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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3968C7 it is the complementary color #C69738. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3968C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3968C7 shade: #3E68C2, #4F7AD5, #608CE8, #719EFB and #82B0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3968C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3968C7 shade: #3968C7, #2856B4, #1744A1, #06328E and #00207B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3968C7 shade: #3867C7, #3841C7, #5638C7, #7C38C7 and #A338C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3968C7 shade: #3867C7, #3841C7 and #3838C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3968C7 shade matches the following richer shades: #3867C7, #2360DC and #0F59F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3968C7 shade: #3867C7, #4D6EB2, #61759E, #767C89 and #8B8374

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3968C7 shade: #38B4C7, #388EC7, #3868C7, #3842C7 and #5538C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3968C7 shade: #264687, #2F57A7, #3867C7, #5880D0 and #7898D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3968C7 shade: #3968C7, #B438C7 and #A1C738

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3968C7 shade: #3968C7, #C73868 and #68C738

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3968C7 shade: #3968C7, #B438C7, #C79738 and #4BC738

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3968C7 shade: #3968C7, #C738AF, #C79738 and #38C750

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 48 / 0 / 22

HEX #3968C7

RGB 57 104 199

HSL 220.14, 0.56%, 0.5%

LAB 45.49, 16.38, -54.24

 

Complementary color

CMYK 0 / 24 / 72 / 22

HEX #C69738

RGB 198 151 56

HSL 40.14, 0.56%, 0.5%

LAB 65.3, 8.2, 54.57

 

CMYK 68 / 46 / 0 / 24

HEX #3E68C2

RGB 62 104 194

HSL 220.91, 0.52%, 0.5%

LAB 45.39, 15.31, -51.51

 

CMYK 63 / 43 / 0 / 16

HEX #4F7AD5

RGB 79 122 213

HSL 220.75, 0.61%, 0.57%

LAB 52.27, 13.63, -51.31

 

CMYK 59 / 40 / 0 / 9

HEX #608CE8

RGB 96 140 232

HSL 220.59, 0.75%, 0.64%

LAB 59.04, 12.26, -51.13

 

CMYK 55 / 37 / 0 / 2

HEX #719EFB

RGB 113 158 251

HSL 220.43, 0.95%, 0.71%

LAB 65.69, 11.13, -50.99

 

CMYK 49 / 31 / 0 / 0

HEX #82B0FF

RGB 130 176 255

HSL 217.92, 1%, 0.75%

LAB 71.57, 5.74, -43.85

 

CMYK 71 / 48 / 0 / 22

HEX #3968C7

RGB 57 104 199

HSL 220.14, 0.56%, 0.5%

LAB 45.49, 16.38, -54.24

 

CMYK 78 / 52 / 0 / 29

HEX #2856B4

RGB 40 86 180

HSL 220.29, 0.64%, 0.43%

LAB 38.55, 18.72, -54.4

 

CMYK 86 / 58 / 0 / 37

HEX #1744A1

RGB 23 68 161

HSL 220.43, 0.75%, 0.36%

LAB 31.55, 21.68, -54.47

 

CMYK 96 / 65 / 0 / 44

HEX #06328E

RGB 6 50 142

HSL 220.59, 0.92%, 0.29%

LAB 24.55, 25.36, -54.31

 

CMYK 100 / 74 / 0 / 52

HEX #00207B

RGB 0 32 123

HSL 224.39, 1%, 0.24%

LAB 17.75, 29.76, -53.57

 

CMYK 72 / 48 / 0 / 22

HEX #3867C7

RGB 56 103 199

HSL 220.28, 0.56%, 0.5%

LAB 45.17, 16.88, -54.75

 

CMYK 72 / 67 / 0 / 22

HEX #3841C7

RGB 56 65 199

HSL 236.22, 0.56%, 0.5%

LAB 35.49, 41.05, -70.5

 

CMYK 57 / 72 / 0 / 22

HEX #5638C7

RGB 86 56 199

HSL 252.59, 0.56%, 0.5%

LAB 35.85, 50.04, -69.82

 

CMYK 38 / 72 / 0 / 22

HEX #7C38C7

RGB 124 56 199

HSL 268.53, 0.56%, 0.5%

LAB 39.98, 56.29, -62.91

 

CMYK 18 / 72 / 0 / 22

HEX #A338C7

RGB 163 56 199

HSL 284.9, 0.56%, 0.5%

LAB 45.27, 63.87, -54.08

 

CMYK 72 / 48 / 0 / 22

HEX #3867C7

RGB 56 103 199

HSL 220.28, 0.56%, 0.5%

LAB 45.17, 16.88, -54.75

 

CMYK 72 / 67 / 0 / 22

HEX #3841C7

RGB 56 65 199

HSL 236.22, 0.56%, 0.5%

LAB 35.49, 41.05, -70.5

 

CMYK 72 / 72 / 0 / 22

HEX #3838C7

RGB 56 56 199

HSL 240, 0.56%, 0.5%

LAB 33.55, 46.37, -73.69

 

CMYK 72 / 48 / 0 / 22

HEX #3867C7

RGB 56 103 199

HSL 220.28, 0.56%, 0.5%

LAB 45.17, 16.88, -54.75

 

CMYK 84 / 56 / 0 / 14

HEX #2360DC

RGB 35 96 220

HSL 220.22, 0.73%, 0.5%

LAB 44.08, 27.09, -68.59

 

CMYK 94 / 63 / 0 / 6

HEX #0F59F0

RGB 15 89 240

HSL 220.27, 0.88%, 0.5%

LAB 43.56, 38.15, -80.75

 

CMYK 72 / 48 / 0 / 22

HEX #3867C7

RGB 56 103 199

HSL 220.28, 0.56%, 0.5%

LAB 45.17, 16.88, -54.75

 

CMYK 57 / 38 / 0 / 30

HEX #4D6EB2

RGB 77 110 178

HSL 220.4, 0.4%, 0.5%

LAB 46.9, 8.77, -39.77

 

CMYK 39 / 26 / 0 / 38

HEX #61759E

RGB 97 117 158

HSL 220.33, 0.24%, 0.5%

LAB 49.17, 3.34, -24.45

 

CMYK 14 / 9 / 0 / 46

HEX #767C89

RGB 118 124 137

HSL 221.05, 0.07%, 0.5%

LAB 51.92, 0.59, -7.81

 

CMYK 0 / 6 / 17 / 45

HEX #8B8374

RGB 139 131 116

HSL 39.13, 0.09%, 0.5%

LAB 55.05, 0.34, 9.19

 

CMYK 72 / 10 / 0 / 22

HEX #38B4C7

RGB 56 180 199

HSL 187.97, 0.56%, 0.5%

LAB 67.73, -27.18, -19.43

 

CMYK 72 / 29 / 0 / 22

HEX #388EC7

RGB 56 142 199

HSL 203.92, 0.56%, 0.5%

LAB 56.4, -6.87, -36.92

 

CMYK 72 / 48 / 0 / 22

HEX #3868C7

RGB 56 104 199

HSL 219.86, 0.56%, 0.5%

LAB 45.45, 16.24, -54.31

 

CMYK 72 / 67 / 0 / 22

HEX #3842C7

RGB 56 66 199

HSL 235.8, 0.56%, 0.5%

LAB 35.71, 40.44, -70.13

 

CMYK 57 / 72 / 0 / 22

HEX #5538C7

RGB 85 56 199

HSL 252.17, 0.56%, 0.5%

LAB 35.76, 49.89, -69.98

 

CMYK 72 / 48 / 0 / 47

HEX #264687

RGB 38 70 135

HSL 220.21, 0.56%, 0.34%

LAB 30.74, 11.68, -39.88

 

CMYK 72 / 48 / 0 / 35

HEX #2F57A7

RGB 47 87 167

HSL 220, 0.56%, 0.42%

LAB 38.22, 14, -47.23

 

CMYK 72 / 48 / 0 / 22

HEX #3867C7

RGB 56 103 199

HSL 220.28, 0.56%, 0.5%

LAB 45.17, 16.88, -54.75

 

CMYK 58 / 38 / 0 / 18

HEX #5880D0

RGB 88 128 208

HSL 220, 0.56%, 0.58%

LAB 54.1, 10.01, -45.55

 

CMYK 45 / 30 / 0 / 15

HEX #7898D9

RGB 120 152 217

HSL 220.21, 0.56%, 0.66%

LAB 62.89, 5.95, -36.64

 

CMYK 71 / 48 / 0 / 22

HEX #3968C7

RGB 57 104 199

HSL 220.14, 0.56%, 0.5%

LAB 45.49, 16.38, -54.24

 

CMYK 10 / 72 / 0 / 22

HEX #B438C7

RGB 180 56 199

HSL 292.03, 0.56%, 0.5%

LAB 47.82, 67.39, -49.86

 

CMYK 19 / 0 / 72 / 22

HEX #A1C738

RGB 161 199 56

HSL 75.94, 0.56%, 0.5%

LAB 75.27, -32.2, 63.5

 

CMYK 71 / 48 / 0 / 22

HEX #3968C7

RGB 57 104 199

HSL 220.14, 0.56%, 0.5%

LAB 45.49, 16.38, -54.24

 

CMYK 0 / 72 / 48 / 22

HEX #C73868

RGB 199 56 104

HSL 339.86, 0.56%, 0.5%

LAB 46.94, 59.29, 5.83

 

CMYK 48 / 0 / 72 / 22

HEX #68C738

RGB 104 199 56

HSL 99.86, 0.56%, 0.5%

LAB 72.28, -52.45, 59.53

 

CMYK 71 / 48 / 0 / 22

HEX #3968C7

RGB 57 104 199

HSL 220.14, 0.56%, 0.5%

LAB 45.49, 16.38, -54.24

 

CMYK 10 / 72 / 0 / 22

HEX #B438C7

RGB 180 56 199

HSL 292.03, 0.56%, 0.5%

LAB 47.82, 67.39, -49.86

 

CMYK 0 / 24 / 72 / 22

HEX #C79738

RGB 199 151 56

HSL 39.86, 0.56%, 0.5%

LAB 65.41, 8.63, 54.71

 

CMYK 62 / 0 / 72 / 22

HEX #4BC738

RGB 75 199 56

HSL 112.03, 0.56%, 0.5%

LAB 71.3, -60.1, 58.22

 

CMYK 71 / 48 / 0 / 22

HEX #3968C7

RGB 57 104 199

HSL 220.14, 0.56%, 0.5%

LAB 45.49, 16.38, -54.24

 

CMYK 0 / 72 / 12 / 22

HEX #C738AF

RGB 199 56 175

HSL 310.07, 0.56%, 0.5%

LAB 49.58, 67.72, -32.9

 

CMYK 0 / 24 / 72 / 22

HEX #C79738

RGB 199 151 56

HSL 39.86, 0.56%, 0.5%

LAB 65.41, 8.63, 54.71

 

CMYK 72 / 0 / 60 / 22

HEX #38C750

RGB 56 199 80

HSL 130.07, 0.56%, 0.5%

LAB 71.05, -61.41, 47.94

 

Description

Color code: HEX #3968C7 | qconv.com Color code: HEX #3968C7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 104 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 104 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 48 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 48% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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