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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A5673 it is the complementary color #C5A98C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A5673. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A5673 shade: #3F566E, #506881, #617A94, #728CA7 and #839EBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A5673. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A5673 shade: #3A5673, #294460, #18324D, #07203A and #000E27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A5673 shade: #3A5673, #3A4773, #3D3A73, #4C3A73 and #5C3A73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A5673 shade: #3A5673, #3A4773 and #3A3A73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A5673 shade matches the following richer shades: #3A5673, #2C5681, #1E568F, #10559D and #0255AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A5673 shade: #3A5673, #485665, #565757, #645749 and #72573B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A5673 shade: #3A7371, #3A6673, #3A5773, #3A4773 and #3C3A73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A5673 shade: #1E2D3C, #2C4258, #3A5673, #486B8F and #567FAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A5673 shade: #3A5673, #623A73 and #6E733A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A5673 shade: #3A5673, #733A57 and #57733A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A5673 shade: #3A5673, #623A73, #73573A and #4B733A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A5673 shade: #3A5673, #733A73, #73573A and #3A733A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 25 / 0 / 55

HEX #3A5673

RGB 58 86 115

HSL 210.53, 0.33%, 0.34%

LAB 35.58, -1.7, -19.78

 

Complementary color

CMYK 0 / 14 / 29 / 23

HEX #C5A98C

RGB 197 169 140

HSL 30.53, 0.33%, 0.66%

LAB 70.97, 5.82, 18.75

 

CMYK 43 / 22 / 0 / 57

HEX #3F566E

RGB 63 86 110

HSL 210.64, 0.27%, 0.34%

LAB 35.67, -1.86, -16.51

 

CMYK 38 / 19 / 0 / 49

HEX #506881

RGB 80 104 129

HSL 210.61, 0.23%, 0.41%

LAB 43.05, -2.16, -16.73

 

CMYK 34 / 18 / 0 / 42

HEX #617A94

RGB 97 122 148

HSL 210.59, 0.21%, 0.48%

LAB 50.21, -2.4, -16.98

 

CMYK 32 / 16 / 0 / 35

HEX #728CA7

RGB 114 140 167

HSL 210.57, 0.23%, 0.55%

LAB 57.2, -2.61, -17.26

 

CMYK 30 / 15 / 0 / 27

HEX #839EBA

RGB 131 158 186

HSL 210.55, 0.28%, 0.62%

LAB 64.02, -2.78, -17.55

 

CMYK 50 / 25 / 0 / 55

HEX #3A5673

RGB 58 86 115

HSL 210.53, 0.33%, 0.34%

LAB 35.58, -1.7, -19.78

 

CMYK 57 / 29 / 0 / 62

HEX #294460

RGB 41 68 96

HSL 210.55, 0.4%, 0.27%

LAB 27.98, -1.07, -19.66

 

CMYK 69 / 35 / 0 / 70

HEX #18324D

RGB 24 50 77

HSL 210.57, 0.52%, 0.2%

LAB 20.09, -0.09, -19.59

 

CMYK 88 / 45 / 0 / 77

HEX #07203A

RGB 7 32 58

HSL 210.59, 0.78%, 0.13%

LAB 11.85, 1.58, -19.55

 

CMYK 100 / 64 / 0 / 85

HEX #000E27

RGB 0 14 39

HSL 218.46, 1%, 0.08%

LAB 4.16, 3.5, -17.84

 

CMYK 50 / 25 / 0 / 55

HEX #3A5673

RGB 58 86 115

HSL 210.53, 0.33%, 0.34%

LAB 35.58, -1.7, -19.78

 

CMYK 50 / 38 / 0 / 55

HEX #3A4773

RGB 58 71 115

HSL 226.32, 0.33%, 0.34%

LAB 30.98, 8, -26.96

 

CMYK 47 / 50 / 0 / 55

HEX #3D3A73

RGB 61 58 115

HSL 243.16, 0.33%, 0.34%

LAB 27.45, 17.51, -32.54

 

CMYK 34 / 50 / 0 / 55

HEX #4C3A73

RGB 76 58 115

HSL 258.95, 0.33%, 0.34%

LAB 28.9, 21.75, -30.15

 

CMYK 20 / 50 / 0 / 55

HEX #5C3A73

RGB 92 58 115

HSL 275.79, 0.33%, 0.34%

LAB 30.73, 26.64, -27.13

 

CMYK 50 / 25 / 0 / 55

HEX #3A5673

RGB 58 86 115

HSL 210.53, 0.33%, 0.34%

LAB 35.58, -1.7, -19.78

 

CMYK 50 / 38 / 0 / 55

HEX #3A4773

RGB 58 71 115

HSL 226.32, 0.33%, 0.34%

LAB 30.98, 8, -26.96

 

CMYK 50 / 50 / 0 / 55

HEX #3A3A73

RGB 58 58 115

HSL 240, 0.33%, 0.34%

LAB 27.2, 16.72, -32.97

 

CMYK 50 / 25 / 0 / 55

HEX #3A5673

RGB 58 86 115

HSL 210.53, 0.33%, 0.34%

LAB 35.58, -1.7, -19.78

 

CMYK 66 / 33 / 0 / 49

HEX #2C5681

RGB 44 86 129

HSL 210.35, 0.49%, 0.34%

LAB 35.55, -0.11, -28.52

 

CMYK 79 / 40 / 0 / 44

HEX #1E568F

RGB 30 86 143

HSL 210.27, 0.65%, 0.34%

LAB 35.82, 3.02, -36.68

 

CMYK 90 / 46 / 0 / 38

HEX #10559D

RGB 16 85 157

HSL 210.64, 0.82%, 0.34%

LAB 36.06, 8.02, -44.77

 

CMYK 99 / 50 / 0 / 33

HEX #0255AB

RGB 2 85 171

HSL 210.53, 0.98%, 0.34%

LAB 36.84, 13.11, -51.89

 

CMYK 50 / 25 / 0 / 55

HEX #3A5673

RGB 58 86 115

HSL 210.53, 0.33%, 0.34%

LAB 35.58, -1.7, -19.78

 

CMYK 29 / 15 / 0 / 60

HEX #485665

RGB 72 86 101

HSL 211.03, 0.17%, 0.34%

LAB 35.93, -1.58, -10.45

 

CMYK 1 / 0 / 0 / 66

HEX #565757

RGB 86 87 87

HSL 180, 0.01%, 0.34%

LAB 36.9, -0.4, -0.15

 

CMYK 0 / 13 / 27 / 61

HEX #645749

RGB 100 87 73

HSL 31.11, 0.16%, 0.34%

LAB 37.85, 2.85, 10.09

 

CMYK 0 / 24 / 48 / 55

HEX #72573B

RGB 114 87 59

HSL 30.55, 0.32%, 0.34%

LAB 39.09, 7.23, 20.52

 

CMYK 50 / 0 / 2 / 55

HEX #3A7371

RGB 58 115 113

HSL 177.89, 0.33%, 0.34%

LAB 44.74, -19.19, -4.68

 

CMYK 50 / 11 / 0 / 55

HEX #3A6673

RGB 58 102 115

HSL 193.68, 0.33%, 0.34%

LAB 40.64, -11.35, -12.03

 

CMYK 50 / 24 / 0 / 55

HEX #3A5773

RGB 58 87 115

HSL 209.47, 0.33%, 0.34%

LAB 35.9, -2.33, -19.29

 

CMYK 50 / 38 / 0 / 55

HEX #3A4773

RGB 58 71 115

HSL 226.32, 0.33%, 0.34%

LAB 30.98, 8, -26.96

 

CMYK 48 / 50 / 0 / 55

HEX #3C3A73

RGB 60 58 115

HSL 242.11, 0.33%, 0.34%

LAB 27.37, 17.25, -32.69

 

CMYK 50 / 25 / 0 / 76

HEX #1E2D3C

RGB 30 45 60

HSL 210, 0.33%, 0.18%

LAB 17.82, -1.39, -11.51

 

CMYK 50 / 25 / 0 / 65

HEX #2C4258

RGB 44 66 88

HSL 210, 0.33%, 0.26%

LAB 27.12, -1.71, -15.81

 

CMYK 50 / 25 / 0 / 55

HEX #3A5673

RGB 58 86 115

HSL 210.53, 0.33%, 0.34%

LAB 35.58, -1.7, -19.78

 

CMYK 50 / 25 / 0 / 44

HEX #486B8F

RGB 72 107 143

HSL 210.42, 0.33%, 0.42%

LAB 44.05, -1.98, -23.62

 

CMYK 49 / 25 / 0 / 33

HEX #567FAA

RGB 86 127 170

HSL 210.71, 0.33%, 0.5%

LAB 51.9, -1.97, -27.25

 

CMYK 50 / 25 / 0 / 55

HEX #3A5673

RGB 58 86 115

HSL 210.53, 0.33%, 0.34%

LAB 35.58, -1.7, -19.78

 

CMYK 15 / 50 / 0 / 55

HEX #623A73

RGB 98 58 115

HSL 282.11, 0.33%, 0.34%

LAB 31.49, 28.53, -25.89

 

CMYK 4 / 0 / 50 / 55

HEX #6E733A

RGB 110 115 58

HSL 65.26, 0.33%, 0.34%

LAB 46.82, -11.03, 30.68

 

CMYK 50 / 25 / 0 / 55

HEX #3A5673

RGB 58 86 115

HSL 210.53, 0.33%, 0.34%

LAB 35.58, -1.7, -19.78

 

CMYK 0 / 50 / 24 / 55

HEX #733A57

RGB 115 58 87

HSL 329.47, 0.33%, 0.34%

LAB 32.61, 28.88, -6.1

 

CMYK 24 / 0 / 50 / 55

HEX #57733A

RGB 87 115 58

HSL 89.47, 0.33%, 0.34%

LAB 45.07, -20.88, 28.15

 

CMYK 50 / 25 / 0 / 55

HEX #3A5673

RGB 58 86 115

HSL 210.53, 0.33%, 0.34%

LAB 35.58, -1.7, -19.78

 

CMYK 15 / 50 / 0 / 55

HEX #623A73

RGB 98 58 115

HSL 282.11, 0.33%, 0.34%

LAB 31.49, 28.53, -25.89

 

CMYK 0 / 24 / 50 / 55

HEX #73573A

RGB 115 87 58

HSL 30.53, 0.33%, 0.34%

LAB 39.18, 7.57, 21.27

 

CMYK 35 / 0 / 50 / 55

HEX #4B733A

RGB 75 115 58

HSL 102.11, 0.33%, 0.34%

LAB 44.32, -25.59, 27.06

 

CMYK 50 / 25 / 0 / 55

HEX #3A5673

RGB 58 86 115

HSL 210.53, 0.33%, 0.34%

LAB 35.58, -1.7, -19.78

 

CMYK 0 / 50 / 0 / 55

HEX #733A73

RGB 115 58 115

HSL 300, 0.33%, 0.34%

LAB 33.79, 33.95, -22.12

 

CMYK 0 / 24 / 50 / 55

HEX #73573A

RGB 115 87 58

HSL 30.53, 0.33%, 0.34%

LAB 39.18, 7.57, 21.27

 

CMYK 50 / 0 / 50 / 55

HEX #3A733A

RGB 58 115 58

HSL 120, 0.33%, 0.34%

LAB 43.46, -31.47, 25.79

 

Description

Color code: HEX #3A5673 | qconv.com Color code: HEX #3A5673 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 86 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 86 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 25 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 25% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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