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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #397DECCE it is the complementary color #C68213CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #397DECCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #397DECCE shade: #3E7DE7CE, #4F8FFACE, #60A1FFCE, #71B3FFCE and #82C5FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #397DECCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #397DECCE shade: #397DECCE, #286BD9CE, #1759C6CE, #0647B3CE and #0035A0CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #397DECCE shade: #377CEB, #374BEB, #5437EB, #8537EB and #B537EB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #397DECCE shade: #377CEB, #374BEB and #3737EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #397DECCE shade matches the following richer shades: #377CEB and #2677FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #397DECCE shade: #377CEB, #4980DA, #5B84C8, #6D89B6 and #7E8DA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #397DECCE shade: #37DCEB, #37ACEB, #377CEB, #374CEB and #5237EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #397DECCE shade: #1354BD, #1664E3, #377CEB, #5D94EF and #83ADF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #397DECCE shade: #397DEC, #CA37EB and #C4EB37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #397DECCE shade: #397DEC, #EB377C and #7CEB37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #397DECCE shade: #397DEC, #CA37EB, #EBA637 and #58EB37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #397DECCE shade: #397DEC, #EB37D6, #EBA637 and #37EB4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 38 / 0 / 6

HEX #397DECCE

RGBA 57 125 236 0.81

HSLA 217.21, 0.82%, 0.57%, 0.81

LABA 53.59, 16.77, -62.16, 0.81

 

Complementary color

CMYK 0 / 28 / 73 / 18

HEX #C68213CE

RGBA 198 130 19 0.81

HSLA 37.21, 0.82%, 0.43%, 0.81

LABA 59.91, 18.43, 62.4, 0.81

 

CMYK 59 / 37 / 0 / 8

HEX #3E7DE7CE

RGBA 62 125 231 0.81

HSLA 217.63, 0.78%, 0.57%, 0.81

LABA 53.45, 15.55, -59.59, 0.81

 

CMYK 55 / 35 / 0 / 2

HEX #4F8FFACE

RGBA 79 143 250 0.81

HSLA 217.54, 0.94%, 0.65%, 0.81

LABA 60.08, 13.65, -59.47, 0.81

 

CMYK 51 / 30 / 0 / 0

HEX #60A1FFCE

RGBA 96 161 255 0.81

HSLA 215.47, 1%, 0.69%, 0.81

LABA 65.9, 7.46, -52.89, 0.81

 

CMYK 45 / 24 / 0 / 0

HEX #71B3FFCE

RGBA 113 179 255 0.81

HSLA 212.11, 1%, 0.72%, 0.81

LABA 71.54, 0.42, -43.96, 0.81

 

CMYK 40 / 18 / 0 / 0

HEX #82C5FFCE

RGBA 130 197 255 0.81

HSLA 207.84, 1%, 0.75%, 0.81

LABA 77.22, -5.8, -35.06, 0.81

 

CMYK 61 / 38 / 0 / 6

HEX #397DECCE

RGBA 57 125 236 0.81

HSLA 217.21, 0.82%, 0.57%, 0.81

LABA 53.59, 16.77, -62.16, 0.81

 

CMYK 66 / 41 / 0 / 12

HEX #286BD9CE

RGBA 40 107 217 0.81

HSLA 217.29, 0.7%, 0.5%, 0.81

LABA 46.94, 19.28, -62.22, 0.81

 

CMYK 72 / 45 / 0 / 18

HEX #1759C6CE

RGBA 23 89 198 0.81

HSLA 217.37, 0.79%, 0.43%, 0.81

LABA 40.25, 22.33, -62.18, 0.81

 

CMYK 78 / 49 / 0 / 24

HEX #0647B3CE

RGBA 6 71 179 0.81

HSLA 217.46, 0.94%, 0.36%, 0.81

LABA 33.56, 26.01, -61.96, 0.81

 

CMYK 81 / 54 / 0 / 30

HEX #0035A0CE

RGBA 0 53 160 0.81

HSLA 220.13, 1%, 0.31%, 0.81

LABA 26.97, 30.35, -61.38, 0.81

 

CMYK 77 / 47 / 0 / 8

HEX #377CEB

RGB 55 124 235

HSL 217, 0.82%, 0.57%

LAB 53.2, 16.8, -62.24

 

CMYK 77 / 68 / 0 / 8

HEX #374BEB

RGB 55 75 235

HSL 233.33, 0.82%, 0.57%

LAB 40.96, 47.26, -82.16

 

CMYK 64 / 77 / 0 / 8

HEX #5437EB

RGB 84 55 235

HSL 249.67, 0.82%, 0.57%

LAB 38.92, 60.74, -85.46

 

CMYK 43 / 77 / 0 / 8

HEX #8537EB

RGB 133 55 235

HSL 266, 0.82%, 0.57%

LAB 43.82, 66.85, -77.23

 

CMYK 23 / 77 / 0 / 8

HEX #B537EB

RGB 181 55 235

HSL 282, 0.82%, 0.57%

LAB 50.16, 74.62, -66.63

 

CMYK 77 / 47 / 0 / 8

HEX #377CEB

RGB 55 124 235

HSL 217, 0.82%, 0.57%

LAB 53.2, 16.8, -62.24

 

CMYK 77 / 68 / 0 / 8

HEX #374BEB

RGB 55 75 235

HSL 233.33, 0.82%, 0.57%

LAB 40.96, 47.26, -82.16

 

CMYK 77 / 77 / 0 / 8

HEX #3737EB

RGB 55 55 235

HSL 240, 0.82%, 0.57%

LAB 37.01, 58.31, -88.69

 

CMYK 77 / 47 / 0 / 8

HEX #377CEB

RGB 55 124 235

HSL 217, 0.82%, 0.57%

LAB 53.2, 16.8, -62.24

 

CMYK 85 / 53 / 0 / 1

HEX #2677FD

RGB 38 119 253

HSL 217.4, 0.98%, 0.57%

LAB 52.62, 25.13, -73.21

 

CMYK 77 / 47 / 0 / 8

HEX #377CEB

RGB 55 124 235

HSL 217, 0.82%, 0.57%

LAB 53.2, 16.8, -62.24

 

CMYK 67 / 41 / 0 / 15

HEX #4980DA

RGB 73 128 218

HSL 217.24, 0.66%, 0.57%

LAB 53.94, 10.67, -51.49

 

CMYK 55 / 34 / 0 / 22

HEX #5B84C8

RGB 91 132 200

HSL 217.43, 0.5%, 0.57%

LAB 54.97, 5.65, -39.63

 

CMYK 40 / 25 / 0 / 29

HEX #6D89B6

RGB 109 137 182

HSL 216.99, 0.33%, 0.57%

LAB 56.6, 1.74, -26.76

 

CMYK 23 / 14 / 0 / 36

HEX #7E8DA4

RGB 126 141 164

HSL 216.32, 0.17%, 0.57%

LAB 58.19, -0.17, -13.95

 

CMYK 77 / 6 / 0 / 8

HEX #37DCEB

RGB 55 220 235

HSL 185, 0.82%, 0.57%

LAB 80.74, -35.64, -19.2

 

CMYK 77 / 27 / 0 / 8

HEX #37ACEB

RGB 55 172 235

HSL 201, 0.82%, 0.57%

LAB 66.76, -11.36, -40.71

 

CMYK 77 / 47 / 0 / 8

HEX #377CEB

RGB 55 124 235

HSL 217, 0.82%, 0.57%

LAB 53.2, 16.8, -62.24

 

CMYK 77 / 68 / 0 / 8

HEX #374CEB

RGB 55 76 235

HSL 233, 0.82%, 0.57%

LAB 41.18, 46.67, -81.8

 

CMYK 65 / 77 / 0 / 8

HEX #5237EB

RGB 82 55 235

HSL 249, 0.82%, 0.57%

LAB 38.77, 60.54, -85.73

 

CMYK 90 / 56 / 0 / 26

HEX #1354BD

RGB 19 84 189

HSL 217.06, 0.82%, 0.41%

LAB 38.12, 21.85, -60.42

 

CMYK 90 / 56 / 0 / 11

HEX #1664E3

RGB 22 100 227

HSL 217.17, 0.82%, 0.49%

LAB 45.4, 26.42, -70.41

 

CMYK 77 / 47 / 0 / 8

HEX #377CEB

RGB 55 124 235

HSL 217, 0.82%, 0.57%

LAB 53.2, 16.8, -62.24

 

CMYK 61 / 38 / 0 / 6

HEX #5D94EF

RGB 93 148 239

HSL 217.4, 0.82%, 0.65%

LAB 61.43, 9.26, -51.22

 

CMYK 46 / 29 / 0 / 5

HEX #83ADF3

RGB 131 173 243

HSL 217.5, 0.82%, 0.73%

LAB 70.3, 4.19, -39.32

 

CMYK 76 / 47 / 0 / 7

HEX #397DEC

RGB 57 125 236

HSL 217.21, 0.82%, 0.57%

LAB 53.59, 16.77, -62.16

 

CMYK 14 / 77 / 0 / 8

HEX #CA37EB

RGB 202 55 235

HSL 289, 0.82%, 0.57%

LAB 53.26, 78.38, -61.47

 

CMYK 17 / 0 / 77 / 8

HEX #C4EB37

RGB 196 235 55

HSL 73, 0.82%, 0.57%

LAB 87.69, -34.99, 76.41

 

CMYK 76 / 47 / 0 / 7

HEX #397DEC

RGB 57 125 236

HSL 217.21, 0.82%, 0.57%

LAB 53.59, 16.77, -62.16

 

CMYK 0 / 77 / 47 / 8

HEX #EB377C

RGB 235 55 124

HSL 337, 0.82%, 0.57%

LAB 53.87, 71.23, 4.51

 

CMYK 47 / 0 / 77 / 8

HEX #7CEB37

RGB 124 235 55

HSL 97, 0.82%, 0.57%

LAB 83.95, -60.21, 71.57

 

CMYK 76 / 47 / 0 / 7

HEX #397DEC

RGB 57 125 236

HSL 217.21, 0.82%, 0.57%

LAB 53.59, 16.77, -62.16

 

CMYK 14 / 77 / 0 / 8

HEX #CA37EB

RGB 202 55 235

HSL 289, 0.82%, 0.57%

LAB 53.26, 78.38, -61.47

 

CMYK 0 / 29 / 77 / 8

HEX #EBA637

RGB 235 166 55

HSL 37, 0.82%, 0.57%

LAB 73.03, 16.04, 63.93

 

CMYK 63 / 0 / 77 / 8

HEX #58EB37

RGB 88 235 55

HSL 109, 0.82%, 0.57%

LAB 82.79, -69.42, 70.05

 

CMYK 76 / 47 / 0 / 7

HEX #397DEC

RGB 57 125 236

HSL 217.21, 0.82%, 0.57%

LAB 53.59, 16.77, -62.16

 

CMYK 0 / 77 / 9 / 8

HEX #EB37D6

RGB 235 55 214

HSL 307, 0.82%, 0.57%

LAB 57.32, 81.5, -42.83

 

CMYK 0 / 29 / 77 / 8

HEX #EBA637

RGB 235 166 55

HSL 37, 0.82%, 0.57%

LAB 73.03, 16.04, 63.93

 

CMYK 77 / 0 / 68 / 8

HEX #37EB4C

RGB 55 235 76

HSL 127, 0.82%, 0.57%

LAB 82.24, -73.51, 62.02

 

Description

Color code: HEX #397DECCE | qconv.com Color code: HEX #397DECCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 125 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 125 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 38 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 38% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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