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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39EC5E it is the complementary color #C613A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39EC5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39EC5E shade: #3EEC59, #4FFE6C, #60FF7F, #71FF92 and #82FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39EC5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39EC5E shade: #39EC5E, #28DA4B, #17C838, #06B625 and #00A412

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39EC5E shade: #37EB5D, #43EB37, #73EB37, #A4EB37 and #D4EB37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39EC5E shade: #37EB5D, #37EB8D, #37EBBE, #37E8EB and #37B8EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39EC5E shade matches the following richer shades: #37EB5D and #26FD52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39EC5E shade: #37EB5D, #49DA67, #5BC871, #6DB67C and #7EA486

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39EC5E shade: #73EB37, #43EB37, #37EB5B, #37EB8B and #37EBBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39EC5E shade: #13BD36, #16E341, #37EB5D, #5DEF7B and #83F39A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39EC5E shade: #39EC5E, #37A3EB and #EB375B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39EC5E shade: #39EC5E, #5B37EB and #EB5B37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39EC5E shade: #39EC5E, #37A3EB, #EB37C7 and #EB7F37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39EC5E shade: #39EC5E, #376DEB, #EB37C7 and #EBB537

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 60 / 7

HEX #39EC5E

RGB 57 236 94

HSL 132.4, 0.82%, 0.57%

LAB 82.74, -71.69, 55.2

 

Complementary color

CMYK 0 / 90 / 19 / 22

HEX #C613A1

RGB 198 19 161

HSL 312.4, 0.82%, 0.43%

LAB 45.7, 74.33, -30.69

 

CMYK 74 / 0 / 62 / 7

HEX #3EEC59

RGB 62 236 89

HSL 129.31, 0.82%, 0.58%

LAB 82.77, -71.56, 57.4

 

CMYK 69 / 0 / 57 / 0

HEX #4FFE6C

RGB 79 254 108

HSL 129.94, 0.99%, 0.65%

LAB 88.75, -72.56, 56.17

 

CMYK 62 / 0 / 50 / 0

HEX #60FF7F

RGB 96 255 127

HSL 131.7, 1%, 0.69%

LAB 89.64, -67.37, 48.74

 

CMYK 56 / 0 / 43 / 0

HEX #71FF92

RGB 113 255 146

HSL 133.94, 1%, 0.72%

LAB 90.37, -60.99, 40.68

 

CMYK 49 / 0 / 35 / 0

HEX #82FFA5

RGB 130 255 165

HSL 136.8, 1%, 0.75%

LAB 91.23, -53.88, 32.54

 

CMYK 76 / 0 / 60 / 7

HEX #39EC5E

RGB 57 236 94

HSL 132.4, 0.82%, 0.57%

LAB 82.74, -71.69, 55.2

 

CMYK 82 / 0 / 66 / 15

HEX #28DA4B

RGB 40 218 75

HSL 131.8, 0.71%, 0.51%

LAB 76.74, -70.18, 56.41

 

CMYK 89 / 0 / 72 / 22

HEX #17C838

RGB 23 200 56

HSL 131.19, 0.79%, 0.44%

LAB 70.72, -68.08, 57.33

 

CMYK 97 / 0 / 80 / 29

HEX #06B625

RGB 6 182 37

HSL 130.57, 0.94%, 0.37%

LAB 64.67, -65.23, 57.69

 

CMYK 100 / 0 / 89 / 36

HEX #00A412

RGB 0 164 18

HSL 126.59, 1%, 0.32%

LAB 58.6, -61.41, 57

 

CMYK 77 / 0 / 60 / 8

HEX #37EB5D

RGB 55 235 93

HSL 132.67, 0.82%, 0.57%

LAB 82.39, -71.75, 55.23

 

CMYK 71 / 0 / 77 / 8

HEX #43EB37

RGB 67 235 55

HSL 116, 0.82%, 0.57%

LAB 82.32, -73.38, 69.43

 

CMYK 51 / 0 / 77 / 8

HEX #73EB37

RGB 115 235 55

HSL 100, 0.82%, 0.57%

LAB 83.62, -62.78, 71.14

 

CMYK 30 / 0 / 77 / 8

HEX #A4EB37

RGB 164 235 55

HSL 83.67, 0.82%, 0.57%

LAB 85.8, -47.06, 73.97

 

CMYK 10 / 0 / 77 / 8

HEX #D4EB37

RGB 212 235 55

HSL 67.67, 0.82%, 0.57%

LAB 88.78, -28.62, 77.8

 

CMYK 77 / 0 / 60 / 8

HEX #37EB5D

RGB 55 235 93

HSL 132.67, 0.82%, 0.57%

LAB 82.39, -71.75, 55.23

 

CMYK 77 / 0 / 40 / 8

HEX #37EB8D

RGB 55 235 141

HSL 148.67, 0.82%, 0.57%

LAB 82.99, -64.63, 33.29

 

CMYK 77 / 0 / 19 / 8

HEX #37EBBE

RGB 55 235 190

HSL 165, 0.82%, 0.57%

LAB 83.94, -54.28, 9.33

 

CMYK 77 / 1 / 0 / 8

HEX #37E8EB

RGB 55 232 235

HSL 181, 0.82%, 0.57%

LAB 84.24, -41.13, -13.94

 

CMYK 77 / 22 / 0 / 8

HEX #37B8EB

RGB 55 184 235

HSL 197, 0.82%, 0.57%

LAB 70.24, -17.79, -35.29

 

CMYK 77 / 0 / 60 / 8

HEX #37EB5D

RGB 55 235 93

HSL 132.67, 0.82%, 0.57%

LAB 82.39, -71.75, 55.23

 

CMYK 85 / 0 / 68 / 1

HEX #26FD52

RGB 38 253 82

HSL 132.28, 0.98%, 0.57%

LAB 87.62, -80.08, 65.41

 

CMYK 77 / 0 / 60 / 8

HEX #37EB5D

RGB 55 235 93

HSL 132.67, 0.82%, 0.57%

LAB 82.39, -71.75, 55.23

 

CMYK 67 / 0 / 53 / 15

HEX #49DA67

RGB 73 218 103

HSL 132.41, 0.66%, 0.57%

LAB 77.6, -62.02, 45.14

 

CMYK 55 / 0 / 44 / 22

HEX #5BC871

RGB 91 200 113

HSL 132.11, 0.5%, 0.57%

LAB 72.71, -49.88, 34.21

 

CMYK 40 / 0 / 32 / 29

HEX #6DB67C

RGB 109 182 124

HSL 132.33, 0.33%, 0.57%

LAB 68.14, -35.32, 22.55

 

CMYK 23 / 0 / 18 / 36

HEX #7EA486

RGB 126 164 134

HSL 132.63, 0.17%, 0.57%

LAB 63.92, -19.16, 11.4

 

CMYK 51 / 0 / 77 / 8

HEX #73EB37

RGB 115 235 55

HSL 100, 0.82%, 0.57%

LAB 83.62, -62.78, 71.14

 

CMYK 71 / 0 / 77 / 8

HEX #43EB37

RGB 67 235 55

HSL 116, 0.82%, 0.57%

LAB 82.32, -73.38, 69.43

 

CMYK 77 / 0 / 61 / 8

HEX #37EB5B

RGB 55 235 91

HSL 132, 0.82%, 0.57%

LAB 82.37, -71.98, 56.07

 

CMYK 77 / 0 / 41 / 8

HEX #37EB8B

RGB 55 235 139

HSL 148, 0.82%, 0.57%

LAB 82.96, -64.99, 34.26

 

CMYK 77 / 0 / 20 / 8

HEX #37EBBB

RGB 55 235 187

HSL 164, 0.82%, 0.57%

LAB 83.87, -54.99, 10.8

 

CMYK 90 / 0 / 71 / 26

HEX #13BD36

RGB 19 189 54

HSL 132.35, 0.82%, 0.41%

LAB 67.13, -65.28, 54.35

 

CMYK 90 / 0 / 71 / 11

HEX #16E341

RGB 22 227 65

HSL 132.59, 0.82%, 0.49%

LAB 79.32, -75.22, 62.94

 

CMYK 77 / 0 / 60 / 8

HEX #37EB5D

RGB 55 235 93

HSL 132.67, 0.82%, 0.57%

LAB 82.39, -71.75, 55.23

 

CMYK 61 / 0 / 49 / 6

HEX #5DEF7B

RGB 93 239 123

HSL 132.33, 0.82%, 0.65%

LAB 84.74, -62.8, 44.52

 

CMYK 46 / 0 / 37 / 5

HEX #83F39A

RGB 131 243 154

HSL 132.32, 0.82%, 0.73%

LAB 87.61, -50.53, 33.24

 

CMYK 76 / 0 / 60 / 7

HEX #39EC5E

RGB 57 236 94

HSL 132.4, 0.82%, 0.57%

LAB 82.74, -71.69, 55.2

 

CMYK 77 / 31 / 0 / 8

HEX #37A3EB

RGB 55 163 235

HSL 204, 0.82%, 0.57%

LAB 64.16, -6.37, -44.78

 

CMYK 0 / 77 / 61 / 8

HEX #EB375B

RGB 235 55 91

HSL 348, 0.82%, 0.57%

LAB 53.11, 68.87, 23.26

 

CMYK 76 / 0 / 60 / 7

HEX #39EC5E

RGB 57 236 94

HSL 132.4, 0.82%, 0.57%

LAB 82.74, -71.69, 55.2

 

CMYK 61 / 77 / 0 / 8

HEX #5B37EB

RGB 91 55 235

HSL 252, 0.82%, 0.57%

LAB 39.5, 61.47, -84.49

 

CMYK 0 / 61 / 77 / 8

HEX #EB5B37

RGB 235 91 55

HSL 12, 0.82%, 0.57%

LAB 57.48, 53.83, 48.6

 

CMYK 76 / 0 / 60 / 7

HEX #39EC5E

RGB 57 236 94

HSL 132.4, 0.82%, 0.57%

LAB 82.74, -71.69, 55.2

 

CMYK 77 / 31 / 0 / 8

HEX #37A3EB

RGB 55 163 235

HSL 204, 0.82%, 0.57%

LAB 64.16, -6.37, -44.78

 

CMYK 0 / 77 / 15 / 8

HEX #EB37C7

RGB 235 55 199

HSL 312, 0.82%, 0.57%

LAB 56.6, 79.44, -35.39

 

CMYK 0 / 46 / 77 / 8

HEX #EB7F37

RGB 235 127 55

HSL 24, 0.82%, 0.57%

LAB 64.26, 36.53, 55.43

 

CMYK 76 / 0 / 60 / 7

HEX #39EC5E

RGB 57 236 94

HSL 132.4, 0.82%, 0.57%

LAB 82.74, -71.69, 55.2

 

CMYK 77 / 54 / 0 / 8

HEX #376DEB

RGB 55 109 235

HSL 222, 0.82%, 0.57%

LAB 49.19, 26.19, -68.72

 

CMYK 0 / 77 / 15 / 8

HEX #EB37C7

RGB 235 55 199

HSL 312, 0.82%, 0.57%

LAB 56.6, 79.44, -35.39

 

CMYK 0 / 23 / 77 / 8

HEX #EBB537

RGB 235 181 55

HSL 42, 0.82%, 0.57%

LAB 76.67, 8.12, 67.36

 

Description

Color code: HEX #39EC5E | qconv.com Color code: HEX #39EC5E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 236 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 236 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 60 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 60% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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