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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A66BC it is the complementary color #C59943. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A66BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A66BC shade: #3F66B7, #5078CA, #618ADD, #729CF0 and #83AEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A66BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A66BC shade: #3A66BC, #2954A9, #184296, #073083 and #001E70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A66BC shade: #3A65BB, #3A42BB, #543ABB, #773ABB and #9A3ABB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A66BC shade: #3A65BB, #3A42BB and #3A3ABB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A66BC shade matches the following richer shades: #3A65BB, #265FCF and #1259E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A66BC shade: #3A65BB, #4D6CA7, #617294, #757980 and #897F6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A66BC shade: #3AACBB, #3A8ABB, #3A67BB, #3A44BB and #513ABB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A66BC shade: #26437C, #30549C, #3A65BB, #547CCA and #7394D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A66BC shade: #3A66BC, #A83ABB and #9BBB3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A66BC shade: #3A66BC, #BB3A67 and #67BB3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A66BC shade: #3A66BC, #A83ABB, #BB8E3A and #4DBB3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A66BC shade: #3A66BC, #BB3AA8, #BB8E3A and #3ABB4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 46 / 0 / 26

HEX #3A66BC

RGB 58 102 188

HSL 219.69, 0.53%, 0.48%

LAB 44.28, 13.77, -49.82

 

Complementary color

CMYK 0 / 22 / 66 / 23

HEX #C59943

RGB 197 153 67

HSL 39.69, 0.53%, 0.52%

LAB 65.79, 7.29, 50.16

 

CMYK 66 / 44 / 0 / 28

HEX #3F66B7

RGB 63 102 183

HSL 220.5, 0.49%, 0.48%

LAB 44.2, 12.79, -47.02

 

CMYK 60 / 41 / 0 / 21

HEX #5078CA

RGB 80 120 202

HSL 220.33, 0.54%, 0.55%

LAB 51.16, 11.29, -46.84

 

CMYK 56 / 38 / 0 / 13

HEX #618ADD

RGB 97 138 221

HSL 220.16, 0.65%, 0.62%

LAB 57.98, 10.09, -46.68

 

CMYK 53 / 35 / 0 / 6

HEX #729CF0

RGB 114 156 240

HSL 220, 0.81%, 0.69%

LAB 64.68, 9.1, -46.56

 

CMYK 49 / 32 / 0 / 0

HEX #83AEFF

RGB 131 174 255

HSL 219.19, 1%, 0.76%

LAB 71.09, 7.1, -44.6

 

CMYK 69 / 46 / 0 / 26

HEX #3A66BC

RGB 58 102 188

HSL 219.69, 0.53%, 0.48%

LAB 44.28, 13.77, -49.82

 

CMYK 76 / 50 / 0 / 34

HEX #2954A9

RGB 41 84 169

HSL 219.84, 0.61%, 0.41%

LAB 37.26, 15.92, -49.99

 

CMYK 84 / 56 / 0 / 41

HEX #184296

RGB 24 66 150

HSL 220, 0.72%, 0.34%

LAB 30.14, 18.68, -50.09

 

CMYK 95 / 63 / 0 / 49

HEX #073083

RGB 7 48 131

HSL 220.16, 0.9%, 0.27%

LAB 22.99, 22.25, -50.01

 

CMYK 100 / 73 / 0 / 56

HEX #001E70

RGB 0 30 112

HSL 223.93, 1%, 0.22%

LAB 16, 26.66, -49.39

 

CMYK 69 / 46 / 0 / 27

HEX #3A65BB

RGB 58 101 187

HSL 220, 0.53%, 0.48%

LAB 43.94, 14.04, -49.79

 

CMYK 69 / 65 / 0 / 27

HEX #3A42BB

RGB 58 66 187

HSL 236.28, 0.53%, 0.48%

LAB 34.77, 36.53, -64.64

 

CMYK 55 / 69 / 0 / 27

HEX #543ABB

RGB 84 58 187

HSL 252.09, 0.53%, 0.48%

LAB 35, 45.1, -64.19

 

CMYK 36 / 69 / 0 / 27

HEX #773ABB

RGB 119 58 187

HSL 268.37, 0.53%, 0.48%

LAB 38.79, 51.46, -57.85

 

CMYK 18 / 69 / 0 / 27

HEX #9A3ABB

RGB 154 58 187

HSL 284.65, 0.53%, 0.48%

LAB 43.48, 58.79, -50.04

 

CMYK 69 / 46 / 0 / 27

HEX #3A65BB

RGB 58 101 187

HSL 220, 0.53%, 0.48%

LAB 43.94, 14.04, -49.79

 

CMYK 69 / 65 / 0 / 27

HEX #3A42BB

RGB 58 66 187

HSL 236.28, 0.53%, 0.48%

LAB 34.77, 36.53, -64.64

 

CMYK 69 / 69 / 0 / 27

HEX #3A3ABB

RGB 58 58 187

HSL 240, 0.53%, 0.48%

LAB 32.95, 41.42, -67.63

 

CMYK 69 / 46 / 0 / 27

HEX #3A65BB

RGB 58 101 187

HSL 220, 0.53%, 0.48%

LAB 43.94, 14.04, -49.79

 

CMYK 82 / 54 / 0 / 19

HEX #265FCF

RGB 38 95 207

HSL 219.76, 0.69%, 0.48%

LAB 42.92, 23.01, -63.03

 

CMYK 92 / 61 / 0 / 11

HEX #1259E3

RGB 18 89 227

HSL 219.62, 0.85%, 0.48%

LAB 42.49, 33.35, -75.17

 

CMYK 69 / 46 / 0 / 27

HEX #3A65BB

RGB 58 101 187

HSL 220, 0.53%, 0.48%

LAB 43.94, 14.04, -49.79

 

CMYK 54 / 35 / 0 / 35

HEX #4D6CA7

RGB 77 108 167

HSL 219.33, 0.37%, 0.48%

LAB 45.76, 6.36, -35.14

 

CMYK 34 / 23 / 0 / 42

HEX #617294

RGB 97 114 148

HSL 220, 0.21%, 0.48%

LAB 47.9, 2.33, -20.53

 

CMYK 9 / 5 / 0 / 50

HEX #757980

RGB 117 121 128

HSL 218.18, 0.04%, 0.48%

LAB 50.7, -0.02, -4.34

 

CMYK 0 / 7 / 21 / 46

HEX #897F6C

RGB 137 127 108

HSL 39.31, 0.12%, 0.48%

LAB 53.58, 0.49, 11.71

 

CMYK 69 / 8 / 0 / 27

HEX #3AACBB

RGB 58 172 187

HSL 186.98, 0.53%, 0.48%

LAB 64.96, -26.61, -16.98

 

CMYK 69 / 26 / 0 / 27

HEX #3A8ABB

RGB 58 138 187

HSL 202.79, 0.53%, 0.48%

LAB 54.72, -8.43, -32.71

 

CMYK 69 / 45 / 0 / 27

HEX #3A67BB

RGB 58 103 187

HSL 219.07, 0.53%, 0.48%

LAB 44.5, 12.77, -48.88

 

CMYK 69 / 64 / 0 / 27

HEX #3A44BB

RGB 58 68 187

HSL 235.35, 0.53%, 0.48%

LAB 35.25, 35.28, -63.87

 

CMYK 57 / 69 / 0 / 27

HEX #513ABB

RGB 81 58 187

HSL 250.7, 0.53%, 0.48%

LAB 34.73, 44.62, -64.64

 

CMYK 69 / 46 / 0 / 51

HEX #26437C

RGB 38 67 124

HSL 219.77, 0.53%, 0.32%

LAB 29.11, 9.44, -35.65

 

CMYK 69 / 46 / 0 / 39

HEX #30549C

RGB 48 84 156

HSL 220, 0.53%, 0.4%

LAB 36.69, 11.98, -43.12

 

CMYK 69 / 46 / 0 / 27

HEX #3A65BB

RGB 58 101 187

HSL 220, 0.53%, 0.48%

LAB 43.94, 14.04, -49.79

 

CMYK 58 / 39 / 0 / 21

HEX #547CCA

RGB 84 124 202

HSL 219.66, 0.53%, 0.56%

LAB 52.47, 9.64, -44.74

 

CMYK 46 / 30 / 0 / 17

HEX #7394D4

RGB 115 148 212

HSL 219.59, 0.53%, 0.64%

LAB 61.29, 5.56, -36.38

 

CMYK 69 / 46 / 0 / 26

HEX #3A66BC

RGB 58 102 188

HSL 219.69, 0.53%, 0.48%

LAB 44.28, 13.77, -49.82

 

CMYK 10 / 69 / 0 / 27

HEX #A83ABB

RGB 168 58 187

HSL 291.16, 0.53%, 0.48%

LAB 45.55, 61.88, -46.61

 

CMYK 17 / 0 / 69 / 27

HEX #9BBB3A

RGB 155 187 58

HSL 74.88, 0.53%, 0.48%

LAB 71.43, -28.83, 58.8

 

CMYK 69 / 46 / 0 / 26

HEX #3A66BC

RGB 58 102 188

HSL 219.69, 0.53%, 0.48%

LAB 44.28, 13.77, -49.82

 

CMYK 0 / 69 / 45 / 27

HEX #BB3A67

RGB 187 58 103

HSL 339.07, 0.53%, 0.48%

LAB 45.04, 54.91, 3.45

 

CMYK 45 / 0 / 69 / 27

HEX #67BB3A

RGB 103 187 58

HSL 99.07, 0.53%, 0.48%

LAB 68.56, -47.87, 54.93

 

CMYK 69 / 46 / 0 / 26

HEX #3A66BC

RGB 58 102 188

HSL 219.69, 0.53%, 0.48%

LAB 44.28, 13.77, -49.82

 

CMYK 10 / 69 / 0 / 27

HEX #A83ABB

RGB 168 58 187

HSL 291.16, 0.53%, 0.48%

LAB 45.55, 61.88, -46.61

 

CMYK 0 / 24 / 69 / 27

HEX #BB8E3A

RGB 187 142 58

HSL 39.07, 0.53%, 0.48%

LAB 61.84, 8.4, 49.73

 

CMYK 59 / 0 / 69 / 27

HEX #4DBB3A

RGB 77 187 58

HSL 111.16, 0.53%, 0.48%

LAB 67.59, -55.22, 53.63

 

CMYK 69 / 46 / 0 / 26

HEX #3A66BC

RGB 58 102 188

HSL 219.69, 0.53%, 0.48%

LAB 44.28, 13.77, -49.82

 

CMYK 0 / 69 / 10 / 27

HEX #BB3AA8

RGB 187 58 168

HSL 308.84, 0.53%, 0.48%

LAB 47.52, 63.11, -32.14

 

CMYK 0 / 24 / 69 / 27

HEX #BB8E3A

RGB 187 142 58

HSL 39.07, 0.53%, 0.48%

LAB 61.84, 8.4, 49.73

 

CMYK 69 / 0 / 59 / 27

HEX #3ABB4D

RGB 58 187 77

HSL 128.84, 0.53%, 0.48%

LAB 67.26, -57.3, 44.92

 

Description

Color code: HEX #3A66BC | qconv.com Color code: HEX #3A66BC | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 102 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 102 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 46 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 46% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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