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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39D068 it is the complementary color #C62F97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39D068. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39D068 shade: #3ED063, #4FE276, #60F489, #71FF9C and #82FFAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39D068. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39D068 shade: #39D068, #28BE55, #17AC42, #069A2F and #00881C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39D068 shade: #39D068, #39D03F, #5BD039, #84D039 and #ADD039

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39D068 shade: #39D068, #39D091, #39D0BA, #39BED0 and #3995D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39D068 shade matches the following richer shades: #39D068, #25E460 and #11F859

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39D068 shade: #39D068, #4DBD6F, #60A977, #74957E and #888186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39D068 shade: #5CD039, #39D03E, #39D066, #39D08F and #39D0B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39D068 shade: #239446, #2BB556, #39D068, #5AD881 and #7CE09B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39D068 shade: #39D068, #3985D0 and #D03948

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39D068 shade: #39D068, #6639D0 and #D06639

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39D068 shade: #39D068, #3985D0, #D039A3 and #D08539

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39D068 shade: #39D068, #3957D0, #D039A3 and #D0B239

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 50 / 18

HEX #39D068

RGB 57 208 104

HSL 138.68, 0.62%, 0.52%

LAB 74.18, -61.06, 40.38

 

Complementary color

CMYK 0 / 76 / 24 / 22

HEX #C62F97

RGB 198 47 151

HSL 318.68, 0.62%, 0.48%

LAB 47.33, 67.04, -22.16

 

CMYK 70 / 0 / 52 / 18

HEX #3ED063

RGB 62 208 99

HSL 135.21, 0.61%, 0.53%

LAB 74.21, -61, 42.86

 

CMYK 65 / 0 / 48 / 11

HEX #4FE276

RGB 79 226 118

HSL 135.92, 0.72%, 0.6%

LAB 80.38, -61.59, 41.41

 

CMYK 61 / 0 / 44 / 4

HEX #60F489

RGB 96 244 137

HSL 136.62, 0.87%, 0.67%

LAB 86.5, -61.92, 40

 

CMYK 56 / 0 / 39 / 0

HEX #71FF9C

RGB 113 255 156

HSL 138.17, 1%, 0.72%

LAB 90.52, -59.39, 35.97

 

CMYK 49 / 0 / 31 / 0

HEX #82FFAF

RGB 130 255 175

HSL 141.6, 1%, 0.75%

LAB 91.4, -52.14, 27.74

 

CMYK 73 / 0 / 50 / 18

HEX #39D068

RGB 57 208 104

HSL 138.68, 0.62%, 0.52%

LAB 74.18, -61.06, 40.38

 

CMYK 79 / 0 / 55 / 25

HEX #28BE55

RGB 40 190 85

HSL 138, 0.65%, 0.45%

LAB 67.97, -60.02, 41.92

 

CMYK 87 / 0 / 62 / 33

HEX #17AC42

RGB 23 172 66

HSL 137.32, 0.76%, 0.38%

LAB 61.72, -58.43, 43.43

 

CMYK 96 / 0 / 69 / 40

HEX #069A2F

RGB 6 154 47

HSL 136.62, 0.93%, 0.31%

LAB 55.44, -56.08, 44.77

 

CMYK 100 / 0 / 79 / 47

HEX #00881C

RGB 0 136 28

HSL 132.35, 1%, 0.27%

LAB 49.12, -52.68, 45.58

 

CMYK 73 / 0 / 50 / 18

HEX #39D068

RGB 57 208 104

HSL 138.68, 0.62%, 0.52%

LAB 74.18, -61.06, 40.38

 

CMYK 73 / 0 / 70 / 18

HEX #39D03F

RGB 57 208 63

HSL 122.38, 0.62%, 0.52%

LAB 73.77, -65.96, 58.03

 

CMYK 56 / 0 / 73 / 18

HEX #5BD039

RGB 91 208 57

HSL 106.49, 0.62%, 0.52%

LAB 74.59, -59.35, 61.35

 

CMYK 37 / 0 / 73 / 18

HEX #84D039

RGB 132 208 57

HSL 90.2, 0.62%, 0.52%

LAB 76.26, -46.93, 63.57

 

CMYK 17 / 0 / 73 / 18

HEX #ADD039

RGB 173 208 57

HSL 73.91, 0.62%, 0.52%

LAB 78.63, -31.56, 66.7

 

CMYK 73 / 0 / 50 / 18

HEX #39D068

RGB 57 208 104

HSL 138.68, 0.62%, 0.52%

LAB 74.18, -61.06, 40.38

 

CMYK 73 / 0 / 30 / 18

HEX #39D091

RGB 57 208 145

HSL 154.97, 0.62%, 0.52%

LAB 74.84, -53.59, 20.26

 

CMYK 73 / 0 / 11 / 18

HEX #39D0BA

RGB 57 208 186

HSL 171.26, 0.62%, 0.52%

LAB 75.78, -43.8, -0.33

 

CMYK 73 / 9 / 0 / 18

HEX #39BED0

RGB 57 190 208

HSL 187.15, 0.62%, 0.52%

LAB 71.04, -29.22, -19.33

 

CMYK 73 / 28 / 0 / 18

HEX #3995D0

RGB 57 149 208

HSL 203.44, 0.62%, 0.52%

LAB 58.9, -7.6, -38.06

 

CMYK 73 / 0 / 50 / 18

HEX #39D068

RGB 57 208 104

HSL 138.68, 0.62%, 0.52%

LAB 74.18, -61.06, 40.38

 

CMYK 84 / 0 / 58 / 11

HEX #25E460

RGB 37 228 96

HSL 138.53, 0.78%, 0.52%

LAB 80.02, -71.15, 51.11

 

CMYK 93 / 0 / 64 / 3

HEX #11F859

RGB 17 248 89

HSL 138.7, 0.94%, 0.52%

LAB 85.99, -79.21, 60.86

 

CMYK 73 / 0 / 50 / 18

HEX #39D068

RGB 57 208 104

HSL 138.68, 0.62%, 0.52%

LAB 74.18, -61.06, 40.38

 

CMYK 59 / 0 / 41 / 26

HEX #4DBD6F

RGB 77 189 111

HSL 138.21, 0.46%, 0.52%

LAB 68.84, -49.1, 30.14

 

CMYK 43 / 0 / 30 / 34

HEX #60A977

RGB 96 169 119

HSL 138.9, 0.3%, 0.52%

LAB 63.5, -34.11, 18.85

 

CMYK 22 / 0 / 15 / 42

HEX #74957E

RGB 116 149 126

HSL 138.18, 0.13%, 0.52%

LAB 58.71, -16.35, 8.42

 

CMYK 0 / 5 / 1 / 47

HEX #888186

RGB 136 129 134

HSL 317.14, 0.03%, 0.52%

LAB 54.72, 3.6, -1.76

 

CMYK 56 / 0 / 73 / 18

HEX #5CD039

RGB 92 208 57

HSL 106.09, 0.62%, 0.52%

LAB 74.62, -59.09, 61.4

 

CMYK 73 / 0 / 70 / 18

HEX #39D03E

RGB 57 208 62

HSL 121.99, 0.62%, 0.52%

LAB 73.76, -66.05, 58.4

 

CMYK 73 / 0 / 51 / 18

HEX #39D066

RGB 57 208 102

HSL 137.88, 0.62%, 0.52%

LAB 74.15, -61.36, 41.32

 

CMYK 73 / 0 / 31 / 18

HEX #39D08F

RGB 57 208 143

HSL 154.17, 0.62%, 0.52%

LAB 74.8, -54.01, 21.26

 

CMYK 73 / 0 / 12 / 18

HEX #39D0B7

RGB 57 208 183

HSL 170.07, 0.62%, 0.52%

LAB 75.7, -44.58, 1.17

 

CMYK 76 / 0 / 53 / 42

HEX #239446

RGB 35 148 70

HSL 138.58, 0.62%, 0.36%

LAB 54.01, -48.23, 32.36

 

CMYK 76 / 0 / 52 / 29

HEX #2BB556

RGB 43 181 86

HSL 138.7, 0.62%, 0.44%

LAB 65.15, -56.4, 38.01

 

CMYK 73 / 0 / 50 / 18

HEX #39D068

RGB 57 208 104

HSL 138.68, 0.62%, 0.52%

LAB 74.18, -61.06, 40.38

 

CMYK 58 / 0 / 40 / 15

HEX #5AD881

RGB 90 216 129

HSL 138.57, 0.62%, 0.6%

LAB 77.8, -53.83, 32.68

 

CMYK 45 / 0 / 31 / 12

HEX #7CE09B

RGB 124 224 155

HSL 138.6, 0.62%, 0.68%

LAB 81.82, -44.19, 24.9

 

CMYK 73 / 0 / 50 / 18

HEX #39D068

RGB 57 208 104

HSL 138.68, 0.62%, 0.52%

LAB 74.18, -61.06, 40.38

 

CMYK 73 / 36 / 0 / 18

HEX #3985D0

RGB 57 133 208

HSL 209.8, 0.62%, 0.52%

LAB 54.24, 1.71, -45.41

 

CMYK 0 / 73 / 65 / 18

HEX #D03948

RGB 208 57 72

HSL 354.04, 0.62%, 0.52%

LAB 48.01, 59.31, 27.07

 

CMYK 73 / 0 / 50 / 18

HEX #39D068

RGB 57 208 104

HSL 138.68, 0.62%, 0.52%

LAB 74.18, -61.06, 40.38

 

CMYK 51 / 73 / 0 / 18

HEX #6639D0

RGB 102 57 208

HSL 257.88, 0.62%, 0.52%

LAB 38.38, 54.45, -70.84

 

CMYK 0 / 51 / 73 / 18

HEX #D06639

RGB 208 102 57

HSL 17.88, 0.62%, 0.52%

LAB 55.29, 38.76, 43.99

 

CMYK 73 / 0 / 50 / 18

HEX #39D068

RGB 57 208 104

HSL 138.68, 0.62%, 0.52%

LAB 74.18, -61.06, 40.38

 

CMYK 73 / 36 / 0 / 18

HEX #3985D0

RGB 57 133 208

HSL 209.8, 0.62%, 0.52%

LAB 54.24, 1.71, -45.41

 

CMYK 0 / 73 / 22 / 18

HEX #D039A3

RGB 208 57 163

HSL 317.88, 0.62%, 0.52%

LAB 50.66, 67.89, -24.02

 

CMYK 0 / 36 / 73 / 18

HEX #D08539

RGB 208 133 57

HSL 30.2, 0.62%, 0.52%

LAB 62.07, 22.36, 51.17

 

CMYK 73 / 0 / 50 / 18

HEX #39D068

RGB 57 208 104

HSL 138.68, 0.62%, 0.52%

LAB 74.18, -61.06, 40.38

 

CMYK 73 / 58 / 0 / 18

HEX #3957D0

RGB 57 87 208

HSL 228.08, 0.62%, 0.52%

LAB 41.6, 30.56, -65.72

 

CMYK 0 / 73 / 22 / 18

HEX #D039A3

RGB 208 57 163

HSL 317.88, 0.62%, 0.52%

LAB 50.66, 67.89, -24.02

 

CMYK 0 / 14 / 73 / 18

HEX #D0B239

RGB 208 178 57

HSL 48.08, 0.62%, 0.52%

LAB 73.25, -1.84, 62.42

 

Description

Color code: HEX #39D068 | qconv.com Color code: HEX #39D068 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 208 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 208 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 50 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 50% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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