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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39CD3E it is the complementary color #C632C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39CD3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39CD3E shade: #3ECD39, #4FDF4C, #60F15F, #71FF72 and #82FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39CD3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39CD3E shade: #39CD3E, #28BB2B, #17A918, #069705 and #008500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39CD3E shade: #37CD3C, #5ACD37, #83CD37, #ABCD37 and #CDC637

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39CD3E shade: #37CD3C, #37CD65, #37CD8D, #37CDB5 and #37BCCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39CD3E shade matches the following richer shades: #37CD3C, #23E129 and #0FF516

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39CD3E shade: #37CD3C, #4BB94F, #60A562, #749075 and #887C88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39CD3E shade: #82CD37, #5ACD37, #37CD3C, #37CD64 and #37CD8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39CD3E shade: #248E27, #2CAF30, #37CD3C, #58D55C and #79DE7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39CD3E shade: #39CD3E, #37AACD and #CD376E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39CD3E shade: #39CD3E, #3C37CD and #CD3C37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39CD3E shade: #39CD3E, #37AACD, #CD37C8 and #CD5A37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39CD3E shade: #39CD3E, #377DCD, #CD37C8 and #CD8737

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 70 / 20

HEX #39CD3E

RGB 57 205 62

HSL 122.03, 0.6%, 0.51%

LAB 72.81, -65.09, 57.41

 

Complementary color

CMYK 0 / 75 / 3 / 22

HEX #C632C1

RGB 198 50 193

HSL 302.03, 0.6%, 0.49%

LAB 49.66, 72.1, -43.28

 

CMYK 70 / 0 / 72 / 20

HEX #3ECD39

RGB 62 205 57

HSL 117.97, 0.6%, 0.51%

LAB 72.88, -64.65, 59.37

 

CMYK 65 / 0 / 66 / 13

HEX #4FDF4C

RGB 79 223 76

HSL 118.78, 0.7%, 0.59%

LAB 79.02, -65.69, 58.69

 

CMYK 60 / 0 / 61 / 5

HEX #60F15F

RGB 96 241 95

HSL 119.59, 0.84%, 0.66%

LAB 85.11, -66.37, 57.71

 

CMYK 56 / 0 / 55 / 0

HEX #71FF72

RGB 113 255 114

HSL 120.42, 1%, 0.72%

LAB 89.97, -65.34, 55.18

 

CMYK 49 / 0 / 48 / 0

HEX #82FF85

RGB 130 255 133

HSL 121.44, 1%, 0.75%

LAB 90.76, -58.72, 47.53

 

CMYK 72 / 0 / 70 / 20

HEX #39CD3E

RGB 57 205 62

HSL 122.03, 0.6%, 0.51%

LAB 72.81, -65.09, 57.41

 

CMYK 79 / 0 / 77 / 27

HEX #28BB2B

RGB 40 187 43

HSL 121.22, 0.65%, 0.45%

LAB 66.65, -63.47, 57.83

 

CMYK 86 / 0 / 86 / 34

HEX #17A918

RGB 23 169 24

HSL 120.41, 0.76%, 0.38%

LAB 60.45, -61.09, 57.37

 

CMYK 96 / 0 / 97 / 41

HEX #069705

RGB 6 151 5

HSL 119.59, 0.94%, 0.31%

LAB 54.22, -57.77, 55.5

 

CMYK 100 / 0 / 100 / 48

HEX #008500

RGB 0 133 0

HSL 120, 1%, 0.26%

LAB 47.98, -53.15, 51.3

 

CMYK 73 / 0 / 71 / 20

HEX #37CD3C

RGB 55 205 60

HSL 122, 0.6%, 0.51%

LAB 72.76, -65.59, 58.1

 

CMYK 56 / 0 / 73 / 20

HEX #5ACD37

RGB 90 205 55

HSL 106, 0.6%, 0.51%

LAB 73.62, -58.67, 61.07

 

CMYK 36 / 0 / 73 / 20

HEX #83CD37

RGB 131 205 55

HSL 89.6, 0.6%, 0.51%

LAB 75.3, -46.15, 63.3

 

CMYK 17 / 0 / 73 / 20

HEX #ABCD37

RGB 171 205 55

HSL 73.6, 0.6%, 0.51%

LAB 77.64, -31.06, 66.37

 

CMYK 0 / 3 / 73 / 20

HEX #CDC637

RGB 205 198 55

HSL 57.2, 0.6%, 0.51%

LAB 78.25, -13.53, 67.85

 

CMYK 73 / 0 / 71 / 20

HEX #37CD3C

RGB 55 205 60

HSL 122, 0.6%, 0.51%

LAB 72.76, -65.59, 58.1

 

CMYK 73 / 0 / 51 / 20

HEX #37CD65

RGB 55 205 101

HSL 138.4, 0.6%, 0.51%

LAB 73.16, -60.77, 40.57

 

CMYK 73 / 0 / 31 / 20

HEX #37CD8D

RGB 55 205 141

HSL 154.4, 0.6%, 0.51%

LAB 73.8, -53.54, 20.94

 

CMYK 73 / 0 / 12 / 20

HEX #37CDB5

RGB 55 205 181

HSL 170.4, 0.6%, 0.51%

LAB 74.71, -44.05, 0.79

 

CMYK 73 / 8 / 0 / 20

HEX #37BCCD

RGB 55 188 205

HSL 186.8, 0.6%, 0.51%

LAB 70.31, -29.4, -18.81

 

CMYK 73 / 0 / 71 / 20

HEX #37CD3C

RGB 55 205 60

HSL 122, 0.6%, 0.51%

LAB 72.76, -65.59, 58.1

 

CMYK 84 / 0 / 82 / 12

HEX #23E129

RGB 35 225 41

HSL 121.89, 0.76%, 0.51%

LAB 78.68, -75.32, 69.76

 

CMYK 94 / 0 / 91 / 4

HEX #0FF516

RGB 15 245 22

HSL 121.83, 0.92%, 0.51%

LAB 84.72, -82.75, 78.7

 

CMYK 73 / 0 / 71 / 20

HEX #37CD3C

RGB 55 205 60

HSL 122, 0.6%, 0.51%

LAB 72.76, -65.59, 58.1

 

CMYK 59 / 0 / 57 / 27

HEX #4BB94F

RGB 75 185 79

HSL 122.18, 0.44%, 0.51%

LAB 67.1, -52.76, 43.91

 

CMYK 42 / 0 / 41 / 35

HEX #60A562

RGB 96 165 98

HSL 121.74, 0.28%, 0.51%

LAB 61.89, -35.98, 28.06

 

CMYK 19 / 0 / 19 / 44

HEX #749075

RGB 116 144 117

HSL 122.14, 0.11%, 0.51%

LAB 57.02, -15.45, 11.14

 

CMYK 0 / 9 / 0 / 47

HEX #887C88

RGB 136 124 136

HSL 300, 0.05%, 0.51%

LAB 53.41, 6.89, -4.84

 

CMYK 37 / 0 / 73 / 20

HEX #82CD37

RGB 130 205 55

HSL 90, 0.6%, 0.51%

LAB 75.25, -46.5, 63.24

 

CMYK 56 / 0 / 73 / 20

HEX #5ACD37

RGB 90 205 55

HSL 106, 0.6%, 0.51%

LAB 73.62, -58.67, 61.07

 

CMYK 73 / 0 / 71 / 20

HEX #37CD3C

RGB 55 205 60

HSL 122, 0.6%, 0.51%

LAB 72.76, -65.59, 58.1

 

CMYK 73 / 0 / 51 / 20

HEX #37CD64

RGB 55 205 100

HSL 138, 0.6%, 0.51%

LAB 73.15, -60.92, 41.04

 

CMYK 73 / 0 / 32 / 20

HEX #37CD8C

RGB 55 205 140

HSL 154, 0.6%, 0.51%

LAB 73.78, -53.75, 21.44

 

CMYK 75 / 0 / 73 / 44

HEX #248E27

RGB 36 142 39

HSL 121.7, 0.6%, 0.35%

LAB 51.69, -49.83, 44.2

 

CMYK 75 / 0 / 73 / 31

HEX #2CAF30

RGB 44 175 48

HSL 121.83, 0.6%, 0.43%

LAB 62.85, -58.7, 52.3

 

CMYK 73 / 0 / 71 / 20

HEX #37CD3C

RGB 55 205 60

HSL 122, 0.6%, 0.51%

LAB 72.76, -65.59, 58.1

 

CMYK 59 / 0 / 57 / 16

HEX #58D55C

RGB 88 213 92

HSL 121.92, 0.6%, 0.59%

LAB 76.34, -58.51, 48.84

 

CMYK 45 / 0 / 44 / 13

HEX #79DE7C

RGB 121 222 124

HSL 121.78, 0.6%, 0.67%

LAB 80.61, -49.22, 39.03

 

CMYK 72 / 0 / 70 / 20

HEX #39CD3E

RGB 57 205 62

HSL 122.03, 0.6%, 0.51%

LAB 72.81, -65.09, 57.41

 

CMYK 73 / 17 / 0 / 20

HEX #37AACD

RGB 55 170 205

HSL 194, 0.6%, 0.51%

LAB 64.94, -20.31, -27.01

 

CMYK 0 / 73 / 46 / 20

HEX #CD376E

RGB 205 55 110

HSL 338, 0.6%, 0.51%

LAB 48.05, 61.89, 3.91

 

CMYK 72 / 0 / 70 / 20

HEX #39CD3E

RGB 57 205 62

HSL 122.03, 0.6%, 0.51%

LAB 72.81, -65.09, 57.41

 

CMYK 71 / 73 / 0 / 20

HEX #3C37CD

RGB 60 55 205

HSL 242, 0.6%, 0.51%

LAB 34.19, 49.27, -76.12

 

CMYK 0 / 71 / 73 / 20

HEX #CD3C37

RGB 205 60 55

HSL 2, 0.6%, 0.51%

LAB 47.61, 56.46, 36.42

 

CMYK 72 / 0 / 70 / 20

HEX #39CD3E

RGB 57 205 62

HSL 122.03, 0.6%, 0.51%

LAB 72.81, -65.09, 57.41

 

CMYK 73 / 17 / 0 / 20

HEX #37AACD

RGB 55 170 205

HSL 194, 0.6%, 0.51%

LAB 64.94, -20.31, -27.01

 

CMYK 0 / 73 / 2 / 20

HEX #CD37C8

RGB 205 55 200

HSL 302, 0.6%, 0.51%

LAB 51.7, 73.15, -44.02

 

CMYK 0 / 56 / 73 / 20

HEX #CD5A37

RGB 205 90 55

HSL 14, 0.6%, 0.51%

LAB 52.47, 43.48, 41.83

 

CMYK 72 / 0 / 70 / 20

HEX #39CD3E

RGB 57 205 62

HSL 122.03, 0.6%, 0.51%

LAB 72.81, -65.09, 57.41

 

CMYK 73 / 39 / 0 / 20

HEX #377DCD

RGB 55 125 205

HSL 212, 0.6%, 0.51%

LAB 51.71, 5.19, -47.72

 

CMYK 0 / 73 / 2 / 20

HEX #CD37C8

RGB 205 55 200

HSL 302, 0.6%, 0.51%

LAB 51.7, 73.15, -44.02

 

CMYK 0 / 34 / 73 / 20

HEX #CD8737

RGB 205 135 55

HSL 32, 0.6%, 0.51%

LAB 62.15, 19.9, 52.05

 

Description

Color code: HEX #39CD3E | qconv.com Color code: HEX #39CD3E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 205 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 205 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 70 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 70% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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