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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39DC2A it is the complementary color #C623D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39DC2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39DC2A shade: #3EDC25, #4FEE38, #60FF4B, #71FF5E and #82FF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39DC2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39DC2A shade: #39DC2A, #28CA17, #17B804, #06A600 and #009400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39DC2A shade: #37DC28, #68DC28, #98DC28, #C9DC28 and #DCBF28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39DC2A shade: #37DC28, #28DC49, #28DC7A, #28DCAA and #28DCDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39DC2A shade matches the following richer shades: #37DC28 and #26F014

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39DC2A shade: #37DC28, #48C83C, #59B451, #6A9F65 and #7A8B79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39DC2A shade: #9ADC28, #6ADC28, #3ADC28, #28DC46 and #28DC76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39DC2A shade: #249919, #2CBC1F, #37DC28, #58E24C and #79E86F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39DC2A shade: #39DC2A, #28CADC and #DC2882

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39DC2A shade: #39DC2A, #283ADC and #DC283A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39DC2A shade: #39DC2A, #28CADC, #CA28DC and #DC3A28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39DC2A shade: #39DC2A, #2894DC, #CA28DC and #DC7028

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 81 / 14

HEX #39DC2A

RGB 57 220 42

HSL 114.94, 0.72%, 0.51%

LAB 77.41, -71.15, 68.45

 

Complementary color

CMYK 7 / 84 / 0 / 16

HEX #C623D5

RGB 198 35 213

HSL 294.94, 0.72%, 0.49%

LAB 49.51, 79.05, -55.05

 

CMYK 72 / 0 / 83 / 14

HEX #3EDC25

RGB 62 220 37

HSL 111.8, 0.72%, 0.5%

LAB 77.49, -70.61, 69.81

 

CMYK 67 / 0 / 76 / 7

HEX #4FEE38

RGB 79 238 56

HSL 112.42, 0.84%, 0.58%

LAB 83.49, -72.14, 70.35

 

CMYK 62 / 0 / 71 / 0

HEX #60FF4B

RGB 96 255 75

HSL 113, 1%, 0.65%

LAB 89.17, -72.9, 69.88

 

CMYK 56 / 0 / 63 / 0

HEX #71FF5E

RGB 113 255 94

HSL 112.92, 1%, 0.68%

LAB 89.78, -67.46, 63.49

 

CMYK 49 / 0 / 56 / 0

HEX #82FF71

RGB 130 255 113

HSL 112.82, 1%, 0.72%

LAB 90.53, -61.17, 56.42

 

CMYK 74 / 0 / 81 / 14

HEX #39DC2A

RGB 57 220 42

HSL 114.94, 0.72%, 0.51%

LAB 77.41, -71.15, 68.45

 

CMYK 80 / 0 / 89 / 21

HEX #28CA17

RGB 40 202 23

HSL 114.3, 0.8%, 0.44%

LAB 71.39, -68.98, 67.27

 

CMYK 88 / 0 / 98 / 28

HEX #17B804

RGB 23 184 4

HSL 113.67, 0.96%, 0.37%

LAB 65.34, -66.05, 64.79

 

CMYK 96 / 0 / 100 / 35

HEX #06A600

RGB 6 166 0

HSL 117.83, 1%, 0.33%

LAB 59.26, -62.17, 60.36

 

CMYK 100 / 0 / 100 / 42

HEX #009400

RGB 0 148 0

HSL 120, 1%, 0.29%

LAB 53.15, -57.45, 55.44

 

CMYK 75 / 0 / 82 / 14

HEX #37DC28

RGB 55 220 40

HSL 115, 0.72%, 0.51%

LAB 77.37, -71.56, 68.92

 

CMYK 53 / 0 / 82 / 14

HEX #68DC28

RGB 104 220 40

HSL 98.67, 0.72%, 0.51%

LAB 78.63, -61.18, 70.53

 

CMYK 31 / 0 / 82 / 14

HEX #98DC28

RGB 152 220 40

HSL 82.67, 0.72%, 0.51%

LAB 80.75, -45.71, 73.22

 

CMYK 9 / 0 / 82 / 14

HEX #C9DC28

RGB 201 220 40

HSL 66.33, 0.72%, 0.51%

LAB 83.84, -26.54, 77.12

 

CMYK 0 / 13 / 82 / 14

HEX #DCBF28

RGB 220 191 40

HSL 50.33, 0.72%, 0.51%

LAB 77.66, -4.06, 72.43

 

CMYK 75 / 0 / 82 / 14

HEX #37DC28

RGB 55 220 40

HSL 115, 0.72%, 0.51%

LAB 77.37, -71.56, 68.92

 

CMYK 82 / 0 / 67 / 14

HEX #28DC49

RGB 40 220 73

HSL 131, 0.72%, 0.51%

LAB 77.35, -70.99, 57.88

 

CMYK 82 / 0 / 45 / 14

HEX #28DC7A

RGB 40 220 122

HSL 147.33, 0.72%, 0.51%

LAB 77.9, -64.38, 36.14

 

CMYK 82 / 0 / 23 / 14

HEX #28DCAA

RGB 40 220 170

HSL 163.33, 0.72%, 0.51%

LAB 78.78, -54.54, 12.49

 

CMYK 82 / 0 / 0 / 14

HEX #28DCDB

RGB 40 220 219

HSL 179.67, 0.72%, 0.51%

LAB 80.04, -41.61, -11.75

 

CMYK 75 / 0 / 82 / 14

HEX #37DC28

RGB 55 220 40

HSL 115, 0.72%, 0.51%

LAB 77.37, -71.56, 68.92

 

CMYK 84 / 0 / 92 / 6

HEX #26F014

RGB 38 240 20

HSL 115.09, 0.88%, 0.51%

LAB 83.33, -79.99, 77.86

 

CMYK 75 / 0 / 82 / 14

HEX #37DC28

RGB 55 220 40

HSL 115, 0.72%, 0.51%

LAB 77.37, -71.56, 68.92

 

CMYK 64 / 0 / 70 / 22

HEX #48C83C

RGB 72 200 60

HSL 114.86, 0.56%, 0.51%

LAB 71.56, -60.78, 56.97

 

CMYK 51 / 0 / 55 / 29

HEX #59B451

RGB 89 180 81

HSL 115.15, 0.4%, 0.51%

LAB 66.03, -46.92, 41.81

 

CMYK 33 / 0 / 36 / 38

HEX #6A9F65

RGB 106 159 101

HSL 114.83, 0.23%, 0.51%

LAB 60.6, -29.41, 24.85

 

CMYK 12 / 0 / 13 / 45

HEX #7A8B79

RGB 122 139 121

HSL 116.67, 0.07%, 0.51%

LAB 56.07, -9.78, 7.57

 

CMYK 30 / 0 / 82 / 14

HEX #9ADC28

RGB 154 220 40

HSL 82, 0.72%, 0.51%

LAB 80.86, -44.98, 73.36

 

CMYK 52 / 0 / 82 / 14

HEX #6ADC28

RGB 106 220 40

HSL 98, 0.72%, 0.51%

LAB 78.7, -60.63, 70.62

 

CMYK 74 / 0 / 82 / 14

HEX #3ADC28

RGB 58 220 40

HSL 114, 0.72%, 0.51%

LAB 77.42, -71.1, 68.98

 

CMYK 82 / 0 / 68 / 14

HEX #28DC46

RGB 40 220 70

HSL 130, 0.72%, 0.51%

LAB 77.33, -71.28, 59.03

 

CMYK 82 / 0 / 46 / 14

HEX #28DC76

RGB 40 220 118

HSL 146, 0.72%, 0.51%

LAB 77.84, -65.06, 38.05

 

CMYK 76 / 0 / 84 / 40

HEX #249919

RGB 36 153 25

HSL 114.84, 0.72%, 0.35%

LAB 55.31, -54.49, 52.51

 

CMYK 77 / 0 / 84 / 26

HEX #2CBC1F

RGB 44 188 31

HSL 115.03, 0.72%, 0.43%

LAB 66.98, -63.93, 61.65

 

CMYK 75 / 0 / 82 / 14

HEX #37DC28

RGB 55 220 40

HSL 115, 0.72%, 0.51%

LAB 77.37, -71.56, 68.92

 

CMYK 61 / 0 / 66 / 11

HEX #58E24C

RGB 88 226 76

HSL 115.2, 0.72%, 0.59%

LAB 80.17, -64.81, 60.01

 

CMYK 48 / 0 / 52 / 9

HEX #79E86F

RGB 121 232 111

HSL 115.04, 0.72%, 0.67%

LAB 83.4, -54.99, 48.76

 

CMYK 74 / 0 / 81 / 14

HEX #39DC2A

RGB 57 220 42

HSL 114.94, 0.72%, 0.51%

LAB 77.41, -71.15, 68.45

 

CMYK 82 / 8 / 0 / 14

HEX #28CADC

RGB 40 202 220

HSL 186, 0.72%, 0.51%

LAB 74.74, -33.02, -20.27

 

CMYK 0 / 82 / 41 / 14

HEX #DC2882

RGB 220 40 130

HSL 330, 0.72%, 0.51%

LAB 49.91, 71.89, -5.21

 

CMYK 74 / 0 / 81 / 14

HEX #39DC2A

RGB 57 220 42

HSL 114.94, 0.72%, 0.51%

LAB 77.41, -71.15, 68.45

 

CMYK 82 / 74 / 0 / 14

HEX #283ADC

RGB 40 58 220

HSL 234, 0.72%, 0.51%

LAB 35.29, 50.95, -83

 

CMYK 0 / 82 / 74 / 14

HEX #DC283A

RGB 220 40 58

HSL 354, 0.72%, 0.51%

LAB 48.31, 67.12, 36.25

 

CMYK 74 / 0 / 81 / 14

HEX #39DC2A

RGB 57 220 42

HSL 114.94, 0.72%, 0.51%

LAB 77.41, -71.15, 68.45

 

CMYK 82 / 8 / 0 / 14

HEX #28CADC

RGB 40 202 220

HSL 186, 0.72%, 0.51%

LAB 74.74, -33.02, -20.27

 

CMYK 8 / 82 / 0 / 14

HEX #CA28DC

RGB 202 40 220

HSL 294, 0.72%, 0.51%

LAB 50.97, 79.8, -56.67

 

CMYK 0 / 74 / 82 / 14

HEX #DC3A28

RGB 220 58 40

HSL 6, 0.72%, 0.51%

LAB 49.97, 61.33, 47.8

 

CMYK 74 / 0 / 81 / 14

HEX #39DC2A

RGB 57 220 42

HSL 114.94, 0.72%, 0.51%

LAB 77.41, -71.15, 68.45

 

CMYK 82 / 33 / 0 / 14

HEX #2894DC

RGB 40 148 220

HSL 204, 0.72%, 0.51%

LAB 58.79, -4.66, -44.97

 

CMYK 8 / 82 / 0 / 14

HEX #CA28DC

RGB 202 40 220

HSL 294, 0.72%, 0.51%

LAB 50.97, 79.8, -56.67

 

CMYK 0 / 49 / 82 / 14

HEX #DC7028

RGB 220 112 40

HSL 24, 0.72%, 0.51%

LAB 58.93, 37.74, 56.04

 

Description

Color code: HEX #39DC2A | qconv.com Color code: HEX #39DC2A | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 220 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 220 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 81 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 81% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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