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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39EBDB it is the complementary color #C61424. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39EBDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39EBDB shade: #3EEBD6, #4FFDE9, #60FFFC, #71FFFF and #82FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39EBDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39EBDB shade: #39EBDB, #28D9C8, #17C7B5, #06B5A2 and #00A38F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39EBDB shade: #37EBDB, #37EBAB, #37EB7A, #37EB4A and #56EB37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39EBDB shade: #37EBDB, #37CBEB, #379AEB, #376AEB and #3739EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39EBDB shade matches the following richer shades: #37EBDB and #26FDEA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39EBDB shade: #37EBDB, #49DACD, #5BC8BE, #6DB6AF and #7EA4A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39EBDB shade: #37EB79, #37EBA9, #37EBD9, #37CDEB and #379DEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39EBDB shade: #13BDAE, #16E3D1, #37EBDB, #5DEFE2 and #83F3E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39EBDB shade: #39EBDB, #4937EB and #EB9137

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39EBDB shade: #39EBDB, #D937EB and #EBD937

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39EBDB shade: #39EBDB, #4937EB, #EB3749 and #D9EB37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39EBDB shade: #39EBDB, #7F37EB, #EB3749 and #A3EB37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 7 / 8

HEX #39EBDB

RGB 57 235 219

HSL 174.61, 0.82%, 0.57%

LAB 84.69, -46.69, -4.82

 

Complementary color

CMYK 0 / 90 / 82 / 22

HEX #C61424

RGB 198 20 36

HSL 354.61, 0.82%, 0.43%

LAB 42.21, 64.52, 40.97

 

CMYK 74 / 0 / 9 / 8

HEX #3EEBD6

RGB 62 235 214

HSL 172.72, 0.81%, 0.58%

LAB 84.64, -47.48, -2.26

 

CMYK 69 / 0 / 8 / 1

HEX #4FFDE9

RGB 79 253 233

HSL 173.1, 0.98%, 0.65%

LAB 90.69, -48.16, -3.27

 

CMYK 62 / 0 / 1 / 0

HEX #60FFFC

RGB 96 255 252

HSL 178.87, 1%, 0.69%

LAB 92.15, -41.68, -10.93

 

CMYK 56 / 0 / 0 / 0

HEX #71FFFF

RGB 113 255 255

HSL 180, 1%, 0.72%

LAB 92.69, -38.08, -11.63

 

CMYK 49 / 0 / 0 / 0

HEX #82FFFF

RGB 130 255 255

HSL 180, 1%, 0.75%

LAB 93.23, -34.82, -10.77

 

CMYK 76 / 0 / 7 / 8

HEX #39EBDB

RGB 57 235 219

HSL 174.61, 0.82%, 0.57%

LAB 84.69, -46.69, -4.82

 

CMYK 82 / 0 / 8 / 15

HEX #28D9C8

RGB 40 217 200

HSL 174.24, 0.7%, 0.5%

LAB 78.61, -45.64, -3.73

 

CMYK 88 / 0 / 9 / 22

HEX #17C7B5

RGB 23 199 181

HSL 173.86, 0.79%, 0.44%

LAB 72.47, -44.28, -2.52

 

CMYK 97 / 0 / 10 / 29

HEX #06B5A2

RGB 6 181 162

HSL 173.49, 0.94%, 0.37%

LAB 66.29, -42.56, -1.19

 

CMYK 100 / 0 / 12 / 36

HEX #00A38F

RGB 0 163 143

HSL 172.64, 1%, 0.32%

LAB 60.05, -40.37, 0.3

 

CMYK 77 / 0 / 7 / 8

HEX #37EBDB

RGB 55 235 219

HSL 174.67, 0.82%, 0.57%

LAB 84.66, -46.89, -4.87

 

CMYK 77 / 0 / 27 / 8

HEX #37EBAB

RGB 55 235 171

HSL 158.67, 0.82%, 0.57%

LAB 83.53, -58.63, 18.67

 

CMYK 77 / 0 / 48 / 8

HEX #37EB7A

RGB 55 235 122

HSL 142.33, 0.82%, 0.57%

LAB 82.72, -67.82, 42.31

 

CMYK 77 / 0 / 69 / 8

HEX #37EB4A

RGB 55 235 74

HSL 126.33, 0.82%, 0.57%

LAB 82.23, -73.7, 62.77

 

CMYK 63 / 0 / 77 / 8

HEX #56EB37

RGB 86 235 55

HSL 109.67, 0.82%, 0.57%

LAB 82.74, -69.84, 69.99

 

CMYK 77 / 0 / 7 / 8

HEX #37EBDB

RGB 55 235 219

HSL 174.67, 0.82%, 0.57%

LAB 84.66, -46.89, -4.87

 

CMYK 77 / 14 / 0 / 8

HEX #37CBEB

RGB 55 203 235

HSL 190.67, 0.82%, 0.57%

LAB 75.78, -27.48, -26.75

 

CMYK 77 / 34 / 0 / 8

HEX #379AEB

RGB 55 154 235

HSL 207, 0.82%, 0.57%

LAB 61.59, -1.23, -48.85

 

CMYK 77 / 55 / 0 / 8

HEX #376AEB

RGB 55 106 235

HSL 223, 0.82%, 0.57%

LAB 48.41, 28.09, -69.99

 

CMYK 77 / 76 / 0 / 8

HEX #3739EB

RGB 55 57 235

HSL 239.33, 0.82%, 0.57%

LAB 37.37, 57.29, -88.1

 

CMYK 77 / 0 / 7 / 8

HEX #37EBDB

RGB 55 235 219

HSL 174.67, 0.82%, 0.57%

LAB 84.66, -46.89, -4.87

 

CMYK 85 / 0 / 8 / 1

HEX #26FDEA

RGB 38 253 234

HSL 174.7, 0.98%, 0.57%

LAB 90.14, -51.79, -4.67

 

CMYK 77 / 0 / 7 / 8

HEX #37EBDB

RGB 55 235 219

HSL 174.67, 0.82%, 0.57%

LAB 84.66, -46.89, -4.87

 

CMYK 67 / 0 / 6 / 15

HEX #49DACD

RGB 73 218 205

HSL 174.62, 0.66%, 0.57%

LAB 79.6, -41.02, -4.88

 

CMYK 55 / 0 / 5 / 22

HEX #5BC8BE

RGB 91 200 190

HSL 174.5, 0.5%, 0.57%

LAB 74.35, -33.59, -4.49

 

CMYK 40 / 0 / 4 / 29

HEX #6DB6AF

RGB 109 182 175

HSL 174.25, 0.33%, 0.57%

LAB 69.33, -24.47, -3.62

 

CMYK 23 / 0 / 2 / 36

HEX #7EA4A1

RGB 126 164 161

HSL 175.26, 0.17%, 0.57%

LAB 64.61, -13.54, -2.69

 

CMYK 77 / 0 / 49 / 8

HEX #37EB79

RGB 55 235 121

HSL 142, 0.82%, 0.57%

LAB 82.71, -67.98, 42.77

 

CMYK 77 / 0 / 28 / 8

HEX #37EBA9

RGB 55 235 169

HSL 158, 0.82%, 0.57%

LAB 83.49, -59.07, 19.65

 

CMYK 77 / 0 / 8 / 8

HEX #37EBD9

RGB 55 235 217

HSL 174, 0.82%, 0.57%

LAB 84.61, -47.42, -3.9

 

CMYK 77 / 13 / 0 / 8

HEX #37CDEB

RGB 55 205 235

HSL 190, 0.82%, 0.57%

LAB 76.36, -28.46, -25.86

 

CMYK 77 / 33 / 0 / 8

HEX #379DEB

RGB 55 157 235

HSL 206, 0.82%, 0.57%

LAB 62.44, -2.96, -47.49

 

CMYK 90 / 0 / 8 / 26

HEX #13BDAE

RGB 19 189 174

HSL 174.71, 0.82%, 0.41%

LAB 69.18, -42.12, -3.55

 

CMYK 90 / 0 / 8 / 11

HEX #16E3D1

RGB 22 227 209

HSL 174.73, 0.82%, 0.49%

LAB 81.68, -48.52, -4.01

 

CMYK 77 / 0 / 7 / 8

HEX #37EBDB

RGB 55 235 219

HSL 174.67, 0.82%, 0.57%

LAB 84.66, -46.89, -4.87

 

CMYK 61 / 0 / 5 / 6

HEX #5DEFE2

RGB 93 239 226

HSL 174.66, 0.82%, 0.65%

LAB 86.78, -41.79, -5.34

 

CMYK 46 / 0 / 4 / 5

HEX #83F3E9

RGB 131 243 233

HSL 174.64, 0.82%, 0.73%

LAB 89.3, -34.43, -5.14

 

CMYK 76 / 0 / 7 / 8

HEX #39EBDB

RGB 57 235 219

HSL 174.61, 0.82%, 0.57%

LAB 84.69, -46.69, -4.82

 

CMYK 69 / 77 / 0 / 8

HEX #4937EB

RGB 73 55 235

HSL 246, 0.82%, 0.57%

LAB 38.1, 59.7, -86.85

 

CMYK 0 / 38 / 77 / 8

HEX #EB9137

RGB 235 145 55

HSL 30, 0.82%, 0.57%

LAB 68.16, 27.16, 59.26

 

CMYK 76 / 0 / 7 / 8

HEX #39EBDB

RGB 57 235 219

HSL 174.61, 0.82%, 0.57%

LAB 84.69, -46.69, -4.82

 

CMYK 8 / 77 / 0 / 8

HEX #D937EB

RGB 217 55 235

HSL 294, 0.82%, 0.57%

LAB 55.57, 81.16, -57.65

 

CMYK 0 / 8 / 77 / 8

HEX #EBD937

RGB 235 217 55

HSL 54, 0.82%, 0.57%

LAB 85.79, -10.39, 75.75

 

CMYK 76 / 0 / 7 / 8

HEX #39EBDB

RGB 57 235 219

HSL 174.61, 0.82%, 0.57%

LAB 84.69, -46.69, -4.82

 

CMYK 69 / 77 / 0 / 8

HEX #4937EB

RGB 73 55 235

HSL 246, 0.82%, 0.57%

LAB 38.1, 59.7, -86.85

 

CMYK 0 / 77 / 69 / 8

HEX #EB3749

RGB 235 55 73

HSL 354, 0.82%, 0.57%

LAB 52.81, 67.91, 33.53

 

CMYK 8 / 0 / 77 / 8

HEX #D9EB37

RGB 217 235 55

HSL 66, 0.82%, 0.57%

LAB 89.13, -26.6, 78.26

 

CMYK 76 / 0 / 7 / 8

HEX #39EBDB

RGB 57 235 219

HSL 174.61, 0.82%, 0.57%

LAB 84.69, -46.69, -4.82

 

CMYK 46 / 77 / 0 / 8

HEX #7F37EB

RGB 127 55 235

HSL 264, 0.82%, 0.57%

LAB 43.13, 65.99, -78.4

 

CMYK 0 / 77 / 69 / 8

HEX #EB3749

RGB 235 55 73

HSL 354, 0.82%, 0.57%

LAB 52.81, 67.91, 33.53

 

CMYK 31 / 0 / 77 / 8

HEX #A3EB37

RGB 163 235 55

HSL 84, 0.82%, 0.57%

LAB 85.75, -47.42, 73.9

 

Description

Color code: HEX #39EBDB | qconv.com Color code: HEX #39EBDB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 235 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 235 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 7 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 7% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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