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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #399F6D it is the complementary color #C66092. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #399F6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #399F6D shade: #3E9F68, #4FB17B, #60C38E, #71D5A1 and #82E7B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #399F6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #399F6D shade: #399F6D, #288D5A, #177B47, #066934 and #005721

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #399F6D shade: #399D6C, #399D51, #3C9D39, #579D39 and #729D39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #399F6D shade: #399D6C, #399D87, #39989D, #397D9D and #39629D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #399F6D shade matches the following richer shades: #399D6C, #27AF6C, #16C06D and #05D16D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #399F6D shade: #399D6C, #4A8C6C, #5B7B6B, #6D696B and #7E586B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #399F6D shade: #3C9D39, #399D50, #399D6B, #399D86 and #399A9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #399F6D shade: #236142, #2E7F57, #399D6C, #44BC81 and #62C695

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #399F6D shade: #399F6D, #39579D and #9D4339

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #399F6D shade: #399F6D, #6B399D and #9D6B39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #399F6D shade: #399F6D, #39579D, #9D396B and #9D7F39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #399F6D shade: #399F6D, #39399D, #9D396B and #9D9D39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 31 / 38

HEX #399F6D

RGB 57 159 109

HSL 150.59, 0.47%, 0.42%

LAB 58.76, -41.39, 17.63

 

Complementary color

CMYK 0 / 52 / 26 / 22

HEX #C66092

RGB 198 96 146

HSL 330.59, 0.47%, 0.58%

LAB 54.5, 46.34, -8.31

 

CMYK 61 / 0 / 35 / 38

HEX #3E9F68

RGB 62 159 104

HSL 145.98, 0.44%, 0.43%

LAB 58.81, -41.38, 20.48

 

CMYK 55 / 0 / 31 / 31

HEX #4FB17B

RGB 79 177 123

HSL 146.94, 0.39%, 0.5%

LAB 65.39, -41.4, 19.14

 

CMYK 51 / 0 / 27 / 24

HEX #60C38E

RGB 96 195 142

HSL 147.88, 0.45%, 0.57%

LAB 71.87, -41.3, 17.92

 

CMYK 47 / 0 / 24 / 16

HEX #71D5A1

RGB 113 213 161

HSL 148.8, 0.54%, 0.64%

LAB 78.27, -41.13, 16.8

 

CMYK 44 / 0 / 22 / 9

HEX #82E7B4

RGB 130 231 180

HSL 149.7, 0.68%, 0.71%

LAB 84.58, -40.93, 15.76

 

CMYK 64 / 0 / 31 / 38

HEX #399F6D

RGB 57 159 109

HSL 150.59, 0.47%, 0.42%

LAB 58.76, -41.39, 17.63

 

CMYK 72 / 0 / 36 / 45

HEX #288D5A

RGB 40 141 90

HSL 149.7, 0.56%, 0.35%

LAB 52.11, -41.03, 19.11

 

CMYK 81 / 0 / 42 / 52

HEX #177B47

RGB 23 123 71

HSL 148.8, 0.68%, 0.29%

LAB 45.36, -40.26, 20.77

 

CMYK 94 / 0 / 50 / 59

HEX #066934

RGB 6 105 52

HSL 147.88, 0.89%, 0.22%

LAB 38.53, -38.81, 22.64

 

CMYK 100 / 0 / 62 / 66

HEX #005721

RGB 0 87 33

HSL 142.76, 1%, 0.17%

LAB 31.64, -36.15, 24.68

 

CMYK 64 / 0 / 31 / 38

HEX #399D6C

RGB 57 157 108

HSL 150.6, 0.47%, 0.42%

LAB 58.1, -40.75, 17.28

 

CMYK 64 / 0 / 48 / 38

HEX #399D51

RGB 57 157 81

HSL 134.4, 0.47%, 0.42%

LAB 57.63, -45.82, 31.28

 

CMYK 62 / 0 / 64 / 38

HEX #3C9D39

RGB 60 157 57

HSL 118.2, 0.47%, 0.42%

LAB 57.43, -48.39, 42.86

 

CMYK 45 / 0 / 64 / 38

HEX #579D39

RGB 87 157 57

HSL 102, 0.47%, 0.42%

LAB 58.45, -40.71, 44.27

 

CMYK 27 / 0 / 64 / 38

HEX #729D39

RGB 114 157 57

HSL 85.8, 0.47%, 0.42%

LAB 59.88, -30.98, 46.25

 

CMYK 64 / 0 / 31 / 38

HEX #399D6C

RGB 57 157 108

HSL 150.6, 0.47%, 0.42%

LAB 58.1, -40.75, 17.28

 

CMYK 64 / 0 / 14 / 38

HEX #399D87

RGB 57 157 135

HSL 166.8, 0.47%, 0.42%

LAB 58.73, -34.34, 2.99

 

CMYK 64 / 3 / 0 / 38

HEX #39989D

RGB 57 152 157

HSL 183, 0.47%, 0.42%

LAB 57.81, -25.78, -10.87

 

CMYK 64 / 20 / 0 / 38

HEX #397D9D

RGB 57 125 157

HSL 199.2, 0.47%, 0.42%

LAB 49.46, -11.32, -23.58

 

CMYK 64 / 38 / 0 / 38

HEX #39629D

RGB 57 98 157

HSL 215.4, 0.47%, 0.42%

LAB 41.28, 4.92, -36.37

 

CMYK 64 / 0 / 31 / 38

HEX #399D6C

RGB 57 157 108

HSL 150.6, 0.47%, 0.42%

LAB 58.1, -40.75, 17.28

 

CMYK 78 / 0 / 38 / 31

HEX #27AF6C

RGB 39 175 108

HSL 150.44, 0.64%, 0.42%

LAB 63.49, -50.91, 24.5

 

CMYK 89 / 0 / 43 / 25

HEX #16C06D

RGB 22 192 109

HSL 150.71, 0.79%, 0.42%

LAB 68.73, -58.51, 30.84

 

CMYK 98 / 0 / 48 / 18

HEX #05D16D

RGB 5 209 109

HSL 150.59, 0.95%, 0.42%

LAB 74.02, -65.02, 37.6

 

CMYK 64 / 0 / 31 / 38

HEX #399D6C

RGB 57 157 108

HSL 150.6, 0.47%, 0.42%

LAB 58.1, -40.75, 17.28

 

CMYK 47 / 0 / 23 / 45

HEX #4A8C6C

RGB 74 140 108

HSL 150.91, 0.31%, 0.42%

LAB 53.27, -28.93, 10.67

 

CMYK 26 / 0 / 13 / 52

HEX #5B7B6B

RGB 91 123 107

HSL 150, 0.15%, 0.42%

LAB 48.82, -15.03, 5.06

 

CMYK 0 / 4 / 2 / 57

HEX #6D696B

RGB 109 105 107

HSL 330, 0.02%, 0.42%

LAB 44.82, 1.96, -0.57

 

CMYK 0 / 30 / 15 / 51

HEX #7E586B

RGB 126 88 107

HSL 330, 0.18%, 0.42%

LAB 41.96, 18.83, -4.58

 

CMYK 62 / 0 / 64 / 38

HEX #3C9D39

RGB 60 157 57

HSL 118.2, 0.47%, 0.42%

LAB 57.43, -48.39, 42.86

 

CMYK 64 / 0 / 49 / 38

HEX #399D50

RGB 57 157 80

HSL 133.8, 0.47%, 0.42%

LAB 57.62, -45.98, 31.79

 

CMYK 64 / 0 / 32 / 38

HEX #399D6B

RGB 57 157 107

HSL 150, 0.47%, 0.42%

LAB 58.08, -40.96, 17.81

 

CMYK 64 / 0 / 15 / 38

HEX #399D86

RGB 57 157 134

HSL 166.2, 0.47%, 0.42%

LAB 58.7, -34.6, 3.52

 

CMYK 64 / 2 / 0 / 38

HEX #399A9D

RGB 57 154 157

HSL 181.8, 0.47%, 0.42%

LAB 58.43, -26.79, -9.94

 

CMYK 64 / 0 / 32 / 62

HEX #236142

RGB 35 97 66

HSL 150, 0.47%, 0.26%

LAB 36.56, -27.99, 11.91

 

CMYK 64 / 0 / 31 / 50

HEX #2E7F57

RGB 46 127 87

HSL 150.37, 0.47%, 0.34%

LAB 47.56, -34.52, 14.66

 

CMYK 64 / 0 / 31 / 38

HEX #399D6C

RGB 57 157 108

HSL 150.6, 0.47%, 0.42%

LAB 58.1, -40.75, 17.28

 

CMYK 64 / 0 / 31 / 26

HEX #44BC81

RGB 68 188 129

HSL 150.5, 0.47%, 0.5%

LAB 68.59, -47.15, 20.24

 

CMYK 51 / 0 / 25 / 22

HEX #62C695

RGB 98 198 149

HSL 150.6, 0.47%, 0.58%

LAB 72.99, -40.7, 15.74

 

CMYK 64 / 0 / 31 / 38

HEX #399F6D

RGB 57 159 109

HSL 150.59, 0.47%, 0.42%

LAB 58.76, -41.39, 17.63

 

CMYK 64 / 45 / 0 / 38

HEX #39579D

RGB 57 87 157

HSL 222, 0.47%, 0.42%

LAB 38.06, 11.99, -41.49

 

CMYK 0 / 57 / 64 / 38

HEX #9D4339

RGB 157 67 57

HSL 6, 0.47%, 0.42%

LAB 40.37, 36.78, 24.59

 

CMYK 64 / 0 / 31 / 38

HEX #399F6D

RGB 57 159 109

HSL 150.59, 0.47%, 0.42%

LAB 58.76, -41.39, 17.63

 

CMYK 32 / 64 / 0 / 38

HEX #6B399D

RGB 107 57 157

HSL 270, 0.47%, 0.42%

LAB 34.98, 41.87, -46.21

 

CMYK 0 / 32 / 64 / 38

HEX #9D6B39

RGB 157 107 57

HSL 30, 0.47%, 0.42%

LAB 49.47, 14.7, 35.56

 

CMYK 64 / 0 / 31 / 38

HEX #399F6D

RGB 57 159 109

HSL 150.59, 0.47%, 0.42%

LAB 58.76, -41.39, 17.63

 

CMYK 64 / 45 / 0 / 38

HEX #39579D

RGB 57 87 157

HSL 222, 0.47%, 0.42%

LAB 38.06, 11.99, -41.49

 

CMYK 0 / 64 / 32 / 38

HEX #9D396B

RGB 157 57 107

HSL 330, 0.47%, 0.42%

LAB 39.84, 46.55, -7.27

 

CMYK 0 / 19 / 64 / 38

HEX #9D7F39

RGB 157 127 57

HSL 42, 0.47%, 0.42%

LAB 54.7, 3.32, 41.52

 

CMYK 64 / 0 / 31 / 38

HEX #399F6D

RGB 57 159 109

HSL 150.59, 0.47%, 0.42%

LAB 58.76, -41.39, 17.63

 

CMYK 64 / 64 / 0 / 38

HEX #39399D

RGB 57 57 157

HSL 240, 0.47%, 0.42%

LAB 29.99, 31.66, -54.53

 

CMYK 0 / 64 / 32 / 38

HEX #9D396B

RGB 157 57 107

HSL 330, 0.47%, 0.42%

LAB 39.84, 46.55, -7.27

 

CMYK 0 / 0 / 64 / 38

HEX #9D9D39

RGB 157 157 57

HSL 60, 0.47%, 0.42%

LAB 62.99, -13.02, 50.52

 

Description

Color code: HEX #399F6D | qconv.com Color code: HEX #399F6D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 159 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 159 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 31 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 31% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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