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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #397D91 it is the complementary color #C6826E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #397D91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #397D91 shade: #3E7D8C, #4F8F9F, #60A1B2, #71B3C5 and #82C5D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #397D91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #397D91 shade: #397D91, #286B7E, #17596B, #064758 and #003545

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #397D91 shade: #397E93, #396693, #394E93, #3C3993 and #553993

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #397D91 shade: #397E93, #396693, #394E93 and #393993

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #397D91 shade matches the following richer shades: #397E93, #2987A3, #1890B4 and #0899C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #397D91 shade: #397E93, #4A7582, #5A6C72, #6B6361 and #7B5A51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #397D91 shade: #399376, #39938E, #397F93, #396793 and #395093

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #397D91 shade: #224B57, #2E6575, #397E93, #4598B1 and #5EAAC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #397D91 shade: #397D91, #5F3993 and #938239

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #397D91 shade: #397D91, #93397F and #7F9339

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #397D91 shade: #397D91, #5F3993, #934D39 and #6D9339

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #397D91 shade: #397D91, #793993, #934D39 and #539339

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 14 / 0 / 43

HEX #397D91

RGB 57 125 145

HSL 193.64, 0.44%, 0.4%

LAB 48.98, -15.22, -17.28

 

Complementary color

CMYK 0 / 34 / 44 / 22

HEX #C6826E

RGB 198 130 110

HSL 13.64, 0.44%, 0.6%

LAB 60.87, 23.91, 21.61

 

CMYK 56 / 11 / 0 / 45

HEX #3E7D8C

RGB 62 125 140

HSL 191.54, 0.39%, 0.4%

LAB 48.99, -15.73, -14.32

 

CMYK 50 / 10 / 0 / 38

HEX #4F8F9F

RGB 79 143 159

HSL 192, 0.34%, 0.47%

LAB 55.9, -15.99, -14.82

 

CMYK 46 / 10 / 0 / 30

HEX #60A1B2

RGB 96 161 178

HSL 192.44, 0.35%, 0.54%

LAB 62.67, -16.17, -15.29

 

CMYK 43 / 9 / 0 / 23

HEX #71B3C5

RGB 113 179 197

HSL 192.86, 0.42%, 0.61%

LAB 69.31, -16.28, -15.74

 

CMYK 40 / 9 / 0 / 15

HEX #82C5D8

RGB 130 197 216

HSL 193.26, 0.52%, 0.68%

LAB 75.85, -16.36, -16.17

 

CMYK 61 / 14 / 0 / 43

HEX #397D91

RGB 57 125 145

HSL 193.64, 0.44%, 0.4%

LAB 48.98, -15.22, -17.28

 

CMYK 68 / 15 / 0 / 51

HEX #286B7E

RGB 40 107 126

HSL 193.26, 0.52%, 0.33%

LAB 41.96, -14.58, -16.76

 

CMYK 79 / 17 / 0 / 58

HEX #17596B

RGB 23 89 107

HSL 192.86, 0.65%, 0.25%

LAB 34.78, -13.58, -16.16

 

CMYK 93 / 19 / 0 / 65

HEX #064758

RGB 6 71 88

HSL 192.44, 0.87%, 0.18%

LAB 27.43, -12.01, -15.44

 

CMYK 100 / 23 / 0 / 73

HEX #003545

RGB 0 53 69

HSL 193.91, 1%, 0.14%

LAB 19.95, -9.34, -14.47

 

CMYK 61 / 14 / 0 / 42

HEX #397E93

RGB 57 126 147

HSL 194, 0.44%, 0.4%

LAB 49.37, -15.14, -17.86

 

CMYK 61 / 31 / 0 / 42

HEX #396693

RGB 57 102 147

HSL 210, 0.44%, 0.4%

LAB 41.97, -1.1, -29.32

 

CMYK 61 / 47 / 0 / 42

HEX #394E93

RGB 57 78 147

HSL 226, 0.44%, 0.4%

LAB 34.85, 14.29, -40.59

 

CMYK 59 / 61 / 0 / 42

HEX #3C3993

RGB 60 57 147

HSL 242, 0.44%, 0.4%

LAB 29.4, 28.74, -49.38

 

CMYK 42 / 61 / 0 / 42

HEX #553993

RGB 85 57 147

HSL 258.67, 0.44%, 0.4%

LAB 31.73, 34.02, -45.49

 

CMYK 61 / 14 / 0 / 42

HEX #397E93

RGB 57 126 147

HSL 194, 0.44%, 0.4%

LAB 49.37, -15.14, -17.86

 

CMYK 61 / 31 / 0 / 42

HEX #396693

RGB 57 102 147

HSL 210, 0.44%, 0.4%

LAB 41.97, -1.1, -29.32

 

CMYK 61 / 47 / 0 / 42

HEX #394E93

RGB 57 78 147

HSL 226, 0.44%, 0.4%

LAB 34.85, 14.29, -40.59

 

CMYK 61 / 61 / 0 / 42

HEX #393993

RGB 57 57 147

HSL 240, 0.44%, 0.4%

LAB 29.17, 28.19, -49.76

 

CMYK 61 / 14 / 0 / 42

HEX #397E93

RGB 57 126 147

HSL 194, 0.44%, 0.4%

LAB 49.37, -15.14, -17.86

 

CMYK 75 / 17 / 0 / 36

HEX #2987A3

RGB 41 135 163

HSL 193.77, 0.6%, 0.4%

LAB 52.34, -17.39, -22.67

 

CMYK 87 / 20 / 0 / 29

HEX #1890B4

RGB 24 144 180

HSL 193.85, 0.76%, 0.4%

LAB 55.52, -18.04, -27.55

 

CMYK 96 / 22 / 0 / 23

HEX #0899C4

RGB 8 153 196

HSL 193.72, 0.92%, 0.4%

LAB 58.81, -18, -31.52

 

CMYK 61 / 14 / 0 / 42

HEX #397E93

RGB 57 126 147

HSL 194, 0.44%, 0.4%

LAB 49.37, -15.14, -17.86

 

CMYK 43 / 10 / 0 / 49

HEX #4A7582

RGB 74 117 130

HSL 193.93, 0.27%, 0.4%

LAB 46.7, -11.22, -11.82

 

CMYK 21 / 5 / 0 / 55

HEX #5A6C72

RGB 90 108 114

HSL 195, 0.12%, 0.4%

LAB 44.4, -5.27, -5.59

 

CMYK 0 / 7 / 9 / 58

HEX #6B6361

RGB 107 99 97

HSL 12, 0.05%, 0.4%

LAB 42.63, 2.78, 2.27

 

CMYK 0 / 27 / 34 / 52

HEX #7B5A51

RGB 123 90 81

HSL 12.86, 0.21%, 0.4%

LAB 41.4, 12.22, 10.51

 

CMYK 61 / 0 / 20 / 42

HEX #399376

RGB 57 147 118

HSL 160.67, 0.44%, 0.4%

LAB 55.12, -34.02, 7.48

 

CMYK 61 / 0 / 3 / 42

HEX #39938E

RGB 57 147 142

HSL 176.67, 0.44%, 0.4%

LAB 55.78, -27.65, -5.32

 

CMYK 61 / 14 / 0 / 42

HEX #397F93

RGB 57 127 147

HSL 193.33, 0.44%, 0.4%

LAB 49.68, -15.69, -17.39

 

CMYK 61 / 30 / 0 / 42

HEX #396793

RGB 57 103 147

HSL 209.33, 0.44%, 0.4%

LAB 42.27, -1.71, -28.84

 

CMYK 61 / 46 / 0 / 42

HEX #395093

RGB 57 80 147

HSL 224.67, 0.44%, 0.4%

LAB 35.43, 12.97, -39.67

 

CMYK 61 / 14 / 0 / 66

HEX #224B57

RGB 34 75 87

HSL 193.58, 0.44%, 0.24%

LAB 29.56, -10.36, -11.46

 

CMYK 61 / 14 / 0 / 54

HEX #2E6575

RGB 46 101 117

HSL 193.52, 0.44%, 0.32%

LAB 39.87, -12.99, -14.47

 

CMYK 61 / 14 / 0 / 42

HEX #397E93

RGB 57 126 147

HSL 194, 0.44%, 0.4%

LAB 49.37, -15.14, -17.86

 

CMYK 61 / 14 / 0 / 31

HEX #4598B1

RGB 69 152 177

HSL 193.89, 0.44%, 0.48%

LAB 58.88, -17.54, -20.59

 

CMYK 51 / 11 / 0 / 25

HEX #5EAAC0

RGB 94 170 192

HSL 193.47, 0.44%, 0.56%

LAB 65.7, -17.46, -18.53

 

CMYK 61 / 14 / 0 / 43

HEX #397D91

RGB 57 125 145

HSL 193.64, 0.44%, 0.4%

LAB 48.98, -15.22, -17.28

 

CMYK 35 / 61 / 0 / 42

HEX #5F3993

RGB 95 57 147

HSL 265.33, 0.44%, 0.4%

LAB 32.84, 36.4, -43.63

 

CMYK 0 / 12 / 61 / 42

HEX #938239

RGB 147 130 57

HSL 48.67, 0.44%, 0.4%

LAB 54.52, -2.86, 41.03

 

CMYK 61 / 14 / 0 / 43

HEX #397D91

RGB 57 125 145

HSL 193.64, 0.44%, 0.4%

LAB 48.98, -15.22, -17.28

 

CMYK 0 / 61 / 14 / 42

HEX #93397F

RGB 147 57 127

HSL 313.33, 0.44%, 0.4%

LAB 39, 46.42, -21.13

 

CMYK 14 / 0 / 61 / 42

HEX #7F9339

RGB 127 147 57

HSL 73.33, 0.44%, 0.4%

LAB 57.73, -20.77, 44.14

 

CMYK 61 / 14 / 0 / 43

HEX #397D91

RGB 57 125 145

HSL 193.64, 0.44%, 0.4%

LAB 48.98, -15.22, -17.28

 

CMYK 35 / 61 / 0 / 42

HEX #5F3993

RGB 95 57 147

HSL 265.33, 0.44%, 0.4%

LAB 32.84, 36.4, -43.63

 

CMYK 0 / 48 / 61 / 42

HEX #934D39

RGB 147 77 57

HSL 13.33, 0.44%, 0.4%

LAB 40.91, 27.44, 24.92

 

CMYK 26 / 0 / 61 / 42

HEX #6D9339

RGB 109 147 57

HSL 85.33, 0.44%, 0.4%

LAB 56.5, -28.17, 42.43

 

CMYK 61 / 14 / 0 / 43

HEX #397D91

RGB 57 125 145

HSL 193.64, 0.44%, 0.4%

LAB 48.98, -15.22, -17.28

 

CMYK 18 / 61 / 0 / 42

HEX #793993

RGB 121 57 147

HSL 282.67, 0.44%, 0.4%

LAB 36.17, 42.99, -38.12

 

CMYK 0 / 48 / 61 / 42

HEX #934D39

RGB 147 77 57

HSL 13.33, 0.44%, 0.4%

LAB 40.91, 27.44, 24.92

 

CMYK 44 / 0 / 61 / 42

HEX #539339

RGB 83 147 57

HSL 102.67, 0.44%, 0.4%

LAB 55.07, -37.73, 40.43

 

Description

Color code: HEX #397D91 | qconv.com Color code: HEX #397D91 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 125 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 125 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 14 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 14% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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