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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A5024 it is the complementary color #C5AFDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A5024. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A5024 shade: #3F501F, #506232, #617445, #728658 and #83986B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A5024. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A5024 shade: #3A5024, #293E11, #182C00, #071A00 and #000800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A5024 shade: #3A5024, #465024, #504F24, #504324 and #503724

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A5024 shade: #3A5024, #2E5024, #245026, #245032 and #24503E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A5024 shade matches the following richer shades: #3A5024, #3A5A1A, #3A6311 and #3A6D07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A5024 shade: #3A5024, #3A472D, #3A3D37, #3A3440 and #3A2A4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A5024 shade: #504F24, #465024, #3A5024, #2E5024 and #245025

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A5024 shade: #11170A, #263417, #3A5024, #4F6D31 and #63893D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A5024 shade: #3A5024, #245043 and #50244C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A5024 shade: #3A5024, #243A50 and #50243A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A5024 shade: #3A5024, #245043, #3A2450 and #502431

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A5024 shade: #3A5024, #245050, #3A2450 and #502424

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 55 / 69

HEX #3A5024

RGB 58 80 36

HSL 90, 0.38%, 0.23%

LAB 31.26, -17.23, 23.06

 

Complementary color

CMYK 10 / 20 / 0 / 14

HEX #C5AFDB

RGB 197 175 219

HSL 270, 0.38%, 0.77%

LAB 74.6, 16.16, -19.25

 

CMYK 21 / 0 / 61 / 69

HEX #3F501F

RGB 63 80 31

HSL 80.82, 0.44%, 0.22%

LAB 31.56, -15.61, 26.28

 

CMYK 18 / 0 / 49 / 62

HEX #506232

RGB 80 98 50

HSL 82.5, 0.32%, 0.29%

LAB 39.02, -15.76, 24.99

 

CMYK 16 / 0 / 41 / 55

HEX #617445

RGB 97 116 69

HSL 84.26, 0.25%, 0.36%

LAB 46.26, -15.81, 23.69

 

CMYK 15 / 0 / 34 / 47

HEX #728658

RGB 114 134 88

HSL 86.09, 0.21%, 0.44%

LAB 53.31, -15.8, 22.45

 

CMYK 14 / 0 / 30 / 40

HEX #83986B

RGB 131 152 107

HSL 88, 0.18%, 0.51%

LAB 60.2, -15.77, 21.29

 

CMYK 28 / 0 / 55 / 69

HEX #3A5024

RGB 58 80 36

HSL 90, 0.38%, 0.23%

LAB 31.26, -17.23, 23.06

 

CMYK 34 / 0 / 73 / 76

HEX #293E11

RGB 41 62 17

HSL 88, 0.57%, 0.15%

LAB 23.53, -17.11, 24.28

 

CMYK 45 / 0 / 100 / 83

HEX #182C00

RGB 24 44 0

HSL 87.27, 1%, 0.09%

LAB 15.46, -16.74, 22.12

 

CMYK 73 / 0 / 100 / 90

HEX #071A00

RGB 7 26 0

HSL 103.85, 1%, 0.05%

LAB 7.08, -11.8, 10.39

 

CMYK 100 / 0 / 100 / 97

HEX #000800

RGB 0 8 0

HSL 120, 1%, 0.02%

LAB 1.57, -3.2, 2.29

 

CMYK 28 / 0 / 55 / 69

HEX #3A5024

RGB 58 80 36

HSL 90, 0.38%, 0.23%

LAB 31.26, -17.23, 23.06

 

CMYK 13 / 0 / 55 / 69

HEX #465024

RGB 70 80 36

HSL 73.64, 0.38%, 0.23%

LAB 32.18, -11.83, 24.39

 

CMYK 0 / 1 / 55 / 69

HEX #504F24

RGB 80 79 36

HSL 58.64, 0.38%, 0.23%

LAB 32.76, -6.5, 25.28

 

CMYK 0 / 16 / 55 / 69

HEX #504324

RGB 80 67 36

HSL 42.27, 0.38%, 0.23%

LAB 29.02, 0.88, 20.78

 

CMYK 0 / 31 / 55 / 69

HEX #503724

RGB 80 55 36

HSL 25.91, 0.38%, 0.23%

LAB 25.46, 8.56, 16.3

 

CMYK 28 / 0 / 55 / 69

HEX #3A5024

RGB 58 80 36

HSL 90, 0.38%, 0.23%

LAB 31.26, -17.23, 23.06

 

CMYK 43 / 0 / 55 / 69

HEX #2E5024

RGB 46 80 36

HSL 106.36, 0.38%, 0.23%

LAB 30.51, -22.12, 21.97

 

CMYK 55 / 0 / 53 / 69

HEX #245026

RGB 36 80 38

HSL 122.73, 0.38%, 0.23%

LAB 30.04, -25.32, 20.12

 

CMYK 55 / 0 / 38 / 69

HEX #245032

RGB 36 80 50

HSL 139.09, 0.38%, 0.23%

LAB 30.26, -23.03, 13.15

 

CMYK 55 / 0 / 23 / 69

HEX #24503E

RGB 36 80 62

HSL 155.45, 0.38%, 0.23%

LAB 30.55, -20.2, 6.01

 

CMYK 28 / 0 / 55 / 69

HEX #3A5024

RGB 58 80 36

HSL 90, 0.38%, 0.23%

LAB 31.26, -17.23, 23.06

 

CMYK 36 / 0 / 71 / 65

HEX #3A5A1A

RGB 58 90 26

HSL 90, 0.55%, 0.23%

LAB 34.57, -23.57, 32.05

 

CMYK 41 / 0 / 83 / 61

HEX #3A6311

RGB 58 99 17

HSL 90, 0.71%, 0.23%

LAB 37.6, -28.58, 38.76

 

CMYK 47 / 0 / 94 / 57

HEX #3A6D07

RGB 58 109 7

HSL 90, 0.88%, 0.23%

LAB 40.98, -33.54, 44.55

 

CMYK 28 / 0 / 55 / 69

HEX #3A5024

RGB 58 80 36

HSL 90, 0.38%, 0.23%

LAB 31.26, -17.23, 23.06

 

CMYK 18 / 0 / 37 / 72

HEX #3A472D

RGB 58 71 45

HSL 90, 0.22%, 0.23%

LAB 28.37, -10.74, 13.97

 

CMYK 5 / 0 / 10 / 76

HEX #3A3D37

RGB 58 61 55

HSL 90, 0.05%, 0.23%

LAB 25.3, -2.61, 3.26

 

CMYK 9 / 19 / 0 / 75

HEX #3A3440

RGB 58 52 64

HSL 270, 0.1%, 0.23%

LAB 22.74, 5.44, -6.52

 

CMYK 22 / 43 / 0 / 71

HEX #3A2A4A

RGB 58 42 74

HSL 270, 0.28%, 0.23%

LAB 20.24, 14.89, -17.12

 

CMYK 0 / 1 / 55 / 69

HEX #504F24

RGB 80 79 36

HSL 58.64, 0.38%, 0.23%

LAB 32.76, -6.5, 25.28

 

CMYK 13 / 0 / 55 / 69

HEX #465024

RGB 70 80 36

HSL 73.64, 0.38%, 0.23%

LAB 32.18, -11.83, 24.39

 

CMYK 28 / 0 / 55 / 69

HEX #3A5024

RGB 58 80 36

HSL 90, 0.38%, 0.23%

LAB 31.26, -17.23, 23.06

 

CMYK 43 / 0 / 55 / 69

HEX #2E5024

RGB 46 80 36

HSL 106.36, 0.38%, 0.23%

LAB 30.51, -22.12, 21.97

 

CMYK 55 / 0 / 54 / 69

HEX #245025

RGB 36 80 37

HSL 121.36, 0.38%, 0.23%

LAB 30.02, -25.48, 20.68

 

CMYK 26 / 0 / 57 / 91

HEX #11170A

RGB 17 23 10

HSL 87.69, 0.39%, 0.06%

LAB 6.81, -5.09, 6

 

CMYK 27 / 0 / 56 / 80

HEX #263417

RGB 38 52 23

HSL 88.97, 0.39%, 0.15%

LAB 19.76, -12.04, 16.41

 

CMYK 28 / 0 / 55 / 69

HEX #3A5024

RGB 58 80 36

HSL 90, 0.38%, 0.23%

LAB 31.26, -17.23, 23.06

 

CMYK 28 / 0 / 55 / 57

HEX #4F6D31

RGB 79 109 49

HSL 90, 0.38%, 0.31%

LAB 42.49, -22.16, 29.74

 

CMYK 28 / 0 / 55 / 46

HEX #63893D

RGB 99 137 61

HSL 90, 0.38%, 0.39%

LAB 52.82, -26.83, 36.1

 

CMYK 28 / 0 / 55 / 69

HEX #3A5024

RGB 58 80 36

HSL 90, 0.38%, 0.23%

LAB 31.26, -17.23, 23.06

 

CMYK 55 / 0 / 16 / 69

HEX #245043

RGB 36 80 67

HSL 162.27, 0.38%, 0.23%

LAB 30.68, -18.88, 3.03

 

CMYK 0 / 55 / 5 / 69

HEX #50244C

RGB 80 36 76

HSL 305.45, 0.38%, 0.23%

LAB 21.9, 26.96, -15.65

 

CMYK 28 / 0 / 55 / 69

HEX #3A5024

RGB 58 80 36

HSL 90, 0.38%, 0.23%

LAB 31.26, -17.23, 23.06

 

CMYK 55 / 28 / 0 / 69

HEX #243A50

RGB 36 58 80

HSL 210, 0.38%, 0.23%

LAB 23.61, -1.44, -16.05

 

CMYK 0 / 55 / 28 / 69

HEX #50243A

RGB 80 36 58

HSL 330, 0.38%, 0.23%

LAB 21.1, 23.63, -4.59

 

CMYK 28 / 0 / 55 / 69

HEX #3A5024

RGB 58 80 36

HSL 90, 0.38%, 0.23%

LAB 31.26, -17.23, 23.06

 

CMYK 55 / 0 / 16 / 69

HEX #245043

RGB 36 80 67

HSL 162.27, 0.38%, 0.23%

LAB 30.68, -18.88, 3.03

 

CMYK 28 / 55 / 0 / 69

HEX #3A2450

RGB 58 36 80

HSL 270, 0.38%, 0.23%

LAB 18.97, 20.58, -23.18

 

CMYK 0 / 55 / 39 / 69

HEX #502431

RGB 80 36 49

HSL 342.27, 0.38%, 0.23%

LAB 20.79, 22.24, 1.16

 

CMYK 28 / 0 / 55 / 69

HEX #3A5024

RGB 58 80 36

HSL 90, 0.38%, 0.23%

LAB 31.26, -17.23, 23.06

 

CMYK 55 / 0 / 0 / 69

HEX #245050

RGB 36 80 80

HSL 180, 0.38%, 0.23%

LAB 31.09, -15.09, -4.66

 

CMYK 28 / 55 / 0 / 69

HEX #3A2450

RGB 58 36 80

HSL 270, 0.38%, 0.23%

LAB 18.97, 20.58, -23.18

 

CMYK 0 / 55 / 55 / 69

HEX #502424

RGB 80 36 36

HSL 0, 0.38%, 0.23%

LAB 20.42, 20.6, 9.65

 

Description

Color code: HEX #3A5024 | qconv.com Color code: HEX #3A5024 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 80 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 80 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 55 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 55% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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