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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39701B it is the complementary color #C68FE4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39701B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39701B shade: #3E7016, #4F8229, #60943C, #71A64F and #82B862

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39701B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39701B shade: #39701B, #285E08, #174C00, #063A00 and #002800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39701B shade: #396F1B, #4F6F1B, #666F1B, #6F611B and #6F4B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39701B shade: #396F1B, #226F1B, #1B6F2B, #1B6F41 and #1B6F58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39701B shade matches the following richer shades: #396F1B, #357A10 and #328505

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39701B shade: #396F1B, #3C6426, #3F5931, #424D3C and #464247

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39701B shade: #666F1B, #506F1B, #3A6F1B, #236F1B and #1B6F29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39701B shade: #172C0B, #284E13, #396F1B, #499023 and #5AB12B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39701B shade: #39701B, #1B6F61 and #6F1B5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39701B shade: #39701B, #1B3A6F and #6F1B3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39701B shade: #39701B, #1B6F61, #501B6F and #6F1B29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39701B shade: #39701B, #1B646F, #501B6F and #6F261B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 76 / 56

HEX #39701B

RGB 57 112 27

HSL 98.82, 0.61%, 0.27%

LAB 42.06, -34.09, 39.35

 

Complementary color

CMYK 13 / 37 / 0 / 11

HEX #C68FE4

RGB 198 143 228

HSL 278.82, 0.61%, 0.73%

LAB 67.47, 35.94, -35.13

 

CMYK 45 / 0 / 80 / 56

HEX #3E7016

RGB 62 112 22

HSL 93.33, 0.67%, 0.26%

LAB 42.26, -32.69, 41.51

 

CMYK 39 / 0 / 68 / 49

HEX #4F8229

RGB 79 130 41

HSL 94.38, 0.52%, 0.34%

LAB 49.24, -33.13, 41.25

 

CMYK 35 / 0 / 59 / 42

HEX #60943C

RGB 96 148 60

HSL 95.45, 0.42%, 0.41%

LAB 56.08, -33.3, 40.33

 

CMYK 32 / 0 / 52 / 35

HEX #71A64F

RGB 113 166 79

HSL 96.55, 0.36%, 0.48%

LAB 62.8, -33.32, 39.19

 

CMYK 29 / 0 / 47 / 28

HEX #82B862

RGB 130 184 98

HSL 97.67, 0.38%, 0.55%

LAB 69.4, -33.26, 37.99

 

CMYK 49 / 0 / 76 / 56

HEX #39701B

RGB 57 112 27

HSL 98.82, 0.61%, 0.27%

LAB 42.06, -34.09, 39.35

 

CMYK 57 / 0 / 91 / 63

HEX #285E08

RGB 40 94 8

HSL 97.67, 0.84%, 0.2%

LAB 34.95, -33.25, 38.8

 

CMYK 70 / 0 / 100 / 70

HEX #174C00

RGB 23 76 0

HSL 101.84, 1%, 0.15%

LAB 27.71, -31.5, 35.22

 

CMYK 90 / 0 / 100 / 77

HEX #063A00

RGB 6 58 0

HSL 113.79, 1%, 0.11%

LAB 20.3, -28.65, 27.74

 

CMYK 100 / 0 / 100 / 84

HEX #002800

RGB 0 40 0

HSL 120, 1%, 0.08%

LAB 12.72, -23.74, 18.31

 

CMYK 49 / 0 / 76 / 56

HEX #396F1B

RGB 57 111 27

HSL 98.57, 0.61%, 0.27%

LAB 41.72, -33.66, 39

 

CMYK 29 / 0 / 76 / 56

HEX #4F6F1B

RGB 79 111 27

HSL 82.86, 0.61%, 0.27%

LAB 42.93, -25.21, 40.61

 

CMYK 8 / 0 / 76 / 56

HEX #666F1B

RGB 102 111 27

HSL 66.43, 0.61%, 0.27%

LAB 44.62, -15, 42.84

 

CMYK 0 / 13 / 76 / 56

HEX #6F611B

RGB 111 97 27

HSL 50, 0.61%, 0.27%

LAB 41.23, -2.81, 39.82

 

CMYK 0 / 32 / 76 / 56

HEX #6F4B1B

RGB 111 75 27

HSL 34.29, 0.61%, 0.27%

LAB 34.98, 10.39, 33.54

 

CMYK 49 / 0 / 76 / 56

HEX #396F1B

RGB 57 111 27

HSL 98.57, 0.61%, 0.27%

LAB 41.72, -33.66, 39

 

CMYK 69 / 0 / 76 / 56

HEX #226F1B

RGB 34 111 27

HSL 115, 0.61%, 0.27%

LAB 40.88, -40.25, 37.88

 

CMYK 76 / 0 / 61 / 56

HEX #1B6F2B

RGB 27 111 43

HSL 131.43, 0.61%, 0.27%

LAB 40.86, -39.85, 30.39

 

CMYK 76 / 0 / 41 / 56

HEX #1B6F41

RGB 27 111 65

HSL 147.14, 0.61%, 0.27%

LAB 41.19, -36.03, 18.71

 

CMYK 76 / 0 / 21 / 56

HEX #1B6F58

RGB 27 111 88

HSL 163.57, 0.61%, 0.27%

LAB 41.7, -30.52, 5.8

 

CMYK 49 / 0 / 76 / 56

HEX #396F1B

RGB 57 111 27

HSL 98.57, 0.61%, 0.27%

LAB 41.72, -33.66, 39

 

CMYK 57 / 0 / 87 / 52

HEX #357A10

RGB 53 122 16

HSL 99.06, 0.77%, 0.27%

LAB 45.24, -40.18, 45.99

 

CMYK 62 / 0 / 96 / 48

HEX #328505

RGB 50 133 5

HSL 98.91, 0.93%, 0.27%

LAB 48.84, -45.58, 51.37

 

CMYK 49 / 0 / 76 / 56

HEX #396F1B

RGB 57 111 27

HSL 98.57, 0.61%, 0.27%

LAB 41.72, -33.66, 39

 

CMYK 40 / 0 / 62 / 61

HEX #3C6426

RGB 60 100 38

HSL 98.71, 0.45%, 0.27%

LAB 38.23, -26.46, 30.21

 

CMYK 29 / 0 / 45 / 65

HEX #3F5931

RGB 63 89 49

HSL 99, 0.29%, 0.27%

LAB 34.85, -18.16, 20.06

 

CMYK 14 / 0 / 22 / 70

HEX #424D3C

RGB 66 77 60

HSL 98.82, 0.12%, 0.27%

LAB 31.33, -8.11, 8.65

 

CMYK 1 / 7 / 0 / 72

HEX #464247

RGB 70 66 71

HSL 288, 0.04%, 0.27%

LAB 28.52, 2.79, -2.42

 

CMYK 8 / 0 / 76 / 56

HEX #666F1B

RGB 102 111 27

HSL 66.43, 0.61%, 0.27%

LAB 44.62, -15, 42.84

 

CMYK 28 / 0 / 76 / 56

HEX #506F1B

RGB 80 111 27

HSL 82.14, 0.61%, 0.27%

LAB 42.99, -24.79, 40.7

 

CMYK 48 / 0 / 76 / 56

HEX #3A6F1B

RGB 58 111 27

HSL 97.86, 0.61%, 0.27%

LAB 41.76, -33.31, 39.06

 

CMYK 68 / 0 / 76 / 56

HEX #236F1B

RGB 35 111 27

HSL 114.29, 0.61%, 0.27%

LAB 40.91, -40.02, 37.91

 

CMYK 76 / 0 / 63 / 56

HEX #1B6F29

RGB 27 111 41

HSL 130, 0.61%, 0.27%

LAB 40.84, -40.13, 31.38

 

CMYK 48 / 0 / 75 / 83

HEX #172C0B

RGB 23 44 11

HSL 98.18, 0.6%, 0.11%

LAB 15.53, -15.88, 17.69

 

CMYK 49 / 0 / 76 / 69

HEX #284E13

RGB 40 78 19

HSL 98.64, 0.61%, 0.19%

LAB 29.28, -25.45, 29.41

 

CMYK 49 / 0 / 76 / 56

HEX #396F1B

RGB 57 111 27

HSL 98.57, 0.61%, 0.27%

LAB 41.72, -33.66, 39

 

CMYK 49 / 0 / 76 / 44

HEX #499023

RGB 73 144 35

HSL 99.08, 0.61%, 0.35%

LAB 53.48, -41.69, 47.93

 

CMYK 49 / 0 / 76 / 31

HEX #5AB12B

RGB 90 177 43

HSL 98.96, 0.61%, 0.43%

LAB 64.8, -49.02, 56.48

 

CMYK 49 / 0 / 76 / 56

HEX #39701B

RGB 57 112 27

HSL 98.82, 0.61%, 0.27%

LAB 42.06, -34.09, 39.35

 

CMYK 76 / 0 / 13 / 56

HEX #1B6F61

RGB 27 111 97

HSL 170, 0.61%, 0.27%

LAB 41.95, -27.99, 0.73

 

CMYK 0 / 76 / 18 / 56

HEX #6F1B5B

RGB 111 27 91

HSL 314.29, 0.61%, 0.27%

LAB 26.5, 43.3, -18.09

 

CMYK 49 / 0 / 76 / 56

HEX #39701B

RGB 57 112 27

HSL 98.82, 0.61%, 0.27%

LAB 42.06, -34.09, 39.35

 

CMYK 76 / 48 / 0 / 56

HEX #1B3A6F

RGB 27 58 111

HSL 217.86, 0.61%, 0.27%

LAB 24.97, 8.65, -34.09

 

CMYK 0 / 76 / 48 / 56

HEX #6F1B3A

RGB 111 27 58

HSL 337.86, 0.61%, 0.27%

LAB 25.16, 39.02, 2.04

 

CMYK 49 / 0 / 76 / 56

HEX #39701B

RGB 57 112 27

HSL 98.82, 0.61%, 0.27%

LAB 42.06, -34.09, 39.35

 

CMYK 76 / 0 / 13 / 56

HEX #1B6F61

RGB 27 111 97

HSL 170, 0.61%, 0.27%

LAB 41.95, -27.99, 0.73

 

CMYK 28 / 76 / 0 / 56

HEX #501B6F

RGB 80 27 111

HSL 277.86, 0.61%, 0.27%

LAB 22.43, 39.53, -37.93

 

CMYK 0 / 76 / 63 / 56

HEX #6F1B29

RGB 111 27 41

HSL 350, 0.61%, 0.27%

LAB 24.71, 37.51, 13.01

 

CMYK 49 / 0 / 76 / 56

HEX #39701B

RGB 57 112 27

HSL 98.82, 0.61%, 0.27%

LAB 42.06, -34.09, 39.35

 

CMYK 76 / 10 / 0 / 56

HEX #1B646F

RGB 27 100 111

HSL 187.86, 0.61%, 0.27%

LAB 38.72, -17.84, -12.61

 

CMYK 28 / 76 / 0 / 56

HEX #501B6F

RGB 80 27 111

HSL 277.86, 0.61%, 0.27%

LAB 22.43, 39.53, -37.93

 

CMYK 0 / 66 / 76 / 56

HEX #6F261B

RGB 111 38 27

HSL 7.86, 0.61%, 0.27%

LAB 26.29, 31.67, 24.13

 

Description

Color code: HEX #39701B | qconv.com Color code: HEX #39701B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 112 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 112 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 76 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 76% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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