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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39925C it is the complementary color #C66DA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39925C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39925C shade: #3E9257, #4FA46A, #60B67D, #71C890 and #82DAA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39925C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39925C shade: #39925C, #288049, #176E36, #065C23 and #004A10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39925C shade: #39935C, #399344, #469339, #5E9339 and #779339

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39925C shade: #39935C, #399375, #39938D, #398193 and #396993

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39925C shade matches the following richer shades: #39935C, #29A359, #18B455 and #08C452

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39925C shade: #39935C, #4A8260, #5A7263, #6B6167 and #7B516B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39925C shade: #479339, #399344, #39935C, #399373 and #39938B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39925C shade: #225737, #2E754A, #39935C, #45B16F and #5EC085

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39925C shade: #39925C, #395F93 and #93393B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39925C shade: #39925C, #5C3993 and #935C39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39925C shade: #39925C, #395F93, #933970 and #936D39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39925C shade: #39925C, #394493, #933970 and #938839

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 37 / 43

HEX #39925C

RGB 57 146 92

HSL 143.6, 0.44%, 0.4%

LAB 54.24, -39.34, 20.94

 

Complementary color

CMYK 0 / 45 / 18 / 22

HEX #C66DA3

RGB 198 109 163

HSL 323.6, 0.44%, 0.6%

LAB 57.64, 42.21, -13.5

 

CMYK 58 / 0 / 40 / 43

HEX #3E9257

RGB 62 146 87

HSL 137.86, 0.4%, 0.41%

LAB 54.31, -39.1, 23.82

 

CMYK 52 / 0 / 35 / 36

HEX #4FA46A

RGB 79 164 106

HSL 139.06, 0.35%, 0.48%

LAB 61, -39.05, 22.44

 

CMYK 47 / 0 / 31 / 29

HEX #60B67D

RGB 96 182 125

HSL 140.23, 0.37%, 0.55%

LAB 67.59, -38.88, 21.18

 

CMYK 44 / 0 / 28 / 22

HEX #71C890

RGB 113 200 144

HSL 141.38, 0.44%, 0.61%

LAB 74.08, -38.66, 20.01

 

CMYK 40 / 0 / 25 / 15

HEX #82DAA3

RGB 130 218 163

HSL 142.5, 0.54%, 0.68%

LAB 80.48, -38.41, 18.93

 

CMYK 61 / 0 / 37 / 43

HEX #39925C

RGB 57 146 92

HSL 143.6, 0.44%, 0.4%

LAB 54.24, -39.34, 20.94

 

CMYK 69 / 0 / 43 / 50

HEX #288049

RGB 40 128 73

HSL 142.5, 0.52%, 0.33%

LAB 47.46, -39.09, 22.46

 

CMYK 79 / 0 / 51 / 57

HEX #176E36

RGB 23 110 54

HSL 141.38, 0.65%, 0.26%

LAB 40.57, -38.39, 24.14

 

CMYK 93 / 0 / 62 / 64

HEX #065C23

RGB 6 92 35

HSL 140.23, 0.88%, 0.19%

LAB 33.59, -36.92, 25.94

 

CMYK 100 / 0 / 78 / 71

HEX #004A10

RGB 0 74 16

HSL 132.97, 1%, 0.15%

LAB 26.55, -33.87, 27.55

 

CMYK 61 / 0 / 37 / 42

HEX #39935C

RGB 57 147 92

HSL 143.33, 0.44%, 0.4%

LAB 54.56, -39.77, 21.37

 

CMYK 61 / 0 / 54 / 42

HEX #399344

RGB 57 147 68

HSL 127.33, 0.44%, 0.4%

LAB 54.19, -43.85, 33.73

 

CMYK 52 / 0 / 61 / 42

HEX #469339

RGB 70 147 57

HSL 111.33, 0.44%, 0.4%

LAB 54.52, -41.81, 39.65

 

CMYK 36 / 0 / 61 / 42

HEX #5E9339

RGB 94 147 57

HSL 95.33, 0.44%, 0.4%

LAB 55.63, -33.88, 41.21

 

CMYK 19 / 0 / 61 / 42

HEX #779339

RGB 119 147 57

HSL 78.67, 0.44%, 0.4%

LAB 57.16, -24.12, 43.35

 

CMYK 61 / 0 / 37 / 42

HEX #39935C

RGB 57 147 92

HSL 143.33, 0.44%, 0.4%

LAB 54.56, -39.77, 21.37

 

CMYK 61 / 0 / 20 / 42

HEX #399375

RGB 57 147 117

HSL 160, 0.44%, 0.4%

LAB 55.09, -34.26, 8.01

 

CMYK 61 / 0 / 4 / 42

HEX #39938D

RGB 57 147 141

HSL 176, 0.44%, 0.4%

LAB 55.75, -27.93, -4.79

 

CMYK 61 / 12 / 0 / 42

HEX #398193

RGB 57 129 147

HSL 192, 0.44%, 0.4%

LAB 50.31, -16.79, -16.44

 

CMYK 61 / 29 / 0 / 42

HEX #396993

RGB 57 105 147

HSL 208, 0.44%, 0.4%

LAB 42.88, -2.94, -27.89

 

CMYK 61 / 0 / 37 / 42

HEX #39935C

RGB 57 147 92

HSL 143.33, 0.44%, 0.4%

LAB 54.56, -39.77, 21.37

 

CMYK 75 / 0 / 45 / 36

HEX #29A359

RGB 41 163 89

HSL 143.61, 0.6%, 0.4%

LAB 59.33, -49.69, 29.17

 

CMYK 87 / 0 / 53 / 29

HEX #18B455

RGB 24 180 85

HSL 143.46, 0.76%, 0.4%

LAB 64.56, -58.32, 37.73

 

CMYK 96 / 0 / 58 / 23

HEX #08C452

RGB 8 196 82

HSL 143.62, 0.92%, 0.4%

LAB 69.57, -64.83, 45.16

 

CMYK 61 / 0 / 37 / 42

HEX #39935C

RGB 57 147 92

HSL 143.33, 0.44%, 0.4%

LAB 54.56, -39.77, 21.37

 

CMYK 43 / 0 / 26 / 49

HEX #4A8260

RGB 74 130 96

HSL 143.57, 0.27%, 0.4%

LAB 49.82, -26.62, 12.75

 

CMYK 21 / 0 / 13 / 55

HEX #5A7263

RGB 90 114 99

HSL 142.5, 0.12%, 0.4%

LAB 45.78, -12.13, 5.43

 

CMYK 0 / 9 / 4 / 58

HEX #6B6167

RGB 107 97 103

HSL 324, 0.05%, 0.4%

LAB 42.24, 5.17, -1.96

 

CMYK 0 / 34 / 13 / 52

HEX #7B516B

RGB 123 81 107

HSL 322.86, 0.21%, 0.4%

LAB 39.84, 21.86, -7.78

 

CMYK 52 / 0 / 61 / 42

HEX #479339

RGB 71 147 57

HSL 110.67, 0.44%, 0.4%

LAB 54.56, -41.51, 39.71

 

CMYK 61 / 0 / 54 / 42

HEX #399344

RGB 57 147 68

HSL 127.33, 0.44%, 0.4%

LAB 54.19, -43.85, 33.73

 

CMYK 61 / 0 / 37 / 42

HEX #39935C

RGB 57 147 92

HSL 143.33, 0.44%, 0.4%

LAB 54.56, -39.77, 21.37

 

CMYK 61 / 0 / 22 / 42

HEX #399373

RGB 57 147 115

HSL 158.67, 0.44%, 0.4%

LAB 55.05, -34.75, 9.09

 

CMYK 61 / 0 / 5 / 42

HEX #39938B

RGB 57 147 139

HSL 174.67, 0.44%, 0.4%

LAB 55.69, -28.49, -3.73

 

CMYK 61 / 0 / 37 / 66

HEX #225737

RGB 34 87 55

HSL 143.77, 0.44%, 0.24%

LAB 32.77, -25.95, 13.45

 

CMYK 61 / 0 / 37 / 54

HEX #2E754A

RGB 46 117 74

HSL 143.66, 0.44%, 0.32%

LAB 43.94, -32.83, 17.26

 

CMYK 61 / 0 / 37 / 42

HEX #39935C

RGB 57 147 92

HSL 143.33, 0.44%, 0.4%

LAB 54.56, -39.77, 21.37

 

CMYK 61 / 0 / 37 / 31

HEX #45B16F

RGB 69 177 111

HSL 143.33, 0.44%, 0.48%

LAB 64.85, -46, 24.83

 

CMYK 51 / 0 / 31 / 25

HEX #5EC085

RGB 94 192 133

HSL 143.88, 0.44%, 0.56%

LAB 70.71, -42.27, 21.13

 

CMYK 61 / 0 / 37 / 43

HEX #39925C

RGB 57 146 92

HSL 143.6, 0.44%, 0.4%

LAB 54.24, -39.34, 20.94

 

CMYK 61 / 35 / 0 / 42

HEX #395F93

RGB 57 95 147

HSL 214.67, 0.44%, 0.4%

LAB 39.85, 3.27, -32.65

 

CMYK 0 / 61 / 60 / 42

HEX #93393B

RGB 147 57 59

HSL 358.67, 0.44%, 0.4%

LAB 36.83, 38.13, 18.48

 

CMYK 61 / 0 / 37 / 43

HEX #39925C

RGB 57 146 92

HSL 143.6, 0.44%, 0.4%

LAB 54.24, -39.34, 20.94

 

CMYK 37 / 61 / 0 / 42

HEX #5C3993

RGB 92 57 147

HSL 263.33, 0.44%, 0.4%

LAB 32.5, 35.67, -44.21

 

CMYK 0 / 37 / 61 / 42

HEX #935C39

RGB 147 92 57

HSL 23.33, 0.44%, 0.4%

LAB 44.45, 18.91, 29.29

 

CMYK 61 / 0 / 37 / 43

HEX #39925C

RGB 57 146 92

HSL 143.6, 0.44%, 0.4%

LAB 54.24, -39.34, 20.94

 

CMYK 61 / 35 / 0 / 42

HEX #395F93

RGB 57 95 147

HSL 214.67, 0.44%, 0.4%

LAB 39.85, 3.27, -32.65

 

CMYK 0 / 61 / 24 / 42

HEX #933970

RGB 147 57 112

HSL 323.33, 0.44%, 0.4%

LAB 38.37, 44.1, -12.78

 

CMYK 0 / 26 / 61 / 42

HEX #936D39

RGB 147 109 57

HSL 34.67, 0.44%, 0.4%

LAB 48.8, 9.07, 34.48

 

CMYK 61 / 0 / 37 / 43

HEX #39925C

RGB 57 146 92

HSL 143.6, 0.44%, 0.4%

LAB 54.24, -39.34, 20.94

 

CMYK 61 / 54 / 0 / 42

HEX #394493

RGB 57 68 147

HSL 232.67, 0.44%, 0.4%

LAB 32.06, 20.93, -45.08

 

CMYK 0 / 61 / 24 / 42

HEX #933970

RGB 147 57 112

HSL 323.33, 0.44%, 0.4%

LAB 38.37, 44.1, -12.78

 

CMYK 0 / 7 / 61 / 42

HEX #938839

RGB 147 136 57

HSL 52.67, 0.44%, 0.4%

LAB 56.19, -6.18, 42.9

 

Description

Color code: HEX #39925C | qconv.com Color code: HEX #39925C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 146 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 146 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 37 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 37% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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