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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #396B18 it is the complementary color #C694E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #396B18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #396B18 shade: #3E6B13, #4F7D26, #608F39, #71A14C and #82B35F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #396B18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #396B18 shade: #396B18, #285905, #174700, #063500 and #002300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #396B18 shade: #3A6C19, #506C19, #676C19, #6C5B19 and #6C4419

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #396B18 shade: #3A6C19, #236C19, #196C24, #196C3B and #196C51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #396B18 shade matches the following richer shades: #3A6C19, #38770E and #358203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #396B18 shade: #3A6C19, #3C6123, #3E572E, #404C39 and #434143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #396B18 shade: #666C19, #506C19, #3A6C19, #246C19 and #196C24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #396B18 shade: #162909, #284A11, #3A6C19, #4C8E20 and #5EAF28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #396B18 shade: #396B18, #196C5B and #6C195B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #396B18 shade: #396B18, #193A6C and #6C193A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #396B18 shade: #396B18, #196C5B, #4B196C and #6C1929

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #396B18 shade: #396B18, #19646C, #4B196C and #6C2119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 78 / 58

HEX #396B18

RGB 57 107 24

HSL 96.14, 0.63%, 0.26%

LAB 40.33, -32.13, 38.8

 

Complementary color

CMYK 14 / 36 / 0 / 9

HEX #C694E7

RGB 198 148 231

HSL 276.14, 0.63%, 0.74%

LAB 68.72, 33.84, -34.83

 

CMYK 42 / 0 / 82 / 58

HEX #3E6B13

RGB 62 107 19

HSL 90.68, 0.7%, 0.25%

LAB 40.55, -30.62, 40.93

 

CMYK 37 / 0 / 70 / 51

HEX #4F7D26

RGB 79 125 38

HSL 91.72, 0.53%, 0.32%

LAB 47.58, -31.09, 40.8

 

CMYK 33 / 0 / 60 / 44

HEX #608F39

RGB 96 143 57

HSL 92.79, 0.43%, 0.39%

LAB 54.48, -31.29, 39.94

 

CMYK 30 / 0 / 53 / 37

HEX #71A14C

RGB 113 161 76

HSL 93.88, 0.36%, 0.46%

LAB 61.24, -31.33, 38.81

 

CMYK 27 / 0 / 47 / 30

HEX #82B35F

RGB 130 179 95

HSL 95, 0.36%, 0.54%

LAB 67.88, -31.3, 37.61

 

CMYK 47 / 0 / 78 / 58

HEX #396B18

RGB 57 107 24

HSL 96.14, 0.63%, 0.26%

LAB 40.33, -32.13, 38.8

 

CMYK 55 / 0 / 94 / 65

HEX #285905

RGB 40 89 5

HSL 95, 0.89%, 0.18%

LAB 33.15, -31.31, 38.16

 

CMYK 68 / 0 / 100 / 72

HEX #174700

RGB 23 71 0

HSL 100.56, 1%, 0.14%

LAB 25.83, -29.51, 33.55

 

CMYK 89 / 0 / 100 / 79

HEX #063500

RGB 6 53 0

HSL 113.21, 1%, 0.1%

LAB 18.3, -26.8, 25.43

 

CMYK 100 / 0 / 100 / 86

HEX #002300

RGB 0 35 0

HSL 120, 1%, 0.07%

LAB 10.57, -20.95, 15.36

 

CMYK 46 / 0 / 77 / 58

HEX #3A6C19

RGB 58 108 25

HSL 96.14, 0.62%, 0.26%

LAB 40.73, -32.14, 38.82

 

CMYK 26 / 0 / 77 / 58

HEX #506C19

RGB 80 108 25

HSL 80.24, 0.62%, 0.26%

LAB 42, -23.41, 40.51

 

CMYK 5 / 0 / 77 / 58

HEX #676C19

RGB 103 108 25

HSL 63.61, 0.62%, 0.26%

LAB 43.77, -12.99, 42.82

 

CMYK 0 / 16 / 77 / 58

HEX #6C5B19

RGB 108 91 25

HSL 47.71, 0.62%, 0.26%

LAB 39.14, -0.84, 38.53

 

CMYK 0 / 37 / 77 / 58

HEX #6C4419

RGB 108 68 25

HSL 31.08, 0.62%, 0.26%

LAB 32.68, 13.11, 32.04

 

CMYK 46 / 0 / 77 / 58

HEX #3A6C19

RGB 58 108 25

HSL 96.14, 0.62%, 0.26%

LAB 40.73, -32.14, 38.82

 

CMYK 68 / 0 / 77 / 58

HEX #236C19

RGB 35 108 25

HSL 112.77, 0.62%, 0.26%

LAB 39.84, -39.06, 37.63

 

CMYK 77 / 0 / 67 / 58

HEX #196C24

RGB 25 108 36

HSL 127.95, 0.62%, 0.26%

LAB 39.68, -40.01, 32.51

 

CMYK 77 / 0 / 45 / 58

HEX #196C3B

RGB 25 108 59

HSL 144.58, 0.62%, 0.26%

LAB 39.99, -36.33, 20.59

 

CMYK 77 / 0 / 25 / 58

HEX #196C51

RGB 25 108 81

HSL 160.48, 0.62%, 0.26%

LAB 40.45, -31.29, 8.23

 

CMYK 46 / 0 / 77 / 58

HEX #3A6C19

RGB 58 108 25

HSL 96.14, 0.62%, 0.26%

LAB 40.73, -32.14, 38.82

 

CMYK 53 / 0 / 88 / 53

HEX #38770E

RGB 56 119 14

HSL 96, 0.79%, 0.26%

LAB 44.33, -38.14, 45.74

 

CMYK 59 / 0 / 98 / 49

HEX #358203

RGB 53 130 3

HSL 96.38, 0.95%, 0.26%

LAB 47.92, -43.73, 51.05

 

CMYK 46 / 0 / 77 / 58

HEX #3A6C19

RGB 58 108 25

HSL 96.14, 0.62%, 0.26%

LAB 40.73, -32.14, 38.82

 

CMYK 38 / 0 / 64 / 62

HEX #3C6123

RGB 60 97 35

HSL 95.81, 0.47%, 0.26%

LAB 37.17, -25.34, 30.54

 

CMYK 29 / 0 / 47 / 66

HEX #3E572E

RGB 62 87 46

HSL 96.59, 0.31%, 0.26%

LAB 34.06, -17.94, 20.81

 

CMYK 16 / 0 / 25 / 70

HEX #404C39

RGB 64 76 57

HSL 97.89, 0.14%, 0.26%

LAB 30.77, -8.94, 9.74

 

CMYK 0 / 3 / 0 / 74

HEX #434143

RGB 67 65 67

HSL 300, 0.02%, 0.26%

LAB 27.79, 1.29, -0.92

 

CMYK 6 / 0 / 77 / 58

HEX #666C19

RGB 102 108 25

HSL 64.34, 0.62%, 0.26%

LAB 43.68, -13.46, 42.71

 

CMYK 26 / 0 / 77 / 58

HEX #506C19

RGB 80 108 25

HSL 80.24, 0.62%, 0.26%

LAB 42, -23.41, 40.51

 

CMYK 46 / 0 / 77 / 58

HEX #3A6C19

RGB 58 108 25

HSL 96.14, 0.62%, 0.26%

LAB 40.73, -32.14, 38.82

 

CMYK 67 / 0 / 77 / 58

HEX #246C19

RGB 36 108 25

HSL 112.05, 0.62%, 0.26%

LAB 39.87, -38.82, 37.67

 

CMYK 77 / 0 / 67 / 58

HEX #196C24

RGB 25 108 36

HSL 127.95, 0.62%, 0.26%

LAB 39.68, -40.01, 32.51

 

CMYK 46 / 0 / 78 / 84

HEX #162909

RGB 22 41 9

HSL 95.63, 0.64%, 0.1%

LAB 14.27, -14.91, 16.88

 

CMYK 46 / 0 / 77 / 71

HEX #284A11

RGB 40 74 17

HSL 95.79, 0.63%, 0.18%

LAB 27.82, -23.71, 28.8

 

CMYK 46 / 0 / 77 / 58

HEX #3A6C19

RGB 58 108 25

HSL 96.14, 0.62%, 0.26%

LAB 40.73, -32.14, 38.82

 

CMYK 46 / 0 / 77 / 44

HEX #4C8E20

RGB 76 142 32

HSL 96, 0.63%, 0.34%

LAB 52.94, -40.09, 48.51

 

CMYK 46 / 0 / 77 / 31

HEX #5EAF28

RGB 94 175 40

HSL 96, 0.63%, 0.42%

LAB 64.32, -47.18, 57.07

 

CMYK 47 / 0 / 78 / 58

HEX #396B18

RGB 57 107 24

HSL 96.14, 0.63%, 0.26%

LAB 40.33, -32.13, 38.8

 

CMYK 77 / 0 / 16 / 58

HEX #196C5B

RGB 25 108 91

HSL 167.71, 0.62%, 0.26%

LAB 40.71, -28.56, 2.56

 

CMYK 0 / 77 / 16 / 58

HEX #6C195B

RGB 108 25 91

HSL 312.29, 0.62%, 0.26%

LAB 25.68, 43.24, -19.41

 

CMYK 47 / 0 / 78 / 58

HEX #396B18

RGB 57 107 24

HSL 96.14, 0.63%, 0.26%

LAB 40.33, -32.13, 38.8

 

CMYK 77 / 46 / 0 / 58

HEX #193A6C

RGB 25 58 108

HSL 216.14, 0.62%, 0.26%

LAB 24.69, 7.11, -32.63

 

CMYK 0 / 77 / 46 / 58

HEX #6C193A

RGB 108 25 58

HSL 336.14, 0.62%, 0.26%

LAB 24.29, 38.85, 0.69

 

CMYK 47 / 0 / 78 / 58

HEX #396B18

RGB 57 107 24

HSL 96.14, 0.63%, 0.26%

LAB 40.33, -32.13, 38.8

 

CMYK 77 / 0 / 16 / 58

HEX #196C5B

RGB 25 108 91

HSL 167.71, 0.62%, 0.26%

LAB 40.71, -28.56, 2.56

 

CMYK 31 / 77 / 0 / 58

HEX #4B196C

RGB 75 25 108

HSL 276.14, 0.62%, 0.26%

LAB 21.11, 38.65, -38.16

 

CMYK 0 / 77 / 62 / 58

HEX #6C1929

RGB 108 25 41

HSL 348.43, 0.62%, 0.26%

LAB 23.81, 37.29, 11.7

 

CMYK 47 / 0 / 78 / 58

HEX #396B18

RGB 57 107 24

HSL 96.14, 0.63%, 0.26%

LAB 40.33, -32.13, 38.8

 

CMYK 77 / 7 / 0 / 58

HEX #19646C

RGB 25 100 108

HSL 185.78, 0.62%, 0.26%

LAB 38.56, -19.14, -11.01

 

CMYK 31 / 77 / 0 / 58

HEX #4B196C

RGB 75 25 108

HSL 276.14, 0.62%, 0.26%

LAB 21.11, 38.65, -38.16

 

CMYK 0 / 69 / 77 / 58

HEX #6C2119

RGB 108 33 25

HSL 5.78, 0.62%, 0.26%

LAB 24.78, 32.82, 23.52

 

Description

Color code: HEX #396B18 | qconv.com Color code: HEX #396B18 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 107 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 107 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 78 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 78% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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