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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39AC9A it is the complementary color #C65365. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39AC9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39AC9A shade: #3EAC95, #4FBEA8, #60D0BB, #71E2CE and #82F4E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39AC9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39AC9A shade: #39AC9A, #289A87, #178874, #067661 and #00644E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39AC9A shade: #39AC9A, #39AC7B, #39AC5C, #39AC3D and #54AC39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39AC9A shade: #39AC9A, #399FAC, #3980AC, #3961AC and #3942AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39AC9A shade matches the following richer shades: #39AC9A, #27BFA7, #14D1B4 and #02E4C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39AC9A shade: #39AC9A, #4C9A8D, #5F8781, #717474 and #846267

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39AC9A shade: #39AC5C, #39AC7A, #39AC99, #39A1AC and #3982AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39AC9A shade: #256E63, #2F8D7E, #39AC9A, #4CC3B0 and #6BCEBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39AC9A shade: #39AC9A, #3D39AC and #AC6B39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39AC9A shade: #39AC9A, #9939AC and #AC9939

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39AC9A shade: #39AC9A, #3D39AC, #AC394D and #A8AC39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39AC9A shade: #39AC9A, #6039AC, #AC394D and #86AC39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 10 / 33

HEX #39AC9A

RGB 57 172 154

HSL 170.61, 0.5%, 0.45%

LAB 63.92, -36.24, -0.13

 

Complementary color

CMYK 0 / 58 / 49 / 22

HEX #C65365

RGB 198 83 101

HSL 350.61, 0.5%, 0.55%

LAB 50.84, 47.45, 13.13

 

CMYK 64 / 0 / 13 / 33

HEX #3EAC95

RGB 62 172 149

HSL 167.45, 0.47%, 0.46%

LAB 63.92, -36.71, 2.67

 

CMYK 58 / 0 / 12 / 25

HEX #4FBEA8

RGB 79 190 168

HSL 168.11, 0.46%, 0.53%

LAB 70.4, -36.94, 1.65

 

CMYK 54 / 0 / 10 / 18

HEX #60D0BB

RGB 96 208 187

HSL 168.75, 0.54%, 0.6%

LAB 76.79, -37.03, 0.73

 

CMYK 50 / 0 / 9 / 11

HEX #71E2CE

RGB 113 226 206

HSL 169.38, 0.66%, 0.66%

LAB 83.1, -37.05, -0.13

 

CMYK 47 / 0 / 8 / 4

HEX #82F4E1

RGB 130 244 225

HSL 170, 0.84%, 0.73%

LAB 89.34, -37.02, -0.92

 

CMYK 67 / 0 / 10 / 33

HEX #39AC9A

RGB 57 172 154

HSL 170.61, 0.5%, 0.45%

LAB 63.92, -36.24, -0.13

 

CMYK 74 / 0 / 12 / 40

HEX #289A87

RGB 40 154 135

HSL 170, 0.59%, 0.38%

LAB 57.38, -35.66, 0.98

 

CMYK 83 / 0 / 15 / 47

HEX #178874

RGB 23 136 116

HSL 169.38, 0.71%, 0.31%

LAB 50.75, -34.73, 2.25

 

CMYK 95 / 0 / 18 / 54

HEX #067661

RGB 6 118 97

HSL 168.75, 0.9%, 0.24%

LAB 44.03, -33.32, 3.71

 

CMYK 100 / 0 / 22 / 61

HEX #00644E

RGB 0 100 78

HSL 166.8, 1%, 0.2%

LAB 37.23, -31.12, 5.44

 

CMYK 67 / 0 / 10 / 33

HEX #39AC9A

RGB 57 172 154

HSL 170.61, 0.5%, 0.45%

LAB 63.92, -36.24, -0.13

 

CMYK 67 / 0 / 28 / 33

HEX #39AC7B

RGB 57 172 123

HSL 154.43, 0.5%, 0.45%

LAB 63.18, -43.83, 16

 

CMYK 67 / 0 / 47 / 33

HEX #39AC5C

RGB 57 172 92

HSL 138.26, 0.5%, 0.45%

LAB 62.63, -49.84, 31.89

 

CMYK 67 / 0 / 65 / 33

HEX #39AC3D

RGB 57 172 61

HSL 122.09, 0.5%, 0.45%

LAB 62.26, -54.08, 46.44

 

CMYK 51 / 0 / 67 / 33

HEX #54AC39

RGB 84 172 57

HSL 105.91, 0.5%, 0.45%

LAB 63.08, -47.76, 49.3

 

CMYK 67 / 0 / 10 / 33

HEX #39AC9A

RGB 57 172 154

HSL 170.61, 0.5%, 0.45%

LAB 63.92, -36.24, -0.13

 

CMYK 67 / 8 / 0 / 33

HEX #399FAC

RGB 57 159 172

HSL 186.78, 0.5%, 0.45%

LAB 60.47, -24.8, -15.38

 

CMYK 67 / 26 / 0 / 33

HEX #3980AC

RGB 57 128 172

HSL 202.96, 0.5%, 0.45%

LAB 51.02, -7.99, -29.88

 

CMYK 67 / 44 / 0 / 33

HEX #3961AC

RGB 57 97 172

HSL 219.13, 0.5%, 0.45%

LAB 41.84, 10.97, -44.36

 

CMYK 67 / 62 / 0 / 33

HEX #3942AC

RGB 57 66 172

HSL 235.3, 0.5%, 0.45%

LAB 33.45, 31.14, -57.92

 

CMYK 67 / 0 / 10 / 33

HEX #39AC9A

RGB 57 172 154

HSL 170.61, 0.5%, 0.45%

LAB 63.92, -36.24, -0.13

 

CMYK 80 / 0 / 13 / 25

HEX #27BFA7

RGB 39 191 167

HSL 170.53, 0.66%, 0.45%

LAB 69.81, -43.47, 1.24

 

CMYK 90 / 0 / 14 / 18

HEX #14D1B4

RGB 20 209 180

HSL 170.79, 0.83%, 0.45%

LAB 75.48, -48.93, 2.41

 

CMYK 99 / 0 / 16 / 11

HEX #02E4C0

RGB 2 228 192

HSL 170.44, 0.98%, 0.45%

LAB 81.46, -54.07, 4.66

 

CMYK 67 / 0 / 10 / 33

HEX #39AC9A

RGB 57 172 154

HSL 170.61, 0.5%, 0.45%

LAB 63.92, -36.24, -0.13

 

CMYK 51 / 0 / 8 / 40

HEX #4C9A8D

RGB 76 154 141

HSL 170, 0.34%, 0.45%

LAB 58.57, -27.34, -0.56

 

CMYK 30 / 0 / 4 / 47

HEX #5F8781

RGB 95 135 129

HSL 171, 0.17%, 0.45%

LAB 53.33, -15.21, -1.24

 

CMYK 3 / 0 / 0 / 55

HEX #717474

RGB 113 116 116

HSL 180, 0.01%, 0.45%

LAB 48.59, -1.13, -0.4

 

CMYK 0 / 26 / 22 / 48

HEX #846267

RGB 132 98 103

HSL 351.18, 0.15%, 0.45%

LAB 45.11, 14.57, 2.54

 

CMYK 67 / 0 / 47 / 33

HEX #39AC5C

RGB 57 172 92

HSL 138.26, 0.5%, 0.45%

LAB 62.63, -49.84, 31.89

 

CMYK 67 / 0 / 29 / 33

HEX #39AC7A

RGB 57 172 122

HSL 153.91, 0.5%, 0.45%

LAB 63.16, -44.05, 16.52

 

CMYK 67 / 0 / 11 / 33

HEX #39AC99

RGB 57 172 153

HSL 170.09, 0.5%, 0.45%

LAB 63.9, -36.51, 0.39

 

CMYK 67 / 6 / 0 / 33

HEX #39A1AC

RGB 57 161 172

HSL 185.74, 0.5%, 0.45%

LAB 61.08, -25.81, -14.45

 

CMYK 67 / 24 / 0 / 33

HEX #3982AC

RGB 57 130 172

HSL 201.91, 0.5%, 0.45%

LAB 51.63, -9.14, -28.94

 

CMYK 66 / 0 / 10 / 57

HEX #256E63

RGB 37 110 99

HSL 170.96, 0.5%, 0.29%

LAB 41.92, -25.25, -0.49

 

CMYK 67 / 0 / 11 / 45

HEX #2F8D7E

RGB 47 141 126

HSL 170.43, 0.5%, 0.37%

LAB 53.12, -31.01, -0.04

 

CMYK 67 / 0 / 10 / 33

HEX #39AC9A

RGB 57 172 154

HSL 170.61, 0.5%, 0.45%

LAB 63.92, -36.24, -0.13

 

CMYK 61 / 0 / 10 / 24

HEX #4CC3B0

RGB 76 195 176

HSL 170.42, 0.5%, 0.53%

LAB 72.03, -37.75, -0.35

 

CMYK 48 / 0 / 8 / 19

HEX #6BCEBE

RGB 107 206 190

HSL 170.3, 0.5%, 0.61%

LAB 76.67, -32.95, -1.02

 

CMYK 67 / 0 / 10 / 33

HEX #39AC9A

RGB 57 172 154

HSL 170.61, 0.5%, 0.45%

LAB 63.92, -36.24, -0.13

 

CMYK 65 / 67 / 0 / 33

HEX #3D39AC

RGB 61 57 172

HSL 242.09, 0.5%, 0.45%

LAB 31.57, 37.38, -60.97

 

CMYK 0 / 38 / 67 / 33

HEX #AC6B39

RGB 172 107 57

HSL 26.09, 0.5%, 0.45%

LAB 51.36, 21.27, 38.22

 

CMYK 67 / 0 / 10 / 33

HEX #39AC9A

RGB 57 172 154

HSL 170.61, 0.5%, 0.45%

LAB 63.92, -36.24, -0.13

 

CMYK 11 / 67 / 0 / 33

HEX #9939AC

RGB 153 57 172

HSL 290.09, 0.5%, 0.45%

LAB 42.27, 56.04, -43.14

 

CMYK 0 / 11 / 67 / 33

HEX #AC9939

RGB 172 153 57

HSL 50.09, 0.5%, 0.45%

LAB 63.22, -4.3, 51.16

 

CMYK 67 / 0 / 10 / 33

HEX #39AC9A

RGB 57 172 154

HSL 170.61, 0.5%, 0.45%

LAB 63.92, -36.24, -0.13

 

CMYK 65 / 67 / 0 / 33

HEX #3D39AC

RGB 61 57 172

HSL 242.09, 0.5%, 0.45%

LAB 31.57, 37.38, -60.97

 

CMYK 0 / 67 / 55 / 33

HEX #AC394D

RGB 172 57 77

HSL 349.57, 0.5%, 0.45%

LAB 41.58, 48.27, 14.35

 

CMYK 2 / 0 / 67 / 33

HEX #A8AC39

RGB 168 172 57

HSL 62.09, 0.5%, 0.45%

LAB 68.11, -16.03, 56.12

 

CMYK 67 / 0 / 10 / 33

HEX #39AC9A

RGB 57 172 154

HSL 170.61, 0.5%, 0.45%

LAB 63.92, -36.24, -0.13

 

CMYK 44 / 67 / 0 / 33

HEX #6039AC

RGB 96 57 172

HSL 260.35, 0.5%, 0.45%

LAB 34.79, 43.47, -55.59

 

CMYK 0 / 67 / 55 / 33

HEX #AC394D

RGB 172 57 77

HSL 349.57, 0.5%, 0.45%

LAB 41.58, 48.27, 14.35

 

CMYK 22 / 0 / 67 / 33

HEX #86AC39

RGB 134 172 57

HSL 79.83, 0.5%, 0.45%

LAB 65.65, -30.19, 52.8

 

Description

Color code: HEX #39AC9A | qconv.com Color code: HEX #39AC9A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 172 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 172 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 10 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 10% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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