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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A8045 it is the complementary color #C57FBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A8045. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A8045 shade: #3F8040, #509253, #61A466, #72B679 and #83C88C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A8045. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A8045 shade: #3A8045, #296E32, #185C1F, #074A0C and #003800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A8045 shade: #397F44, #417F39, #547F39, #667F39 and #797F39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A8045 shade: #397F44, #397F57, #397F6A, #397F7C and #396E7F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A8045 shade matches the following richer shades: #397F44, #2A8E3A, #1B9C30 and #0CAB25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A8045 shade: #397F44, #48704E, #576158, #655262 and #74436D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A8045 shade: #547F39, #417F39, #397F43, #397F56 and #397F69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A8045 shade: #1F4625, #2C6235, #397F44, #469B53 and #57B365

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A8045 shade: #3A8045, #39667F and #7F394A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A8045 shade: #3A8045, #43397F and #7F4339

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A8045 shade: #3A8045, #39667F, #7F3974 and #7F5139

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A8045 shade: #3A8045, #39517F, #7F3974 and #7F6639

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 46 / 50

HEX #3A8045

RGB 58 128 69

HSL 129.43, 0.38%, 0.36%

LAB 47.97, -35.51, 25.45

 

Complementary color

CMYK 0 / 36 / 6 / 23

HEX #C57FBA

RGB 197 127 186

HSL 309.43, 0.38%, 0.64%

LAB 62.16, 36.15, -19.82

 

CMYK 51 / 0 / 50 / 50

HEX #3F8040

RGB 63 128 64

HSL 120.92, 0.34%, 0.37%

LAB 48.09, -34.86, 28.36

 

CMYK 45 / 0 / 43 / 43

HEX #509253

RGB 80 146 83

HSL 122.73, 0.29%, 0.44%

LAB 54.96, -34.76, 26.98

 

CMYK 41 / 0 / 38 / 36

HEX #61A466

RGB 97 164 102

HSL 124.48, 0.27%, 0.51%

LAB 61.7, -34.55, 25.67

 

CMYK 37 / 0 / 34 / 29

HEX #72B679

RGB 114 182 121

HSL 126.18, 0.32%, 0.58%

LAB 68.32, -34.3, 24.45

 

CMYK 35 / 0 / 30 / 22

HEX #83C88C

RGB 131 200 140

HSL 127.83, 0.39%, 0.65%

LAB 74.84, -34.04, 23.31

 

CMYK 55 / 0 / 46 / 50

HEX #3A8045

RGB 58 128 69

HSL 129.43, 0.38%, 0.36%

LAB 47.97, -35.51, 25.45

 

CMYK 63 / 0 / 55 / 57

HEX #296E32

RGB 41 110 50

HSL 127.83, 0.46%, 0.3%

LAB 40.98, -35.37, 26.95

 

CMYK 74 / 0 / 66 / 64

HEX #185C1F

RGB 24 92 31

HSL 126.18, 0.59%, 0.23%

LAB 33.87, -34.75, 28.43

 

CMYK 91 / 0 / 84 / 71

HEX #074A0C

RGB 7 74 12

HSL 124.48, 0.83%, 0.16%

LAB 26.65, -33.12, 29.4

 

CMYK 100 / 0 / 100 / 78

HEX #003800

RGB 0 56 0

HSL 120, 1%, 0.11%

LAB 19.34, -29.36, 26.61

 

CMYK 55 / 0 / 46 / 50

HEX #397F44

RGB 57 127 68

HSL 129.43, 0.38%, 0.36%

LAB 47.58, -35.52, 25.5

 

CMYK 49 / 0 / 55 / 50

HEX #417F39

RGB 65 127 57

HSL 113.14, 0.38%, 0.36%

LAB 47.75, -34.81, 31.66

 

CMYK 34 / 0 / 55 / 50

HEX #547F39

RGB 84 127 57

HSL 96.86, 0.38%, 0.36%

LAB 48.71, -28.2, 33.04

 

CMYK 20 / 0 / 55 / 50

HEX #667F39

RGB 102 127 57

HSL 81.43, 0.38%, 0.36%

LAB 49.86, -21.02, 34.68

 

CMYK 5 / 0 / 55 / 50

HEX #797F39

RGB 121 127 57

HSL 65.14, 0.38%, 0.36%

LAB 51.31, -12.84, 36.75

 

CMYK 55 / 0 / 46 / 50

HEX #397F44

RGB 57 127 68

HSL 129.43, 0.38%, 0.36%

LAB 47.58, -35.52, 25.5

 

CMYK 55 / 0 / 31 / 50

HEX #397F57

RGB 57 127 87

HSL 145.71, 0.38%, 0.36%

LAB 47.93, -31.91, 15.22

 

CMYK 55 / 0 / 17 / 50

HEX #397F6A

RGB 57 127 106

HSL 162, 0.38%, 0.36%

LAB 48.37, -27.49, 4.77

 

CMYK 55 / 0 / 2 / 50

HEX #397F7C

RGB 57 127 124

HSL 177.43, 0.38%, 0.36%

LAB 48.89, -22.64, -5.07

 

CMYK 55 / 13 / 0 / 50

HEX #396E7F

RGB 57 110 127

HSL 194.57, 0.38%, 0.36%

LAB 43.59, -12.48, -14.82

 

CMYK 55 / 0 / 46 / 50

HEX #397F44

RGB 57 127 68

HSL 129.43, 0.38%, 0.36%

LAB 47.58, -35.52, 25.5

 

CMYK 70 / 0 / 59 / 44

HEX #2A8E3A

RGB 42 142 58

HSL 129.6, 0.54%, 0.36%

LAB 52, -46.58, 36.03

 

CMYK 83 / 0 / 69 / 39

HEX #1B9C30

RGB 27 156 48

HSL 129.77, 0.7%, 0.36%

LAB 56.31, -54.9, 45.35

 

CMYK 93 / 0 / 78 / 33

HEX #0CAB25

RGB 12 171 37

HSL 129.43, 0.87%, 0.36%

LAB 61.08, -61.74, 54.25

 

CMYK 55 / 0 / 46 / 50

HEX #397F44

RGB 57 127 68

HSL 129.43, 0.38%, 0.36%

LAB 47.58, -35.52, 25.5

 

CMYK 36 / 0 / 30 / 56

HEX #48704E

RGB 72 112 78

HSL 129, 0.22%, 0.36%

LAB 43.53, -21.81, 14.57

 

CMYK 10 / 0 / 9 / 62

HEX #576158

RGB 87 97 88

HSL 126, 0.05%, 0.36%

LAB 40.05, -5.81, 3.81

 

CMYK 0 / 19 / 3 / 60

HEX #655262

RGB 101 82 98

HSL 309.47, 0.1%, 0.36%

LAB 37.27, 10.99, -6.3

 

CMYK 0 / 42 / 6 / 55

HEX #74436D

RGB 116 67 109

HSL 308.57, 0.27%, 0.36%

LAB 35.66, 27.96, -15.46

 

CMYK 34 / 0 / 55 / 50

HEX #547F39

RGB 84 127 57

HSL 96.86, 0.38%, 0.36%

LAB 48.71, -28.2, 33.04

 

CMYK 49 / 0 / 55 / 50

HEX #417F39

RGB 65 127 57

HSL 113.14, 0.38%, 0.36%

LAB 47.75, -34.81, 31.66

 

CMYK 55 / 0 / 47 / 50

HEX #397F43

RGB 57 127 67

HSL 128.57, 0.38%, 0.36%

LAB 47.56, -35.68, 26.02

 

CMYK 55 / 0 / 32 / 50

HEX #397F56

RGB 57 127 86

HSL 144.86, 0.38%, 0.36%

LAB 47.91, -32.12, 15.77

 

CMYK 55 / 0 / 17 / 50

HEX #397F69

RGB 57 127 105

HSL 161.14, 0.38%, 0.36%

LAB 48.35, -27.74, 5.32

 

CMYK 56 / 0 / 47 / 73

HEX #1F4625

RGB 31 70 37

HSL 129.23, 0.39%, 0.2%

LAB 26.17, -22.21, 15.75

 

CMYK 55 / 0 / 46 / 62

HEX #2C6235

RGB 44 98 53

HSL 130, 0.38%, 0.28%

LAB 36.98, -28.74, 20.26

 

CMYK 55 / 0 / 46 / 50

HEX #397F44

RGB 57 127 68

HSL 129.43, 0.38%, 0.36%

LAB 47.58, -35.52, 25.5

 

CMYK 55 / 0 / 46 / 39

HEX #469B53

RGB 70 155 83

HSL 129.18, 0.38%, 0.44%

LAB 57.43, -41.55, 30.07

 

CMYK 51 / 0 / 44 / 30

HEX #57B365

RGB 87 179 101

HSL 129.13, 0.38%, 0.52%

LAB 65.91, -44.21, 31.61

 

CMYK 55 / 0 / 46 / 50

HEX #3A8045

RGB 58 128 69

HSL 129.43, 0.38%, 0.36%

LAB 47.97, -35.51, 25.45

 

CMYK 55 / 20 / 0 / 50

HEX #39667F

RGB 57 102 127

HSL 201.43, 0.38%, 0.36%

LAB 41.06, -7.82, -18.68

 

CMYK 0 / 55 / 42 / 50

HEX #7F394A

RGB 127 57 74

HSL 345.43, 0.38%, 0.36%

LAB 33.84, 32.11, 4.29

 

CMYK 55 / 0 / 46 / 50

HEX #3A8045

RGB 58 128 69

HSL 129.43, 0.38%, 0.36%

LAB 47.97, -35.51, 25.45

 

CMYK 47 / 55 / 0 / 50

HEX #43397F

RGB 67 57 127

HSL 248.57, 0.38%, 0.36%

LAB 28.52, 23.61, -38.37

 

CMYK 0 / 47 / 55 / 50

HEX #7F4339

RGB 127 67 57

HSL 8.57, 0.38%, 0.36%

LAB 35.64, 24.7, 17.57

 

CMYK 55 / 0 / 46 / 50

HEX #3A8045

RGB 58 128 69

HSL 129.43, 0.38%, 0.36%

LAB 47.97, -35.51, 25.45

 

CMYK 55 / 20 / 0 / 50

HEX #39667F

RGB 57 102 127

HSL 201.43, 0.38%, 0.36%

LAB 41.06, -7.82, -18.68

 

CMYK 0 / 55 / 9 / 50

HEX #7F3974

RGB 127 57 116

HSL 309.43, 0.38%, 0.36%

LAB 35.4, 38.48, -20.12

 

CMYK 0 / 36 / 55 / 50

HEX #7F5139

RGB 127 81 57

HSL 20.57, 0.38%, 0.36%

LAB 39.06, 16.5, 22

 

CMYK 55 / 0 / 46 / 50

HEX #3A8045

RGB 58 128 69

HSL 129.43, 0.38%, 0.36%

LAB 47.97, -35.51, 25.45

 

CMYK 55 / 36 / 0 / 50

HEX #39517F

RGB 57 81 127

HSL 219.43, 0.38%, 0.36%

LAB 34.57, 5.26, -28.78

 

CMYK 0 / 55 / 9 / 50

HEX #7F3974

RGB 127 57 116

HSL 309.43, 0.38%, 0.36%

LAB 35.4, 38.48, -20.12

 

CMYK 0 / 20 / 55 / 50

HEX #7F6639

RGB 127 102 57

HSL 38.57, 0.38%, 0.36%

LAB 44.67, 4.04, 29

 

Description

Color code: HEX #3A8045 | qconv.com Color code: HEX #3A8045 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 128 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 128 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 46 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 46% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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