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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39952F it is the complementary color #C66AD0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39952F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39952F shade: #3E952A, #4FA73D, #60B950, #71CB63 and #82DD76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39952F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39952F shade: #39952F, #28831C, #177109, #065F00 and #004D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39952F shade: #38932F, #54932F, #6F932F, #8A932F and #93812F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39952F shade: #38932F, #2F9340, #2F935B, #2F9376 and #2F9391

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39952F shade matches the following richer shades: #38932F, #2CA31F and #1FB30F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39952F shade: #38932F, #45843E, #52744E, #5E645E and #6B556D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39952F shade: #6E932F, #53932F, #39932F, #2F933F and #2F935A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39952F shade: #20551B, #2C7425, #38932F, #44B338 and #59C74D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39952F shade: #39952F, #2F8993 and #932F61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39952F shade: #39952F, #2F3993 and #932F39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39952F shade: #39952F, #2F8993, #892F93 and #93392F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39952F shade: #39952F, #2F6B93, #892F93 and #93572F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 68 / 42

HEX #39952F

RGB 57 149 47

HSL 114.12, 0.52%, 0.38%

LAB 54.63, -47.15, 44.16

 

Complementary color

CMYK 5 / 49 / 0 / 18

HEX #C66AD0

RGB 198 106 208

HSL 294.12, 0.52%, 0.62%

LAB 58.85, 51.52, -37.39

 

CMYK 58 / 0 / 72 / 42

HEX #3E952A

RGB 62 149 42

HSL 108.79, 0.56%, 0.37%

LAB 54.75, -46.33, 46.4

 

CMYK 53 / 0 / 63 / 35

HEX #4FA73D

RGB 79 167 61

HSL 109.81, 0.46%, 0.45%

LAB 61.34, -46.84, 45.61

 

CMYK 48 / 0 / 57 / 27

HEX #60B950

RGB 96 185 80

HSL 110.86, 0.43%, 0.52%

LAB 67.85, -47.05, 44.51

 

CMYK 44 / 0 / 51 / 20

HEX #71CB63

RGB 113 203 99

HSL 111.92, 0.5%, 0.59%

LAB 74.27, -47.08, 43.29

 

CMYK 41 / 0 / 47 / 13

HEX #82DD76

RGB 130 221 118

HSL 113.01, 0.6%, 0.66%

LAB 80.61, -47, 42.06

 

CMYK 62 / 0 / 68 / 42

HEX #39952F

RGB 57 149 47

HSL 114.12, 0.52%, 0.38%

LAB 54.63, -47.15, 44.16

 

CMYK 69 / 0 / 79 / 49

HEX #28831C

RGB 40 131 28

HSL 113.01, 0.65%, 0.31%

LAB 47.97, -46.13, 44.64

 

CMYK 80 / 0 / 92 / 56

HEX #177109

RGB 23 113 9

HSL 111.92, 0.85%, 0.24%

LAB 41.24, -44.27, 43.84

 

CMYK 94 / 0 / 100 / 63

HEX #065F00

RGB 6 95 0

HSL 116.21, 1%, 0.19%

LAB 34.44, -41.12, 40.48

 

CMYK 100 / 0 / 100 / 70

HEX #004D00

RGB 0 77 0

HSL 120, 1%, 0.15%

LAB 27.59, -36.22, 34.92

 

CMYK 62 / 0 / 68 / 42

HEX #38932F

RGB 56 147 47

HSL 114.6, 0.52%, 0.38%

LAB 53.94, -46.65, 43.4

 

CMYK 43 / 0 / 68 / 42

HEX #54932F

RGB 84 147 47

HSL 97.8, 0.52%, 0.38%

LAB 55.03, -38.36, 44.9

 

CMYK 24 / 0 / 68 / 42

HEX #6F932F

RGB 111 147 47

HSL 81.6, 0.52%, 0.38%

LAB 56.54, -28.2, 46.95

 

CMYK 6 / 0 / 68 / 42

HEX #8A932F

RGB 138 147 47

HSL 65.4, 0.52%, 0.38%

LAB 58.49, -16.75, 49.58

 

CMYK 0 / 12 / 68 / 42

HEX #93812F

RGB 147 129 47

HSL 49.2, 0.52%, 0.38%

LAB 54.14, -2.99, 45.33

 

CMYK 62 / 0 / 68 / 42

HEX #38932F

RGB 56 147 47

HSL 114.6, 0.52%, 0.38%

LAB 53.94, -46.65, 43.4

 

CMYK 68 / 0 / 56 / 42

HEX #2F9340

RGB 47 147 64

HSL 130.2, 0.52%, 0.38%

LAB 53.86, -46.63, 35.29

 

CMYK 68 / 0 / 38 / 42

HEX #2F935B

RGB 47 147 91

HSL 146.4, 0.52%, 0.38%

LAB 54.27, -42.04, 21.48

 

CMYK 68 / 0 / 20 / 42

HEX #2F9376

RGB 47 147 118

HSL 162.6, 0.52%, 0.38%

LAB 54.84, -35.91, 7.05

 

CMYK 68 / 0 / 1 / 42

HEX #2F9391

RGB 47 147 145

HSL 178.8, 0.52%, 0.38%

LAB 55.6, -28.48, -7.34

 

CMYK 62 / 0 / 68 / 42

HEX #38932F

RGB 56 147 47

HSL 114.6, 0.52%, 0.38%

LAB 53.94, -46.65, 43.4

 

CMYK 73 / 0 / 81 / 36

HEX #2CA31F

RGB 44 163 31

HSL 114.09, 0.68%, 0.38%

LAB 58.82, -56.03, 54.1

 

CMYK 83 / 0 / 92 / 30

HEX #1FB30F

RGB 31 179 15

HSL 114.15, 0.85%, 0.38%

LAB 63.81, -63.56, 62.12

 

CMYK 62 / 0 / 68 / 42

HEX #38932F

RGB 56 147 47

HSL 114.6, 0.52%, 0.38%

LAB 53.94, -46.65, 43.4

 

CMYK 48 / 0 / 53 / 48

HEX #45843E

RGB 69 132 62

HSL 114, 0.36%, 0.38%

LAB 49.64, -35.08, 31.39

 

CMYK 29 / 0 / 33 / 55

HEX #52744E

RGB 82 116 78

HSL 113.68, 0.2%, 0.38%

LAB 45.41, -20.29, 17.21

 

CMYK 6 / 0 / 6 / 61

HEX #5E645E

RGB 94 100 94

HSL 120, 0.03%, 0.38%

LAB 41.69, -3.59, 2.59

 

CMYK 2 / 22 / 0 / 57

HEX #6B556D

RGB 107 85 109

HSL 295, 0.12%, 0.38%

LAB 39.12, 13.76, -10.3

 

CMYK 25 / 0 / 68 / 42

HEX #6E932F

RGB 110 147 47

HSL 82.2, 0.52%, 0.38%

LAB 56.47, -28.61, 46.87

 

CMYK 44 / 0 / 68 / 42

HEX #53932F

RGB 83 147 47

HSL 98.4, 0.52%, 0.38%

LAB 54.98, -38.7, 44.84

 

CMYK 61 / 0 / 68 / 42

HEX #39932F

RGB 57 147 47

HSL 114, 0.52%, 0.38%

LAB 53.97, -46.4, 43.44

 

CMYK 68 / 0 / 57 / 42

HEX #2F933F

RGB 47 147 63

HSL 129.6, 0.52%, 0.38%

LAB 53.85, -46.77, 35.77

 

CMYK 68 / 0 / 39 / 42

HEX #2F935A

RGB 47 147 90

HSL 145.8, 0.52%, 0.38%

LAB 54.25, -42.23, 22.01

 

CMYK 62 / 0 / 68 / 67

HEX #20551B

RGB 32 85 27

HSL 114.83, 0.52%, 0.22%

LAB 31.54, -30.39, 27.89

 

CMYK 62 / 0 / 68 / 55

HEX #2C7425

RGB 44 116 37

HSL 114.68, 0.52%, 0.3%

LAB 43, -38.75, 35.87

 

CMYK 62 / 0 / 68 / 42

HEX #38932F

RGB 56 147 47

HSL 114.6, 0.52%, 0.38%

LAB 53.94, -46.65, 43.4

 

CMYK 62 / 0 / 69 / 30

HEX #44B338

RGB 68 179 56

HSL 114.15, 0.52%, 0.46%

LAB 64.77, -54.67, 51.35

 

CMYK 55 / 0 / 61 / 22

HEX #59C74D

RGB 89 199 77

HSL 114.1, 0.52%, 0.54%

LAB 71.9, -54.78, 50.47

 

CMYK 62 / 0 / 68 / 42

HEX #39952F

RGB 57 149 47

HSL 114.12, 0.52%, 0.38%

LAB 54.63, -47.15, 44.16

 

CMYK 68 / 7 / 0 / 42

HEX #2F8993

RGB 47 137 147

HSL 186, 0.52%, 0.38%

LAB 52.51, -22.82, -13.12

 

CMYK 0 / 68 / 34 / 42

HEX #932F61

RGB 147 47 97

HSL 330, 0.52%, 0.38%

LAB 36.17, 46.55, -6.63

 

CMYK 62 / 0 / 68 / 42

HEX #39952F

RGB 57 149 47

HSL 114.12, 0.52%, 0.38%

LAB 54.63, -47.15, 44.16

 

CMYK 68 / 61 / 0 / 42

HEX #2F3993

RGB 47 57 147

HSL 234, 0.52%, 0.38%

LAB 28.48, 26.51, -50.91

 

CMYK 0 / 68 / 61 / 42

HEX #932F39

RGB 147 47 57

HSL 354, 0.52%, 0.38%

LAB 35.07, 42.6, 17.44

 

CMYK 62 / 0 / 68 / 42

HEX #39952F

RGB 57 149 47

HSL 114.12, 0.52%, 0.38%

LAB 54.63, -47.15, 44.16

 

CMYK 68 / 7 / 0 / 42

HEX #2F8993

RGB 47 137 147

HSL 186, 0.52%, 0.38%

LAB 52.51, -22.82, -13.12

 

CMYK 7 / 68 / 0 / 42

HEX #892F93

RGB 137 47 147

HSL 294, 0.52%, 0.38%

LAB 36.85, 51.67, -36.89

 

CMYK 0 / 61 / 68 / 42

HEX #93392F

RGB 147 57 47

HSL 6, 0.52%, 0.38%

LAB 36.62, 37.3, 25.64

 

CMYK 62 / 0 / 68 / 42

HEX #39952F

RGB 57 149 47

HSL 114.12, 0.52%, 0.38%

LAB 54.63, -47.15, 44.16

 

CMYK 68 / 27 / 0 / 42

HEX #2F6B93

RGB 47 107 147

HSL 204, 0.52%, 0.38%

LAB 43.1, -6.05, -27.57

 

CMYK 7 / 68 / 0 / 42

HEX #892F93

RGB 137 47 147

HSL 294, 0.52%, 0.38%

LAB 36.85, 51.67, -36.89

 

CMYK 0 / 41 / 68 / 42

HEX #93572F

RGB 147 87 47

HSL 24, 0.52%, 0.38%

LAB 43.1, 21.07, 33.26

 

Description

Color code: HEX #39952F | qconv.com Color code: HEX #39952F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 149 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 149 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 68 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 68% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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