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Color name
HEX #3A2D9F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A2D9F it is the complementary color #C5D260. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A2D9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A2D9F shade: #3F2D9A, #503FAD, #6151C0, #7263D3 and #8375E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A2D9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A2D9F shade: #3A2D9F, #291B8C, #180979, #070066 and #000053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A2D9F shade: #3A2D9F, #592D9F, #782D9F, #962D9F and #9F2D89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A2D9F shade: #3A2D9F and #2D2D9F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A2D9F shade matches the following richer shades: #3A2D9F, #2D1CB0 and #200CC0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A2D9F shade: #3A2D9F, #473D8F, #534E7E, #605E6E and #6D6F5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A2D9F shade: #2D5E9F, #2D409F, #382D9F, #572D9F and #752D9F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A2D9F shade: #221B5F, #2E247F, #3A2D9F, #4636BF and #5F51CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A2D9F shade: #3A2D9F, #9F2D7D and #4F9F2D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A2D9F shade: #3A2D9F, #9F382D and #2D9F38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A2D9F shade: #3A2D9F, #9F2D7D, #949F2D and #2D9F4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A2D9F shade: #3A2D9F, #9F2D5B, #949F2D and #2D9F71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 72 / 0 / 38

HEX #3A2D9F

RGB 58 45 159

HSL 246.84, 0.56%, 0.4%

LAB 27.52, 39.83, -59.79

 

Complementary color

CMYK 6 / 0 / 54 / 18

HEX #C5D260

RGB 197 210 96

HSL 66.84, 0.56%, 0.6%

LAB 81.19, -20.23, 54.1

 

CMYK 59 / 71 / 0 / 40

HEX #3F2D9A

RGB 63 45 154

HSL 249.91, 0.55%, 0.39%

LAB 27.48, 38.96, -56.78

 

CMYK 54 / 64 / 0 / 32

HEX #503FAD

RGB 80 63 173

HSL 249.27, 0.47%, 0.46%

LAB 34.55, 37.23, -56.63

 

CMYK 49 / 58 / 0 / 25

HEX #6151C0

RGB 97 81 192

HSL 248.65, 0.47%, 0.54%

LAB 41.58, 35.63, -56.36

 

CMYK 46 / 53 / 0 / 17

HEX #7263D3

RGB 114 99 211

HSL 248.04, 0.56%, 0.61%

LAB 48.52, 34.21, -56.06

 

CMYK 43 / 49 / 0 / 10

HEX #8375E6

RGB 131 117 230

HSL 247.43, 0.69%, 0.68%

LAB 55.34, 32.95, -55.78

 

CMYK 64 / 72 / 0 / 38

HEX #3A2D9F

RGB 58 45 159

HSL 246.84, 0.56%, 0.4%

LAB 27.52, 39.83, -59.79

 

CMYK 71 / 81 / 0 / 45

HEX #291B8C

RGB 41 27 140

HSL 247.43, 0.68%, 0.33%

LAB 20.63, 41.64, -59.48

 

CMYK 80 / 93 / 0 / 53

HEX #180979

RGB 24 9 121

HSL 248.04, 0.86%, 0.25%

LAB 14.23, 42.53, -58.1

 

CMYK 93 / 100 / 0 / 60

HEX #070066

RGB 7 0 102

HSL 244.12, 1%, 0.2%

LAB 9.03, 40.54, -54.39

 

CMYK 100 / 100 / 0 / 67

HEX #000053

RGB 0 0 83

HSL 240, 1%, 0.16%

LAB 5.64, 33.82, -47.22

 

CMYK 64 / 72 / 0 / 38

HEX #3A2D9F

RGB 58 45 159

HSL 246.84, 0.56%, 0.4%

LAB 27.52, 39.83, -59.79

 

CMYK 44 / 72 / 0 / 38

HEX #592D9F

RGB 89 45 159

HSL 263.16, 0.56%, 0.4%

LAB 30.65, 44.9, -54.53

 

CMYK 25 / 72 / 0 / 38

HEX #782D9F

RGB 120 45 159

HSL 279.47, 0.56%, 0.4%

LAB 34.75, 51.11, -47.7

 

CMYK 6 / 72 / 0 / 38

HEX #962D9F

RGB 150 45 159

HSL 295.26, 0.56%, 0.4%

LAB 39.35, 57.69, -40.06

 

CMYK 0 / 72 / 14 / 38

HEX #9F2D89

RGB 159 45 137

HSL 311.58, 0.56%, 0.4%

LAB 39.67, 56.2, -26.09

 

CMYK 64 / 72 / 0 / 38

HEX #3A2D9F

RGB 58 45 159

HSL 246.84, 0.56%, 0.4%

LAB 27.52, 39.83, -59.79

 

CMYK 72 / 72 / 0 / 38

HEX #2D2D9F

RGB 45 45 159

HSL 240, 0.56%, 0.4%

LAB 26.56, 38.2, -61.4

 

CMYK 64 / 72 / 0 / 38

HEX #3A2D9F

RGB 58 45 159

HSL 246.84, 0.56%, 0.4%

LAB 27.52, 39.83, -59.79

 

CMYK 74 / 84 / 0 / 31

HEX #2D1CB0

RGB 45 28 176

HSL 246.89, 0.73%, 0.4%

LAB 25.33, 52.53, -73.7

 

CMYK 83 / 94 / 0 / 25

HEX #200CC0

RGB 32 12 192

HSL 246.67, 0.88%, 0.4%

LAB 24.88, 61.74, -84

 

CMYK 64 / 72 / 0 / 38

HEX #3A2D9F

RGB 58 45 159

HSL 246.84, 0.56%, 0.4%

LAB 27.52, 39.83, -59.79

 

CMYK 50 / 57 / 0 / 44

HEX #473D8F

RGB 71 61 143

HSL 247.32, 0.4%, 0.4%

LAB 31.02, 27.11, -44.25

 

CMYK 34 / 38 / 0 / 51

HEX #534E7E

RGB 83 78 126

HSL 246.25, 0.24%, 0.4%

LAB 35.58, 14.15, -26.44

 

CMYK 13 / 15 / 0 / 57

HEX #605E6E

RGB 96 94 110

HSL 247.5, 0.08%, 0.4%

LAB 40.6, 4.33, -8.78

 

CMYK 2 / 0 / 16 / 56

HEX #6D6F5D

RGB 109 111 93

HSL 66.67, 0.09%, 0.4%

LAB 46.19, -4.22, 9.78

 

CMYK 72 / 41 / 0 / 38

HEX #2D5E9F

RGB 45 94 159

HSL 214.21, 0.56%, 0.4%

LAB 39.69, 6.12, -40.11

 

CMYK 72 / 60 / 0 / 38

HEX #2D409F

RGB 45 64 159

HSL 230, 0.56%, 0.4%

LAB 31.18, 25.99, -53.83

 

CMYK 65 / 72 / 0 / 38

HEX #382D9F

RGB 56 45 159

HSL 245.79, 0.56%, 0.4%

LAB 27.35, 39.56, -60.06

 

CMYK 45 / 72 / 0 / 38

HEX #572D9F

RGB 87 45 159

HSL 262.11, 0.56%, 0.4%

LAB 30.42, 44.53, -54.93

 

CMYK 26 / 72 / 0 / 38

HEX #752D9F

RGB 117 45 159

HSL 277.89, 0.56%, 0.4%

LAB 34.32, 50.48, -48.41

 

CMYK 64 / 72 / 0 / 63

HEX #221B5F

RGB 34 27 95

HSL 246.18, 0.56%, 0.24%

LAB 15.22, 25.46, -39.42

 

CMYK 64 / 72 / 0 / 50

HEX #2E247F

RGB 46 36 127

HSL 246.59, 0.56%, 0.32%

LAB 21.49, 32.84, -49.88

 

CMYK 64 / 72 / 0 / 38

HEX #3A2D9F

RGB 58 45 159

HSL 246.84, 0.56%, 0.4%

LAB 27.52, 39.83, -59.79

 

CMYK 63 / 72 / 0 / 25

HEX #4636BF

RGB 70 54 191

HSL 247.01, 0.56%, 0.48%

LAB 33.35, 46.51, -69.29

 

CMYK 54 / 61 / 0 / 19

HEX #5F51CE

RGB 95 81 206

HSL 246.72, 0.56%, 0.56%

LAB 42.42, 39.52, -63.12

 

CMYK 64 / 72 / 0 / 38

HEX #3A2D9F

RGB 58 45 159

HSL 246.84, 0.56%, 0.4%

LAB 27.52, 39.83, -59.79

 

CMYK 0 / 72 / 21 / 38

HEX #9F2D7D

RGB 159 45 125

HSL 317.89, 0.56%, 0.4%

LAB 39.12, 54.45, -19.55

 

CMYK 50 / 0 / 72 / 38

HEX #4F9F2D

RGB 79 159 45

HSL 102.11, 0.56%, 0.4%

LAB 58.65, -45.13, 49.44

 

CMYK 64 / 72 / 0 / 38

HEX #3A2D9F

RGB 58 45 159

HSL 246.84, 0.56%, 0.4%

LAB 27.52, 39.83, -59.79

 

CMYK 0 / 65 / 72 / 38

HEX #9F382D

RGB 159 56 45

HSL 5.79, 0.56%, 0.4%

LAB 38.53, 42.09, 29.62

 

CMYK 72 / 0 / 65 / 38

HEX #2D9F38

RGB 45 159 56

HSL 125.79, 0.56%, 0.4%

LAB 57.69, -52.37, 43.49

 

CMYK 64 / 72 / 0 / 38

HEX #3A2D9F

RGB 58 45 159

HSL 246.84, 0.56%, 0.4%

LAB 27.52, 39.83, -59.79

 

CMYK 0 / 72 / 21 / 38

HEX #9F2D7D

RGB 159 45 125

HSL 317.89, 0.56%, 0.4%

LAB 39.12, 54.45, -19.55

 

CMYK 7 / 0 / 72 / 38

HEX #949F2D

RGB 148 159 45

HSL 65.79, 0.56%, 0.4%

LAB 62.74, -18.7, 54.9

 

CMYK 72 / 0 / 50 / 38

HEX #2D9F4F

RGB 45 159 79

HSL 137.89, 0.56%, 0.4%

LAB 57.96, -49.24, 32.66

 

CMYK 64 / 72 / 0 / 38

HEX #3A2D9F

RGB 58 45 159

HSL 246.84, 0.56%, 0.4%

LAB 27.52, 39.83, -59.79

 

CMYK 0 / 72 / 43 / 38

HEX #9F2D5B

RGB 159 45 91

HSL 335.79, 0.56%, 0.4%

LAB 37.85, 50.3, -0.1

 

CMYK 7 / 0 / 72 / 38

HEX #949F2D

RGB 148 159 45

HSL 65.79, 0.56%, 0.4%

LAB 62.74, -18.7, 54.9

 

CMYK 72 / 0 / 29 / 38

HEX #2D9F71

RGB 45 159 113

HSL 155.79, 0.56%, 0.4%

LAB 58.55, -42.64, 15.08

 

Description

Color code: HEX #3A2D9F | qconv.com Color code: HEX #3A2D9F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 45 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 45 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 72 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 72% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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