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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A4650 it is the complementary color #C5B9AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A4650. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A4650 shade: #3F464B, #50585E, #616A71, #727C84 and #838E97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A4650. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A4650 shade: #3A4650, #29343D, #18222A, #071017 and #000004

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A4650 shade: #3A4650, #3A4050, #3A3A50, #403A50 and #463A50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A4650 shade: #3A4650, #3A4050 and #3A3A50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A4650 shade matches the following richer shades: #3A4650, #2F475B, #244866, #184971 and #0D4A7C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A4650 shade: #3A4650, #454545, #50443A, #5B432E and #664223

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A4650 shade: #3A504E, #3A4C50, #3A4650, #3A4050 and #3A3A50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A4650 shade: #171C20, #293138, #3A4650, #4B5B68 and #5C7080

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A4650 shade: #3A4650, #483A50 and #4F503A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A4650 shade: #3A4650, #503A46 and #46503A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A4650 shade: #3A4650, #483A50, #50443A and #42503A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A4650 shade: #3A4650, #4F3A50, #50443A and #3B503A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 13 / 0 / 69

HEX #3A4650

RGB 58 70 80

HSL 207.27, 0.16%, 0.27%

LAB 29.05, -2.18, -7.58

 

Complementary color

CMYK 0 / 6 / 11 / 23

HEX #C5B9AF

RGB 197 185 175

HSL 27.27, 0.16%, 0.73%

LAB 75.86, 2.53, 6.58

 

CMYK 16 / 7 / 0 / 71

HEX #3F464B

RGB 63 70 75

HSL 205, 0.09%, 0.27%

LAB 29.27, -1.63, -3.98

 

CMYK 15 / 6 / 0 / 63

HEX #50585E

RGB 80 88 94

HSL 205.71, 0.08%, 0.34%

LAB 36.92, -1.74, -4.54

 

CMYK 14 / 6 / 0 / 56

HEX #616A71

RGB 97 106 113

HSL 206.25, 0.08%, 0.41%

LAB 44.29, -1.84, -5.09

 

CMYK 14 / 6 / 0 / 48

HEX #727C84

RGB 114 124 132

HSL 206.67, 0.07%, 0.48%

LAB 51.45, -1.95, -5.62

 

CMYK 13 / 6 / 0 / 41

HEX #838E97

RGB 131 142 151

HSL 207, 0.09%, 0.55%

LAB 58.42, -2.05, -6.14

 

CMYK 28 / 13 / 0 / 69

HEX #3A4650

RGB 58 70 80

HSL 207.27, 0.16%, 0.27%

LAB 29.05, -2.18, -7.58

 

CMYK 33 / 15 / 0 / 76

HEX #29343D

RGB 41 52 61

HSL 207, 0.2%, 0.2%

LAB 21.07, -2.05, -7.16

 

CMYK 43 / 19 / 0 / 84

HEX #18222A

RGB 24 34 42

HSL 206.67, 0.27%, 0.13%

LAB 12.64, -1.88, -6.76

 

CMYK 70 / 30 / 0 / 91

HEX #071017

RGB 7 16 23

HSL 206.25, 0.53%, 0.06%

LAB 4.31, -1.08, -5.15

 

CMYK 100 / 100 / 0 / 98

HEX #000004

RGB 0 0 4

HSL 240, 1%, 0.01%

LAB 0.08, 0.56, -1.51

 

CMYK 28 / 13 / 0 / 69

HEX #3A4650

RGB 58 70 80

HSL 207.27, 0.16%, 0.27%

LAB 29.05, -2.18, -7.58

 

CMYK 28 / 20 / 0 / 69

HEX #3A4050

RGB 58 64 80

HSL 223.64, 0.16%, 0.27%

LAB 27.15, 1.7, -10.47

 

CMYK 28 / 28 / 0 / 69

HEX #3A3A50

RGB 58 58 80

HSL 240, 0.16%, 0.27%

LAB 25.27, 5.69, -13.33

 

CMYK 20 / 28 / 0 / 69

HEX #403A50

RGB 64 58 80

HSL 256.36, 0.16%, 0.27%

LAB 25.85, 7.9, -12.4

 

CMYK 13 / 28 / 0 / 69

HEX #463A50

RGB 70 58 80

HSL 272.73, 0.16%, 0.27%

LAB 26.47, 10.18, -11.4

 

CMYK 28 / 13 / 0 / 69

HEX #3A4650

RGB 58 70 80

HSL 207.27, 0.16%, 0.27%

LAB 29.05, -2.18, -7.58

 

CMYK 28 / 20 / 0 / 69

HEX #3A4050

RGB 58 64 80

HSL 223.64, 0.16%, 0.27%

LAB 27.15, 1.7, -10.47

 

CMYK 28 / 28 / 0 / 69

HEX #3A3A50

RGB 58 58 80

HSL 240, 0.16%, 0.27%

LAB 25.27, 5.69, -13.33

 

CMYK 28 / 13 / 0 / 69

HEX #3A4650

RGB 58 70 80

HSL 207.27, 0.16%, 0.27%

LAB 29.05, -2.18, -7.58

 

CMYK 48 / 22 / 0 / 64

HEX #2F475B

RGB 47 71 91

HSL 207.27, 0.32%, 0.27%

LAB 29.07, -3.09, -14.73

 

CMYK 65 / 29 / 0 / 60

HEX #244866

RGB 36 72 102

HSL 207.27, 0.48%, 0.27%

LAB 29.33, -2.68, -21.41

 

CMYK 79 / 35 / 0 / 56

HEX #184971

RGB 24 73 113

HSL 206.97, 0.65%, 0.27%

LAB 29.79, -1.21, -27.69

 

CMYK 90 / 40 / 0 / 51

HEX #0D4A7C

RGB 13 74 124

HSL 207.03, 0.81%, 0.27%

LAB 30.49, 1.45, -33.5

 

CMYK 28 / 13 / 0 / 69

HEX #3A4650

RGB 58 70 80

HSL 207.27, 0.16%, 0.27%

LAB 29.05, -2.18, -7.58

 

CMYK 0 / 0 / 0 / 73

HEX #454545

RGB 69 69 69

HSL 0, 0%, 0.27%

LAB 29.29, 0, -0

 

CMYK 0 / 15 / 28 / 69

HEX #50443A

RGB 80 68 58

HSL 27.27, 0.16%, 0.27%

LAB 29.78, 3.3, 7.95

 

CMYK 0 / 26 / 49 / 64

HEX #5B432E

RGB 91 67 46

HSL 28, 0.33%, 0.27%

LAB 30.49, 7.35, 16.75

 

CMYK 0 / 35 / 66 / 60

HEX #664223

RGB 102 66 35

HSL 27.76, 0.49%, 0.27%

LAB 31.45, 12.13, 24.93

 

CMYK 28 / 0 / 2 / 69

HEX #3A504E

RGB 58 80 78

HSL 174.55, 0.16%, 0.27%

LAB 32.23, -8.92, -1.58

 

CMYK 28 / 5 / 0 / 69

HEX #3A4C50

RGB 58 76 80

HSL 190.91, 0.16%, 0.27%

LAB 30.99, -5.95, -4.69

 

CMYK 28 / 13 / 0 / 69

HEX #3A4650

RGB 58 70 80

HSL 207.27, 0.16%, 0.27%

LAB 29.05, -2.18, -7.58

 

CMYK 28 / 20 / 0 / 69

HEX #3A4050

RGB 58 64 80

HSL 223.64, 0.16%, 0.27%

LAB 27.15, 1.7, -10.47

 

CMYK 28 / 28 / 0 / 69

HEX #3A3A50

RGB 58 58 80

HSL 240, 0.16%, 0.27%

LAB 25.27, 5.69, -13.33

 

CMYK 28 / 13 / 0 / 87

HEX #171C20

RGB 23 28 32

HSL 206.67, 0.16%, 0.11%

LAB 9.93, -1.15, -3.53

 

CMYK 27 / 13 / 0 / 78

HEX #293138

RGB 41 49 56

HSL 208, 0.15%, 0.19%

LAB 19.86, -1.5, -5.58

 

CMYK 28 / 13 / 0 / 69

HEX #3A4650

RGB 58 70 80

HSL 207.27, 0.16%, 0.27%

LAB 29.05, -2.18, -7.58

 

CMYK 28 / 13 / 0 / 59

HEX #4B5B68

RGB 75 91 104

HSL 206.9, 0.16%, 0.35%

LAB 37.8, -2.82, -9.47

 

CMYK 28 / 13 / 0 / 50

HEX #5C7080

RGB 92 112 128

HSL 206.67, 0.16%, 0.43%

LAB 46.21, -3.42, -11.26

 

CMYK 28 / 13 / 0 / 69

HEX #3A4650

RGB 58 70 80

HSL 207.27, 0.16%, 0.27%

LAB 29.05, -2.18, -7.58

 

CMYK 10 / 28 / 0 / 69

HEX #483A50

RGB 72 58 80

HSL 278.18, 0.16%, 0.27%

LAB 26.69, 10.95, -11.05

 

CMYK 1 / 0 / 28 / 69

HEX #4F503A

RGB 79 80 58

HSL 62.73, 0.16%, 0.27%

LAB 33.36, -4.62, 12.88

 

CMYK 28 / 13 / 0 / 69

HEX #3A4650

RGB 58 70 80

HSL 207.27, 0.16%, 0.27%

LAB 29.05, -2.18, -7.58

 

CMYK 0 / 28 / 13 / 69

HEX #503A46

RGB 80 58 70

HSL 327.27, 0.16%, 0.27%

LAB 27.22, 11.96, -3.56

 

CMYK 13 / 0 / 28 / 69

HEX #46503A

RGB 70 80 58

HSL 87.27, 0.16%, 0.27%

LAB 32.58, -8.57, 11.68

 

CMYK 28 / 13 / 0 / 69

HEX #3A4650

RGB 58 70 80

HSL 207.27, 0.16%, 0.27%

LAB 29.05, -2.18, -7.58

 

CMYK 10 / 28 / 0 / 69

HEX #483A50

RGB 72 58 80

HSL 278.18, 0.16%, 0.27%

LAB 26.69, 10.95, -11.05

 

CMYK 0 / 15 / 28 / 69

HEX #50443A

RGB 80 68 58

HSL 27.27, 0.16%, 0.27%

LAB 29.78, 3.3, 7.95

 

CMYK 18 / 0 / 28 / 69

HEX #42503A

RGB 66 80 58

HSL 98.18, 0.16%, 0.27%

LAB 32.26, -10.28, 11.19

 

CMYK 28 / 13 / 0 / 69

HEX #3A4650

RGB 58 70 80

HSL 207.27, 0.16%, 0.27%

LAB 29.05, -2.18, -7.58

 

CMYK 1 / 28 / 0 / 69

HEX #4F3A50

RGB 79 58 80

HSL 297.27, 0.16%, 0.27%

LAB 27.48, 13.69, -9.76

 

CMYK 0 / 15 / 28 / 69

HEX #50443A

RGB 80 68 58

HSL 27.27, 0.16%, 0.27%

LAB 29.78, 3.3, 7.95

 

CMYK 26 / 0 / 28 / 69

HEX #3B503A

RGB 59 80 58

HSL 117.27, 0.16%, 0.27%

LAB 31.74, -13.15, 10.4

 

Description

Color code: HEX #3A4650 | qconv.com Color code: HEX #3A4650 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 70 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 70 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 13 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 13% 0% 69% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

32% - DEKOM Video Security...
Link: http://dekom-security.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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