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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3995E5 it is the complementary color #C66A1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3995E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3995E5 shade: #3E95E0, #4FA7F3, #60B9FF, #71CBFF and #82DDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3995E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3995E5 shade: #3995E5, #2883D2, #1771BF, #065FAC and #004D99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3995E5 shade: #3895E5, #3866E5, #3938E5, #6838E5 and #9638E5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3995E5 shade: #3895E5, #3866E5 and #3838E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3995E5 shade matches the following richer shades: #3895E5 and #2696F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3995E5 shade: #3895E5, #4B94D3, #5D92C1, #6F91AF and #81909D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3995E5 shade: #38E5D7, #38C6E5, #3897E5, #3869E5 and #383BE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3995E5 shade: #176BB4, #1C81D8, #3895E5, #5DA8EA and #81BCEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3995E5 shade: #3995E5, #A938E5 and #DDE538

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3995E5 shade: #3995E5, #E53897 and #97E538

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3995E5 shade: #3995E5, #A938E5, #E58638 and #75E538

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3995E5 shade: #3995E5, #DD38E5, #E58638 and #41E538

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 35 / 0 / 10

HEX #3995E5

RGB 57 149 229

HSL 207.91, 0.77%, 0.56%

LAB 59.91, -0.23, -48.18

 

Complementary color

CMYK 0 / 46 / 87 / 22

HEX #C66A1A

RGB 198 106 26

HSL 27.91, 0.77%, 0.44%

LAB 54.44, 31.56, 56.14

 

CMYK 72 / 33 / 0 / 12

HEX #3E95E0

RGB 62 149 224

HSL 207.78, 0.72%, 0.56%

LAB 59.8, -1.36, -45.57

 

CMYK 67 / 31 / 0 / 5

HEX #4FA7F3

RGB 79 167 243

HSL 207.8, 0.87%, 0.63%

LAB 66.34, -2.73, -45.69

 

CMYK 62 / 27 / 0 / 0

HEX #60B9FF

RGB 96 185 255

HSL 206.42, 1%, 0.69%

LAB 72.5, -6.07, -42.51

 

CMYK 56 / 20 / 0 / 0

HEX #71CBFF

RGB 113 203 255

HSL 201.97, 1%, 0.72%

LAB 78.14, -12.58, -33.7

 

CMYK 49 / 13 / 0 / 0

HEX #82DDFF

RGB 130 221 255

HSL 196.32, 1%, 0.75%

LAB 83.8, -18.33, -24.96

 

CMYK 75 / 35 / 0 / 10

HEX #3995E5

RGB 57 149 229

HSL 207.91, 0.77%, 0.56%

LAB 59.91, -0.23, -48.18

 

CMYK 81 / 38 / 0 / 18

HEX #2883D2

RGB 40 131 210

HSL 207.88, 0.68%, 0.49%

LAB 53.32, 1.68, -48.03

 

CMYK 88 / 41 / 0 / 25

HEX #1771BF

RGB 23 113 191

HSL 207.86, 0.79%, 0.42%

LAB 46.65, 4.08, -47.82

 

CMYK 97 / 45 / 0 / 33

HEX #065FAC

RGB 6 95 172

HSL 207.83, 0.93%, 0.35%

LAB 39.92, 7.09, -47.52

 

CMYK 100 / 50 / 0 / 40

HEX #004D99

RGB 0 77 153

HSL 209.8, 1%, 0.3%

LAB 33.15, 10.89, -47.06

 

CMYK 76 / 35 / 0 / 10

HEX #3895E5

RGB 56 149 229

HSL 207.75, 0.77%, 0.56%

LAB 59.88, -0.35, -48.23

 

CMYK 76 / 55 / 0 / 10

HEX #3866E5

RGB 56 102 229

HSL 224.05, 0.77%, 0.56%

LAB 46.98, 28.53, -68.94

 

CMYK 75 / 76 / 0 / 10

HEX #3938E5

RGB 57 56 229

HSL 240.35, 0.77%, 0.56%

LAB 36.66, 56.08, -85.86

 

CMYK 55 / 76 / 0 / 10

HEX #6838E5

RGB 104 56 229

HSL 256.65, 0.77%, 0.56%

LAB 40.29, 60.9, -79.74

 

CMYK 34 / 76 / 0 / 10

HEX #9638E5

RGB 150 56 229

HSL 272.6, 0.77%, 0.56%

LAB 45.59, 67.74, -70.86

 

CMYK 76 / 35 / 0 / 10

HEX #3895E5

RGB 56 149 229

HSL 207.75, 0.77%, 0.56%

LAB 59.88, -0.35, -48.23

 

CMYK 76 / 55 / 0 / 10

HEX #3866E5

RGB 56 102 229

HSL 224.05, 0.77%, 0.56%

LAB 46.98, 28.53, -68.94

 

CMYK 76 / 76 / 0 / 10

HEX #3838E5

RGB 56 56 229

HSL 240, 0.77%, 0.56%

LAB 36.6, 56, -85.95

 

CMYK 76 / 35 / 0 / 10

HEX #3895E5

RGB 56 149 229

HSL 207.75, 0.77%, 0.56%

LAB 59.88, -0.35, -48.23

 

CMYK 85 / 39 / 0 / 3

HEX #2696F7

RGB 38 150 247

HSL 207.85, 0.93%, 0.56%

LAB 60.73, 3.91, -56.84

 

CMYK 76 / 35 / 0 / 10

HEX #3895E5

RGB 56 149 229

HSL 207.75, 0.77%, 0.56%

LAB 59.88, -0.35, -48.23

 

CMYK 64 / 30 / 0 / 17

HEX #4B94D3

RGB 75 148 211

HSL 207.79, 0.61%, 0.56%

LAB 59.32, -3.25, -39.04

 

CMYK 52 / 24 / 0 / 24

HEX #5D92C1

RGB 93 146 193

HSL 208.2, 0.45%, 0.56%

LAB 58.73, -4.25, -29.79

 

CMYK 37 / 17 / 0 / 31

HEX #6F91AF

RGB 111 145 175

HSL 208.13, 0.29%, 0.56%

LAB 58.72, -4.21, -19.52

 

CMYK 18 / 8 / 0 / 38

HEX #81909D

RGB 129 144 157

HSL 207.86, 0.13%, 0.56%

LAB 59.02, -2.52, -8.69

 

CMYK 76 / 0 / 6 / 10

HEX #38E5D7

RGB 56 229 215

HSL 175.14, 0.77%, 0.56%

LAB 82.8, -45.28, -5.5

 

CMYK 76 / 14 / 0 / 10

HEX #38C6E5

RGB 56 198 229

HSL 190.75, 0.77%, 0.56%

LAB 74.12, -26.78, -26.06

 

CMYK 76 / 34 / 0 / 10

HEX #3897E5

RGB 56 151 229

HSL 207.05, 0.77%, 0.56%

LAB 60.45, -1.51, -47.32

 

CMYK 76 / 54 / 0 / 10

HEX #3869E5

RGB 56 105 229

HSL 223.01, 0.77%, 0.56%

LAB 47.75, 26.63, -67.67

 

CMYK 76 / 74 / 0 / 10

HEX #383BE5

RGB 56 59 229

HSL 238.96, 0.77%, 0.56%

LAB 37.16, 54.42, -85.03

 

CMYK 87 / 41 / 0 / 29

HEX #176BB4

RGB 23 107 180

HSL 207.9, 0.77%, 0.4%

LAB 44.22, 3.53, -45.31

 

CMYK 87 / 40 / 0 / 15

HEX #1C81D8

RGB 28 129 216

HSL 207.77, 0.77%, 0.48%

LAB 52.85, 4.19, -52.18

 

CMYK 76 / 35 / 0 / 10

HEX #3895E5

RGB 56 149 229

HSL 207.75, 0.77%, 0.56%

LAB 59.88, -0.35, -48.23

 

CMYK 60 / 28 / 0 / 8

HEX #5DA8EA

RGB 93 168 234

HSL 208.09, 0.77%, 0.64%

LAB 66.73, -3.86, -40.13

 

CMYK 46 / 21 / 0 / 6

HEX #81BCEF

RGB 129 188 239

HSL 207.82, 0.77%, 0.72%

LAB 74.1, -5.69, -31.27

 

CMYK 75 / 35 / 0 / 10

HEX #3995E5

RGB 57 149 229

HSL 207.91, 0.77%, 0.56%

LAB 59.91, -0.23, -48.18

 

CMYK 26 / 76 / 0 / 10

HEX #A938E5

RGB 169 56 229

HSL 279.19, 0.77%, 0.56%

LAB 48.16, 70.99, -66.57

 

CMYK 3 / 0 / 76 / 10

HEX #DDE538

RGB 221 229 56

HSL 62.77, 0.77%, 0.56%

LAB 87.82, -22.07, 76.88

 

CMYK 75 / 35 / 0 / 10

HEX #3995E5

RGB 57 149 229

HSL 207.91, 0.77%, 0.56%

LAB 59.91, -0.23, -48.18

 

CMYK 0 / 76 / 34 / 10

HEX #E53897

RGB 229 56 151

HSL 327.05, 0.77%, 0.56%

LAB 53.73, 71.98, -11.91

 

CMYK 34 / 0 / 76 / 10

HEX #97E538

RGB 151 229 56

HSL 87.05, 0.77%, 0.56%

LAB 83.39, -49.1, 71.16

 

CMYK 75 / 35 / 0 / 10

HEX #3995E5

RGB 57 149 229

HSL 207.91, 0.77%, 0.56%

LAB 59.91, -0.23, -48.18

 

CMYK 26 / 76 / 0 / 10

HEX #A938E5

RGB 169 56 229

HSL 279.19, 0.77%, 0.56%

LAB 48.16, 70.99, -66.57

 

CMYK 0 / 41 / 76 / 10

HEX #E58638

RGB 229 134 56

HSL 27.05, 0.77%, 0.56%

LAB 64.96, 30.52, 55.42

 

CMYK 49 / 0 / 76 / 10

HEX #75E538

RGB 117 229 56

HSL 98.84, 0.77%, 0.56%

LAB 81.9, -59.97, 69.2

 

CMYK 75 / 35 / 0 / 10

HEX #3995E5

RGB 57 149 229

HSL 207.91, 0.77%, 0.56%

LAB 59.91, -0.23, -48.18

 

CMYK 3 / 76 / 0 / 10

HEX #DD38E5

RGB 221 56 229

HSL 297.23, 0.77%, 0.56%

LAB 55.94, 80.67, -53.63

 

CMYK 0 / 41 / 76 / 10

HEX #E58638

RGB 229 134 56

HSL 27.05, 0.77%, 0.56%

LAB 64.96, 30.52, 55.42

 

CMYK 72 / 0 / 76 / 10

HEX #41E538

RGB 65 229 56

HSL 116.88, 0.77%, 0.56%

LAB 80.43, -71.8, 67.27

 

Description

Color code: HEX #3995E5 | qconv.com Color code: HEX #3995E5 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 149 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 149 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 35 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 35% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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