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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39E45C it is the complementary color #C61BA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39E45C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39E45C shade: #3EE457, #4FF66A, #60FF7D, #71FF90 and #82FFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39E45C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39E45C shade: #39E45C, #28D249, #17C036, #06AE23 and #009C10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39E45C shade: #3AE45C, #45E43A, #73E43A, #A1E43A and #CFE43A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39E45C shade: #3AE45C, #3AE48A, #3AE4B8, #3AE2E4 and #3AB4E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39E45C shade matches the following richer shades: #3AE45C and #27F652

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39E45C shade: #3AE45C, #4CD267, #5EC072, #70AE7D and #829B87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39E45C shade: #72E43A, #45E43A, #3AE45C, #3AE489 and #3AE4B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39E45C shade: #18B338, #1DD743, #3AE45C, #5EE97A and #82EE98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39E45C shade: #39E45C, #3AA0E4 and #E43A5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39E45C shade: #39E45C, #5C3AE4 and #E45C3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39E45C shade: #39E45C, #3AA0E4, #E43AC2 and #E47E3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39E45C shade: #39E45C, #3A6DE4, #E43AC2 and #E4B13A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 60 / 11

HEX #39E45C

RGB 57 228 92

HSL 132.28, 0.76%, 0.56%

LAB 80.25, -69.37, 53.22

 

Complementary color

CMYK 0 / 86 / 18 / 22

HEX #C61BA3

RGB 198 27 163

HSL 312.28, 0.76%, 0.44%

LAB 46.22, 73.33, -31.06

 

CMYK 73 / 0 / 62 / 11

HEX #3EE457

RGB 62 228 87

HSL 129.04, 0.75%, 0.57%

LAB 80.29, -69.22, 55.45

 

CMYK 68 / 0 / 57 / 4

HEX #4FF66A

RGB 79 246 106

HSL 129.7, 0.9%, 0.64%

LAB 86.31, -70.15, 54.2

 

CMYK 62 / 0 / 51 / 0

HEX #60FF7D

RGB 96 255 125

HSL 130.94, 1%, 0.69%

LAB 89.62, -67.64, 49.64

 

CMYK 56 / 0 / 44 / 0

HEX #71FF90

RGB 113 255 144

HSL 133.1, 1%, 0.72%

LAB 90.34, -61.3, 41.62

 

CMYK 49 / 0 / 36 / 0

HEX #82FFA3

RGB 130 255 163

HSL 135.84, 1%, 0.75%

LAB 91.19, -54.22, 33.49

 

CMYK 75 / 0 / 60 / 11

HEX #39E45C

RGB 57 228 92

HSL 132.28, 0.76%, 0.56%

LAB 80.25, -69.37, 53.22

 

CMYK 81 / 0 / 65 / 18

HEX #28D249

RGB 40 210 73

HSL 131.65, 0.68%, 0.49%

LAB 74.21, -67.93, 54.45

 

CMYK 88 / 0 / 72 / 25

HEX #17C036

RGB 23 192 54

HSL 131.01, 0.79%, 0.42%

LAB 68.13, -65.88, 55.4

 

CMYK 97 / 0 / 80 / 32

HEX #06AE23

RGB 6 174 35

HSL 130.36, 0.93%, 0.35%

LAB 62.03, -63.06, 55.78

 

CMYK 100 / 0 / 90 / 39

HEX #009C10

RGB 0 156 16

HSL 126.15, 1%, 0.31%

LAB 55.9, -59.21, 55.05

 

CMYK 75 / 0 / 60 / 11

HEX #3AE45C

RGB 58 228 92

HSL 132, 0.76%, 0.56%

LAB 80.27, -69.23, 53.24

 

CMYK 70 / 0 / 75 / 11

HEX #45E43A

RGB 69 228 58

HSL 116.12, 0.76%, 0.56%

LAB 80.21, -70.68, 66.44

 

CMYK 50 / 0 / 75 / 11

HEX #73E43A

RGB 115 228 58

HSL 99.88, 0.76%, 0.56%

LAB 81.53, -60.05, 68.18

 

CMYK 29 / 0 / 75 / 11

HEX #A1E43A

RGB 161 228 58

HSL 83.65, 0.76%, 0.56%

LAB 83.64, -45.02, 70.94

 

CMYK 9 / 0 / 75 / 11

HEX #CFE43A

RGB 207 228 58

HSL 67.41, 0.76%, 0.56%

LAB 86.53, -27.22, 74.71

 

CMYK 75 / 0 / 60 / 11

HEX #3AE45C

RGB 58 228 92

HSL 132, 0.76%, 0.56%

LAB 80.27, -69.23, 53.24

 

CMYK 75 / 0 / 39 / 11

HEX #3AE48A

RGB 58 228 138

HSL 148.24, 0.76%, 0.56%

LAB 80.86, -62.31, 32

 

CMYK 75 / 0 / 19 / 11

HEX #3AE4B8

RGB 58 228 184

HSL 164.47, 0.76%, 0.56%

LAB 81.75, -52.56, 9.37

 

CMYK 75 / 1 / 0 / 11

HEX #3AE2E4

RGB 58 226 228

HSL 180.71, 0.76%, 0.56%

LAB 82.32, -40.13, -13.1

 

CMYK 75 / 21 / 0 / 11

HEX #3AB4E4

RGB 58 180 228

HSL 196.94, 0.76%, 0.56%

LAB 68.86, -17.67, -33.61

 

CMYK 75 / 0 / 60 / 11

HEX #3AE45C

RGB 58 228 92

HSL 132, 0.76%, 0.56%

LAB 80.27, -69.23, 53.24

 

CMYK 84 / 0 / 67 / 4

HEX #27F652

RGB 39 246 82

HSL 132.46, 0.92%, 0.56%

LAB 85.48, -77.96, 63.12

 

CMYK 75 / 0 / 60 / 11

HEX #3AE45C

RGB 58 228 92

HSL 132, 0.76%, 0.56%

LAB 80.27, -69.23, 53.24

 

CMYK 64 / 0 / 51 / 18

HEX #4CD267

RGB 76 210 103

HSL 132.09, 0.6%, 0.56%

LAB 75.21, -58.57, 42.23

 

CMYK 51 / 0 / 41 / 25

HEX #5EC072

RGB 94 192 114

HSL 132.24, 0.44%, 0.56%

LAB 70.38, -45.68, 30.7

 

CMYK 36 / 0 / 28 / 32

HEX #70AE7D

RGB 112 174 125

HSL 132.58, 0.28%, 0.56%

LAB 65.9, -30.46, 18.99

 

CMYK 16 / 0 / 13 / 39

HEX #829B87

RGB 130 155 135

HSL 132, 0.11%, 0.56%

LAB 61.6, -12.85, 7.58

 

CMYK 50 / 0 / 75 / 11

HEX #72E43A

RGB 114 228 58

HSL 100.24, 0.76%, 0.56%

LAB 81.49, -60.33, 68.13

 

CMYK 70 / 0 / 75 / 11

HEX #45E43A

RGB 69 228 58

HSL 116.12, 0.76%, 0.56%

LAB 80.21, -70.68, 66.44

 

CMYK 75 / 0 / 60 / 11

HEX #3AE45C

RGB 58 228 92

HSL 132, 0.76%, 0.56%

LAB 80.27, -69.23, 53.24

 

CMYK 75 / 0 / 40 / 11

HEX #3AE489

RGB 58 228 137

HSL 147.88, 0.76%, 0.56%

LAB 80.85, -62.49, 32.49

 

CMYK 75 / 0 / 20 / 11

HEX #3AE4B7

RGB 58 228 183

HSL 164.12, 0.76%, 0.56%

LAB 81.73, -52.8, 9.86

 

CMYK 87 / 0 / 69 / 30

HEX #18B338

RGB 24 179 56

HSL 132.39, 0.76%, 0.4%

LAB 63.93, -61.67, 50.21

 

CMYK 87 / 0 / 69 / 16

HEX #1DD743

RGB 29 215 67

HSL 132.26, 0.76%, 0.48%

LAB 75.62, -71.08, 58.33

 

CMYK 75 / 0 / 60 / 11

HEX #3AE45C

RGB 58 228 92

HSL 132, 0.76%, 0.56%

LAB 80.27, -69.23, 53.24

 

CMYK 60 / 0 / 48 / 9

HEX #5EE97A

RGB 94 233 122

HSL 132.09, 0.76%, 0.64%

LAB 82.95, -60.53, 42.77

 

CMYK 45 / 0 / 36 / 7

HEX #82EE98

RGB 130 238 152

HSL 132.22, 0.76%, 0.72%

LAB 86.09, -49.04, 32.22

 

CMYK 75 / 0 / 60 / 11

HEX #39E45C

RGB 57 228 92

HSL 132.28, 0.76%, 0.56%

LAB 80.25, -69.37, 53.22

 

CMYK 75 / 30 / 0 / 11

HEX #3AA0E4

RGB 58 160 228

HSL 204, 0.76%, 0.56%

LAB 63.05, -6.76, -42.68

 

CMYK 0 / 75 / 60 / 11

HEX #E43A5C

RGB 228 58 92

HSL 348, 0.76%, 0.56%

LAB 52.17, 66.06, 21.18

 

CMYK 75 / 0 / 60 / 11

HEX #39E45C

RGB 57 228 92

HSL 132.28, 0.76%, 0.56%

LAB 80.25, -69.37, 53.22

 

CMYK 60 / 75 / 0 / 11

HEX #5C3AE4

RGB 92 58 228

HSL 252, 0.76%, 0.56%

LAB 39.42, 58.19, -80.65

 

CMYK 0 / 60 / 75 / 11

HEX #E45C3A

RGB 228 92 58

HSL 12, 0.76%, 0.56%

LAB 56.54, 51.05, 45.74

 

CMYK 75 / 0 / 60 / 11

HEX #39E45C

RGB 57 228 92

HSL 132.28, 0.76%, 0.56%

LAB 80.25, -69.37, 53.22

 

CMYK 75 / 30 / 0 / 11

HEX #3AA0E4

RGB 58 160 228

HSL 204, 0.76%, 0.56%

LAB 63.05, -6.76, -42.68

 

CMYK 0 / 75 / 15 / 11

HEX #E43AC2

RGB 228 58 194

HSL 312, 0.76%, 0.56%

LAB 55.5, 76.39, -34.33

 

CMYK 0 / 45 / 75 / 11

HEX #E47E3A

RGB 228 126 58

HSL 24, 0.76%, 0.56%

LAB 63.11, 34.38, 52.61

 

CMYK 75 / 0 / 60 / 11

HEX #39E45C

RGB 57 228 92

HSL 132.28, 0.76%, 0.56%

LAB 80.25, -69.37, 53.22

 

CMYK 75 / 52 / 0 / 11

HEX #3A6DE4

RGB 58 109 228

HSL 222, 0.76%, 0.56%

LAB 48.81, 23.97, -65.4

 

CMYK 0 / 75 / 15 / 11

HEX #E43AC2

RGB 228 58 194

HSL 312, 0.76%, 0.56%

LAB 55.5, 76.39, -34.33

 

CMYK 0 / 22 / 75 / 11

HEX #E4B13A

RGB 228 177 58

HSL 42, 0.76%, 0.56%

LAB 74.98, 7.35, 64.39

 

Description

Color code: HEX #39E45C | qconv.com Color code: HEX #39E45C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 228 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 228 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 60 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 60% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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