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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39E03B it is the complementary color #C61FC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39E03B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39E03B shade: #3EE036, #4FF249, #60FF5C, #71FF6F and #82FF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39E03B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39E03B shade: #39E03B, #28CE28, #17BC15, #06AA02 and #009800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39E03B shade: #38E03A, #64E038, #91E038, #BEE038 and #E0D538

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39E03B shade: #38E03A, #38E068, #38E095, #38E0C2 and #38D1E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39E03B shade matches the following richer shades: #38E03A and #26F328

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39E03B shade: #38E03A, #4BCD4D, #5EBB5F, #70A871 and #839683

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39E03B shade: #92E038, #65E038, #38E038, #38E065 and #38E092

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39E03B shade: #1BAB1C, #20CF22, #38E03A, #5CE65E and #80EB81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39E03B shade: #39E03B, #38BFE0 and #E0387B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39E03B shade: #39E03B, #3838E0 and #E03838

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39E03B shade: #39E03B, #38BFE0, #E038E0 and #E05A38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39E03B shade: #39E03B, #388CE0, #E038E0 and #E08C38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 74 / 12

HEX #39E03B

RGB 57 224 59

HSL 120.72, 0.73%, 0.55%

LAB 78.75, -71.29, 64.58

 

Complementary color

CMYK 0 / 84 / 1 / 22

HEX #C61FC4

RGB 198 31 196

HSL 300.72, 0.73%, 0.45%

LAB 48.22, 77.21, -47.31

 

CMYK 72 / 0 / 76 / 12

HEX #3EE036

RGB 62 224 54

HSL 117.18, 0.73%, 0.55%

LAB 78.81, -70.87, 66.3

 

CMYK 67 / 0 / 70 / 5

HEX #4FF249

RGB 79 242 73

HSL 117.87, 0.87%, 0.62%

LAB 84.82, -72.19, 65.98

 

CMYK 62 / 0 / 64 / 0

HEX #60FF5C

RGB 96 255 92

HSL 118.53, 1%, 0.68%

LAB 89.29, -71.44, 63.61

 

CMYK 56 / 0 / 56 / 0

HEX #71FF6F

RGB 113 255 111

HSL 119.17, 1%, 0.72%

LAB 89.94, -65.69, 56.47

 

CMYK 49 / 0 / 49 / 0

HEX #82FF82

RGB 130 255 130

HSL 120, 1%, 0.75%

LAB 90.72, -59.11, 48.9

 

CMYK 75 / 0 / 74 / 12

HEX #39E03B

RGB 57 224 59

HSL 120.72, 0.73%, 0.55%

LAB 78.75, -71.29, 64.58

 

CMYK 81 / 0 / 81 / 19

HEX #28CE28

RGB 40 206 40

HSL 120, 0.67%, 0.48%

LAB 72.72, -69.38, 64.53

 

CMYK 88 / 0 / 89 / 26

HEX #17BC15

RGB 23 188 21

HSL 119.28, 0.8%, 0.41%

LAB 66.67, -66.74, 63.49

 

CMYK 96 / 0 / 99 / 33

HEX #06AA02

RGB 6 170 2

HSL 118.57, 0.98%, 0.34%

LAB 60.6, -63.24, 61.16

 

CMYK 100 / 0 / 100 / 40

HEX #009800

RGB 0 152 0

HSL 120, 1%, 0.3%

LAB 54.51, -58.58, 56.54

 

CMYK 75 / 0 / 74 / 12

HEX #38E03A

RGB 56 224 58

HSL 120.71, 0.73%, 0.55%

LAB 78.73, -71.51, 64.88

 

CMYK 55 / 0 / 75 / 12

HEX #64E038

RGB 100 224 56

HSL 104.29, 0.73%, 0.55%

LAB 79.79, -62.79, 66.95

 

CMYK 35 / 0 / 75 / 12

HEX #91E038

RGB 145 224 56

HSL 88.21, 0.73%, 0.55%

LAB 81.63, -49.12, 69.37

 

CMYK 15 / 0 / 75 / 12

HEX #BEE038

RGB 190 224 56

HSL 72.14, 0.73%, 0.55%

LAB 84.25, -32.27, 72.77

 

CMYK 0 / 5 / 75 / 12

HEX #E0D538

RGB 224 213 56

HSL 56.07, 0.73%, 0.55%

LAB 83.82, -12.98, 73.3

 

CMYK 75 / 0 / 74 / 12

HEX #38E03A

RGB 56 224 58

HSL 120.71, 0.73%, 0.55%

LAB 78.73, -71.51, 64.88

 

CMYK 75 / 0 / 54 / 12

HEX #38E068

RGB 56 224 104

HSL 137.14, 0.73%, 0.55%

LAB 79.13, -66.66, 46.44

 

CMYK 75 / 0 / 33 / 12

HEX #38E095

RGB 56 224 149

HSL 153.21, 0.73%, 0.55%

LAB 79.8, -58.99, 24.94

 

CMYK 75 / 0 / 13 / 12

HEX #38E0C2

RGB 56 224 194

HSL 169.29, 0.73%, 0.55%

LAB 80.76, -48.67, 2.65

 

CMYK 75 / 7 / 0 / 12

HEX #38D1E0

RGB 56 209 224

HSL 185.36, 0.73%, 0.55%

LAB 77.18, -33.64, -18.71

 

CMYK 75 / 0 / 74 / 12

HEX #38E03A

RGB 56 224 58

HSL 120.71, 0.73%, 0.55%

LAB 78.73, -71.51, 64.88

 

CMYK 84 / 0 / 84 / 5

HEX #26F328

RGB 38 243 40

HSL 120.59, 0.9%, 0.55%

LAB 84.31, -80.13, 75.14

 

CMYK 75 / 0 / 74 / 12

HEX #38E03A

RGB 56 224 58

HSL 120.71, 0.73%, 0.55%

LAB 78.73, -71.51, 64.88

 

CMYK 63 / 0 / 62 / 20

HEX #4BCD4D

RGB 75 205 77

HSL 120.92, 0.57%, 0.55%

LAB 73.35, -60.24, 51.99

 

CMYK 50 / 0 / 49 / 27

HEX #5EBB5F

RGB 94 187 95

HSL 120.65, 0.41%, 0.55%

LAB 68.57, -46.51, 38.08

 

CMYK 33 / 0 / 33 / 34

HEX #70A871

RGB 112 168 113

HSL 121.07, 0.24%, 0.55%

LAB 63.87, -29.71, 22.75

 

CMYK 13 / 0 / 13 / 41

HEX #839683

RGB 131 150 131

HSL 120, 0.08%, 0.55%

LAB 60.14, -10.57, 7.76

 

CMYK 35 / 0 / 75 / 12

HEX #92E038

RGB 146 224 56

HSL 87.86, 0.73%, 0.55%

LAB 81.68, -48.78, 69.43

 

CMYK 55 / 0 / 75 / 12

HEX #65E038

RGB 101 224 56

HSL 103.93, 0.73%, 0.55%

LAB 79.82, -62.54, 66.99

 

CMYK 75 / 0 / 75 / 12

HEX #38E038

RGB 56 224 56

HSL 120, 0.73%, 0.55%

LAB 78.72, -71.65, 65.53

 

CMYK 75 / 0 / 55 / 12

HEX #38E065

RGB 56 224 101

HSL 136.07, 0.73%, 0.55%

LAB 79.09, -67.07, 47.8

 

CMYK 75 / 0 / 35 / 12

HEX #38E092

RGB 56 224 146

HSL 152.14, 0.73%, 0.55%

LAB 79.74, -59.59, 26.42

 

CMYK 84 / 0 / 84 / 33

HEX #1BAB1C

RGB 27 171 28

HSL 120.42, 0.73%, 0.39%

LAB 61.17, -61.09, 57.03

 

CMYK 85 / 0 / 84 / 19

HEX #20CF22

RGB 32 207 34

HSL 120.69, 0.73%, 0.47%

LAB 72.92, -70.83, 66.24

 

CMYK 75 / 0 / 74 / 12

HEX #38E03A

RGB 56 224 58

HSL 120.71, 0.73%, 0.55%

LAB 78.73, -71.51, 64.88

 

CMYK 60 / 0 / 59 / 10

HEX #5CE65E

RGB 92 230 94

HSL 120.87, 0.73%, 0.63%

LAB 81.66, -63.5, 54.17

 

CMYK 46 / 0 / 45 / 8

HEX #80EB81

RGB 128 235 129

HSL 120.56, 0.73%, 0.71%

LAB 84.79, -51.87, 41.94

 

CMYK 75 / 0 / 74 / 12

HEX #39E03B

RGB 57 224 59

HSL 120.72, 0.73%, 0.55%

LAB 78.75, -71.29, 64.58

 

CMYK 75 / 15 / 0 / 12

HEX #38BFE0

RGB 56 191 224

HSL 191.79, 0.73%, 0.55%

LAB 71.88, -24.86, -26.77

 

CMYK 0 / 75 / 45 / 12

HEX #E0387B

RGB 224 56 123

HSL 336.07, 0.73%, 0.55%

LAB 51.96, 67.94, 2.1

 

CMYK 75 / 0 / 74 / 12

HEX #39E03B

RGB 57 224 59

HSL 120.72, 0.73%, 0.55%

LAB 78.75, -71.29, 64.58

 

CMYK 75 / 75 / 0 / 12

HEX #3838E0

RGB 56 56 224

HSL 240, 0.73%, 0.55%

LAB 36.08, 54.43, -83.96

 

CMYK 0 / 75 / 75 / 12

HEX #E03838

RGB 224 56 56

HSL 0, 0.73%, 0.55%

LAB 50.64, 63.71, 40.22

 

CMYK 75 / 0 / 74 / 12

HEX #39E03B

RGB 57 224 59

HSL 120.72, 0.73%, 0.55%

LAB 78.75, -71.29, 64.58

 

CMYK 75 / 15 / 0 / 12

HEX #38BFE0

RGB 56 191 224

HSL 191.79, 0.73%, 0.55%

LAB 71.88, -24.86, -26.77

 

CMYK 0 / 75 / 0 / 12

HEX #E038E0

RGB 224 56 224

HSL 300, 0.73%, 0.55%

LAB 56.15, 80.48, -50.47

 

CMYK 0 / 60 / 75 / 12

HEX #E05A38

RGB 224 90 56

HSL 12.14, 0.73%, 0.55%

LAB 55.53, 50.45, 45.5

 

CMYK 75 / 0 / 74 / 12

HEX #39E03B

RGB 57 224 59

HSL 120.72, 0.73%, 0.55%

LAB 78.75, -71.29, 64.58

 

CMYK 75 / 38 / 0 / 12

HEX #388CE0

RGB 56 140 224

HSL 210, 0.73%, 0.55%

LAB 57.05, 3.16, -49.93

 

CMYK 0 / 75 / 0 / 12

HEX #E038E0

RGB 224 56 224

HSL 300, 0.73%, 0.55%

LAB 56.15, 80.48, -50.47

 

CMYK 0 / 38 / 75 / 12

HEX #E08C38

RGB 224 140 56

HSL 30, 0.73%, 0.55%

LAB 65.66, 25.28, 55.92

 

Description

Color code: HEX #39E03B | qconv.com Color code: HEX #39E03B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 224 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 224 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 74 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 74% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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