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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #399587 it is the complementary color #C66A78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #399587. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #399587 shade: #3E9582, #4FA795, #60B9A8, #71CBBB and #82DDCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #399587. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #399587 shade: #399587, #288374, #177161, #065F4E and #004D3B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #399587 shade: #389486, #38946D, #389454, #38943C and #4D9438

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #399587 shade: #389486, #388994, #387094, #385894 and #383F94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #399587 shade matches the following richer shades: #389486, #28A491, #17B59D and #07C5A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #399587 shade: #389486, #49837A, #59736F, #6A6263 and #7A5258

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #399587 shade: #389454, #38946C, #389485, #388B94 and #387294

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #399587 shade: #215850, #2D766B, #389486, #43B2A1 and #5DC2B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #399587 shade: #399587, #3B3894 and #946038

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #399587 shade: #399587, #853894 and #948538

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #399587 shade: #399587, #3B3894, #943847 and #919438

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #399587 shade: #399587, #573894, #943847 and #759438

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 9 / 42

HEX #399587

RGB 57 149 135

HSL 170.87, 0.45%, 0.4%

LAB 56.2, -30.57, -0.68

 

Complementary color

CMYK 0 / 46 / 39 / 22

HEX #C66A78

RGB 198 106 120

HSL 350.87, 0.45%, 0.6%

LAB 55.76, 37.94, 8.79

 

CMYK 58 / 0 / 13 / 42

HEX #3E9582

RGB 62 149 130

HSL 166.9, 0.41%, 0.41%

LAB 56.22, -30.89, 2.22

 

CMYK 53 / 0 / 11 / 35

HEX #4FA795

RGB 79 167 149

HSL 167.73, 0.36%, 0.48%

LAB 62.9, -30.94, 1.26

 

CMYK 48 / 0 / 9 / 27

HEX #60B9A8

RGB 96 185 168

HSL 168.54, 0.39%, 0.55%

LAB 69.48, -30.9, 0.38

 

CMYK 44 / 0 / 8 / 20

HEX #71CBBB

RGB 113 203 187

HSL 169.33, 0.46%, 0.62%

LAB 75.95, -30.82, -0.42

 

CMYK 41 / 0 / 7 / 13

HEX #82DDCE

RGB 130 221 206

HSL 170.11, 0.57%, 0.69%

LAB 82.33, -30.71, -1.18

 

CMYK 62 / 0 / 9 / 42

HEX #399587

RGB 57 149 135

HSL 170.87, 0.45%, 0.4%

LAB 56.2, -30.57, -0.68

 

CMYK 69 / 0 / 11 / 49

HEX #288374

RGB 40 131 116

HSL 170.11, 0.53%, 0.34%

LAB 49.43, -30.19, 0.37

 

CMYK 80 / 0 / 14 / 56

HEX #177161

RGB 23 113 97

HSL 169.33, 0.66%, 0.27%

LAB 42.54, -29.49, 1.59

 

CMYK 94 / 0 / 18 / 63

HEX #065F4E

RGB 6 95 78

HSL 168.54, 0.88%, 0.2%

LAB 35.54, -28.28, 3.03

 

CMYK 100 / 0 / 23 / 70

HEX #004D3B

RGB 0 77 59

HSL 165.97, 1%, 0.15%

LAB 28.44, -26.12, 4.81

 

CMYK 62 / 0 / 9 / 42

HEX #389486

RGB 56 148 134

HSL 170.87, 0.45%, 0.4%

LAB 55.83, -30.55, -0.66

 

CMYK 62 / 0 / 26 / 42

HEX #38946D

RGB 56 148 109

HSL 154.57, 0.45%, 0.4%

LAB 55.2, -36.81, 12.71

 

CMYK 62 / 0 / 43 / 42

HEX #389454

RGB 56 148 84

HSL 138.26, 0.45%, 0.4%

LAB 54.72, -41.9, 25.96

 

CMYK 62 / 0 / 59 / 42

HEX #38943C

RGB 56 148 60

HSL 122.61, 0.45%, 0.4%

LAB 54.39, -45.56, 37.95

 

CMYK 48 / 0 / 62 / 42

HEX #4D9438

RGB 77 148 56

HSL 106.3, 0.45%, 0.4%

LAB 55.12, -40.21, 40.88

 

CMYK 62 / 0 / 9 / 42

HEX #389486

RGB 56 148 134

HSL 170.87, 0.45%, 0.4%

LAB 55.83, -30.55, -0.66

 

CMYK 62 / 7 / 0 / 42

HEX #388994

RGB 56 137 148

HSL 187.17, 0.45%, 0.4%

LAB 52.81, -20.96, -13.23

 

CMYK 62 / 24 / 0 / 42

HEX #387094

RGB 56 112 148

HSL 203.48, 0.45%, 0.4%

LAB 45.04, -7, -25.13

 

CMYK 62 / 41 / 0 / 42

HEX #385894

RGB 56 88 148

HSL 219.13, 0.45%, 0.4%

LAB 37.77, 7.9, -36.55

 

CMYK 62 / 57 / 0 / 42

HEX #383F94

RGB 56 63 148

HSL 235.43, 0.45%, 0.4%

LAB 30.72, 24.41, -47.85

 

CMYK 62 / 0 / 9 / 42

HEX #389486

RGB 56 148 134

HSL 170.87, 0.45%, 0.4%

LAB 55.83, -30.55, -0.66

 

CMYK 76 / 0 / 12 / 36

HEX #28A491

RGB 40 164 145

HSL 170.81, 0.61%, 0.4%

LAB 60.82, -37.44, 0.35

 

CMYK 87 / 0 / 13 / 29

HEX #17B59D

RGB 23 181 157

HSL 170.89, 0.77%, 0.4%

LAB 66.26, -43.17, 1.55

 

CMYK 96 / 0 / 15 / 23

HEX #07C5A8

RGB 7 197 168

HSL 170.84, 0.93%, 0.4%

LAB 71.42, -47.64, 3

 

CMYK 62 / 0 / 9 / 42

HEX #389486

RGB 56 148 134

HSL 170.87, 0.45%, 0.4%

LAB 55.83, -30.55, -0.66

 

CMYK 44 / 0 / 7 / 49

HEX #49837A

RGB 73 131 122

HSL 170.69, 0.28%, 0.4%

LAB 50.75, -21.31, -1.07

 

CMYK 23 / 0 / 3 / 55

HEX #59736F

RGB 89 115 111

HSL 170.77, 0.13%, 0.4%

LAB 46.36, -10.37, -0.91

 

CMYK 0 / 8 / 7 / 58

HEX #6A6263

RGB 106 98 99

HSL 352.5, 0.04%, 0.4%

LAB 42.31, 3.37, 0.57

 

CMYK 0 / 33 / 28 / 52

HEX #7A5258

RGB 122 82 88

HSL 351, 0.2%, 0.4%

LAB 39.37, 17.65, 3.3

 

CMYK 62 / 0 / 43 / 42

HEX #389454

RGB 56 148 84

HSL 138.26, 0.45%, 0.4%

LAB 54.72, -41.9, 25.96

 

CMYK 62 / 0 / 27 / 42

HEX #38946C

RGB 56 148 108

HSL 153.91, 0.45%, 0.4%

LAB 55.18, -37.04, 13.24

 

CMYK 62 / 0 / 10 / 42

HEX #389485

RGB 56 148 133

HSL 170.22, 0.45%, 0.4%

LAB 55.8, -30.82, -0.13

 

CMYK 62 / 6 / 0 / 42

HEX #388B94

RGB 56 139 148

HSL 185.87, 0.45%, 0.4%

LAB 53.43, -22, -12.29

 

CMYK 62 / 23 / 0 / 42

HEX #387294

RGB 56 114 148

HSL 202.17, 0.45%, 0.4%

LAB 45.65, -8.17, -24.18

 

CMYK 63 / 0 / 9 / 65

HEX #215850

RGB 33 88 80

HSL 171.27, 0.45%, 0.24%

LAB 33.74, -20.23, -0.78

 

CMYK 62 / 0 / 9 / 54

HEX #2D766B

RGB 45 118 107

HSL 170.96, 0.45%, 0.32%

LAB 45.05, -25.42, -0.69

 

CMYK 62 / 0 / 9 / 42

HEX #389486

RGB 56 148 134

HSL 170.87, 0.45%, 0.4%

LAB 55.83, -30.55, -0.66

 

CMYK 62 / 0 / 10 / 30

HEX #43B2A1

RGB 67 178 161

HSL 170.81, 0.45%, 0.48%

LAB 66.22, -35.46, -0.63

 

CMYK 52 / 0 / 8 / 24

HEX #5DC2B2

RGB 93 194 178

HSL 170.5, 0.45%, 0.56%

LAB 72.31, -33.39, -0.96

 

CMYK 62 / 0 / 9 / 42

HEX #399587

RGB 57 149 135

HSL 170.87, 0.45%, 0.4%

LAB 56.2, -30.57, -0.68

 

CMYK 60 / 62 / 0 / 42

HEX #3B3894

RGB 59 56 148

HSL 241.96, 0.45%, 0.4%

LAB 29.15, 29.54, -50.4

 

CMYK 0 / 35 / 62 / 42

HEX #946038

RGB 148 96 56

HSL 26.09, 0.45%, 0.4%

LAB 45.56, 16.96, 31.22

 

CMYK 62 / 0 / 9 / 42

HEX #399587

RGB 57 149 135

HSL 170.87, 0.45%, 0.4%

LAB 56.2, -30.57, -0.68

 

CMYK 10 / 62 / 0 / 42

HEX #853894

RGB 133 56 148

HSL 290.22, 0.45%, 0.4%

LAB 37.76, 46.83, -36.1

 

CMYK 0 / 10 / 62 / 42

HEX #948538

RGB 148 133 56

HSL 50.22, 0.45%, 0.4%

LAB 55.44, -4.15, 42.57

 

CMYK 62 / 0 / 9 / 42

HEX #399587

RGB 57 149 135

HSL 170.87, 0.45%, 0.4%

LAB 56.2, -30.57, -0.68

 

CMYK 60 / 62 / 0 / 42

HEX #3B3894

RGB 59 56 148

HSL 241.96, 0.45%, 0.4%

LAB 29.15, 29.54, -50.4

 

CMYK 0 / 62 / 52 / 42

HEX #943847

RGB 148 56 71

HSL 350.22, 0.45%, 0.4%

LAB 37.08, 40, 11.27

 

CMYK 2 / 0 / 62 / 42

HEX #919438

RGB 145 148 56

HSL 61.96, 0.45%, 0.4%

LAB 59.42, -13.6, 46.85

 

CMYK 62 / 0 / 9 / 42

HEX #399587

RGB 57 149 135

HSL 170.87, 0.45%, 0.4%

LAB 56.2, -30.57, -0.68

 

CMYK 41 / 62 / 0 / 42

HEX #573894

RGB 87 56 148

HSL 260.22, 0.45%, 0.4%

LAB 31.79, 35.36, -45.99

 

CMYK 0 / 62 / 52 / 42

HEX #943847

RGB 148 56 71

HSL 350.22, 0.45%, 0.4%

LAB 37.08, 40, 11.27

 

CMYK 21 / 0 / 62 / 42

HEX #759438

RGB 117 148 56

HSL 80.22, 0.45%, 0.4%

LAB 57.32, -25.52, 43.94

 

Description

Color code: HEX #399587 | qconv.com Color code: HEX #399587 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 149 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 149 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 9 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 9% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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