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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #398822 it is the complementary color #C677DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #398822. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #398822 shade: #3E881D, #4F9A30, #60AC43, #71BE56 and #82D069

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #398822. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #398822 shade: #398822, #28760F, #176400, #065200 and #004000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #398822 shade: #388722, #548722, #6F8722, #878322 and #876822

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #398822 shade: #388722, #228726, #228741, #22875D and #228778

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #398822 shade matches the following richer shades: #388722, #319414 and #29A206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #398822 shade: #388722, #40792F, #476B3D, #4F5E4B and #565058

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #398822 shade: #6F8722, #548722, #398722, #228725 and #228740

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #398822 shade: #1D4511, #2B6619, #388722, #46A82A and #54C932

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #398822 shade: #398822, #228783 and #872262

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #398822 shade: #398822, #223987 and #872239

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #398822 shade: #398822, #228783, #6F2287 and #872225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #398822 shade: #398822, #226C87, #6F2287 and #873D22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 75 / 47

HEX #398822

RGB 57 136 34

HSL 106.47, 0.6%, 0.33%

LAB 50.21, -43.35, 44.83

 

Complementary color

CMYK 10 / 46 / 0 / 13

HEX #C677DD

RGB 198 119 221

HSL 286.47, 0.6%, 0.67%

LAB 62.01, 47.38, -39.75

 

CMYK 54 / 0 / 79 / 47

HEX #3E881D

RGB 62 136 29

HSL 101.5, 0.65%, 0.32%

LAB 50.36, -42.28, 46.86

 

CMYK 49 / 0 / 69 / 40

HEX #4F9A30

RGB 79 154 48

HSL 102.45, 0.52%, 0.4%

LAB 57.06, -42.85, 46.57

 

CMYK 44 / 0 / 61 / 33

HEX #60AC43

RGB 96 172 67

HSL 103.43, 0.44%, 0.47%

LAB 63.67, -43.12, 45.71

 

CMYK 41 / 0 / 55 / 25

HEX #71BE56

RGB 113 190 86

HSL 104.42, 0.44%, 0.54%

LAB 70.18, -43.19, 44.61

 

CMYK 38 / 0 / 50 / 18

HEX #82D069

RGB 130 208 105

HSL 105.44, 0.52%, 0.61%

LAB 76.6, -43.14, 43.42

 

CMYK 58 / 0 / 75 / 47

HEX #398822

RGB 57 136 34

HSL 106.47, 0.6%, 0.33%

LAB 50.21, -43.35, 44.83

 

CMYK 66 / 0 / 87 / 54

HEX #28760F

RGB 40 118 15

HSL 105.44, 0.77%, 0.26%

LAB 43.42, -42.25, 44.46

 

CMYK 77 / 0 / 100 / 61

HEX #176400

RGB 23 100 0

HSL 106.2, 1%, 0.2%

LAB 36.55, -40.28, 42.28

 

CMYK 93 / 0 / 100 / 68

HEX #065200

RGB 6 82 0

HSL 115.61, 1%, 0.16%

LAB 29.6, -36.92, 36.6

 

CMYK 100 / 0 / 100 / 75

HEX #004000

RGB 0 64 0

HSL 120, 1%, 0.13%

LAB 22.54, -32.02, 30.12

 

CMYK 59 / 0 / 75 / 47

HEX #388722

RGB 56 135 34

HSL 106.93, 0.6%, 0.33%

LAB 49.84, -43.24, 44.45

 

CMYK 38 / 0 / 75 / 47

HEX #548722

RGB 84 135 34

HSL 90.3, 0.6%, 0.33%

LAB 51.07, -34.09, 46.08

 

CMYK 18 / 0 / 75 / 47

HEX #6F8722

RGB 111 135 34

HSL 74.26, 0.6%, 0.33%

LAB 52.76, -23.14, 48.31

 

CMYK 0 / 3 / 75 / 47

HEX #878322

RGB 135 131 34

HSL 57.62, 0.6%, 0.33%

LAB 53.49, -10.31, 49.69

 

CMYK 0 / 23 / 75 / 47

HEX #876822

RGB 135 104 34

HSL 41.58, 0.6%, 0.33%

LAB 45.86, 4.93, 42.24

 

CMYK 59 / 0 / 75 / 47

HEX #388722

RGB 56 135 34

HSL 106.93, 0.6%, 0.33%

LAB 49.84, -43.24, 44.45

 

CMYK 75 / 0 / 72 / 47

HEX #228726

RGB 34 135 38

HSL 122.38, 0.6%, 0.33%

LAB 49.26, -47.86, 42.06

 

CMYK 75 / 0 / 52 / 47

HEX #228741

RGB 34 135 65

HSL 138.42, 0.6%, 0.33%

LAB 49.56, -44.36, 29.46

 

CMYK 75 / 0 / 31 / 47

HEX #22875D

RGB 34 135 93

HSL 155.05, 0.6%, 0.33%

LAB 50.05, -38.83, 14.58

 

CMYK 75 / 0 / 11 / 47

HEX #228778

RGB 34 135 120

HSL 171.09, 0.6%, 0.33%

LAB 50.72, -31.86, -0.11

 

CMYK 59 / 0 / 75 / 47

HEX #388722

RGB 56 135 34

HSL 106.93, 0.6%, 0.33%

LAB 49.84, -43.24, 44.45

 

CMYK 67 / 0 / 86 / 42

HEX #319414

RGB 49 148 20

HSL 106.41, 0.76%, 0.33%

LAB 53.9, -50.59, 52.66

 

CMYK 75 / 0 / 96 / 36

HEX #29A206

RGB 41 162 6

HSL 106.54, 0.93%, 0.33%

LAB 58.34, -57.23, 58.92

 

CMYK 59 / 0 / 75 / 47

HEX #388722

RGB 56 135 34

HSL 106.93, 0.6%, 0.33%

LAB 49.84, -43.24, 44.45

 

CMYK 47 / 0 / 61 / 53

HEX #40792F

RGB 64 121 47

HSL 106.22, 0.44%, 0.33%

LAB 45.59, -33.73, 34.2

 

CMYK 34 / 0 / 43 / 58

HEX #476B3D

RGB 71 107 61

HSL 106.96, 0.27%, 0.33%

LAB 41.52, -22.61, 21.78

 

CMYK 16 / 0 / 20 / 63

HEX #4F5E4B

RGB 79 94 75

HSL 107.37, 0.11%, 0.33%

LAB 38.16, -9.86, 9.01

 

CMYK 2 / 9 / 0 / 65

HEX #565058

RGB 86 80 88

HSL 285, 0.05%, 0.33%

LAB 34.84, 4.16, -3.8

 

CMYK 18 / 0 / 75 / 47

HEX #6F8722

RGB 111 135 34

HSL 74.26, 0.6%, 0.33%

LAB 52.76, -23.14, 48.31

 

CMYK 38 / 0 / 75 / 47

HEX #548722

RGB 84 135 34

HSL 90.3, 0.6%, 0.33%

LAB 51.07, -34.09, 46.08

 

CMYK 58 / 0 / 75 / 47

HEX #398722

RGB 57 135 34

HSL 106.34, 0.6%, 0.33%

LAB 49.87, -42.96, 44.49

 

CMYK 75 / 0 / 73 / 47

HEX #228725

RGB 34 135 37

HSL 121.78, 0.6%, 0.33%

LAB 49.25, -47.95, 42.46

 

CMYK 75 / 0 / 53 / 47

HEX #228740

RGB 34 135 64

HSL 137.82, 0.6%, 0.33%

LAB 49.54, -44.52, 29.97

 

CMYK 58 / 0 / 75 / 73

HEX #1D4511

RGB 29 69 17

HSL 106.15, 0.6%, 0.17%

LAB 25.44, -25.37, 26.13

 

CMYK 58 / 0 / 75 / 60

HEX #2B6619

RGB 43 102 25

HSL 105.97, 0.61%, 0.25%

LAB 38, -34.51, 35.84

 

CMYK 59 / 0 / 75 / 47

HEX #388722

RGB 56 135 34

HSL 106.93, 0.6%, 0.33%

LAB 49.84, -43.24, 44.45

 

CMYK 58 / 0 / 75 / 34

HEX #46A82A

RGB 70 168 42

HSL 106.67, 0.6%, 0.41%

LAB 61.2, -51.33, 53.03

 

CMYK 58 / 0 / 75 / 21

HEX #54C932

RGB 84 201 50

HSL 106.49, 0.6%, 0.49%

LAB 72.15, -59.11, 61.26

 

CMYK 58 / 0 / 75 / 47

HEX #398822

RGB 57 136 34

HSL 106.47, 0.6%, 0.33%

LAB 50.21, -43.35, 44.83

 

CMYK 75 / 0 / 3 / 47

HEX #228783

RGB 34 135 131

HSL 177.62, 0.6%, 0.33%

LAB 51.04, -28.62, -6.04

 

CMYK 0 / 75 / 27 / 47

HEX #872262

RGB 135 34 98

HSL 321.98, 0.6%, 0.33%

LAB 32.21, 48.29, -13.48

 

CMYK 58 / 0 / 75 / 47

HEX #398822

RGB 57 136 34

HSL 106.47, 0.6%, 0.33%

LAB 50.21, -43.35, 44.83

 

CMYK 75 / 58 / 0 / 47

HEX #223987

RGB 34 57 135

HSL 226.34, 0.6%, 0.33%

LAB 26.78, 20.03, -46.29

 

CMYK 0 / 75 / 58 / 47

HEX #872239

RGB 135 34 57

HSL 346.34, 0.6%, 0.33%

LAB 30.86, 43.91, 11.4

 

CMYK 58 / 0 / 75 / 47

HEX #398822

RGB 57 136 34

HSL 106.47, 0.6%, 0.33%

LAB 50.21, -43.35, 44.83

 

CMYK 75 / 0 / 3 / 47

HEX #228783

RGB 34 135 131

HSL 177.62, 0.6%, 0.33%

LAB 51.04, -28.62, -6.04

 

CMYK 18 / 75 / 0 / 47

HEX #6F2287

RGB 111 34 135

HSL 285.74, 0.6%, 0.33%

LAB 30.09, 48.64, -40.55

 

CMYK 0 / 75 / 73 / 47

HEX #872225

RGB 135 34 37

HSL 358.22, 0.6%, 0.33%

LAB 30.47, 42.61, 23.91

 

CMYK 58 / 0 / 75 / 47

HEX #398822

RGB 57 136 34

HSL 106.47, 0.6%, 0.33%

LAB 50.21, -43.35, 44.83

 

CMYK 75 / 20 / 0 / 47

HEX #226C87

RGB 34 108 135

HSL 196.04, 0.6%, 0.33%

LAB 42.48, -12.97, -21.39

 

CMYK 18 / 75 / 0 / 47

HEX #6F2287

RGB 111 34 135

HSL 285.74, 0.6%, 0.33%

LAB 30.09, 48.64, -40.55

 

CMYK 0 / 55 / 75 / 47

HEX #873D22

RGB 135 61 34

HSL 16.04, 0.6%, 0.33%

LAB 35.21, 29.74, 31.11

 

Description

Color code: HEX #398822 | qconv.com Color code: HEX #398822 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 136 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 136 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 75 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 75% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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