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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A2357 it is the complementary color #C5DCA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A2357. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A2357 shade: #3F2352, #503565, #614778, #72598B and #836B9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A2357. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A2357 shade: #3A2357, #291144, #180031, #07001E and #00000B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A2357 shade: #3A2358, #482358, #572358, #58234A and #58233C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A2357 shade: #3A2358, #2C2358 and #232358

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A2357 shade matches the following richer shades: #3A2358, #391961, #380F6B and #370575

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A2357 shade: #3A2358, #3B2D4E, #3C3744, #3E413A and #3F4A30

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A2357 shade: #232858, #2C2358, #3A2358, #482358 and #562358

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A2357 shade: #130B1D, #27173A, #3A2358, #4E2F75 and #613A93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A2357 shade: #3A2357, #582336 and #235825

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A2357 shade: #3A2357, #583A23 and #23583A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A2357 shade: #3A2357, #582336, #415823 and #235844

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A2357 shade: #3A2357, #582326, #415823 and #235854

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 60 / 0 / 66

HEX #3A2357

RGB 58 35 87

HSL 266.54, 0.43%, 0.24%

LAB 19.18, 23.23, -27.55

 

Complementary color

CMYK 10 / 0 / 24 / 14

HEX #C5DCA8

RGB 197 220 168

HSL 86.54, 0.43%, 0.76%

LAB 84.94, -16.69, 23.06

 

CMYK 23 / 57 / 0 / 68

HEX #3F2352

RGB 63 35 82

HSL 275.74, 0.4%, 0.23%

LAB 19.51, 23.35, -23.64

 

CMYK 21 / 48 / 0 / 60

HEX #503565

RGB 80 53 101

HSL 273.75, 0.31%, 0.3%

LAB 27.27, 22.36, -23.74

 

CMYK 19 / 41 / 0 / 53

HEX #614778

RGB 97 71 120

HSL 271.84, 0.26%, 0.37%

LAB 34.81, 21.46, -23.83

 

CMYK 18 / 36 / 0 / 45

HEX #72598B

RGB 114 89 139

HSL 270, 0.22%, 0.45%

LAB 42.13, 20.66, -23.94

 

CMYK 17 / 32 / 0 / 38

HEX #836B9E

RGB 131 107 158

HSL 268.24, 0.21%, 0.52%

LAB 49.26, 19.95, -24.07

 

CMYK 33 / 60 / 0 / 66

HEX #3A2357

RGB 58 35 87

HSL 266.54, 0.43%, 0.24%

LAB 19.18, 23.23, -27.55

 

CMYK 40 / 75 / 0 / 73

HEX #291144

RGB 41 17 68

HSL 268.24, 0.6%, 0.17%

LAB 11.2, 24.33, -27.49

 

CMYK 51 / 100 / 0 / 81

HEX #180031

RGB 24 0 49

HSL 269.39, 1%, 0.1%

LAB 3.76, 21.82, -25.92

 

CMYK 77 / 100 / 0 / 88

HEX #07001E

RGB 7 0 30

HSL 254, 1%, 0.06%

LAB 1.25, 7.78, -15.22

 

CMYK 100 / 100 / 0 / 96

HEX #00000B

RGB 0 0 11

HSL 240, 1%, 0.02%

LAB 0.22, 1.53, -4.17

 

CMYK 34 / 60 / 0 / 65

HEX #3A2358

RGB 58 35 88

HSL 266.04, 0.43%, 0.24%

LAB 19.25, 23.52, -28.11

 

CMYK 18 / 60 / 0 / 65

HEX #482358

RGB 72 35 88

HSL 281.89, 0.43%, 0.24%

LAB 21.15, 27.66, -24.97

 

CMYK 1 / 60 / 0 / 65

HEX #572358

RGB 87 35 88

HSL 298.87, 0.43%, 0.24%

LAB 23.45, 32.24, -21.19

 

CMYK 0 / 60 / 16 / 65

HEX #58234A

RGB 88 35 74

HSL 315.85, 0.43%, 0.24%

LAB 22.9, 29.87, -12.66

 

CMYK 0 / 60 / 32 / 65

HEX #58233C

RGB 88 35 60

HSL 331.7, 0.43%, 0.24%

LAB 22.31, 27.56, -4.02

 

CMYK 34 / 60 / 0 / 65

HEX #3A2358

RGB 58 35 88

HSL 266.04, 0.43%, 0.24%

LAB 19.25, 23.52, -28.11

 

CMYK 50 / 60 / 0 / 65

HEX #2C2358

RGB 44 35 88

HSL 250.19, 0.43%, 0.24%

LAB 17.65, 19.7, -30.76

 

CMYK 60 / 60 / 0 / 65

HEX #232358

RGB 35 35 88

HSL 240, 0.43%, 0.24%

LAB 16.82, 17.54, -32.15

 

CMYK 34 / 60 / 0 / 65

HEX #3A2358

RGB 58 35 88

HSL 266.04, 0.43%, 0.24%

LAB 19.25, 23.52, -28.11

 

CMYK 41 / 74 / 0 / 62

HEX #391961

RGB 57 25 97

HSL 266.67, 0.59%, 0.24%

LAB 17.59, 31.88, -36.78

 

CMYK 48 / 86 / 0 / 58

HEX #380F6B

RGB 56 15 107

HSL 266.74, 0.75%, 0.24%

LAB 16.72, 39.26, -44.79

 

CMYK 53 / 96 / 0 / 54

HEX #370575

RGB 55 5 117

HSL 266.79, 0.92%, 0.24%

LAB 16.53, 45.13, -51.61

 

CMYK 34 / 60 / 0 / 65

HEX #3A2358

RGB 58 35 88

HSL 266.04, 0.43%, 0.24%

LAB 19.25, 23.52, -28.11

 

CMYK 24 / 42 / 0 / 69

HEX #3B2D4E

RGB 59 45 78

HSL 265.45, 0.27%, 0.24%

LAB 21.42, 14.31, -17.97

 

CMYK 12 / 19 / 0 / 73

HEX #3C3744

RGB 60 55 68

HSL 263.08, 0.11%, 0.24%

LAB 24.03, 5.23, -7.24

 

CMYK 5 / 0 / 11 / 75

HEX #3E413A

RGB 62 65 58

HSL 85.71, 0.06%, 0.24%

LAB 27.05, -2.8, 3.84

 

CMYK 15 / 0 / 35 / 71

HEX #3F4A30

RGB 63 74 48

HSL 85.38, 0.21%, 0.24%

LAB 29.83, -9.8, 14.11

 

CMYK 60 / 55 / 0 / 65

HEX #232858

RGB 35 40 88

HSL 234.34, 0.43%, 0.24%

LAB 18.27, 13.94, -29.8

 

CMYK 50 / 60 / 0 / 65

HEX #2C2358

RGB 44 35 88

HSL 250.19, 0.43%, 0.24%

LAB 17.65, 19.7, -30.76

 

CMYK 34 / 60 / 0 / 65

HEX #3A2358

RGB 58 35 88

HSL 266.04, 0.43%, 0.24%

LAB 19.25, 23.52, -28.11

 

CMYK 18 / 60 / 0 / 65

HEX #482358

RGB 72 35 88

HSL 281.89, 0.43%, 0.24%

LAB 21.15, 27.66, -24.97

 

CMYK 2 / 60 / 0 / 65

HEX #562358

RGB 86 35 88

HSL 297.74, 0.43%, 0.24%

LAB 23.29, 31.93, -21.45

 

CMYK 34 / 62 / 0 / 89

HEX #130B1D

RGB 19 11 29

HSL 266.67, 0.45%, 0.08%

LAB 4.21, 6.82, -9.91

 

CMYK 33 / 60 / 0 / 77

HEX #27173A

RGB 39 23 58

HSL 267.43, 0.43%, 0.16%

LAB 11.62, 16.82, -19.76

 

CMYK 34 / 60 / 0 / 65

HEX #3A2358

RGB 58 35 88

HSL 266.04, 0.43%, 0.24%

LAB 19.25, 23.52, -28.11

 

CMYK 33 / 60 / 0 / 54

HEX #4E2F75

RGB 78 47 117

HSL 266.57, 0.43%, 0.32%

LAB 26.55, 29.78, -35.15

 

CMYK 34 / 61 / 0 / 42

HEX #613A93

RGB 97 58 147

HSL 266.29, 0.43%, 0.4%

LAB 33.29, 36.31, -42.9

 

CMYK 33 / 60 / 0 / 66

HEX #3A2357

RGB 58 35 87

HSL 266.54, 0.43%, 0.24%

LAB 19.18, 23.23, -27.55

 

CMYK 0 / 60 / 39 / 65

HEX #582336

RGB 88 35 54

HSL 338.49, 0.43%, 0.24%

LAB 22.1, 26.7, -0.21

 

CMYK 60 / 0 / 58 / 65

HEX #235825

RGB 35 88 37

HSL 122.26, 0.43%, 0.24%

LAB 32.85, -29.47, 24.13

 

CMYK 33 / 60 / 0 / 66

HEX #3A2357

RGB 58 35 87

HSL 266.54, 0.43%, 0.24%

LAB 19.18, 23.23, -27.55

 

CMYK 0 / 34 / 60 / 65

HEX #583A23

RGB 88 58 35

HSL 26.04, 0.43%, 0.24%

LAB 27.36, 10.42, 19.55

 

CMYK 60 / 0 / 34 / 65

HEX #23583A

RGB 35 88 58

HSL 146.04, 0.43%, 0.24%

LAB 33.23, -25.51, 12.23

 

CMYK 33 / 60 / 0 / 66

HEX #3A2357

RGB 58 35 87

HSL 266.54, 0.43%, 0.24%

LAB 19.18, 23.23, -27.55

 

CMYK 0 / 60 / 39 / 65

HEX #582336

RGB 88 35 54

HSL 338.49, 0.43%, 0.24%

LAB 22.1, 26.7, -0.21

 

CMYK 26 / 0 / 60 / 65

HEX #415823

RGB 65 88 35

HSL 86.04, 0.43%, 0.24%

LAB 34.45, -18.65, 27.51

 

CMYK 60 / 0 / 23 / 65

HEX #235844

RGB 35 88 68

HSL 157.36, 0.43%, 0.24%

LAB 33.47, -23.08, 6.37

 

CMYK 33 / 60 / 0 / 66

HEX #3A2357

RGB 58 35 87

HSL 266.54, 0.43%, 0.24%

LAB 19.18, 23.23, -27.55

 

CMYK 0 / 60 / 57 / 65

HEX #582326

RGB 88 35 38

HSL 356.6, 0.43%, 0.24%

LAB 21.64, 24.79, 10.17

 

CMYK 26 / 0 / 60 / 65

HEX #415823

RGB 65 88 35

HSL 86.04, 0.43%, 0.24%

LAB 34.45, -18.65, 27.51

 

CMYK 60 / 0 / 5 / 65

HEX #235854

RGB 35 88 84

HSL 175.47, 0.43%, 0.24%

LAB 33.93, -18.58, -2.99

 

Description

Color code: HEX #3A2357 | qconv.com Color code: HEX #3A2357 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 35 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 35 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 60 magenta, none yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 60% 0% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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