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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A3EEB it is the complementary color #C5C114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A3EEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A3EEB shade: #3F3EE6, #5050F9, #6162FF, #7274FF and #8386FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A3EEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A3EEB shade: #3A3EEB, #292CD8, #181AC5, #0708B2 and #00009F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A3EEB shade: #373CEB, #6437EB, #9437EB, #C537EB and #EB37E1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A3EEB shade: #373CEB and #3737EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A3EEB shade matches the following richer shades: #373CEB and #262BFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A3EEB shade: #373CEB, #494CDA, #5B5DC8, #6D6EB6 and #7E7FA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A3EEB shade: #379DEB, #376DEB, #373DEB, #6137EB and #9137EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A3EEB shade: #1317BD, #161BE3, #373CEB, #5D60EF and #8385F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A3EEB shade: #3A3EEB, #EB37CD and #85EB37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A3EEB shade: #3A3EEB, #EB373D and #3DEB37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A3EEB shade: #3A3EEB, #EB37CD, #EBE537 and #37EB55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A3EEB shade: #3A3EEB, #EB3797, #EBE537 and #37EB8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 74 / 0 / 8

HEX #3A3EEB

RGB 58 62 235

HSL 238.64, 0.82%, 0.57%

LAB 38.45, 54.87, -86.3

 

Complementary color

CMYK 0 / 2 / 90 / 23

HEX #C5C114

RGB 197 193 20

HSL 58.64, 0.82%, 0.43%

LAB 76.11, -15.5, 74.69

 

CMYK 73 / 73 / 0 / 10

HEX #3F3EE6

RGB 63 62 230

HSL 240.36, 0.77%, 0.57%

LAB 38.23, 53.69, -83.83

 

CMYK 68 / 68 / 0 / 2

HEX #5050F9

RGB 80 80 249

HSL 240, 0.93%, 0.65%

LAB 44.64, 51.46, -83.95

 

CMYK 62 / 62 / 0 / 0

HEX #6162FF

RGB 97 98 255

HSL 239.62, 1%, 0.69%

LAB 50.09, 45.2, -78.31

 

CMYK 55 / 55 / 0 / 0

HEX #7274FF

RGB 114 116 255

HSL 239.15, 1%, 0.72%

LAB 55.37, 37.42, -69.7

 

CMYK 49 / 47 / 0 / 0

HEX #8386FF

RGB 131 134 255

HSL 238.55, 1%, 0.76%

LAB 60.87, 30.23, -60.79

 

CMYK 75 / 74 / 0 / 8

HEX #3A3EEB

RGB 58 62 235

HSL 238.64, 0.82%, 0.57%

LAB 38.45, 54.87, -86.3

 

CMYK 81 / 80 / 0 / 15

HEX #292CD8

RGB 41 44 216

HSL 238.97, 0.69%, 0.5%

LAB 32.33, 57.07, -85.61

 

CMYK 88 / 87 / 0 / 23

HEX #181AC5

RGB 24 26 197

HSL 239.31, 0.78%, 0.43%

LAB 26.63, 58.6, -84.03

 

CMYK 96 / 96 / 0 / 30

HEX #0708B2

RGB 7 8 178

HSL 239.65, 0.92%, 0.36%

LAB 21.7, 58.52, -80.99

 

CMYK 100 / 100 / 0 / 38

HEX #00009F

RGB 0 0 159

HSL 240, 1%, 0.31%

LAB 17.93, 55.64, -75.78

 

CMYK 77 / 74 / 0 / 8

HEX #373CEB

RGB 55 60 235

HSL 238.33, 0.82%, 0.57%

LAB 37.92, 55.72, -87.19

 

CMYK 57 / 77 / 0 / 8

HEX #6437EB

RGB 100 55 235

HSL 255, 0.82%, 0.57%

LAB 40.31, 62.48, -83.13

 

CMYK 37 / 77 / 0 / 8

HEX #9437EB

RGB 148 55 235

HSL 271, 0.82%, 0.57%

LAB 45.67, 69.13, -74.14

 

CMYK 16 / 77 / 0 / 8

HEX #C537EB

RGB 197 55 235

HSL 287.33, 0.82%, 0.57%

LAB 52.51, 77.47, -62.72

 

CMYK 0 / 77 / 4 / 8

HEX #EB37E1

RGB 235 55 225

HSL 303.33, 0.82%, 0.57%

LAB 57.88, 83.08, -48.17

 

CMYK 77 / 74 / 0 / 8

HEX #373CEB

RGB 55 60 235

HSL 238.33, 0.82%, 0.57%

LAB 37.92, 55.72, -87.19

 

CMYK 77 / 77 / 0 / 8

HEX #3737EB

RGB 55 55 235

HSL 240, 0.82%, 0.57%

LAB 37.01, 58.31, -88.69

 

CMYK 77 / 74 / 0 / 8

HEX #373CEB

RGB 55 60 235

HSL 238.33, 0.82%, 0.57%

LAB 37.92, 55.72, -87.19

 

CMYK 85 / 83 / 0 / 1

HEX #262BFD

RGB 38 43 253

HSL 238.6, 0.98%, 0.57%

LAB 36.43, 68.38, -99.84

 

CMYK 77 / 74 / 0 / 8

HEX #373CEB

RGB 55 60 235

HSL 238.33, 0.82%, 0.57%

LAB 37.92, 55.72, -87.19

 

CMYK 67 / 65 / 0 / 15

HEX #494CDA

RGB 73 76 218

HSL 238.76, 0.66%, 0.57%

LAB 40.65, 42.88, -72.97

 

CMYK 55 / 54 / 0 / 22

HEX #5B5DC8

RGB 91 93 200

HSL 238.9, 0.5%, 0.57%

LAB 44.55, 29.57, -56.23

 

CMYK 40 / 40 / 0 / 29

HEX #6D6EB6

RGB 109 110 182

HSL 239.18, 0.33%, 0.57%

LAB 49.23, 17.84, -38.27

 

CMYK 23 / 23 / 0 / 36

HEX #7E7FA4

RGB 126 127 164

HSL 238.42, 0.17%, 0.57%

LAB 54.34, 7.92, -19.81

 

CMYK 77 / 33 / 0 / 8

HEX #379DEB

RGB 55 157 235

HSL 206, 0.82%, 0.57%

LAB 62.44, -2.96, -47.49

 

CMYK 77 / 54 / 0 / 8

HEX #376DEB

RGB 55 109 235

HSL 222, 0.82%, 0.57%

LAB 49.19, 26.19, -68.72

 

CMYK 77 / 74 / 0 / 8

HEX #373DEB

RGB 55 61 235

HSL 238, 0.82%, 0.57%

LAB 38.11, 55.18, -86.88

 

CMYK 59 / 77 / 0 / 8

HEX #6137EB

RGB 97 55 235

HSL 254, 0.82%, 0.57%

LAB 40.03, 62.13, -83.6

 

CMYK 38 / 77 / 0 / 8

HEX #9137EB

RGB 145 55 235

HSL 270, 0.82%, 0.57%

LAB 45.29, 68.66, -74.77

 

CMYK 90 / 88 / 0 / 26

HEX #1317BD

RGB 19 23 189

HSL 238.59, 0.82%, 0.41%

LAB 25.03, 57.29, -81.98

 

CMYK 90 / 88 / 0 / 11

HEX #161BE3

RGB 22 27 227

HSL 238.54, 0.82%, 0.49%

LAB 30.64, 66.66, -94.76

 

CMYK 77 / 74 / 0 / 8

HEX #373CEB

RGB 55 60 235

HSL 238.33, 0.82%, 0.57%

LAB 37.92, 55.72, -87.19

 

CMYK 61 / 60 / 0 / 6

HEX #5D60EF

RGB 93 96 239

HSL 238.77, 0.82%, 0.65%

LAB 48.17, 40.67, -72.54

 

CMYK 46 / 45 / 0 / 5

HEX #8385F3

RGB 131 133 243

HSL 238.93, 0.82%, 0.73%

LAB 59.95, 27.29, -55.64

 

CMYK 75 / 74 / 0 / 8

HEX #3A3EEB

RGB 58 62 235

HSL 238.64, 0.82%, 0.57%

LAB 38.45, 54.87, -86.3

 

CMYK 0 / 77 / 13 / 8

HEX #EB37CD

RGB 235 55 205

HSL 310, 0.82%, 0.57%

LAB 56.88, 80.25, -38.39

 

CMYK 43 / 0 / 77 / 8

HEX #85EB37

RGB 133 235 55

HSL 94, 0.82%, 0.57%

LAB 84.32, -57.49, 72.05

 

CMYK 75 / 74 / 0 / 8

HEX #3A3EEB

RGB 58 62 235

HSL 238.64, 0.82%, 0.57%

LAB 38.45, 54.87, -86.3

 

CMYK 0 / 77 / 74 / 8

HEX #EB373D

RGB 235 55 61

HSL 358, 0.82%, 0.57%

LAB 52.65, 67.41, 40.23

 

CMYK 74 / 0 / 77 / 8

HEX #3DEB37

RGB 61 235 55

HSL 118, 0.82%, 0.57%

LAB 82.21, -74.31, 69.29

 

CMYK 75 / 74 / 0 / 8

HEX #3A3EEB

RGB 58 62 235

HSL 238.64, 0.82%, 0.57%

LAB 38.45, 54.87, -86.3

 

CMYK 0 / 77 / 13 / 8

HEX #EB37CD

RGB 235 55 205

HSL 310, 0.82%, 0.57%

LAB 56.88, 80.25, -38.39

 

CMYK 0 / 3 / 77 / 8

HEX #EBE537

RGB 235 229 55

HSL 58, 0.82%, 0.57%

LAB 88.91, -16.32, 78.57

 

CMYK 77 / 0 / 64 / 8

HEX #37EB55

RGB 55 235 85

HSL 130, 0.82%, 0.57%

LAB 82.32, -72.63, 58.52

 

CMYK 75 / 74 / 0 / 8

HEX #3A3EEB

RGB 58 62 235

HSL 238.64, 0.82%, 0.57%

LAB 38.45, 54.87, -86.3

 

CMYK 0 / 77 / 36 / 8

HEX #EB3797

RGB 235 55 151

HSL 328, 0.82%, 0.57%

LAB 54.69, 73.75, -10.36

 

CMYK 0 / 3 / 77 / 8

HEX #EBE537

RGB 235 229 55

HSL 58, 0.82%, 0.57%

LAB 88.91, -16.32, 78.57

 

CMYK 77 / 0 / 41 / 8

HEX #37EB8B

RGB 55 235 139

HSL 148, 0.82%, 0.57%

LAB 82.96, -64.99, 34.26

 

Description

Color code: HEX #3A3EEB | qconv.com Color code: HEX #3A3EEB | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 62 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 62 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 74 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 74% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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