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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A6698 it is the complementary color #C59967. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A6698. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A6698 shade: #3F6693, #5078A6, #618AB9, #729CCC and #83AEDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A6698. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A6698 shade: #3A6698, #295485, #184272, #07305F and #001E4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A6698 shade: #396597, #394C97, #403997, #593997 and #723997

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A6698 shade: #396597, #394C97 and #393997

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A6698 shade matches the following richer shades: #396597, #2864A8, #1763B9 and #0662CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A6698 shade: #396597, #4A6686, #5B6775, #6C6864 and #7D6953

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A6698 shade: #399796, #398097, #396697, #394D97 and #3E3997

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A6698 shade: #223D5B, #2E5179, #396597, #4479B5 and #608EC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A6698 shade: #3A6698, #7C3997 and #8C9739

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A6698 shade: #3A6698, #973966 and #669739

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A6698 shade: #3A6698, #7C3997, #976A39 and #549739

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A6698 shade: #3A6698, #973996, #976A39 and #39973B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 33 / 0 / 40

HEX #3A6698

RGB 58 102 152

HSL 211.91, 0.45%, 0.41%

LAB 42.26, 0.85, -31.84

 

Complementary color

CMYK 0 / 22 / 48 / 23

HEX #C59967

RGB 197 153 103

HSL 31.91, 0.45%, 0.59%

LAB 66.24, 10.17, 32.5

 

CMYK 57 / 31 / 0 / 42

HEX #3F6693

RGB 63 102 147

HSL 212.14, 0.4%, 0.41%

LAB 42.26, 0.2, -28.85

 

CMYK 52 / 28 / 0 / 35

HEX #5078A6

RGB 80 120 166

HSL 212.09, 0.35%, 0.48%

LAB 49.36, -0.54, -28.9

 

CMYK 48 / 25 / 0 / 27

HEX #618AB9

RGB 97 138 185

HSL 212.05, 0.39%, 0.55%

LAB 56.31, -1.12, -28.98

 

CMYK 44 / 24 / 0 / 20

HEX #729CCC

RGB 114 156 204

HSL 212, 0.47%, 0.62%

LAB 63.11, -1.58, -29.1

 

CMYK 41 / 22 / 0 / 13

HEX #83AEDF

RGB 131 174 223

HSL 211.96, 0.59%, 0.69%

LAB 69.77, -1.96, -29.24

 

CMYK 62 / 33 / 0 / 40

HEX #3A6698

RGB 58 102 152

HSL 211.91, 0.45%, 0.41%

LAB 42.26, 0.85, -31.84

 

CMYK 69 / 37 / 0 / 48

HEX #295485

RGB 41 84 133

HSL 211.96, 0.53%, 0.34%

LAB 35.01, 2.1, -31.83

 

CMYK 79 / 42 / 0 / 55

HEX #184272

RGB 24 66 114

HSL 212, 0.65%, 0.27%

LAB 27.59, 3.89, -31.82

 

CMYK 93 / 49 / 0 / 63

HEX #07305F

RGB 7 48 95

HSL 212.05, 0.86%, 0.2%

LAB 19.98, 6.51, -31.76

 

CMYK 100 / 61 / 0 / 70

HEX #001E4C

RGB 0 30 76

HSL 216.32, 1%, 0.15%

LAB 12.29, 10.57, -31.44

 

CMYK 62 / 33 / 0 / 41

HEX #396597

RGB 57 101 151

HSL 211.91, 0.45%, 0.41%

LAB 41.86, 0.91, -31.87

 

CMYK 62 / 50 / 0 / 41

HEX #394C97

RGB 57 76 151

HSL 227.87, 0.45%, 0.41%

LAB 34.55, 17.05, -43.51

 

CMYK 58 / 62 / 0 / 41

HEX #403997

RGB 64 57 151

HSL 244.47, 0.45%, 0.41%

LAB 30.04, 30.84, -50.77

 

CMYK 41 / 62 / 0 / 41

HEX #593997

RGB 89 57 151

HSL 260.43, 0.45%, 0.41%

LAB 32.45, 36.08, -46.75

 

CMYK 25 / 62 / 0 / 41

HEX #723997

RGB 114 57 151

HSL 276.38, 0.45%, 0.41%

LAB 35.47, 42.11, -41.72

 

CMYK 62 / 33 / 0 / 41

HEX #396597

RGB 57 101 151

HSL 211.91, 0.45%, 0.41%

LAB 41.86, 0.91, -31.87

 

CMYK 62 / 50 / 0 / 41

HEX #394C97

RGB 57 76 151

HSL 227.87, 0.45%, 0.41%

LAB 34.55, 17.05, -43.51

 

CMYK 62 / 62 / 0 / 41

HEX #393997

RGB 57 57 151

HSL 240, 0.45%, 0.41%

LAB 29.49, 29.58, -51.69

 

CMYK 62 / 33 / 0 / 41

HEX #396597

RGB 57 101 151

HSL 211.91, 0.45%, 0.41%

LAB 41.86, 0.91, -31.87

 

CMYK 76 / 40 / 0 / 34

HEX #2864A8

RGB 40 100 168

HSL 211.88, 0.62%, 0.41%

LAB 41.83, 4.99, -42.05

 

CMYK 88 / 46 / 0 / 27

HEX #1763B9

RGB 23 99 185

HSL 211.85, 0.78%, 0.41%

LAB 42.17, 10.62, -51.52

 

CMYK 97 / 51 / 0 / 21

HEX #0662CA

RGB 6 98 202

HSL 211.84, 0.94%, 0.41%

LAB 42.82, 17.28, -60.33

 

CMYK 62 / 33 / 0 / 41

HEX #396597

RGB 57 101 151

HSL 211.91, 0.45%, 0.41%

LAB 41.86, 0.91, -31.87

 

CMYK 45 / 24 / 0 / 47

HEX #4A6686

RGB 74 102 134

HSL 212, 0.29%, 0.41%

LAB 42.28, -1.21, -20.96

 

CMYK 22 / 12 / 0 / 54

HEX #5B6775

RGB 91 103 117

HSL 212.31, 0.13%, 0.41%

LAB 43.08, -1.22, -9.37

 

CMYK 0 / 4 / 7 / 58

HEX #6C6864

RGB 108 104 100

HSL 30, 0.04%, 0.41%

LAB 44.25, 0.78, 2.8

 

CMYK 0 / 16 / 34 / 51

HEX #7D6953

RGB 125 105 83

HSL 31.43, 0.2%, 0.41%

LAB 45.75, 4.44, 15.34

 

CMYK 62 / 0 / 1 / 41

HEX #399796

RGB 57 151 150

HSL 179.36, 0.45%, 0.41%

LAB 57.27, -27.34, -7.68

 

CMYK 62 / 15 / 0 / 41

HEX #398097

RGB 57 128 151

HSL 194.68, 0.45%, 0.41%

LAB 50.15, -14.96, -19.02

 

CMYK 62 / 32 / 0 / 41

HEX #396697

RGB 57 102 151

HSL 211.28, 0.45%, 0.41%

LAB 42.16, 0.29, -31.4

 

CMYK 62 / 49 / 0 / 41

HEX #394D97

RGB 57 77 151

HSL 227.23, 0.45%, 0.41%

LAB 34.83, 16.39, -43.06

 

CMYK 59 / 62 / 0 / 41

HEX #3E3997

RGB 62 57 151

HSL 243.19, 0.45%, 0.41%

LAB 29.87, 30.46, -51.04

 

CMYK 63 / 33 / 0 / 64

HEX #223D5B

RGB 34 61 91

HSL 211.58, 0.46%, 0.25%

LAB 25.05, 0.05, -21.02

 

CMYK 62 / 33 / 0 / 53

HEX #2E5179

RGB 46 81 121

HSL 212, 0.45%, 0.33%

LAB 33.66, 0.6, -26.55

 

CMYK 62 / 33 / 0 / 41

HEX #396597

RGB 57 101 151

HSL 211.91, 0.45%, 0.41%

LAB 41.86, 0.91, -31.87

 

CMYK 62 / 33 / 0 / 29

HEX #4479B5

RGB 68 121 181

HSL 211.86, 0.45%, 0.49%

LAB 49.79, 1.22, -36.98

 

CMYK 51 / 27 / 0 / 24

HEX #608EC2

RGB 96 142 194

HSL 211.84, 0.45%, 0.57%

LAB 57.78, -0.95, -31.81

 

CMYK 62 / 33 / 0 / 40

HEX #3A6698

RGB 58 102 152

HSL 211.91, 0.45%, 0.41%

LAB 42.26, 0.85, -31.84

 

CMYK 18 / 62 / 0 / 41

HEX #7C3997

RGB 124 57 151

HSL 282.77, 0.45%, 0.41%

LAB 36.83, 44.64, -39.48

 

CMYK 7 / 0 / 62 / 41

HEX #8C9739

RGB 140 151 57

HSL 67.02, 0.45%, 0.41%

LAB 59.89, -17.27, 46.79

 

CMYK 62 / 33 / 0 / 40

HEX #3A6698

RGB 58 102 152

HSL 211.91, 0.45%, 0.41%

LAB 42.26, 0.85, -31.84

 

CMYK 0 / 62 / 32 / 41

HEX #973966

RGB 151 57 102

HSL 331.28, 0.45%, 0.41%

LAB 38.66, 44, -6

 

CMYK 32 / 0 / 62 / 41

HEX #669739

RGB 102 151 57

HSL 91.28, 0.45%, 0.41%

LAB 57.32, -32.76, 43.23

 

CMYK 62 / 33 / 0 / 40

HEX #3A6698

RGB 58 102 152

HSL 211.91, 0.45%, 0.41%

LAB 42.26, 0.85, -31.84

 

CMYK 18 / 62 / 0 / 41

HEX #7C3997

RGB 124 57 151

HSL 282.77, 0.45%, 0.41%

LAB 36.83, 44.64, -39.48

 

CMYK 0 / 30 / 62 / 41

HEX #976A39

RGB 151 106 57

HSL 31.28, 0.45%, 0.41%

LAB 48.49, 12.6, 34.23

 

CMYK 44 / 0 / 62 / 41

HEX #549739

RGB 84 151 57

HSL 102.77, 0.45%, 0.41%

LAB 56.4, -39.13, 41.95

 

CMYK 62 / 33 / 0 / 40

HEX #3A6698

RGB 58 102 152

HSL 211.91, 0.45%, 0.41%

LAB 42.26, 0.85, -31.84

 

CMYK 0 / 62 / 1 / 41

HEX #973996

RGB 151 57 150

HSL 300.64, 0.45%, 0.41%

LAB 40.75, 51.45, -32.41

 

CMYK 0 / 30 / 62 / 41

HEX #976A39

RGB 151 106 57

HSL 31.28, 0.45%, 0.41%

LAB 48.49, 12.6, 34.23

 

CMYK 62 / 0 / 61 / 41

HEX #39973B

RGB 57 151 59

HSL 121.28, 0.45%, 0.41%

LAB 55.4, -46.6, 39.6

 

Description

Color code: HEX #3A6698 | qconv.com Color code: HEX #3A6698 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 102 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 102 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 33 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 33% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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