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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39EF81 it is the complementary color #C6107E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39EF81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39EF81 shade: #3EEF7C, #4FFF8F, #60FFA2, #71FFB5 and #82FFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39EF81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39EF81 shade: #39EF81, #28DD6E, #17CB5B, #06B948 and #00A735

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39EF81 shade: #39EF81, #39EF50, #53EF39, #84EF39 and #B5EF39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39EF81 shade: #39EF81, #39EFB2, #39EFE3, #39CAEF and #3999EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39EF81 shade matches the following richer shades: #39EF81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39EF81 shade: #39EF81, #4ADE85, #5CCC88, #6DBB8C and #7EAA8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39EF81 shade: #54EF39, #39EF4E, #39EF7F, #39EFAF and #39EFE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39EF81 shade: #10C558, #13EB69, #39EF81, #5FF299 and #85F5B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39EF81 shade: #39EF81, #3985EF and #EF393C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39EF81 shade: #39EF81, #7F39EF and #EF7F39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39EF81 shade: #39EF81, #3985EF, #EF39A9 and #EFA339

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39EF81 shade: #39EF81, #394EEF, #EF39A9 and #EFDA39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 46 / 6

HEX #39EF81

RGB 57 239 129

HSL 143.74, 0.85%, 0.58%

LAB 84.06, -67.82, 40.62

 

Complementary color

CMYK 0 / 92 / 36 / 22

HEX #C6107E

RGB 198 16 126

HSL 323.74, 0.85%, 0.42%

LAB 44.06, 70.76, -11.96

 

CMYK 74 / 0 / 48 / 6

HEX #3EEF7C

RGB 62 239 124

HSL 141.02, 0.85%, 0.59%

LAB 84.08, -67.96, 43.07

 

CMYK 69 / 0 / 44 / 0

HEX #4FFF8F

RGB 79 255 143

HSL 141.82, 1%, 0.65%

LAB 89.47, -67.99, 40.81

 

CMYK 62 / 0 / 36 / 0

HEX #60FFA2

RGB 96 255 162

HSL 144.91, 1%, 0.69%

LAB 90.14, -61.84, 32.41

 

CMYK 56 / 0 / 29 / 0

HEX #71FFB5

RGB 113 255 181

HSL 148.73, 1%, 0.72%

LAB 90.95, -54.92, 24

 

CMYK 49 / 0 / 22 / 0

HEX #82FFC8

RGB 130 255 200

HSL 153.6, 1%, 0.75%

LAB 91.88, -47.36, 15.68

 

CMYK 76 / 0 / 46 / 6

HEX #39EF81

RGB 57 239 129

HSL 143.74, 0.85%, 0.58%

LAB 84.06, -67.82, 40.62

 

CMYK 82 / 0 / 50 / 13

HEX #28DD6E

RGB 40 221 110

HSL 143.2, 0.73%, 0.51%

LAB 78.05, -66.66, 42.21

 

CMYK 89 / 0 / 55 / 20

HEX #17CB5B

RGB 23 203 91

HSL 142.67, 0.8%, 0.44%

LAB 71.99, -65.03, 43.85

 

CMYK 97 / 0 / 61 / 27

HEX #06B948

RGB 6 185 72

HSL 142.12, 0.94%, 0.37%

LAB 65.91, -62.79, 45.47

 

CMYK 100 / 0 / 68 / 35

HEX #00A735

RGB 0 167 53

HSL 139.04, 1%, 0.33%

LAB 59.79, -59.77, 46.95

 

CMYK 76 / 0 / 46 / 6

HEX #39EF81

RGB 57 239 129

HSL 143.74, 0.85%, 0.58%

LAB 84.06, -67.82, 40.62

 

CMYK 76 / 0 / 67 / 6

HEX #39EF50

RGB 57 239 80

HSL 127.58, 0.85%, 0.58%

LAB 83.54, -74.1, 61.87

 

CMYK 65 / 0 / 76 / 6

HEX #53EF39

RGB 83 239 57

HSL 111.43, 0.85%, 0.58%

LAB 83.9, -71.62, 70.47

 

CMYK 45 / 0 / 76 / 6

HEX #84EF39

RGB 132 239 57

HSL 95.27, 0.85%, 0.58%

LAB 85.47, -59.21, 72.53

 

CMYK 24 / 0 / 76 / 6

HEX #B5EF39

RGB 181 239 57

HSL 79.12, 0.85%, 0.58%

LAB 87.9, -42.44, 75.68

 

CMYK 76 / 0 / 46 / 6

HEX #39EF81

RGB 57 239 129

HSL 143.74, 0.85%, 0.58%

LAB 84.06, -67.82, 40.62

 

CMYK 76 / 0 / 26 / 6

HEX #39EFB2

RGB 57 239 178

HSL 159.89, 0.85%, 0.58%

LAB 84.9, -58.4, 16.96

 

CMYK 76 / 0 / 5 / 6

HEX #39EFE3

RGB 57 239 227

HSL 176.04, 0.85%, 0.58%

LAB 86.08, -46.25, -6.98

 

CMYK 76 / 15 / 0 / 6

HEX #39CAEF

RGB 57 202 239

HSL 192.2, 0.85%, 0.58%

LAB 75.66, -25.51, -29.07

 

CMYK 76 / 36 / 0 / 6

HEX #3999EF

RGB 57 153 239

HSL 208.35, 0.85%, 0.58%

LAB 61.55, 1, -51.1

 

CMYK 76 / 0 / 46 / 6

HEX #39EF81

RGB 57 239 129

HSL 143.74, 0.85%, 0.58%

LAB 84.06, -67.82, 40.62

 

CMYK 76 / 0 / 46 / 6

HEX #39EF81

RGB 57 239 129

HSL 143.74, 0.85%, 0.58%

LAB 84.06, -67.82, 40.62

 

CMYK 67 / 0 / 40 / 13

HEX #4ADE85

RGB 74 222 133

HSL 143.92, 0.69%, 0.58%

LAB 79.27, -58.58, 32.49

 

CMYK 55 / 0 / 33 / 20

HEX #5CCC88

RGB 92 204 136

HSL 143.57, 0.52%, 0.58%

LAB 74.34, -47.28, 24.47

 

CMYK 42 / 0 / 25 / 27

HEX #6DBB8C

RGB 109 187 140

HSL 143.85, 0.36%, 0.58%

LAB 69.95, -34.62, 16.42

 

CMYK 26 / 0 / 16 / 33

HEX #7EAA8F

RGB 126 170 143

HSL 143.18, 0.21%, 0.58%

LAB 65.88, -20.49, 9.17

 

CMYK 65 / 0 / 76 / 6

HEX #54EF39

RGB 84 239 57

HSL 111.1, 0.85%, 0.58%

LAB 83.92, -71.42, 70.5

 

CMYK 76 / 0 / 67 / 6

HEX #39EF4E

RGB 57 239 78

HSL 126.92, 0.85%, 0.58%

LAB 83.52, -74.29, 62.63

 

CMYK 76 / 0 / 47 / 6

HEX #39EF7F

RGB 57 239 127

HSL 143.08, 0.85%, 0.58%

LAB 84.04, -68.14, 41.56

 

CMYK 76 / 0 / 27 / 6

HEX #39EFAF

RGB 57 239 175

HSL 158.9, 0.85%, 0.58%

LAB 84.84, -59.06, 18.43

 

CMYK 76 / 0 / 6 / 6

HEX #39EFE0

RGB 57 239 224

HSL 175.05, 0.85%, 0.58%

LAB 86, -47.06, -5.52

 

CMYK 92 / 0 / 55 / 23

HEX #10C558

RGB 16 197 88

HSL 143.87, 0.85%, 0.42%

LAB 70, -63.96, 42.86

 

CMYK 92 / 0 / 55 / 8

HEX #13EB69

RGB 19 235 105

HSL 143.89, 0.85%, 0.5%

LAB 82.15, -73.33, 49.52

 

CMYK 76 / 0 / 46 / 6

HEX #39EF81

RGB 57 239 129

HSL 143.74, 0.85%, 0.58%

LAB 84.06, -67.82, 40.62

 

CMYK 61 / 0 / 37 / 5

HEX #5FF299

RGB 95 242 153

HSL 143.67, 0.85%, 0.66%

LAB 86.12, -58.69, 31.56

 

CMYK 46 / 0 / 28 / 4

HEX #85F5B1

RGB 133 245 177

HSL 143.57, 0.85%, 0.74%

LAB 88.67, -46.83, 23.01

 

CMYK 76 / 0 / 46 / 6

HEX #39EF81

RGB 57 239 129

HSL 143.74, 0.85%, 0.58%

LAB 84.06, -67.82, 40.62

 

CMYK 76 / 44 / 0 / 6

HEX #3985EF

RGB 57 133 239

HSL 214.95, 0.85%, 0.58%

LAB 55.96, 12.94, -60.02

 

CMYK 0 / 76 / 75 / 6

HEX #EF393C

RGB 239 57 60

HSL 359.01, 0.85%, 0.58%

LAB 53.6, 67.92, 42.05

 

CMYK 76 / 0 / 46 / 6

HEX #39EF81

RGB 57 239 129

HSL 143.74, 0.85%, 0.58%

LAB 84.06, -67.82, 40.62

 

CMYK 47 / 76 / 0 / 6

HEX #7F39EF

RGB 127 57 239

HSL 263.08, 0.85%, 0.58%

LAB 43.76, 66.15, -79.63

 

CMYK 0 / 47 / 76 / 6

HEX #EF7F39

RGB 239 127 57

HSL 23.08, 0.85%, 0.58%

LAB 64.82, 38.19, 55.29

 

CMYK 76 / 0 / 46 / 6

HEX #39EF81

RGB 57 239 129

HSL 143.74, 0.85%, 0.58%

LAB 84.06, -67.82, 40.62

 

CMYK 76 / 44 / 0 / 6

HEX #3985EF

RGB 57 133 239

HSL 214.95, 0.85%, 0.58%

LAB 55.96, 12.94, -60.02

 

CMYK 0 / 76 / 29 / 6

HEX #EF39A9

RGB 239 57 169

HSL 323.08, 0.85%, 0.58%

LAB 56.23, 76.1, -18.55

 

CMYK 0 / 32 / 76 / 6

HEX #EFA339

RGB 239 163 57

HSL 34.95, 0.85%, 0.58%

LAB 72.79, 19.39, 63.08

 

CMYK 76 / 0 / 46 / 6

HEX #39EF81

RGB 57 239 129

HSL 143.74, 0.85%, 0.58%

LAB 84.06, -67.82, 40.62

 

CMYK 76 / 67 / 0 / 6

HEX #394EEF

RGB 57 78 239

HSL 233.08, 0.85%, 0.58%

LAB 42.08, 47.02, -82.59

 

CMYK 0 / 76 / 29 / 6

HEX #EF39A9

RGB 239 57 169

HSL 323.08, 0.85%, 0.58%

LAB 56.23, 76.1, -18.55

 

CMYK 0 / 9 / 76 / 6

HEX #EFDA39

RGB 239 218 57

HSL 53.08, 0.85%, 0.58%

LAB 86.4, -9.13, 75.82

 

Description

Color code: HEX #39EF81 | qconv.com Color code: HEX #39EF81 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 239 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 239 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 46 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 46% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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