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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3967F0 it is the complementary color #C6980F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3967F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3967F0 shade: #3E67EB, #4F79FE, #608BFF, #719DFF and #82AFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3967F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3967F0 shade: #3967F0, #2855DD, #1743CA, #0631B7 and #001FA4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3967F0 shade: #3866F0, #3B38F0, #6D38F0, #9F38F0 and #D038F0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3967F0 shade: #3866F0 and #3838F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3967F0 shade matches the following richer shades: #3866F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3967F0 shade: #3866F0, #496FDF, #5A77CD, #6C80BC and #7D89AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3967F0 shade: #38CBF0, #389AF0, #3869F0, #3838F0 and #6938F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3967F0 shade: #0F3DC6, #1249ED, #3866F0, #5E84F3 and #85A1F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3967F0 shade: #3967F0, #E438F0 and #B3F038

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3967F0 shade: #3967F0, #F03869 and #69F038

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3967F0 shade: #3967F0, #E438F0, #F0BF38 and #44F038

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3967F0 shade: #3967F0, #F038C5, #F0BF38 and #38F063

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 57 / 0 / 6

HEX #3967F0

RGB 57 103 240

HSL 224.92, 0.86%, 0.58%

LAB 48.09, 32, -73.32

 

Complementary color

CMYK 0 / 23 / 92 / 22

HEX #C6980F

RGB 198 152 15

HSL 44.92, 0.86%, 0.42%

LAB 65.35, 6.35, 67.3

 

CMYK 74 / 56 / 0 / 8

HEX #3E67EB

RGB 62 103 235

HSL 225.78, 0.81%, 0.58%

LAB 47.91, 30.74, -70.79

 

CMYK 69 / 52 / 0 / 0

HEX #4F79FE

RGB 79 121 254

HSL 225.6, 0.99%, 0.65%

LAB 54.55, 28.42, -70.57

 

CMYK 62 / 45 / 0 / 0

HEX #608BFF

RGB 96 139 255

HSL 223.77, 1%, 0.69%

LAB 60.04, 20.45, -62.22

 

CMYK 56 / 38 / 0 / 0

HEX #719DFF

RGB 113 157 255

HSL 221.41, 1%, 0.72%

LAB 65.63, 12.97, -53.27

 

CMYK 49 / 31 / 0 / 0

HEX #82AFFF

RGB 130 175 255

HSL 218.4, 1%, 0.75%

LAB 71.3, 6.31, -44.27

 

CMYK 76 / 57 / 0 / 6

HEX #3967F0

RGB 57 103 240

HSL 224.92, 0.86%, 0.58%

LAB 48.09, 32, -73.32

 

CMYK 82 / 62 / 0 / 13

HEX #2855DD

RGB 40 85 221

HSL 225.08, 0.73%, 0.51%

LAB 41.48, 34.9, -73.38

 

CMYK 89 / 67 / 0 / 21

HEX #1743CA

RGB 23 67 202

HSL 225.25, 0.8%, 0.44%

LAB 34.92, 38.25, -73.22

 

CMYK 97 / 73 / 0 / 28

HEX #0631B7

RGB 6 49 183

HSL 225.42, 0.94%, 0.37%

LAB 28.52, 41.92, -72.63

 

CMYK 100 / 81 / 0 / 36

HEX #001FA4

RGB 0 31 164

HSL 228.66, 1%, 0.32%

LAB 22.52, 45.46, -71.18

 

CMYK 77 / 58 / 0 / 6

HEX #3866F0

RGB 56 102 240

HSL 225, 0.86%, 0.58%

LAB 47.8, 32.52, -73.79

 

CMYK 75 / 77 / 0 / 6

HEX #3B38F0

RGB 59 56 240

HSL 240.98, 0.86%, 0.58%

LAB 37.93, 59.62, -89.99

 

CMYK 55 / 77 / 0 / 6

HEX #6D38F0

RGB 109 56 240

HSL 257.28, 0.86%, 0.58%

LAB 41.8, 64.46, -83.48

 

CMYK 34 / 77 / 0 / 6

HEX #9F38F0

RGB 159 56 240

HSL 273.59, 0.86%, 0.58%

LAB 47.61, 71.61, -73.73

 

CMYK 13 / 77 / 0 / 6

HEX #D038F0

RGB 208 56 240

HSL 289.57, 0.86%, 0.58%

LAB 54.58, 80.05, -62.1

 

CMYK 77 / 58 / 0 / 6

HEX #3866F0

RGB 56 102 240

HSL 225, 0.86%, 0.58%

LAB 47.8, 32.52, -73.79

 

CMYK 77 / 77 / 0 / 6

HEX #3838F0

RGB 56 56 240

HSL 240, 0.86%, 0.58%

LAB 37.77, 59.41, -90.26

 

CMYK 77 / 58 / 0 / 6

HEX #3866F0

RGB 56 102 240

HSL 225, 0.86%, 0.58%

LAB 47.8, 32.52, -73.79

 

CMYK 77 / 58 / 0 / 6

HEX #3866F0

RGB 56 102 240

HSL 225, 0.86%, 0.58%

LAB 47.8, 32.52, -73.79

 

CMYK 67 / 50 / 0 / 13

HEX #496FDF

RGB 73 111 223

HSL 224.8, 0.7%, 0.58%

LAB 49.63, 22.93, -61.21

 

CMYK 56 / 42 / 0 / 20

HEX #5A77CD

RGB 90 119 205

HSL 224.87, 0.53%, 0.58%

LAB 51.58, 14.91, -47.83

 

CMYK 43 / 32 / 0 / 26

HEX #6C80BC

RGB 108 128 188

HSL 225, 0.37%, 0.58%

LAB 54.3, 8.48, -33.77

 

CMYK 27 / 20 / 0 / 33

HEX #7D89AB

RGB 125 137 171

HSL 224.35, 0.21%, 0.58%

LAB 57.26, 3.52, -19.37

 

CMYK 77 / 15 / 0 / 6

HEX #38CBF0

RGB 56 203 240

HSL 192.07, 0.86%, 0.58%

LAB 75.97, -25.8, -29.14

 

CMYK 77 / 36 / 0 / 6

HEX #389AF0

RGB 56 154 240

HSL 208.04, 0.86%, 0.58%

LAB 61.86, 0.66, -51.16

 

CMYK 77 / 56 / 0 / 6

HEX #3869F0

RGB 56 105 240

HSL 224.02, 0.86%, 0.58%

LAB 48.55, 30.64, -72.55

 

CMYK 77 / 77 / 0 / 6

HEX #3838F0

RGB 56 56 240

HSL 240, 0.86%, 0.58%

LAB 37.77, 59.41, -90.26

 

CMYK 56 / 77 / 0 / 6

HEX #6938F0

RGB 105 56 240

HSL 255.98, 0.86%, 0.58%

LAB 41.41, 63.97, -84.13

 

CMYK 92 / 69 / 0 / 22

HEX #0F3DC6

RGB 15 61 198

HSL 224.92, 0.86%, 0.42%

LAB 32.95, 40.23, -74.14

 

CMYK 92 / 69 / 0 / 7

HEX #1249ED

RGB 18 73 237

HSL 224.93, 0.86%, 0.5%

LAB 39.59, 47.07, -85.59

 

CMYK 77 / 58 / 0 / 6

HEX #3866F0

RGB 56 102 240

HSL 225, 0.86%, 0.58%

LAB 47.8, 32.52, -73.79

 

CMYK 61 / 46 / 0 / 5

HEX #5E84F3

RGB 94 132 243

HSL 224.7, 0.86%, 0.66%

LAB 57.42, 20.32, -59.82

 

CMYK 46 / 35 / 0 / 4

HEX #85A1F6

RGB 133 161 246

HSL 225.13, 0.86%, 0.74%

LAB 67.37, 12.34, -45.53

 

CMYK 76 / 57 / 0 / 6

HEX #3967F0

RGB 57 103 240

HSL 224.92, 0.86%, 0.58%

LAB 48.09, 32, -73.32

 

CMYK 5 / 77 / 0 / 6

HEX #E438F0

RGB 228 56 240

HSL 296.09, 0.86%, 0.58%

LAB 57.67, 83.76, -56.99

 

CMYK 25 / 0 / 77 / 6

HEX #B3F038

RGB 179 240 56

HSL 79.89, 0.86%, 0.58%

LAB 88.06, -43.66, 76.08

 

CMYK 76 / 57 / 0 / 6

HEX #3967F0

RGB 57 103 240

HSL 224.92, 0.86%, 0.58%

LAB 48.09, 32, -73.32

 

CMYK 0 / 77 / 56 / 6

HEX #F03869

RGB 240 56 105

HSL 344.02, 0.86%, 0.58%

LAB 54.42, 70.84, 16.81

 

CMYK 56 / 0 / 77 / 6

HEX #69F038

RGB 105 240 56

HSL 104.02, 0.86%, 0.58%

LAB 84.8, -67.1, 71.85

 

CMYK 76 / 57 / 0 / 6

HEX #3967F0

RGB 57 103 240

HSL 224.92, 0.86%, 0.58%

LAB 48.09, 32, -73.32

 

CMYK 5 / 77 / 0 / 6

HEX #E438F0

RGB 228 56 240

HSL 296.09, 0.86%, 0.58%

LAB 57.67, 83.76, -56.99

 

CMYK 0 / 20 / 77 / 6

HEX #F0BF38

RGB 240 191 56

HSL 44.02, 0.86%, 0.58%

LAB 79.66, 5.06, 69.97

 

CMYK 72 / 0 / 77 / 6

HEX #44F038

RGB 68 240 56

HSL 116.09, 0.86%, 0.58%

LAB 83.88, -74.68, 70.65

 

CMYK 76 / 57 / 0 / 6

HEX #3967F0

RGB 57 103 240

HSL 224.92, 0.86%, 0.58%

LAB 48.09, 32, -73.32

 

CMYK 0 / 77 / 18 / 6

HEX #F038C5

RGB 240 56 197

HSL 314.02, 0.86%, 0.58%

LAB 57.45, 79.99, -32.86

 

CMYK 0 / 20 / 77 / 6

HEX #F0BF38

RGB 240 191 56

HSL 44.02, 0.86%, 0.58%

LAB 79.66, 5.06, 69.97

 

CMYK 77 / 0 / 59 / 6

HEX #38F063

RGB 56 240 99

HSL 134.02, 0.86%, 0.58%

LAB 84, -72.5, 54.48

 

Description

Color code: HEX #3967F0 | qconv.com Color code: HEX #3967F0 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 103 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 103 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 57 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 57% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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