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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39916F it is the complementary color #C66E90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39916F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39916F shade: #3E916A, #4FA37D, #60B590, #71C7A3 and #82D9B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39916F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39916F shade: #39916F, #287F5C, #176D49, #065B36 and #004923

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39916F shade: #399370, #399358, #399340, #4B9339 and #639339

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39916F shade: #399370, #399388, #398593, #396D93 and #395593

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39916F shade matches the following richer shades: #399370, #29A374, #18B478 and #08C47B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39916F shade: #399370, #4A826C, #5A7269, #6B6165 and #7B5161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39916F shade: #39933F, #399357, #39936F, #399387 and #398793

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39916F shade: #225743, #2E755A, #399370, #45B187 and #5EC09A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39916F shade: #39916F, #394B93 and #934B39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39916F shade: #39916F, #6F3993 and #936F39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39916F shade: #39916F, #394B93, #93395D and #938139

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39916F shade: #39916F, #423993, #93395D and #8A9339

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 23 / 43

HEX #39916F

RGB 57 145 111

HSL 156.82, 0.44%, 0.4%

LAB 54.31, -34.78, 10.33

 

Complementary color

CMYK 0 / 44 / 27 / 22

HEX #C66E90

RGB 198 110 144

HSL 336.82, 0.44%, 0.6%

LAB 57.24, 38.89, -3.07

 

CMYK 57 / 0 / 27 / 43

HEX #3E916A

RGB 62 145 106

HSL 151.81, 0.4%, 0.41%

LAB 54.36, -34.81, 13.26

 

CMYK 52 / 0 / 23 / 36

HEX #4FA37D

RGB 79 163 125

HSL 152.86, 0.35%, 0.47%

LAB 61.08, -34.72, 12.06

 

CMYK 47 / 0 / 20 / 29

HEX #60B590

RGB 96 181 144

HSL 153.88, 0.36%, 0.54%

LAB 67.69, -34.56, 10.98

 

CMYK 43 / 0 / 18 / 22

HEX #71C7A3

RGB 113 199 163

HSL 154.88, 0.43%, 0.61%

LAB 74.19, -34.36, 9.98

 

CMYK 40 / 0 / 16 / 15

HEX #82D9B6

RGB 130 217 182

HSL 155.86, 0.53%, 0.68%

LAB 80.6, -34.14, 9.06

 

CMYK 61 / 0 / 23 / 43

HEX #39916F

RGB 57 145 111

HSL 156.82, 0.44%, 0.4%

LAB 54.31, -34.78, 10.33

 

CMYK 69 / 0 / 28 / 50

HEX #287F5C

RGB 40 127 92

HSL 155.86, 0.52%, 0.33%

LAB 47.5, -34.58, 11.65

 

CMYK 79 / 0 / 33 / 57

HEX #176D49

RGB 23 109 73

HSL 154.88, 0.65%, 0.26%

LAB 40.57, -34.02, 13.18

 

CMYK 93 / 0 / 41 / 64

HEX #065B36

RGB 6 91 54

HSL 153.88, 0.88%, 0.19%

LAB 33.54, -32.88, 14.97

 

CMYK 100 / 0 / 52 / 71

HEX #004923

RGB 0 73 35

HSL 148.77, 1%, 0.14%

LAB 26.41, -30.5, 17.11

 

CMYK 61 / 0 / 24 / 42

HEX #399370

RGB 57 147 112

HSL 156.67, 0.44%, 0.4%

LAB 54.98, -35.46, 10.69

 

CMYK 61 / 0 / 40 / 42

HEX #399358

RGB 57 147 88

HSL 140.67, 0.44%, 0.4%

LAB 54.49, -40.53, 23.48

 

CMYK 61 / 0 / 56 / 42

HEX #399340

RGB 57 147 64

HSL 124.67, 0.44%, 0.4%

LAB 54.14, -44.41, 35.69

 

CMYK 49 / 0 / 61 / 42

HEX #4B9339

RGB 75 147 57

HSL 108, 0.44%, 0.4%

LAB 54.72, -40.3, 39.94

 

CMYK 33 / 0 / 61 / 42

HEX #639339

RGB 99 147 57

HSL 92, 0.44%, 0.4%

LAB 55.9, -32.03, 41.6

 

CMYK 61 / 0 / 24 / 42

HEX #399370

RGB 57 147 112

HSL 156.67, 0.44%, 0.4%

LAB 54.98, -35.46, 10.69

 

CMYK 61 / 0 / 7 / 42

HEX #399388

RGB 57 147 136

HSL 172.67, 0.44%, 0.4%

LAB 55.6, -29.33, -2.14

 

CMYK 61 / 10 / 0 / 42

HEX #398593

RGB 57 133 147

HSL 189.33, 0.44%, 0.4%

LAB 51.56, -18.95, -14.54

 

CMYK 61 / 26 / 0 / 42

HEX #396D93

RGB 57 109 147

HSL 205.33, 0.44%, 0.4%

LAB 44.11, -5.35, -25.98

 

CMYK 61 / 42 / 0 / 42

HEX #395593

RGB 57 85 147

HSL 221.33, 0.44%, 0.4%

LAB 36.88, 9.69, -37.35

 

CMYK 61 / 0 / 24 / 42

HEX #399370

RGB 57 147 112

HSL 156.67, 0.44%, 0.4%

LAB 54.98, -35.46, 10.69

 

CMYK 75 / 0 / 29 / 36

HEX #29A374

RGB 41 163 116

HSL 156.89, 0.6%, 0.4%

LAB 59.82, -44.21, 15.16

 

CMYK 87 / 0 / 33 / 29

HEX #18B478

RGB 24 180 120

HSL 156.92, 0.76%, 0.4%

LAB 65.12, -51.8, 20.21

 

CMYK 96 / 0 / 37 / 23

HEX #08C47B

RGB 8 196 123

HSL 156.7, 0.92%, 0.4%

LAB 70.15, -57.89, 25.4

 

CMYK 61 / 0 / 24 / 42

HEX #399370

RGB 57 147 112

HSL 156.67, 0.44%, 0.4%

LAB 54.98, -35.46, 10.69

 

CMYK 43 / 0 / 17 / 49

HEX #4A826C

RGB 74 130 108

HSL 156.43, 0.27%, 0.4%

LAB 50.1, -23.96, 6.18

 

CMYK 21 / 0 / 8 / 55

HEX #5A7269

RGB 90 114 105

HSL 157.5, 0.12%, 0.4%

LAB 45.95, -10.83, 2.08

 

CMYK 0 / 9 / 6 / 58

HEX #6B6165

RGB 107 97 101

HSL 336, 0.05%, 0.4%

LAB 42.18, 4.77, -0.83

 

CMYK 0 / 34 / 21 / 52

HEX #7B5161

RGB 123 81 97

HSL 337.14, 0.21%, 0.4%

LAB 39.51, 20.1, -2.07

 

CMYK 61 / 0 / 57 / 42

HEX #39933F

RGB 57 147 63

HSL 124, 0.44%, 0.4%

LAB 54.13, -44.54, 36.17

 

CMYK 61 / 0 / 41 / 42

HEX #399357

RGB 57 147 87

HSL 140, 0.44%, 0.4%

LAB 54.48, -40.72, 24.01

 

CMYK 61 / 0 / 24 / 42

HEX #39936F

RGB 57 147 111

HSL 156, 0.44%, 0.4%

LAB 54.95, -35.69, 11.23

 

CMYK 61 / 0 / 8 / 42

HEX #399387

RGB 57 147 135

HSL 172, 0.44%, 0.4%

LAB 55.57, -29.6, -1.61

 

CMYK 61 / 8 / 0 / 42

HEX #398793

RGB 57 135 147

HSL 188, 0.44%, 0.4%

LAB 52.18, -20.02, -13.59

 

CMYK 61 / 0 / 23 / 66

HEX #225743

RGB 34 87 67

HSL 157.36, 0.44%, 0.24%

LAB 33.05, -23.08, 6.4

 

CMYK 61 / 0 / 23 / 54

HEX #2E755A

RGB 46 117 90

HSL 157.18, 0.44%, 0.32%

LAB 44.29, -29.2, 8.35

 

CMYK 61 / 0 / 24 / 42

HEX #399370

RGB 57 147 112

HSL 156.67, 0.44%, 0.4%

LAB 54.98, -35.46, 10.69

 

CMYK 61 / 0 / 24 / 31

HEX #45B187

RGB 69 177 135

HSL 156.67, 0.44%, 0.48%

LAB 65.33, -41.01, 12.45

 

CMYK 51 / 0 / 20 / 25

HEX #5EC09A

RGB 94 192 154

HSL 156.73, 0.44%, 0.56%

LAB 71.15, -37.91, 10.43

 

CMYK 61 / 0 / 23 / 43

HEX #39916F

RGB 57 145 111

HSL 156.82, 0.44%, 0.4%

LAB 54.31, -34.78, 10.33

 

CMYK 61 / 49 / 0 / 42

HEX #394B93

RGB 57 75 147

HSL 228, 0.44%, 0.4%

LAB 34, 16.28, -41.95

 

CMYK 0 / 49 / 61 / 42

HEX #934B39

RGB 147 75 57

HSL 12, 0.44%, 0.4%

LAB 40.46, 28.55, 24.36

 

CMYK 61 / 0 / 23 / 43

HEX #39916F

RGB 57 145 111

HSL 156.82, 0.44%, 0.4%

LAB 54.31, -34.78, 10.33

 

CMYK 24 / 61 / 0 / 42

HEX #6F3993

RGB 111 57 147

HSL 276, 0.44%, 0.4%

LAB 34.83, 40.4, -40.34

 

CMYK 0 / 24 / 61 / 42

HEX #936F39

RGB 147 111 57

HSL 36, 0.44%, 0.4%

LAB 49.33, 7.92, 35.1

 

CMYK 61 / 0 / 23 / 43

HEX #39916F

RGB 57 145 111

HSL 156.82, 0.44%, 0.4%

LAB 54.31, -34.78, 10.33

 

CMYK 61 / 49 / 0 / 42

HEX #394B93

RGB 57 75 147

HSL 228, 0.44%, 0.4%

LAB 34, 16.28, -41.95

 

CMYK 0 / 61 / 37 / 42

HEX #93395D

RGB 147 57 93

HSL 336, 0.44%, 0.4%

LAB 37.7, 41.55, -1.83

 

CMYK 0 / 12 / 61 / 42

HEX #938139

RGB 147 129 57

HSL 48, 0.44%, 0.4%

LAB 54.24, -2.3, 40.72

 

CMYK 61 / 0 / 23 / 43

HEX #39916F

RGB 57 145 111

HSL 156.82, 0.44%, 0.4%

LAB 54.31, -34.78, 10.33

 

CMYK 55 / 61 / 0 / 42

HEX #423993

RGB 66 57 147

HSL 246, 0.44%, 0.4%

LAB 29.89, 29.9, -48.55

 

CMYK 0 / 61 / 37 / 42

HEX #93395D

RGB 147 57 93

HSL 336, 0.44%, 0.4%

LAB 37.7, 41.55, -1.83

 

CMYK 6 / 0 / 61 / 42

HEX #8A9339

RGB 138 147 57

HSL 66, 0.44%, 0.4%

LAB 58.57, -16.05, 45.3

 

Description

Color code: HEX #39916F | qconv.com Color code: HEX #39916F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 145 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 145 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 23 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 23% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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