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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39B351 it is the complementary color #C64CAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39B351. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39B351 shade: #3EB34C, #4FC55F, #60D772, #71E985 and #82FB98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39B351. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39B351 shade: #39B351, #28A13E, #178F2B, #067D18 and #006B05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39B351 shade: #38B250, #41B238, #62B238, #83B238 and #A4B238

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39B351 shade: #38B250, #38B271, #38B292, #38B2B2 and #3891B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39B351 shade matches the following richer shades: #38B250, #25C545 and #12D839

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39B351 shade: #38B250, #4B9F5C, #5E8C67, #717973 and #84667E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39B351 shade: #63B238, #42B238, #38B24F, #38B26F and #38B290

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39B351 shade: #247434, #2E9342, #38B250, #4DC765 and #6CD180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39B351 shade: #39B351, #3884B2 and #B23853

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39B351 shade: #39B351, #4F38B2 and #B24F38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39B351 shade: #39B351, #3884B2, #B2389C and #B26738

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39B351 shade: #39B351, #385FB2, #B2389C and #B28C38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 55 / 30

HEX #39B351

RGB 57 179 81

HSL 131.8, 0.52%, 0.46%

LAB 64.73, -54.11, 40.02

 

Complementary color

CMYK 0 / 62 / 12 / 22

HEX #C64CAE

RGB 198 76 174

HSL 311.8, 0.52%, 0.54%

LAB 52.1, 59.71, -28.39

 

CMYK 65 / 0 / 58 / 30

HEX #3EB34C

RGB 62 179 76

HSL 127.18, 0.49%, 0.47%

LAB 64.79, -53.8, 42.52

 

CMYK 60 / 0 / 52 / 23

HEX #4FC55F

RGB 79 197 95

HSL 128.14, 0.5%, 0.54%

LAB 71.16, -54.24, 41.16

 

CMYK 55 / 0 / 47 / 16

HEX #60D772

RGB 96 215 114

HSL 129.08, 0.6%, 0.61%

LAB 77.46, -54.43, 39.79

 

CMYK 52 / 0 / 43 / 9

HEX #71E985

RGB 113 233 133

HSL 130, 0.73%, 0.68%

LAB 83.7, -54.46, 38.47

 

CMYK 48 / 0 / 39 / 2

HEX #82FB98

RGB 130 251 152

HSL 130.91, 0.94%, 0.75%

LAB 89.86, -54.38, 37.19

 

CMYK 68 / 0 / 55 / 30

HEX #39B351

RGB 57 179 81

HSL 131.8, 0.52%, 0.46%

LAB 64.73, -54.11, 40.02

 

CMYK 75 / 0 / 61 / 37

HEX #28A13E

RGB 40 161 62

HSL 130.91, 0.6%, 0.39%

LAB 58.31, -53.2, 41.43

 

CMYK 84 / 0 / 70 / 44

HEX #178F2B

RGB 23 143 43

HSL 130, 0.72%, 0.33%

LAB 51.84, -51.65, 42.64

 

CMYK 95 / 0 / 81 / 51

HEX #067D18

RGB 6 125 24

HSL 129.08, 0.91%, 0.26%

LAB 45.32, -49.15, 43.27

 

CMYK 100 / 0 / 95 / 58

HEX #006B05

RGB 0 107 5

HSL 122.8, 1%, 0.21%

LAB 38.77, -45.24, 42.59

 

CMYK 69 / 0 / 55 / 30

HEX #38B250

RGB 56 178 80

HSL 131.8, 0.52%, 0.46%

LAB 64.37, -54.08, 40.07

 

CMYK 63 / 0 / 69 / 30

HEX #41B238

RGB 65 178 56

HSL 115.57, 0.52%, 0.46%

LAB 64.36, -54.99, 50.9

 

CMYK 45 / 0 / 69 / 30

HEX #62B238

RGB 98 178 56

HSL 99.34, 0.52%, 0.46%

LAB 65.53, -45.97, 52.49

 

CMYK 26 / 0 / 69 / 30

HEX #83B238

RGB 131 178 56

HSL 83.11, 0.52%, 0.46%

LAB 67.24, -34.25, 54.8

 

CMYK 8 / 0 / 69 / 30

HEX #A4B238

RGB 164 178 56

HSL 66.89, 0.52%, 0.46%

LAB 69.48, -20.83, 57.81

 

CMYK 69 / 0 / 55 / 30

HEX #38B250

RGB 56 178 80

HSL 131.8, 0.52%, 0.46%

LAB 64.37, -54.08, 40.07

 

CMYK 69 / 0 / 37 / 30

HEX #38B271

RGB 56 178 113

HSL 148.03, 0.52%, 0.46%

LAB 64.86, -48.54, 23.72

 

CMYK 69 / 0 / 18 / 30

HEX #38B292

RGB 56 178 146

HSL 164.26, 0.52%, 0.46%

LAB 65.56, -41.15, 6.68

 

CMYK 69 / 0 / 0 / 30

HEX #38B2B2

RGB 56 178 178

HSL 180, 0.52%, 0.46%

LAB 66.44, -32.5, -9.76

 

CMYK 69 / 19 / 0 / 30

HEX #3891B2

RGB 56 145 178

HSL 196.23, 0.52%, 0.46%

LAB 56.39, -15.68, -25

 

CMYK 69 / 0 / 55 / 30

HEX #38B250

RGB 56 178 80

HSL 131.8, 0.52%, 0.46%

LAB 64.37, -54.08, 40.07

 

CMYK 81 / 0 / 65 / 23

HEX #25C545

RGB 37 197 69

HSL 132, 0.68%, 0.46%

LAB 70, -64.63, 51.48

 

CMYK 92 / 0 / 74 / 15

HEX #12D839

RGB 18 216 57

HSL 131.82, 0.85%, 0.46%

LAB 75.78, -72.95, 62.13

 

CMYK 69 / 0 / 55 / 30

HEX #38B250

RGB 56 178 80

HSL 131.8, 0.52%, 0.46%

LAB 64.37, -54.08, 40.07

 

CMYK 53 / 0 / 42 / 38

HEX #4B9F5C

RGB 75 159 92

HSL 132.14, 0.36%, 0.46%

LAB 59.03, -40.44, 27.38

 

CMYK 33 / 0 / 26 / 45

HEX #5E8C67

RGB 94 140 103

HSL 131.74, 0.2%, 0.46%

LAB 54.15, -23.77, 14.89

 

CMYK 7 / 0 / 5 / 53

HEX #717973

RGB 113 121 115

HSL 135, 0.03%, 0.46%

LAB 50.01, -4.23, 2.25

 

CMYK 0 / 23 / 5 / 48

HEX #84667E

RGB 132 102 126

HSL 312, 0.13%, 0.46%

LAB 46.86, 16.35, -8.73

 

CMYK 44 / 0 / 69 / 30

HEX #63B238

RGB 99 178 56

HSL 98.85, 0.52%, 0.46%

LAB 65.58, -45.65, 52.55

 

CMYK 63 / 0 / 69 / 30

HEX #42B238

RGB 66 178 56

HSL 115.08, 0.52%, 0.46%

LAB 64.39, -54.77, 50.94

 

CMYK 69 / 0 / 56 / 30

HEX #38B24F

RGB 56 178 79

HSL 131.31, 0.52%, 0.46%

LAB 64.36, -54.22, 40.54

 

CMYK 69 / 0 / 38 / 30

HEX #38B26F

RGB 56 178 111

HSL 147.05, 0.52%, 0.46%

LAB 64.83, -48.93, 24.74

 

CMYK 69 / 0 / 19 / 30

HEX #38B290

RGB 56 178 144

HSL 163.28, 0.52%, 0.46%

LAB 65.51, -41.65, 7.71

 

CMYK 69 / 0 / 55 / 55

HEX #247434

RGB 36 116 52

HSL 132, 0.53%, 0.3%

LAB 42.93, -38.69, 28.22

 

CMYK 69 / 0 / 55 / 42

HEX #2E9342

RGB 46 147 66

HSL 131.88, 0.52%, 0.38%

LAB 53.86, -46.55, 34.27

 

CMYK 69 / 0 / 55 / 30

HEX #38B250

RGB 56 178 80

HSL 131.8, 0.52%, 0.46%

LAB 64.37, -54.08, 40.07

 

CMYK 61 / 0 / 49 / 22

HEX #4DC765

RGB 77 199 101

HSL 131.8, 0.52%, 0.54%

LAB 71.8, -54.58, 38.99

 

CMYK 48 / 0 / 39 / 18

HEX #6CD180

RGB 108 209 128

HSL 131.88, 0.52%, 0.62%

LAB 76.28, -46.77, 31.31

 

CMYK 68 / 0 / 55 / 30

HEX #39B351

RGB 57 179 81

HSL 131.8, 0.52%, 0.46%

LAB 64.73, -54.11, 40.02

 

CMYK 69 / 26 / 0 / 30

HEX #3884B2

RGB 56 132 178

HSL 202.62, 0.52%, 0.46%

LAB 52.46, -8.4, -31.1

 

CMYK 0 / 69 / 53 / 30

HEX #B23853

RGB 178 56 83

HSL 346.72, 0.52%, 0.46%

LAB 42.64, 51.12, 12.23

 

CMYK 68 / 0 / 55 / 30

HEX #39B351

RGB 57 179 81

HSL 131.8, 0.52%, 0.46%

LAB 64.73, -54.11, 40.02

 

CMYK 56 / 69 / 0 / 30

HEX #4F38B2

RGB 79 56 178

HSL 251.31, 0.52%, 0.46%

LAB 33.36, 42.69, -61.56

 

CMYK 0 / 56 / 69 / 30

HEX #B24F38

RGB 178 79 56

HSL 11.31, 0.52%, 0.46%

LAB 46.1, 38.72, 32.91

 

CMYK 68 / 0 / 55 / 30

HEX #39B351

RGB 57 179 81

HSL 131.8, 0.52%, 0.46%

LAB 64.73, -54.11, 40.02

 

CMYK 69 / 26 / 0 / 30

HEX #3884B2

RGB 56 132 178

HSL 202.62, 0.52%, 0.46%

LAB 52.46, -8.4, -31.1

 

CMYK 0 / 69 / 12 / 30

HEX #B2389C

RGB 178 56 156

HSL 310.82, 0.52%, 0.46%

LAB 45.21, 59.79, -28.71

 

CMYK 0 / 42 / 69 / 30

HEX #B26738

RGB 178 103 56

HSL 23.11, 0.52%, 0.46%

LAB 51.21, 25.99, 38.79

 

CMYK 68 / 0 / 55 / 30

HEX #39B351

RGB 57 179 81

HSL 131.8, 0.52%, 0.46%

LAB 64.73, -54.11, 40.02

 

CMYK 69 / 47 / 0 / 30

HEX #385FB2

RGB 56 95 178

HSL 220.82, 0.52%, 0.46%

LAB 41.59, 14.28, -48.29

 

CMYK 0 / 69 / 12 / 30

HEX #B2389C

RGB 178 56 156

HSL 310.82, 0.52%, 0.46%

LAB 45.21, 59.79, -28.71

 

CMYK 0 / 21 / 69 / 30

HEX #B28C38

RGB 178 140 56

HSL 41.31, 0.52%, 0.46%

LAB 60.34, 5.41, 48.76

 

Description

Color code: HEX #39B351 | qconv.com Color code: HEX #39B351 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 179 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 179 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 55 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 55% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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