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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39D433 it is the complementary color #C62BCC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39D433. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39D433 shade: #3ED42E, #4FE641, #60F854, #71FF67 and #82FF7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39D433. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39D433 shade: #39D433, #28C220, #17B00D, #069E00 and #008C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39D433 shade: #3BD435, #66D435, #91D435, #BCD435 and #D4C235

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39D433 shade: #3BD435, #35D45A, #35D485, #35D4B0 and #35CED4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39D433 shade matches the following richer shades: #3BD435, #29E821 and #16FC0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39D433 shade: #3BD435, #4DC049, #60AD5D, #729970 and #848584

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39D433 shade: #92D435, #67D435, #3DD435, #35D458 and #35D482

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39D433 shade: #249720, #2DB927, #3BD435, #5CDB57 and #7DE379

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39D433 shade: #39D433, #35BCD4 and #D4357D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39D433 shade: #39D433, #353DD4 and #D4353D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39D433 shade: #39D433, #35BCD4, #CC35D4 and #D44D35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39D433 shade: #39D433, #358DD4, #CC35D4 and #D47D35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 76 / 17

HEX #39D433

RGB 57 212 51

HSL 117.76, 0.65%, 0.52%

LAB 74.95, -68.16, 63.45

 

Complementary color

CMYK 3 / 79 / 0 / 20

HEX #C62BCC

RGB 198 43 204

HSL 297.76, 0.65%, 0.48%

LAB 49.61, 75.76, -49.72

 

CMYK 71 / 0 / 78 / 17

HEX #3ED42E

RGB 62 212 46

HSL 114.22, 0.66%, 0.51%

LAB 75.02, -67.65, 65.1

 

CMYK 66 / 0 / 72 / 10

HEX #4FE641

RGB 79 230 65

HSL 114.91, 0.77%, 0.58%

LAB 81.09, -68.95, 65.01

 

CMYK 61 / 0 / 66 / 3

HEX #60F854

RGB 96 248 84

HSL 115.61, 0.92%, 0.65%

LAB 87.13, -69.84, 64.41

 

CMYK 56 / 0 / 60 / 0

HEX #71FF67

RGB 113 255 103

HSL 116.05, 1%, 0.7%

LAB 89.86, -66.56, 59.84

 

CMYK 49 / 0 / 52 / 0

HEX #82FF7A

RGB 130 255 122

HSL 116.39, 1%, 0.74%

LAB 90.63, -60.12, 52.49

 

CMYK 73 / 0 / 76 / 17

HEX #39D433

RGB 57 212 51

HSL 117.76, 0.65%, 0.52%

LAB 74.95, -68.16, 63.45

 

CMYK 79 / 0 / 84 / 24

HEX #28C220

RGB 40 194 32

HSL 117.04, 0.72%, 0.44%

LAB 68.85, -66.24, 63.08

 

CMYK 87 / 0 / 93 / 31

HEX #17B00D

RGB 23 176 13

HSL 116.32, 0.86%, 0.37%

LAB 62.73, -63.55, 61.48

 

CMYK 96 / 0 / 100 / 38

HEX #069E00

RGB 6 158 0

HSL 117.72, 1%, 0.31%

LAB 56.58, -59.91, 58.21

 

CMYK 100 / 0 / 100 / 45

HEX #008C00

RGB 0 140 0

HSL 120, 1%, 0.27%

LAB 50.4, -55.17, 53.24

 

CMYK 72 / 0 / 75 / 17

HEX #3BD435

RGB 59 212 53

HSL 117.74, 0.65%, 0.52%

LAB 75, -67.7, 62.86

 

CMYK 52 / 0 / 75 / 17

HEX #66D435

RGB 102 212 53

HSL 101.51, 0.65%, 0.52%

LAB 76.17, -58.13, 64.41

 

CMYK 32 / 0 / 75 / 17

HEX #91D435

RGB 145 212 53

HSL 85.28, 0.65%, 0.52%

LAB 78.09, -44.25, 66.93

 

CMYK 11 / 0 / 75 / 17

HEX #BCD435

RGB 188 212 53

HSL 69.06, 0.65%, 0.52%

LAB 80.76, -27.58, 70.4

 

CMYK 0 / 8 / 75 / 17

HEX #D4C235

RGB 212 194 53

HSL 53.21, 0.65%, 0.52%

LAB 77.78, -8.59, 68.3

 

CMYK 72 / 0 / 75 / 17

HEX #3BD435

RGB 59 212 53

HSL 117.74, 0.65%, 0.52%

LAB 75, -67.7, 62.86

 

CMYK 75 / 0 / 58 / 17

HEX #35D45A

RGB 53 212 90

HSL 133.96, 0.65%, 0.52%

LAB 75.19, -64.96, 48.21

 

CMYK 75 / 0 / 37 / 17

HEX #35D485

RGB 53 212 133

HSL 150.19, 0.65%, 0.52%

LAB 75.78, -58.07, 27.8

 

CMYK 75 / 0 / 17 / 17

HEX #35D4B0

RGB 53 212 176

HSL 166.42, 0.65%, 0.52%

LAB 76.67, -48.54, 6.31

 

CMYK 75 / 3 / 0 / 17

HEX #35CED4

RGB 53 206 212

HSL 182.26, 0.65%, 0.52%

LAB 75.86, -36.11, -14.25

 

CMYK 72 / 0 / 75 / 17

HEX #3BD435

RGB 59 212 53

HSL 117.74, 0.65%, 0.52%

LAB 75, -67.7, 62.86

 

CMYK 82 / 0 / 86 / 9

HEX #29E821

RGB 41 232 33

HSL 117.59, 0.81%, 0.52%

LAB 80.9, -77.08, 73.62

 

CMYK 91 / 0 / 95 / 1

HEX #16FC0D

RGB 22 252 13

HSL 117.74, 0.98%, 0.52%

LAB 86.91, -84.46, 81.54

 

CMYK 72 / 0 / 75 / 17

HEX #3BD435

RGB 59 212 53

HSL 117.74, 0.65%, 0.52%

LAB 75, -67.7, 62.86

 

CMYK 60 / 0 / 62 / 25

HEX #4DC049

RGB 77 192 73

HSL 117.98, 0.49%, 0.52%

LAB 69.3, -55.57, 49.19

 

CMYK 45 / 0 / 46 / 32

HEX #60AD5D

RGB 96 173 93

HSL 117.75, 0.33%, 0.52%

LAB 64.29, -40.3, 33.76

 

CMYK 25 / 0 / 27 / 40

HEX #729970

RGB 114 153 112

HSL 117.07, 0.17%, 0.52%

LAB 59.46, -21.77, 17.33

 

CMYK 1 / 0 / 1 / 48

HEX #848584

RGB 132 133 132

HSL 120, 0%, 0.52%

LAB 55.43, -0.57, 0.4

 

CMYK 31 / 0 / 75 / 17

HEX #92D435

RGB 146 212 53

HSL 84.91, 0.65%, 0.52%

LAB 78.14, -43.89, 67

 

CMYK 51 / 0 / 75 / 17

HEX #67D435

RGB 103 212 53

HSL 101.13, 0.65%, 0.52%

LAB 76.21, -57.85, 64.46

 

CMYK 71 / 0 / 75 / 17

HEX #3DD435

RGB 61 212 53

HSL 116.98, 0.65%, 0.52%

LAB 75.04, -67.36, 62.91

 

CMYK 75 / 0 / 58 / 17

HEX #35D458

RGB 53 212 88

HSL 133.21, 0.65%, 0.52%

LAB 75.17, -65.21, 49.09

 

CMYK 75 / 0 / 39 / 17

HEX #35D482

RGB 53 212 130

HSL 149.06, 0.65%, 0.52%

LAB 75.73, -58.64, 29.28

 

CMYK 76 / 0 / 79 / 41

HEX #249720

RGB 36 151 32

HSL 117.98, 0.65%, 0.36%

LAB 54.67, -53.4, 49.77

 

CMYK 76 / 0 / 79 / 27

HEX #2DB927

RGB 45 185 39

HSL 117.53, 0.65%, 0.44%

LAB 66.06, -62.4, 58.56

 

CMYK 72 / 0 / 75 / 17

HEX #3BD435

RGB 59 212 53

HSL 117.74, 0.65%, 0.52%

LAB 75, -67.7, 62.86

 

CMYK 58 / 0 / 60 / 14

HEX #5CDB57

RGB 92 219 87

HSL 117.73, 0.65%, 0.6%

LAB 78.24, -60.33, 53.32

 

CMYK 45 / 0 / 47 / 11

HEX #7DE379

RGB 125 227 121

HSL 117.74, 0.65%, 0.68%

LAB 82.21, -50.56, 42.55

 

CMYK 73 / 0 / 76 / 17

HEX #39D433

RGB 57 212 51

HSL 117.76, 0.65%, 0.52%

LAB 74.95, -68.16, 63.45

 

CMYK 75 / 11 / 0 / 17

HEX #35BCD4

RGB 53 188 212

HSL 189.06, 0.65%, 0.52%

LAB 70.51, -27.47, -22.34

 

CMYK 0 / 75 / 41 / 17

HEX #D4357D

RGB 212 53 125

HSL 332.83, 0.65%, 0.52%

LAB 49.53, 65.86, -2.92

 

CMYK 73 / 0 / 76 / 17

HEX #39D433

RGB 57 212 51

HSL 117.76, 0.65%, 0.52%

LAB 74.95, -68.16, 63.45

 

CMYK 75 / 71 / 0 / 17

HEX #353DD4

RGB 53 61 212

HSL 236.98, 0.65%, 0.52%

LAB 35.69, 47.52, -77.72

 

CMYK 0 / 75 / 71 / 17

HEX #D4353D

RGB 212 53 61

HSL 356.98, 0.65%, 0.52%

LAB 48.11, 61.31, 33.88

 

CMYK 73 / 0 / 76 / 17

HEX #39D433

RGB 57 212 51

HSL 117.76, 0.65%, 0.52%

LAB 74.95, -68.16, 63.45

 

CMYK 75 / 11 / 0 / 17

HEX #35BCD4

RGB 53 188 212

HSL 189.06, 0.65%, 0.52%

LAB 70.51, -27.47, -22.34

 

CMYK 4 / 75 / 0 / 17

HEX #CC35D4

RGB 204 53 212

HSL 296.98, 0.65%, 0.52%

LAB 51.99, 75.46, -50.45

 

CMYK 0 / 64 / 75 / 17

HEX #D44D35

RGB 212 77 53

HSL 9.06, 0.65%, 0.52%

LAB 51.34, 51.87, 41.99

 

CMYK 73 / 0 / 76 / 17

HEX #39D433

RGB 57 212 51

HSL 117.76, 0.65%, 0.52%

LAB 74.95, -68.16, 63.45

 

CMYK 75 / 33 / 0 / 17

HEX #358DD4

RGB 53 141 212

HSL 206.79, 0.65%, 0.52%

LAB 56.64, -2.1, -43.86

 

CMYK 4 / 75 / 0 / 17

HEX #CC35D4

RGB 204 53 212

HSL 296.98, 0.65%, 0.52%

LAB 51.99, 75.46, -50.45

 

CMYK 0 / 41 / 75 / 17

HEX #D47D35

RGB 212 125 53

HSL 27.17, 0.65%, 0.52%

LAB 60.71, 28.16, 51.77

 

Description

Color code: HEX #39D433 | qconv.com Color code: HEX #39D433 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 212 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 212 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 76 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 76% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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