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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A6713 it is the complementary color #C598EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A6713. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A6713 shade: #3F670E, #507921, #618B34, #729D47 and #83AF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A6713. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A6713 shade: #3A6713, #295500, #184300, #073100 and #001F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A6713 shade: #3A6713, #516713, #676713, #675013 and #673A13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A6713 shade: #3A6713, #236713, #136719, #136730 and #136747

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A6713 shade matches the following richer shades: #3A6713 and #397109

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A6713 shade: #3A6713, #3B5E1D, #3C5427, #3C4A31 and #3D403B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A6713 shade: #676713, #516713, #3A6713, #246713 and #136719

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A6713 shade: #132206, #27450D, #3A6713, #4E8A19 and #61AD20

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A6713 shade: #3A6713, #136751 and #67135C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A6713 shade: #3A6713, #133A67 and #67133A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A6713 shade: #3A6713, #136751, #401367 and #671329

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A6713 shade: #3A6713, #136567, #401367 and #671613

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 82 / 60

HEX #3A6713

RGB 58 103 19

HSL 92.14, 0.69%, 0.24%

LAB 38.98, -30.3, 39.37

 

Complementary color

CMYK 17 / 36 / 0 / 7

HEX #C598EC

RGB 197 152 236

HSL 272.14, 0.69%, 0.76%

LAB 69.74, 32.42, -36

 

CMYK 39 / 0 / 86 / 60

HEX #3F670E

RGB 63 103 14

HSL 86.97, 0.76%, 0.23%

LAB 39.22, -28.65, 41.32

 

CMYK 34 / 0 / 73 / 53

HEX #507921

RGB 80 121 33

HSL 87.95, 0.57%, 0.3%

LAB 46.3, -29.22, 41.6

 

CMYK 30 / 0 / 63 / 45

HEX #618B34

RGB 97 139 52

HSL 88.97, 0.46%, 0.37%

LAB 53.23, -29.5, 40.9

 

CMYK 27 / 0 / 55 / 38

HEX #729D47

RGB 114 157 71

HSL 90, 0.38%, 0.45%

LAB 60.02, -29.62, 39.84

 

CMYK 25 / 0 / 49 / 31

HEX #83AF5A

RGB 131 175 90

HSL 91.06, 0.35%, 0.52%

LAB 66.69, -29.64, 38.67

 

CMYK 44 / 0 / 82 / 60

HEX #3A6713

RGB 58 103 19

HSL 92.14, 0.69%, 0.24%

LAB 38.98, -30.3, 39.37

 

CMYK 52 / 0 / 100 / 67

HEX #295500

RGB 41 85 0

HSL 91.06, 1%, 0.17%

LAB 31.73, -29.51, 38.73

 

CMYK 64 / 0 / 100 / 74

HEX #184300

RGB 24 67 0

HSL 98.51, 1%, 0.13%

LAB 24.35, -27.56, 32.16

 

CMYK 86 / 0 / 100 / 81

HEX #073100

RGB 7 49 0

HSL 111.43, 1%, 0.1%

LAB 16.71, -25.01, 23.51

 

CMYK 100 / 0 / 100 / 88

HEX #001F00

RGB 0 31 0

HSL 120, 1%, 0.06%

LAB 8.82, -17.96, 12.88

 

CMYK 44 / 0 / 82 / 60

HEX #3A6713

RGB 58 103 19

HSL 92.14, 0.69%, 0.24%

LAB 38.98, -30.3, 39.37

 

CMYK 21 / 0 / 82 / 60

HEX #516713

RGB 81 103 19

HSL 75.71, 0.69%, 0.24%

LAB 40.4, -20.75, 41.22

 

CMYK 0 / 0 / 82 / 60

HEX #676713

RGB 103 103 19

HSL 60, 0.69%, 0.24%

LAB 42.2, -10.49, 43.52

 

CMYK 0 / 22 / 82 / 60

HEX #675013

RGB 103 80 19

HSL 43.57, 0.69%, 0.24%

LAB 35.34, 3.01, 37.22

 

CMYK 0 / 44 / 82 / 60

HEX #673A13

RGB 103 58 19

HSL 27.86, 0.69%, 0.24%

LAB 29.3, 16.53, 31.42

 

CMYK 44 / 0 / 82 / 60

HEX #3A6713

RGB 58 103 19

HSL 92.14, 0.69%, 0.24%

LAB 38.98, -30.3, 39.37

 

CMYK 66 / 0 / 82 / 60

HEX #236713

RGB 35 103 19

HSL 108.57, 0.69%, 0.24%

LAB 38.03, -37.62, 38.12

 

CMYK 82 / 0 / 76 / 60

HEX #136719

RGB 19 103 25

HSL 124.29, 0.69%, 0.24%

LAB 37.68, -40.42, 35.3

 

CMYK 82 / 0 / 53 / 60

HEX #136730

RGB 19 103 48

HSL 140.71, 0.69%, 0.24%

LAB 37.94, -37.32, 24.16

 

CMYK 82 / 0 / 31 / 60

HEX #136747

RGB 19 103 71

HSL 157.14, 0.69%, 0.24%

LAB 38.36, -32.45, 11.32

 

CMYK 44 / 0 / 82 / 60

HEX #3A6713

RGB 58 103 19

HSL 92.14, 0.69%, 0.24%

LAB 38.98, -30.3, 39.37

 

CMYK 50 / 0 / 92 / 56

HEX #397109

RGB 57 113 9

HSL 92.31, 0.85%, 0.24%

LAB 42.31, -35.52, 45.19

 

CMYK 44 / 0 / 82 / 60

HEX #3A6713

RGB 58 103 19

HSL 92.14, 0.69%, 0.24%

LAB 38.98, -30.3, 39.37

 

CMYK 37 / 0 / 69 / 63

HEX #3B5E1D

RGB 59 94 29

HSL 92.31, 0.53%, 0.24%

LAB 36.03, -24.87, 32.21

 

CMYK 29 / 0 / 54 / 67

HEX #3C5427

RGB 60 84 39

HSL 92, 0.37%, 0.24%

LAB 32.81, -18.15, 23.26

 

CMYK 19 / 0 / 34 / 71

HEX #3C4A31

RGB 60 74 49

HSL 93.6, 0.2%, 0.24%

LAB 29.61, -10.94, 13.15

 

CMYK 5 / 0 / 8 / 75

HEX #3D403B

RGB 61 64 59

HSL 96, 0.04%, 0.24%

LAB 26.66, -2.38, 2.62

 

CMYK 0 / 0 / 82 / 60

HEX #676713

RGB 103 103 19

HSL 60, 0.69%, 0.24%

LAB 42.2, -10.49, 43.52

 

CMYK 21 / 0 / 82 / 60

HEX #516713

RGB 81 103 19

HSL 75.71, 0.69%, 0.24%

LAB 40.4, -20.75, 41.22

 

CMYK 44 / 0 / 82 / 60

HEX #3A6713

RGB 58 103 19

HSL 92.14, 0.69%, 0.24%

LAB 38.98, -30.3, 39.37

 

CMYK 65 / 0 / 82 / 60

HEX #246713

RGB 36 103 19

HSL 107.86, 0.69%, 0.24%

LAB 38.06, -37.37, 38.17

 

CMYK 82 / 0 / 76 / 60

HEX #136719

RGB 19 103 25

HSL 124.29, 0.69%, 0.24%

LAB 37.68, -40.42, 35.3

 

CMYK 44 / 0 / 82 / 87

HEX #132206

RGB 19 34 6

HSL 92.14, 0.7%, 0.08%

LAB 11.25, -12.71, 14

 

CMYK 43 / 0 / 81 / 73

HEX #27450D

RGB 39 69 13

HSL 92.14, 0.68%, 0.16%

LAB 25.91, -21.98, 28.62

 

CMYK 44 / 0 / 82 / 60

HEX #3A6713

RGB 58 103 19

HSL 92.14, 0.69%, 0.24%

LAB 38.98, -30.3, 39.37

 

CMYK 43 / 0 / 82 / 46

HEX #4E8A19

RGB 78 138 25

HSL 91.86, 0.69%, 0.32%

LAB 51.69, -38.12, 49.66

 

CMYK 44 / 0 / 82 / 32

HEX #61AD20

RGB 97 173 32

HSL 92.34, 0.69%, 0.4%

LAB 63.78, -45.82, 59.05

 

CMYK 44 / 0 / 82 / 60

HEX #3A6713

RGB 58 103 19

HSL 92.14, 0.69%, 0.24%

LAB 38.98, -30.3, 39.37

 

CMYK 82 / 0 / 21 / 60

HEX #136751

RGB 19 103 81

HSL 164.29, 0.69%, 0.24%

LAB 38.61, -29.83, 5.6

 

CMYK 0 / 82 / 11 / 60

HEX #67135C

RGB 103 19 92

HSL 307.86, 0.69%, 0.24%

LAB 24.07, 44.17, -22.66

 

CMYK 44 / 0 / 82 / 60

HEX #3A6713

RGB 58 103 19

HSL 92.14, 0.69%, 0.24%

LAB 38.98, -30.3, 39.37

 

CMYK 82 / 44 / 0 / 60

HEX #133A67

RGB 19 58 103

HSL 212.14, 0.69%, 0.24%

LAB 24.14, 4.16, -30.29

 

CMYK 0 / 82 / 44 / 60

HEX #67133A

RGB 103 19 58

HSL 332.14, 0.69%, 0.24%

LAB 22.5, 39.48, -2.06

 

CMYK 44 / 0 / 82 / 60

HEX #3A6713

RGB 58 103 19

HSL 92.14, 0.69%, 0.24%

LAB 38.98, -30.3, 39.37

 

CMYK 82 / 0 / 21 / 60

HEX #136751

RGB 19 103 81

HSL 164.29, 0.69%, 0.24%

LAB 38.61, -29.83, 5.6

 

CMYK 38 / 82 / 0 / 60

HEX #401367

RGB 64 19 103

HSL 272.14, 0.69%, 0.24%

LAB 18.08, 37.88, -39.9

 

CMYK 0 / 82 / 60 / 60

HEX #671329

RGB 103 19 41

HSL 344.29, 0.69%, 0.24%

LAB 21.98, 37.86, 9.04

 

CMYK 44 / 0 / 82 / 60

HEX #3A6713

RGB 58 103 19

HSL 92.14, 0.69%, 0.24%

LAB 38.98, -30.3, 39.37

 

CMYK 82 / 2 / 0 / 60

HEX #136567

RGB 19 101 103

HSL 181.43, 0.69%, 0.24%

LAB 38.59, -22.11, -7.9

 

CMYK 38 / 82 / 0 / 60

HEX #401367

RGB 64 19 103

HSL 272.14, 0.69%, 0.24%

LAB 18.08, 37.88, -39.9

 

CMYK 0 / 79 / 82 / 60

HEX #671613

RGB 103 22 19

HSL 2.14, 0.69%, 0.24%

LAB 21.96, 35.44, 23.9

 

Description

Color code: HEX #3A6713 | qconv.com Color code: HEX #3A6713 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 103 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 103 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 82 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 82% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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