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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A1071 it is the complementary color #C5EF8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A1071. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A1071 shade: #3F106C, #50227F, #613492, #7246A5 and #8358B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A1071. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A1071 shade: #3A1071, #29005E, #18004B, #070038 and #000025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A1071 shade: #391070, #531070, #6D1070, #701058 and #70103F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A1071 shade: #391070, #201070 and #101070

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A1071 shade matches the following richer shades: #391070 and #38067A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A1071 shade: #391070, #3B1A65, #3C255B, #3D2F51 and #3F3946

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A1071 shade: #101B70, #1E1070, #381070, #511070 and #6B1070

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A1071 shade: #140627, #270B4B, #391070, #4C1594 and #5E1AB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A1071 shade: #3A1071, #701035 and #107012

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A1071 shade: #3A1071, #703810 and #107038

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A1071 shade: #3A1071, #701035, #487010 and #10704B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A1071 shade: #3A1071, #701018, #487010 and #107068

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 86 / 0 / 56

HEX #3A1071

RGB 58 16 113

HSL 265.98, 0.75%, 0.25%

LAB 17.75, 40.76, -47

 

Complementary color

CMYK 18 / 0 / 41 / 6

HEX #C5EF8E

RGB 197 239 142

HSL 85.98, 0.75%, 0.75%

LAB 89.65, -29.42, 42.5

 

CMYK 42 / 85 / 0 / 58

HEX #3F106C

RGB 63 16 108

HSL 270.65, 0.74%, 0.24%

LAB 17.96, 40.22, -43.37

 

CMYK 37 / 73 / 0 / 50

HEX #50227F

RGB 80 34 127

HSL 269.68, 0.58%, 0.32%

LAB 24.9, 40.18, -44.15

 

CMYK 34 / 64 / 0 / 43

HEX #613492

RGB 97 52 146

HSL 268.72, 0.47%, 0.39%

LAB 31.97, 39.42, -44.41

 

CMYK 31 / 58 / 0 / 35

HEX #7246A5

RGB 114 70 165

HSL 267.79, 0.4%, 0.46%

LAB 39.03, 38.44, -44.46

 

CMYK 29 / 52 / 0 / 28

HEX #8358B8

RGB 131 88 184

HSL 266.88, 0.4%, 0.53%

LAB 46, 37.44, -44.43

 

CMYK 49 / 86 / 0 / 56

HEX #3A1071

RGB 58 16 113

HSL 265.98, 0.75%, 0.25%

LAB 17.75, 40.76, -47

 

CMYK 56 / 100 / 0 / 63

HEX #29005E

RGB 41 0 94

HSL 266.17, 1%, 0.18%

LAB 11.13, 39.91, -45.46

 

CMYK 68 / 100 / 0 / 71

HEX #18004B

RGB 24 0 75

HSL 259.2, 1%, 0.15%

LAB 6.34, 33.07, -40.46

 

CMYK 88 / 100 / 0 / 78

HEX #070038

RGB 7 0 56

HSL 247.5, 1%, 0.11%

LAB 2.99, 19.95, -32.41

 

CMYK 100 / 100 / 0 / 85

HEX #000025

RGB 0 0 37

HSL 240, 1%, 0.07%

LAB 1.21, 8.48, -20.89

 

CMYK 49 / 86 / 0 / 56

HEX #391070

RGB 57 16 112

HSL 265.63, 0.75%, 0.25%

LAB 17.51, 40.35, -46.75

 

CMYK 26 / 86 / 0 / 56

HEX #531070

RGB 83 16 112

HSL 281.88, 0.75%, 0.25%

LAB 21.5, 44.66, -40.06

 

CMYK 3 / 86 / 0 / 56

HEX #6D1070

RGB 109 16 112

HSL 298.13, 0.75%, 0.25%

LAB 26.13, 49.75, -32.36

 

CMYK 0 / 86 / 21 / 56

HEX #701058

RGB 112 16 88

HSL 315, 0.75%, 0.25%

LAB 25.32, 46.61, -17.93

 

CMYK 0 / 86 / 44 / 56

HEX #70103F

RGB 112 16 63

HSL 330.63, 0.75%, 0.25%

LAB 24.24, 43.51, -2.71

 

CMYK 49 / 86 / 0 / 56

HEX #391070

RGB 57 16 112

HSL 265.63, 0.75%, 0.25%

LAB 17.51, 40.35, -46.75

 

CMYK 71 / 86 / 0 / 56

HEX #201070

RGB 32 16 112

HSL 250, 0.75%, 0.25%

LAB 14.67, 37.36, -51.54

 

CMYK 86 / 86 / 0 / 56

HEX #101070

RGB 16 16 112

HSL 240, 0.75%, 0.25%

LAB 13.54, 36.2, -53.44

 

CMYK 49 / 86 / 0 / 56

HEX #391070

RGB 57 16 112

HSL 265.63, 0.75%, 0.25%

LAB 17.51, 40.35, -46.75

 

CMYK 54 / 95 / 0 / 52

HEX #38067A

RGB 56 6 122

HSL 265.86, 0.91%, 0.25%

LAB 17.35, 46.17, -53.47

 

CMYK 49 / 86 / 0 / 56

HEX #391070

RGB 57 16 112

HSL 265.63, 0.75%, 0.25%

LAB 17.51, 40.35, -46.75

 

CMYK 42 / 74 / 0 / 60

HEX #3B1A65

RGB 59 26 101

HSL 266.4, 0.59%, 0.25%

LAB 18.4, 32.9, -38.09

 

CMYK 34 / 59 / 0 / 64

HEX #3C255B

RGB 60 37 91

HSL 265.56, 0.42%, 0.25%

LAB 20.2, 23.68, -28.57

 

CMYK 25 / 42 / 0 / 68

HEX #3D2F51

RGB 61 47 81

HSL 264.71, 0.27%, 0.25%

LAB 22.37, 14.5, -18.47

 

CMYK 10 / 19 / 0 / 73

HEX #3F3946

RGB 63 57 70

HSL 267.69, 0.1%, 0.25%

LAB 25.03, 5.6, -7.04

 

CMYK 86 / 76 / 0 / 56

HEX #101B70

RGB 16 27 112

HSL 233.13, 0.75%, 0.25%

LAB 15.82, 29.67, -49.66

 

CMYK 73 / 86 / 0 / 56

HEX #1E1070

RGB 30 16 112

HSL 248.75, 0.75%, 0.25%

LAB 14.49, 37.18, -51.83

 

CMYK 50 / 86 / 0 / 56

HEX #381070

RGB 56 16 112

HSL 265, 0.75%, 0.25%

LAB 17.37, 40.21, -46.98

 

CMYK 28 / 86 / 0 / 56

HEX #511070

RGB 81 16 112

HSL 280.63, 0.75%, 0.25%

LAB 21.17, 44.29, -40.62

 

CMYK 4 / 86 / 0 / 56

HEX #6B1070

RGB 107 16 112

HSL 296.88, 0.75%, 0.25%

LAB 25.76, 49.34, -32.98

 

CMYK 49 / 85 / 0 / 85

HEX #140627

RGB 20 6 39

HSL 265.45, 0.73%, 0.09%

LAB 3.84, 12.92, -18.24

 

CMYK 48 / 85 / 0 / 71

HEX #270B4B

RGB 39 11 75

HSL 266.25, 0.74%, 0.17%

LAB 10.4, 29.27, -33.7

 

CMYK 49 / 86 / 0 / 56

HEX #391070

RGB 57 16 112

HSL 265.63, 0.75%, 0.25%

LAB 17.51, 40.35, -46.75

 

CMYK 49 / 86 / 0 / 42

HEX #4C1594

RGB 76 21 148

HSL 265.98, 0.75%, 0.33%

LAB 24.36, 50.46, -58.17

 

CMYK 49 / 86 / 0 / 28

HEX #5E1AB8

RGB 94 26 184

HSL 265.82, 0.75%, 0.41%

LAB 30.83, 59.91, -69.22

 

CMYK 49 / 86 / 0 / 56

HEX #3A1071

RGB 58 16 113

HSL 265.98, 0.75%, 0.25%

LAB 17.75, 40.76, -47

 

CMYK 0 / 86 / 53 / 56

HEX #701035

RGB 112 16 53

HSL 336.88, 0.75%, 0.25%

LAB 23.91, 42.53, 3.69

 

CMYK 86 / 0 / 84 / 56

HEX #107012

RGB 16 112 18

HSL 121.25, 0.75%, 0.25%

LAB 40.8, -44.47, 40.97

 

CMYK 49 / 86 / 0 / 56

HEX #3A1071

RGB 58 16 113

HSL 265.98, 0.75%, 0.25%

LAB 17.75, 40.76, -47

 

CMYK 0 / 50 / 86 / 56

HEX #703810

RGB 112 56 16

HSL 25, 0.75%, 0.25%

LAB 30.18, 21.78, 34.19

 

CMYK 86 / 0 / 50 / 56

HEX #107038

RGB 16 112 56

HSL 145, 0.75%, 0.25%

LAB 41.19, -39.74, 23.79

 

CMYK 49 / 86 / 0 / 56

HEX #3A1071

RGB 58 16 113

HSL 265.98, 0.75%, 0.25%

LAB 17.75, 40.76, -47

 

CMYK 0 / 86 / 53 / 56

HEX #701035

RGB 112 16 53

HSL 336.88, 0.75%, 0.25%

LAB 23.91, 42.53, 3.69

 

CMYK 36 / 0 / 86 / 56

HEX #487010

RGB 72 112 16

HSL 85, 0.75%, 0.25%

LAB 42.77, -29.19, 44.11

 

CMYK 86 / 0 / 33 / 56

HEX #10704B

RGB 16 112 75

HSL 156.88, 0.75%, 0.25%

LAB 41.54, -35.71, 13.3

 

CMYK 49 / 86 / 0 / 56

HEX #3A1071

RGB 58 16 113

HSL 265.98, 0.75%, 0.25%

LAB 17.75, 40.76, -47

 

CMYK 0 / 86 / 79 / 56

HEX #701018

RGB 112 16 24

HSL 355, 0.75%, 0.25%

LAB 23.27, 40.62, 22.69

 

CMYK 36 / 0 / 86 / 56

HEX #487010

RGB 72 112 16

HSL 85, 0.75%, 0.25%

LAB 42.77, -29.19, 44.11

 

CMYK 86 / 0 / 7 / 56

HEX #107068

RGB 16 112 104

HSL 175, 0.75%, 0.25%

LAB 42.3, -27.66, -3

 

Description

Color code: HEX #3A1071 | qconv.com Color code: HEX #3A1071 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 16 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 16 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 86 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 86% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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