LAB 50.72, -19.83, -11.72

 

CMYK 73 / 8 / 0 / 39

HEX #2A8F9C

RGB 42 143 156

HSL 186.84, 0.58%, 0.39%

LAB 54.59, -23.8, -15.19

 

CMYK 85 / 9 / 0 / 33

HEX #1A9CAC

RGB 26 156 172

HSL 186.58, 0.74%, 0.39%

LAB 58.95, -26.86, -17.73

 

CMYK 95 / 11 / 0 / 26

HEX #0AA8BC

RGB 10 168 188

HSL 186.74, 0.9%, 0.39%

LAB 63.09, -28.43, -20.43

 

CMYK 59 / 6 / 0 / 45

HEX #3A838C

RGB 58 131 140

HSL 186.59, 0.41%, 0.39%

LAB 50.72, -19.83, -11.72

 

CMYK 40 / 5 / 0 / 51

HEX #4A767C

RGB 74 118 124

HSL 187.2, 0.25%, 0.39%

LAB 46.8, -13.47, -8.1

 

CMYK 17 / 2 / 0 / 58

HEX #5A6A6C

RGB 90 106 108

HSL 186.67, 0.09%, 0.39%

LAB 43.6, -5.53, -3.15

 

CMYK 0 / 12 / 14 / 58

HEX #6A5D5B

RGB 106 93 91

HSL 8, 0.08%, 0.39%

LAB 40.65, 4.87, 3.06

 

CMYK 0 / 34 / 39 / 52

HEX #7B514B

RGB 123 81 75

HSL 7.5, 0.24%, 0.39%

LAB 38.91, 16.8, 10.72

 

CMYK 59 / 0 / 26 / 45

HEX #3A8C68

RGB 58 140 104

HSL 153.66, 0.41%, 0.39%

LAB 52.57, -33.9, 11.89

 

CMYK 59 / 0 / 10 / 45

HEX #3A8C7E

RGB 58 140 126

HSL 169.76, 0.41%, 0.39%

LAB 53.13, -28.43, 0.01

 

CMYK 59 / 6 / 0 / 45

HEX #3A848C

RGB 58 132 140

HSL 185.85, 0.41%, 0.39%

LAB 51.03, -20.36, -11.25

 

CMYK 59 / 21 / 0 / 45

HEX #3A6E8C

RGB 58 110 140

HSL 201.95, 0.41%, 0.39%

LAB 44.15, -8.07, -21.73

 

CMYK 59 / 37 / 0 / 45

HEX #3A588C

RGB 58 88 140

HSL 218.05, 0.41%, 0.39%

LAB 37.43, 5.49, -32.23

 

CMYK 59 / 7 / 0 / 68

HEX #224C52

RGB 34 76 82

HSL 187.5, 0.41%, 0.23%

LAB 29.71, -12.63, -8.03

 

CMYK 59 / 6 / 0 / 56

HEX #2E686F

RGB 46 104 111

HSL 186.46, 0.41%, 0.31%

LAB 40.62, -16.61, -9.67

 

CMYK 59 / 6 / 0 / 45

HEX #3A838C

RGB 58 131 140

HSL 186.59, 0.41%, 0.39%

LAB 50.72, -19.83, -11.72

 

CMYK 59 / 7 / 0 / 34

HEX #469EA9

RGB 70 158 169

HSL 186.67, 0.41%, 0.47%

LAB 60.45, -22.91, -13.68

 

CMYK 50 / 5 / 0 / 27

HEX #5DB1BB

RGB 93 177 187

HSL 186.38, 0.41%, 0.55%

LAB 67.55, -22.71, -12.97

 

CMYK 59 / 6 / 0 / 45

HEX #3A838C

RGB 58 131 140

HSL 186.59, 0.41%, 0.39%

LAB 50.72, -19.83, -11.72

 

CMYK 41 / 59 / 0 / 45

HEX #533A8C

RGB 83 58 140

HSL 258.29, 0.41%, 0.39%

LAB 31.25, 30.9, -41.97

 

CMYK 0 / 18 / 59 / 45

HEX #8C733A

RGB 140 115 58

HSL 41.71, 0.41%, 0.39%

LAB 49.67, 2.53, 34.77

 

CMYK 59 / 6 / 0 / 45

HEX #3A838C

RGB 58 131 140

HSL 186.59, 0.41%, 0.39%

LAB 50.72, -19.83, -11.72

 

CMYK 0 / 59 / 6 / 45

HEX #8C3A84

RGB 140 58 132

HSL 305.85, 0.41%, 0.39%

LAB 38.32, 44.75, -25.36

 

CMYK 6 / 0 / 59 / 45

HEX #848C3A

RGB 132 140 58

HSL 65.85, 0.41%, 0.39%

LAB 56.05, -14.89, 41.91

 

CMYK 59 / 6 / 0 / 45

HEX #3A838C

RGB 58 131 140

HSL 186.59, 0.41%, 0.39%

LAB 50.72, -19.83, -11.72

 

CMYK 41 / 59 / 0 / 45

HEX #533A8C

RGB 83 58 140

HSL 258.29, 0.41%, 0.39%

LAB 31.25, 30.9, -41.97

 

CMYK 0 / 53 / 59 / 45

HEX #8C423A

RGB 140 66 58

HSL 5.85, 0.41%, 0.39%

LAB 37.44, 30.71, 19.68

 

CMYK 18 / 0 / 59 / 45

HEX #738C3A

RGB 115 140 58

HSL 78.29, 0.41%, 0.39%

LAB 54.77, -22.16, 40.11

 

CMYK 59 / 6 / 0 / 45

HEX #3A838C

RGB 58 131 140

HSL 186.59, 0.41%, 0.39%

LAB 50.72, -19.83, -11.72

 

CMYK 24 / 59 / 0 / 45

HEX #6B3A8C

RGB 107 58 140

HSL 275.85, 0.41%, 0.39%

LAB 34.08, 37.13, -37.28

 

CMYK 0 / 53 / 59 / 45

HEX #8C423A

RGB 140 66 58

HSL 5.85, 0.41%, 0.39%

LAB 37.44, 30.71, 19.68

 

CMYK 35 / 0 / 59 / 45

HEX #5B8C3A

RGB 91 140 58

HSL 95.85, 0.41%, 0.39%

LAB 53.26, -31.64, 37.98

 

Description

Color code: HEX #3A838C | qconv.com Color code: HEX #3A838C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 131 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 131 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 6 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 6% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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