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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A48BBCE it is the complementary color #C5B744CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A48BBCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A48BBCE shade: #3F48B6CE, #505AC9CE, #616CDCCE, #727EEFCE and #8390FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A48BBCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A48BBCE shade: #3A48BBCE, #2936A8CE, #182495CE, #071282CE and #00006FCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A48BBCE shade: #3A48BB, #4E3ABB, #713ABB, #943ABB and #B73ABB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A48BBCE shade: #3A48BB and #3A3ABB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A48BBCE shade matches the following richer shades: #3A48BB, #2638CF and #1229E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A48BBCE shade: #3A48BB, #4D57A7, #616794, #757680 and #89866C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A48BBCE shade: #3A8EBB, #3A6BBB, #3A49BB, #4D3ABB and #703ABB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A48BBCE shade: #262F7C, #303C9C, #3A48BB, #5461CA and #737ED4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A48BBCE shade: #3A48BB, #BB3AB0 and #7DBB3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A48BBCE shade: #3A48BB, #BB3A49 and #49BB3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A48BBCE shade: #3A48BB, #BB3AB0, #BBAC3A and #3ABB44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A48BBCE shade: #3A48BB, #BB3A8A, #BBAC3A and #3ABB6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 50 / 0 / 22

HEX #3A48BBCE

RGBA 58 72 187 0.81

HSLA 233.49, 0.53%, 0.48%, 0.81

LABA 36.22, 32.75, -62.28, 0.81

 

Complementary color

CMYK 0 / 6 / 53 / 18

HEX #C5B744CE

RGBA 197 183 68 0.81

HSLA 53.49, 0.53%, 0.52%, 0.81

LABA 73.65, -8.6, 58.1, 0.81

 

CMYK 53 / 49 / 0 / 23

HEX #3F48B6CE

RGBA 63 72 182 0.81

HSLA 235.46, 0.49%, 0.48%, 0.81

LABA 36.12, 31.72, -59.48, 0.81

 

CMYK 49 / 45 / 0 / 17

HEX #505AC9CE

RGBA 80 90 201 0.81

HSLA 235.04, 0.53%, 0.55%, 0.81

LABA 43.11, 29.68, -59.16, 0.81

 

CMYK 45 / 41 / 0 / 11

HEX #616CDCCE

RGBA 97 108 220 0.81

HSLA 234.63, 0.64%, 0.62%, 0.81

LABA 50.02, 27.97, -58.83, 0.81

 

CMYK 42 / 38 / 0 / 5

HEX #727EEFCE

RGBA 114 126 239 0.81

HSLA 234.24, 0.8%, 0.69%, 0.81

LABA 56.81, 26.51, -58.51, 0.81

 

CMYK 39 / 35 / 0 / 0

HEX #8390FFCE

RGBA 131 144 255 0.81

HSLA 233.71, 1%, 0.76%, 0.81

LABA 63.34, 24.37, -56.85, 0.81

 

CMYK 56 / 50 / 0 / 22

HEX #3A48BBCE

RGBA 58 72 187 0.81

HSLA 233.49, 0.53%, 0.48%, 0.81

LABA 36.22, 32.75, -62.28, 0.81

 

CMYK 61 / 55 / 0 / 28

HEX #2936A8CE

RGBA 41 54 168 0.81

HSLA 233.86, 0.61%, 0.41%, 0.81

LABA 29.25, 35.36, -62.42, 0.81

 

CMYK 68 / 61 / 0 / 34

HEX #182495CE

RGBA 24 36 149 0.81

HSLA 234.24, 0.72%, 0.34%, 0.81

LABA 22.39, 38.27, -62.18, 0.81

 

CMYK 77 / 70 / 0 / 40

HEX #071282CE

RGBA 7 18 130 0.81

HSLA 234.63, 0.9%, 0.27%, 0.81

LABA 15.95, 40.9, -61, 0.81

 

CMYK 81 / 81 / 0 / 46

HEX #00006FCE

RGBA 0 0 111 0.81

HSLA 240, 1%, 0.22%, 0.81

LABA 10.17, 42.9, -58.43, 0.81

 

CMYK 69 / 61 / 0 / 27

HEX #3A48BB

RGB 58 72 187

HSL 233.49, 0.53%, 0.48%

LAB 36.22, 32.75, -62.28

 

CMYK 58 / 69 / 0 / 27

HEX #4E3ABB

RGB 78 58 187

HSL 249.3, 0.53%, 0.48%

LAB 34.46, 44.16, -65.08

 

CMYK 40 / 69 / 0 / 27

HEX #713ABB

RGB 113 58 187

HSL 265.58, 0.53%, 0.48%

LAB 38.07, 50.28, -59.06

 

CMYK 21 / 69 / 0 / 27

HEX #943ABB

RGB 148 58 187

HSL 281.86, 0.53%, 0.48%

LAB 42.63, 57.49, -51.46

 

CMYK 2 / 69 / 0 / 27

HEX #B73ABB

RGB 183 58 187

HSL 298.14, 0.53%, 0.48%

LAB 47.86, 65.23, -42.8

 

CMYK 69 / 61 / 0 / 27

HEX #3A48BB

RGB 58 72 187

HSL 233.49, 0.53%, 0.48%

LAB 36.22, 32.75, -62.28

 

CMYK 69 / 69 / 0 / 27

HEX #3A3ABB

RGB 58 58 187

HSL 240, 0.53%, 0.48%

LAB 32.95, 41.42, -67.63

 

CMYK 69 / 61 / 0 / 27

HEX #3A48BB

RGB 58 72 187

HSL 233.49, 0.53%, 0.48%

LAB 36.22, 32.75, -62.28

 

CMYK 82 / 73 / 0 / 19

HEX #2638CF

RGB 38 56 207

HSL 233.61, 0.69%, 0.48%

LAB 33.45, 47.59, -78.55

 

CMYK 92 / 82 / 0 / 11

HEX #1229E3

RGB 18 41 227

HSL 233.4, 0.85%, 0.48%

LAB 32.39, 61.06, -91.84

 

CMYK 69 / 61 / 0 / 27

HEX #3A48BB

RGB 58 72 187

HSL 233.49, 0.53%, 0.48%

LAB 36.22, 32.75, -62.28

 

CMYK 54 / 48 / 0 / 35

HEX #4D57A7

RGB 77 87 167

HSL 233.33, 0.37%, 0.48%

LAB 39.89, 19.61, -44.46

 

CMYK 34 / 30 / 0 / 42

HEX #616794

RGB 97 103 148

HSL 232.94, 0.21%, 0.48%

LAB 44.77, 9, -25.35

 

CMYK 9 / 8 / 0 / 50

HEX #757680

RGB 117 118 128

HSL 234.55, 0.04%, 0.48%

LAB 49.85, 1.73, -5.6

 

CMYK 0 / 2 / 21 / 46

HEX #89866C

RGB 137 134 108

HSL 53.79, 0.12%, 0.48%

LAB 55.53, -3.46, 14.43

 

CMYK 69 / 24 / 0 / 27

HEX #3A8EBB

RGB 58 142 187

HSL 200.93, 0.53%, 0.48%

LAB 55.92, -10.7, -30.85

 

CMYK 69 / 43 / 0 / 27

HEX #3A6BBB

RGB 58 107 187

HSL 217.21, 0.53%, 0.48%

LAB 45.64, 10.24, -47.06

 

CMYK 69 / 61 / 0 / 27

HEX #3A49BB

RGB 58 73 187

HSL 233.02, 0.53%, 0.48%

LAB 36.47, 32.11, -61.87

 

CMYK 59 / 69 / 0 / 27

HEX #4D3ABB

RGB 77 58 187

HSL 248.84, 0.53%, 0.48%

LAB 34.38, 44, -65.23

 

CMYK 40 / 69 / 0 / 27

HEX #703ABB

RGB 112 58 187

HSL 265.12, 0.53%, 0.48%

LAB 37.95, 50.09, -59.26

 

CMYK 69 / 62 / 0 / 51

HEX #262F7C

RGB 38 47 124

HSL 233.72, 0.53%, 0.32%

LAB 23.34, 23.29, -44.97

 

CMYK 69 / 62 / 0 / 39

HEX #303C9C

RGB 48 60 156

HSL 233.33, 0.53%, 0.4%

LAB 30.06, 27.96, -53.83

 

CMYK 69 / 61 / 0 / 27

HEX #3A48BB

RGB 58 72 187

HSL 233.49, 0.53%, 0.48%

LAB 36.22, 32.75, -62.28

 

CMYK 58 / 52 / 0 / 21

HEX #5461CA

RGB 84 97 202

HSL 233.39, 0.53%, 0.56%

LAB 45.22, 26.37, -56.33

 

CMYK 46 / 41 / 0 / 17

HEX #737ED4

RGB 115 126 212

HSL 233.2, 0.53%, 0.64%

LAB 55.4, 18.53, -45.64

 

CMYK 69 / 61 / 0 / 27

HEX #3A48BB

RGB 58 72 187

HSL 233.49, 0.53%, 0.48%

LAB 36.22, 32.75, -62.28

 

CMYK 0 / 69 / 6 / 27

HEX #BB3AB0

RGB 187 58 176

HSL 305.12, 0.53%, 0.48%

LAB 47.91, 64.35, -36.23

 

CMYK 33 / 0 / 69 / 27

HEX #7DBB3A

RGB 125 187 58

HSL 88.84, 0.53%, 0.48%

LAB 69.62, -40.39, 56.36

 

CMYK 69 / 61 / 0 / 27

HEX #3A48BB

RGB 58 72 187

HSL 233.49, 0.53%, 0.48%

LAB 36.22, 32.75, -62.28

 

CMYK 0 / 69 / 61 / 27

HEX #BB3A49

RGB 187 58 73

HSL 353.02, 0.53%, 0.48%

LAB 44.34, 52.45, 20.98

 

CMYK 61 / 0 / 69 / 27

HEX #49BB3A

RGB 73 187 58

HSL 113.02, 0.53%, 0.48%

LAB 67.47, -56.18, 53.46

 

CMYK 69 / 61 / 0 / 27

HEX #3A48BB

RGB 58 72 187

HSL 233.49, 0.53%, 0.48%

LAB 36.22, 32.75, -62.28

 

CMYK 0 / 69 / 6 / 27

HEX #BB3AB0

RGB 187 58 176

HSL 305.12, 0.53%, 0.48%

LAB 47.91, 64.35, -36.23

 

CMYK 0 / 8 / 69 / 27

HEX #BBAC3A

RGB 187 172 58

HSL 53.02, 0.53%, 0.48%

LAB 69.74, -7.76, 57.89

 

CMYK 69 / 0 / 64 / 27

HEX #3ABB44

RGB 58 187 68

HSL 124.65, 0.53%, 0.48%

LAB 67.17, -58.35, 48.86

 

CMYK 69 / 61 / 0 / 27

HEX #3A48BB

RGB 58 72 187

HSL 233.49, 0.53%, 0.48%

LAB 36.22, 32.75, -62.28

 

CMYK 0 / 69 / 26 / 27

HEX #BB3A8A

RGB 187 58 138

HSL 322.79, 0.53%, 0.48%

LAB 46.21, 58.87, -16.21

 

CMYK 0 / 8 / 69 / 27

HEX #BBAC3A

RGB 187 172 58

HSL 53.02, 0.53%, 0.48%

LAB 69.74, -7.76, 57.89

 

CMYK 69 / 0 / 43 / 27

HEX #3ABB6B

RGB 58 187 107

HSL 142.79, 0.53%, 0.48%

LAB 67.65, -52.79, 30.58

 

Description

Color code: HEX #3A48BBCE | qconv.com Color code: HEX #3A48BBCE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 72 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 72 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 50 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 50% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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