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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A4A5E it is the complementary color #C5B5A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A4A5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A4A5E shade: #3F4A59, #505C6C, #616E7F, #728092 and #8392A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A4A5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A4A5E shade: #3A4A5E, #29384B, #182638, #071425 and #000212

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A4A5E shade: #3A4A5F, #3A415F, #3E3A5F, #483A5F and #513A5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A4A5E shade: #3A4A5F, #3A415F and #3A3A5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A4A5E shade matches the following richer shades: #3A4A5F, #2E496B, #214878, #154684 and #094590

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A4A5E shade: #3A4A5F, #474C52, #534D46, #5F4F3A and #6C502D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A4A5E shade: #3A5E5F, #3A545F, #3A4B5F, #3A415F and #3D3A5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A4A5E shade: #1B222C, #2A3645, #3A4A5F, #4A5F78 and #597392

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A4A5E shade: #3A4A5E, #563A5F and #595F3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A4A5E shade: #3A4A5E, #5F3A4B and #4B5F3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A4A5E shade: #3A4A5E, #563A5F, #5F4E3A and #435F3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A4A5E shade: #3A4A5E, #5F3A5D, #5F4E3A and #3A5F3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 21 / 0 / 63

HEX #3A4A5E

RGB 58 74 94

HSL 213.33, 0.24%, 0.3%

LAB 30.89, -0.69, -13.79

 

Complementary color

CMYK 0 / 8 / 18 / 23

HEX #C5B5A1

RGB 197 181 161

HSL 33.33, 0.24%, 0.7%

LAB 74.5, 2.42, 12.25

 

CMYK 29 / 17 / 0 / 65

HEX #3F4A59

RGB 63 74 89

HSL 214.62, 0.17%, 0.3%

LAB 31.06, -0.46, -10.31

 

CMYK 26 / 15 / 0 / 58

HEX #505C6C

RGB 80 92 108

HSL 214.29, 0.15%, 0.37%

LAB 38.63, -0.66, -10.66

 

CMYK 24 / 13 / 0 / 50

HEX #616E7F

RGB 97 110 127

HSL 214, 0.13%, 0.44%

LAB 45.94, -0.83, -11.03

 

CMYK 22 / 12 / 0 / 43

HEX #728092

RGB 114 128 146

HSL 213.75, 0.13%, 0.51%

LAB 53.05, -0.99, -11.41

 

CMYK 21 / 12 / 0 / 35

HEX #8392A5

RGB 131 146 165

HSL 213.53, 0.16%, 0.58%

LAB 59.98, -1.14, -11.8

 

CMYK 38 / 21 / 0 / 63

HEX #3A4A5E

RGB 58 74 94

HSL 213.33, 0.24%, 0.3%

LAB 30.89, -0.69, -13.79

 

CMYK 45 / 25 / 0 / 71

HEX #29384B

RGB 41 56 75

HSL 213.53, 0.29%, 0.23%

LAB 23.03, -0.32, -13.6

 

CMYK 57 / 32 / 0 / 78

HEX #182638

RGB 24 38 56

HSL 213.75, 0.4%, 0.16%

LAB 14.77, 0.25, -13.48

 

CMYK 81 / 46 / 0 / 85

HEX #071425

RGB 7 20 37

HSL 214, 0.68%, 0.09%

LAB 6.13, 1.08, -13.22

 

CMYK 100 / 89 / 0 / 93

HEX #000212

RGB 0 2 18

HSL 233.33, 1%, 0.04%

LAB 0.79, 1.97, -6.97

 

CMYK 39 / 22 / 0 / 63

HEX #3A4A5F

RGB 58 74 95

HSL 214.05, 0.24%, 0.3%

LAB 30.93, -0.39, -14.37

 

CMYK 39 / 32 / 0 / 63

HEX #3A415F

RGB 58 65 95

HSL 228.65, 0.24%, 0.3%

LAB 28.13, 5.5, -18.69

 

CMYK 35 / 39 / 0 / 63

HEX #3E3A5F

RGB 62 58 95

HSL 246.49, 0.24%, 0.3%

LAB 26.38, 11.48, -21.4

 

CMYK 24 / 39 / 0 / 63

HEX #483A5F

RGB 72 58 95

HSL 262.7, 0.24%, 0.3%

LAB 27.38, 14.84, -19.76

 

CMYK 15 / 39 / 0 / 63

HEX #513A5F

RGB 81 58 95

HSL 277.3, 0.24%, 0.3%

LAB 28.38, 17.99, -18.12

 

CMYK 39 / 22 / 0 / 63

HEX #3A4A5F

RGB 58 74 95

HSL 214.05, 0.24%, 0.3%

LAB 30.93, -0.39, -14.37

 

CMYK 39 / 32 / 0 / 63

HEX #3A415F

RGB 58 65 95

HSL 228.65, 0.24%, 0.3%

LAB 28.13, 5.5, -18.69

 

CMYK 39 / 39 / 0 / 63

HEX #3A3A5F

RGB 58 58 95

HSL 240, 0.24%, 0.3%

LAB 26.02, 10.2, -22

 

CMYK 39 / 22 / 0 / 63

HEX #3A4A5F

RGB 58 74 95

HSL 214.05, 0.24%, 0.3%

LAB 30.93, -0.39, -14.37

 

CMYK 57 / 32 / 0 / 58

HEX #2E496B

RGB 46 73 107

HSL 213.44, 0.4%, 0.3%

LAB 30.42, 0.8, -22.85

 

CMYK 73 / 40 / 0 / 53

HEX #214878

RGB 33 72 120

HSL 213.1, 0.57%, 0.3%

LAB 30.19, 3.62, -31.44

 

CMYK 84 / 47 / 0 / 48

HEX #154684

RGB 21 70 132

HSL 213.51, 0.73%, 0.3%

LAB 29.93, 8.22, -39.37

 

CMYK 94 / 52 / 0 / 44

HEX #094590

RGB 9 69 144

HSL 213.33, 0.88%, 0.3%

LAB 30.23, 13.04, -46.3

 

CMYK 39 / 22 / 0 / 63

HEX #3A4A5F

RGB 58 74 95

HSL 214.05, 0.24%, 0.3%

LAB 30.93, -0.39, -14.37

 

CMYK 13 / 7 / 0 / 68

HEX #474C52

RGB 71 76 82

HSL 212.73, 0.07%, 0.3%

LAB 32.07, -0.61, -4.25

 

CMYK 0 / 7 / 16 / 67

HEX #534D46

RGB 83 77 70

HSL 32.31, 0.08%, 0.3%

LAB 33.11, 1.11, 5.04

 

CMYK 0 / 17 / 39 / 63

HEX #5F4F3A

RGB 95 79 58

HSL 34.05, 0.24%, 0.3%

LAB 34.66, 3.27, 14.9

 

CMYK 0 / 26 / 58 / 58

HEX #6C502D

RGB 108 80 45

HSL 33.33, 0.41%, 0.3%

LAB 36.2, 7.24, 25

 

CMYK 39 / 1 / 0 / 63

HEX #3A5E5F

RGB 58 94 95

HSL 181.62, 0.24%, 0.3%

LAB 37.36, -12.58, -4.67

 

CMYK 39 / 12 / 0 / 63

HEX #3A545F

RGB 58 84 95

HSL 197.84, 0.24%, 0.3%

LAB 34.12, -6.65, -9.52

 

CMYK 39 / 21 / 0 / 63

HEX #3A4B5F

RGB 58 75 95

HSL 212.43, 0.24%, 0.3%

LAB 31.25, -1.03, -13.88

 

CMYK 39 / 32 / 0 / 63

HEX #3A415F

RGB 58 65 95

HSL 228.65, 0.24%, 0.3%

LAB 28.13, 5.5, -18.69

 

CMYK 36 / 39 / 0 / 63

HEX #3D3A5F

RGB 61 58 95

HSL 244.86, 0.24%, 0.3%

LAB 26.29, 11.16, -21.55

 

CMYK 39 / 23 / 0 / 83

HEX #1B222C

RGB 27 34 44

HSL 215.29, 0.24%, 0.14%

LAB 12.98, -0.09, -7.67

 

CMYK 39 / 22 / 0 / 73

HEX #2A3645

RGB 42 54 69

HSL 213.33, 0.24%, 0.22%

LAB 22.16, -0.58, -10.9

 

CMYK 39 / 22 / 0 / 63

HEX #3A4A5F

RGB 58 74 95

HSL 214.05, 0.24%, 0.3%

LAB 30.93, -0.39, -14.37

 

CMYK 38 / 21 / 0 / 53

HEX #4A5F78

RGB 74 95 120

HSL 212.61, 0.24%, 0.38%

LAB 39.57, -1.11, -16.62

 

CMYK 39 / 21 / 0 / 43

HEX #597392

RGB 89 115 146

HSL 212.63, 0.24%, 0.46%

LAB 47.57, -1.21, -19.89

 

CMYK 38 / 21 / 0 / 63

HEX #3A4A5E

RGB 58 74 94

HSL 213.33, 0.24%, 0.3%

LAB 30.89, -0.69, -13.79

 

CMYK 9 / 39 / 0 / 63

HEX #563A5F

RGB 86 58 95

HSL 285.41, 0.24%, 0.3%

LAB 28.98, 19.77, -17.15

 

CMYK 6 / 0 / 39 / 63

HEX #595F3A

RGB 89 95 58

HSL 69.73, 0.24%, 0.3%

LAB 38.92, -9.04, 20.41

 

CMYK 38 / 21 / 0 / 63

HEX #3A4A5E

RGB 58 74 94

HSL 213.33, 0.24%, 0.3%

LAB 30.89, -0.69, -13.79

 

CMYK 0 / 39 / 21 / 63

HEX #5F3A4B

RGB 95 58 75

HSL 332.43, 0.24%, 0.3%

LAB 29.33, 19.1, -3.51

 

CMYK 21 / 0 / 39 / 63

HEX #4B5F3A

RGB 75 95 58

HSL 92.43, 0.24%, 0.3%

LAB 37.82, -15.08, 18.76

 

CMYK 38 / 21 / 0 / 63

HEX #3A4A5E

RGB 58 74 94

HSL 213.33, 0.24%, 0.3%

LAB 30.89, -0.69, -13.79

 

CMYK 9 / 39 / 0 / 63

HEX #563A5F

RGB 86 58 95

HSL 285.41, 0.24%, 0.3%

LAB 28.98, 19.77, -17.15

 

CMYK 0 / 18 / 39 / 63

HEX #5F4E3A

RGB 95 78 58

HSL 32.43, 0.24%, 0.3%

LAB 34.37, 3.89, 14.51

 

CMYK 29 / 0 / 39 / 63

HEX #435F3A

RGB 67 95 58

HSL 105.41, 0.24%, 0.3%

LAB 37.27, -18.33, 17.94

 

CMYK 38 / 21 / 0 / 63

HEX #3A4A5E

RGB 58 74 94

HSL 213.33, 0.24%, 0.3%

LAB 30.89, -0.69, -13.79

 

CMYK 0 / 39 / 2 / 63

HEX #5F3A5D

RGB 95 58 93

HSL 303.24, 0.24%, 0.3%

LAB 30.03, 22.59, -14.15

 

CMYK 0 / 18 / 39 / 63

HEX #5F4E3A

RGB 95 78 58

HSL 32.43, 0.24%, 0.3%

LAB 34.37, 3.89, 14.51

 

CMYK 39 / 0 / 37 / 63

HEX #3A5F3C

RGB 58 95 60

HSL 123.24, 0.24%, 0.3%

LAB 36.76, -21.37, 15.97

 

Description

Color code: HEX #3A4A5E | qconv.com Color code: HEX #3A4A5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 74 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 74 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 21 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 21% 0% 63% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

17% - Splunk Storm | Cloud...
Link: https://www.splunkstorm.com/

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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