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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A71B7 it is the complementary color #C58E48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A71B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A71B7 shade: #3F71B2, #5083C5, #6195D8, #72A7EB and #83B9FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A71B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A71B7 shade: #3A71B7, #295FA4, #184D91, #073B7E and #00296B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A71B7 shade: #3A70B6, #3A4FB6, #463AB6, #683AB6 and #893AB6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A71B7 shade: #3A70B6, #3A4FB6 and #3A3AB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A71B7 shade matches the following richer shades: #3A70B6, #266ECA and #136CDD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A71B7 shade: #3A70B6, #4D73A3, #60758F, #74777C and #877A69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A71B7 shade: #3AB4B6, #3A93B6, #3A72B6, #3A50B6 and #443AB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A71B7 shade: #264A77, #305D97, #3A70B6, #5185C8 and #709BD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A71B7 shade: #3A71B7, #973AB6 and #A3B63A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A71B7 shade: #3A71B7, #B63A72 and #72B63A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A71B7 shade: #3A71B7, #973AB6, #B67E3A and #59B63A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A71B7 shade: #3A71B7, #B63AB0, #B67E3A and #3AB640

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 38 / 0 / 28

HEX #3A71B7

RGB 58 113 183

HSL 213.6, 0.52%, 0.47%

LAB 47.14, 5.04, -42.35

 

Complementary color

CMYK 0 / 28 / 63 / 23

HEX #C58E48

RGB 197 142 72

HSL 33.6, 0.52%, 0.53%

LAB 63.08, 13.61, 44.74

 

CMYK 65 / 37 / 0 / 30

HEX #3F71B2

RGB 63 113 178

HSL 213.91, 0.48%, 0.47%

LAB 47.08, 4.12, -39.53

 

CMYK 59 / 34 / 0 / 23

HEX #5083C5

RGB 80 131 197

HSL 213.85, 0.5%, 0.54%

LAB 53.99, 2.96, -39.49

 

CMYK 55 / 31 / 0 / 15

HEX #6195D8

RGB 97 149 216

HSL 213.78, 0.6%, 0.61%

LAB 60.78, 2.04, -39.48

 

CMYK 51 / 29 / 0 / 8

HEX #72A7EB

RGB 114 167 235

HSL 213.72, 0.75%, 0.68%

LAB 67.44, 1.3, -39.5

 

CMYK 48 / 27 / 0 / 0

HEX #83B9FE

RGB 131 185 254

HSL 213.66, 0.98%, 0.75%

LAB 73.98, 0.67, -39.54

 

CMYK 68 / 38 / 0 / 28

HEX #3A71B7

RGB 58 113 183

HSL 213.6, 0.52%, 0.47%

LAB 47.14, 5.04, -42.35

 

CMYK 75 / 42 / 0 / 36

HEX #295FA4

RGB 41 95 164

HSL 213.66, 0.6%, 0.4%

LAB 40.14, 6.79, -42.38

 

CMYK 83 / 47 / 0 / 43

HEX #184D91

RGB 24 77 145

HSL 213.72, 0.72%, 0.33%

LAB 33.02, 9.12, -42.39

 

CMYK 94 / 53 / 0 / 51

HEX #073B7E

RGB 7 59 126

HSL 213.78, 0.89%, 0.26%

LAB 25.8, 12.24, -42.29

 

CMYK 100 / 62 / 0 / 58

HEX #00296B

RGB 0 41 107

HSL 217.01, 1%, 0.21%

LAB 18.57, 16.48, -41.91

 

CMYK 68 / 38 / 0 / 29

HEX #3A70B6

RGB 58 112 182

HSL 213.87, 0.52%, 0.47%

LAB 46.8, 5.3, -42.32

 

CMYK 68 / 57 / 0 / 29

HEX #3A4FB6

RGB 58 79 182

HSL 229.84, 0.52%, 0.47%

LAB 37.61, 26.45, -57.07

 

CMYK 62 / 68 / 0 / 29

HEX #463AB6

RGB 70 58 182

HSL 245.81, 0.52%, 0.47%

LAB 33.36, 41.38, -63.96

 

CMYK 43 / 68 / 0 / 29

HEX #683AB6

RGB 104 58 182

HSL 262.26, 0.52%, 0.47%

LAB 36.64, 47.23, -58.47

 

CMYK 25 / 68 / 0 / 29

HEX #893AB6

RGB 137 58 182

HSL 278.23, 0.52%, 0.47%

LAB 40.77, 54.04, -51.59

 

CMYK 68 / 38 / 0 / 29

HEX #3A70B6

RGB 58 112 182

HSL 213.87, 0.52%, 0.47%

LAB 46.8, 5.3, -42.32

 

CMYK 68 / 57 / 0 / 29

HEX #3A4FB6

RGB 58 79 182

HSL 229.84, 0.52%, 0.47%

LAB 37.61, 26.45, -57.07

 

CMYK 68 / 68 / 0 / 29

HEX #3A3AB6

RGB 58 58 182

HSL 240, 0.52%, 0.47%

LAB 32.49, 39.74, -65.43

 

CMYK 68 / 38 / 0 / 29

HEX #3A70B6

RGB 58 112 182

HSL 213.87, 0.52%, 0.47%

LAB 46.8, 5.3, -42.32

 

CMYK 81 / 46 / 0 / 21

HEX #266ECA

RGB 38 110 202

HSL 213.66, 0.68%, 0.47%

LAB 46.75, 11.44, -53.97

 

CMYK 91 / 51 / 0 / 13

HEX #136CDD

RGB 19 108 221

HSL 213.56, 0.84%, 0.47%

LAB 47.08, 18.8, -64.28

 

CMYK 68 / 38 / 0 / 29

HEX #3A70B6

RGB 58 112 182

HSL 213.87, 0.52%, 0.47%

LAB 46.8, 5.3, -42.32

 

CMYK 53 / 29 / 0 / 36

HEX #4D73A3

RGB 77 115 163

HSL 213.49, 0.36%, 0.47%

LAB 47.6, 0.79, -29.9

 

CMYK 33 / 18 / 0 / 44

HEX #60758F

RGB 96 117 143

HSL 213.19, 0.2%, 0.47%

LAB 48.5, -1.13, -16.66

 

CMYK 6 / 4 / 0 / 51

HEX #74777C

RGB 116 119 124

HSL 217.5, 0.03%, 0.47%

LAB 49.93, -0.08, -3.14

 

CMYK 0 / 10 / 22 / 47

HEX #877A69

RGB 135 122 105

HSL 34, 0.13%, 0.47%

LAB 51.94, 2.06, 11.13

 

CMYK 68 / 1 / 0 / 29

HEX #3AB4B6

RGB 58 180 182

HSL 180.97, 0.52%, 0.47%

LAB 67.22, -32.01, -10.81

 

CMYK 68 / 19 / 0 / 29

HEX #3A93B6

RGB 58 147 182

HSL 196.94, 0.52%, 0.47%

LAB 57.22, -15.14, -26

 

CMYK 68 / 37 / 0 / 29

HEX #3A72B6

RGB 58 114 182

HSL 212.9, 0.52%, 0.47%

LAB 47.38, 4.06, -41.39

 

CMYK 68 / 56 / 0 / 29

HEX #3A50B6

RGB 58 80 182

HSL 229.35, 0.52%, 0.47%

LAB 37.87, 25.8, -56.65

 

CMYK 63 / 68 / 0 / 29

HEX #443AB6

RGB 68 58 182

HSL 244.84, 0.52%, 0.47%

LAB 33.21, 41.09, -64.23

 

CMYK 68 / 38 / 0 / 53

HEX #264A77

RGB 38 74 119

HSL 213.33, 0.52%, 0.31%

LAB 30.98, 2.8, -29.56

 

CMYK 68 / 38 / 0 / 41

HEX #305D97

RGB 48 93 151

HSL 213.79, 0.52%, 0.39%

LAB 39.06, 4.26, -36.33

 

CMYK 68 / 38 / 0 / 29

HEX #3A70B6

RGB 58 112 182

HSL 213.87, 0.52%, 0.47%

LAB 46.8, 5.3, -42.32

 

CMYK 60 / 34 / 0 / 22

HEX #5185C8

RGB 81 133 200

HSL 213.78, 0.52%, 0.55%

LAB 54.76, 2.97, -40

 

CMYK 47 / 26 / 0 / 18

HEX #709BD2

RGB 112 155 210

HSL 213.67, 0.52%, 0.63%

LAB 62.96, 0.22, -32.67

 

CMYK 68 / 38 / 0 / 28

HEX #3A71B7

RGB 58 113 183

HSL 213.6, 0.52%, 0.47%

LAB 47.14, 5.04, -42.35

 

CMYK 17 / 68 / 0 / 29

HEX #973AB6

RGB 151 58 182

HSL 285, 0.52%, 0.47%

LAB 42.74, 57.13, -48.32

 

CMYK 10 / 0 / 68 / 29

HEX #A3B63A

RGB 163 182 58

HSL 69.19, 0.52%, 0.47%

LAB 70.56, -23.11, 58.1

 

CMYK 68 / 38 / 0 / 28

HEX #3A71B7

RGB 58 113 183

HSL 213.6, 0.52%, 0.47%

LAB 47.14, 5.04, -42.35

 

CMYK 0 / 68 / 37 / 29

HEX #B63A72

RGB 182 58 114

HSL 332.9, 0.52%, 0.47%

LAB 44.5, 54.56, -4.23

 

CMYK 37 / 0 / 68 / 29

HEX #72B63A

RGB 114 182 58

HSL 92.9, 0.52%, 0.47%

LAB 67.53, -42.13, 54.02

 

CMYK 68 / 38 / 0 / 28

HEX #3A71B7

RGB 58 113 183

HSL 213.6, 0.52%, 0.47%

LAB 47.14, 5.04, -42.35

 

CMYK 17 / 68 / 0 / 29

HEX #973AB6

RGB 151 58 182

HSL 285, 0.52%, 0.47%

LAB 42.74, 57.13, -48.32

 

CMYK 0 / 31 / 68 / 29

HEX #B67E3A

RGB 182 126 58

HSL 32.9, 0.52%, 0.47%

LAB 57.24, 15.06, 44.62

 

CMYK 51 / 0 / 68 / 29

HEX #59B63A

RGB 89 182 58

HSL 105, 0.52%, 0.47%

LAB 66.43, -50.13, 52.52

 

CMYK 68 / 38 / 0 / 28

HEX #3A71B7

RGB 58 113 183

HSL 213.6, 0.52%, 0.47%

LAB 47.14, 5.04, -42.35

 

CMYK 0 / 68 / 3 / 29

HEX #B63AB0

RGB 182 58 176

HSL 302.9, 0.52%, 0.47%

LAB 47.11, 63.17, -37.55

 

CMYK 0 / 31 / 68 / 29

HEX #B67E3A

RGB 182 126 58

HSL 32.9, 0.52%, 0.47%

LAB 57.24, 15.06, 44.62

 

CMYK 68 / 0 / 65 / 29

HEX #3AB640

RGB 58 182 64

HSL 122.9, 0.52%, 0.47%

LAB 65.53, -57.06, 48.77

 

Description

Color code: HEX #3A71B7 | qconv.com Color code: HEX #3A71B7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 113 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 113 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 38 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 38% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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