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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3965FB it is the complementary color #C69A04. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3965FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3965FB shade: #3E65F6, #4F77FF, #6089FF, #719BFF and #82ADFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3965FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3965FB shade: #3965FB, #2853E8, #1741D5, #062FC2 and #001DAF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3965FB shade: #3764FB, #3F37FB, #7437FB, #A937FB and #DE37FB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3965FB shade: #3764FB and #3737FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3965FB shade matches the following richer shades: #3764FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3965FB shade: #3764FB, #486DEA, #5876DA, #697FC9 and #7988B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3965FB shade: #37CDFB, #3799FB, #3765FB, #3E37FB and #7237FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3965FB shade: #0435DB, #0F44FA, #3764FB, #6083FC and #88A2FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3965FB shade: #3965FB, #F437FB and #B3FB37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3965FB shade: #3965FB, #FB3765 and #65FB37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3965FB shade: #3965FB, #F437FB, #FBCD37 and #3EFB37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3965FB shade: #3965FB, #FB37C7, #FBCD37 and #37FB6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 60 / 0 / 2

HEX #3965FB

RGB 57 101 251

HSL 226.39, 0.96%, 0.6%

LAB 48.44, 37.19, -78.88

 

Complementary color

CMYK 0 / 22 / 98 / 22

HEX #C69A04

RGB 198 154 4

HSL 46.39, 0.96%, 0.4%

LAB 65.85, 5.14, 69.22

 

CMYK 75 / 59 / 0 / 4

HEX #3E65F6

RGB 62 101 246

HSL 227.28, 0.91%, 0.6%

LAB 48.24, 35.91, -76.41

 

CMYK 69 / 53 / 0 / 0

HEX #4F77FF

RGB 79 119 255

HSL 226.36, 1%, 0.65%

LAB 54.11, 29.99, -71.83

 

CMYK 62 / 46 / 0 / 0

HEX #6089FF

RGB 96 137 255

HSL 224.53, 1%, 0.69%

LAB 59.52, 21.65, -63.06

 

CMYK 56 / 39 / 0 / 0

HEX #719BFF

RGB 113 155 255

HSL 222.25, 1%, 0.72%

LAB 65.1, 14.13, -54.11

 

CMYK 49 / 32 / 0 / 0

HEX #82ADFF

RGB 130 173 255

HSL 219.36, 1%, 0.75%

LAB 70.77, 7.43, -45.1

 

CMYK 77 / 60 / 0 / 2

HEX #3965FB

RGB 57 101 251

HSL 226.39, 0.96%, 0.6%

LAB 48.44, 37.19, -78.88

 

CMYK 83 / 64 / 0 / 9

HEX #2853E8

RGB 40 83 232

HSL 226.56, 0.81%, 0.53%

LAB 41.94, 40.18, -78.88

 

CMYK 89 / 69 / 0 / 16

HEX #1741D5

RGB 23 65 213

HSL 226.74, 0.81%, 0.46%

LAB 35.53, 43.53, -78.59

 

CMYK 97 / 76 / 0 / 24

HEX #062FC2

RGB 6 47 194

HSL 226.91, 0.94%, 0.39%

LAB 29.33, 47.01, -77.8

 

CMYK 100 / 83 / 0 / 31

HEX #001DAF

RGB 0 29 175

HSL 230.06, 1%, 0.34%

LAB 23.58, 50.1, -76.05

 

CMYK 78 / 60 / 0 / 2

HEX #3764FB

RGB 55 100 251

HSL 226.22, 0.96%, 0.6%

LAB 48.12, 37.63, -79.4

 

CMYK 75 / 78 / 0 / 2

HEX #3F37FB

RGB 63 55 251

HSL 242.45, 0.96%, 0.6%

LAB 39.16, 63.67, -94.14

 

CMYK 54 / 78 / 0 / 2

HEX #7437FB

RGB 116 55 251

HSL 258.67, 0.96%, 0.6%

LAB 43.38, 68.57, -87.04

 

CMYK 33 / 78 / 0 / 2

HEX #A937FB

RGB 169 55 251

HSL 274.9, 0.96%, 0.6%

LAB 49.66, 75.86, -76.5

 

CMYK 12 / 78 / 0 / 2

HEX #DE37FB

RGB 222 55 251

HSL 291.12, 0.96%, 0.6%

LAB 57.3, 84.72, -63.77

 

CMYK 78 / 60 / 0 / 2

HEX #3764FB

RGB 55 100 251

HSL 226.22, 0.96%, 0.6%

LAB 48.12, 37.63, -79.4

 

CMYK 78 / 78 / 0 / 2

HEX #3737FB

RGB 55 55 251

HSL 240, 0.96%, 0.6%

LAB 38.74, 63.18, -94.85

 

CMYK 78 / 60 / 0 / 2

HEX #3764FB

RGB 55 100 251

HSL 226.22, 0.96%, 0.6%

LAB 48.12, 37.63, -79.4

 

CMYK 78 / 60 / 0 / 2

HEX #3764FB

RGB 55 100 251

HSL 226.22, 0.96%, 0.6%

LAB 48.12, 37.63, -79.4

 

CMYK 69 / 53 / 0 / 8

HEX #486DEA

RGB 72 109 234

HSL 226.3, 0.79%, 0.6%

LAB 49.8, 27.9, -67.13

 

CMYK 60 / 46 / 0 / 15

HEX #5876DA

RGB 88 118 218

HSL 226.15, 0.64%, 0.6%

LAB 51.94, 19.43, -54.63

 

CMYK 48 / 37 / 0 / 21

HEX #697FC9

RGB 105 127 201

HSL 226.25, 0.47%, 0.6%

LAB 54.45, 12.19, -40.96

 

CMYK 35 / 26 / 0 / 27

HEX #7988B9

RGB 121 136 185

HSL 225.94, 0.31%, 0.6%

LAB 57.25, 6.54, -27.41

 

CMYK 78 / 18 / 0 / 2

HEX #37CDFB

RGB 55 205 251

HSL 194.08, 0.96%, 0.6%

LAB 76.94, -23.39, -33.54

 

CMYK 78 / 39 / 0 / 2

HEX #3799FB

RGB 55 153 251

HSL 210, 0.96%, 0.6%

LAB 62.13, 5.08, -56.77

 

CMYK 78 / 60 / 0 / 2

HEX #3765FB

RGB 55 101 251

HSL 225.92, 0.96%, 0.6%

LAB 48.37, 37.01, -79

 

CMYK 75 / 78 / 0 / 2

HEX #3E37FB

RGB 62 55 251

HSL 242.14, 0.96%, 0.6%

LAB 39.11, 63.61, -94.23

 

CMYK 55 / 78 / 0 / 2

HEX #7237FB

RGB 114 55 251

HSL 258.06, 0.96%, 0.6%

LAB 43.17, 68.34, -87.38

 

CMYK 98 / 76 / 0 / 14

HEX #0435DB

RGB 4 53 219

HSL 226.33, 0.96%, 0.44%

LAB 33.32, 52.15, -85.71

 

CMYK 94 / 73 / 0 / 2

HEX #0F44FA

RGB 15 68 250

HSL 226.47, 0.96%, 0.52%

LAB 39.81, 54.43, -92.55

 

CMYK 78 / 60 / 0 / 2

HEX #3764FB

RGB 55 100 251

HSL 226.22, 0.96%, 0.6%

LAB 48.12, 37.63, -79.4

 

CMYK 62 / 48 / 0 / 1

HEX #6083FC

RGB 96 131 252

HSL 226.54, 0.96%, 0.68%

LAB 57.8, 24.26, -64.18

 

CMYK 46 / 36 / 0 / 1

HEX #88A2FD

RGB 136 162 253

HSL 226.67, 0.97%, 0.76%

LAB 68.14, 14.5, -48.12

 

CMYK 77 / 60 / 0 / 2

HEX #3965FB

RGB 57 101 251

HSL 226.39, 0.96%, 0.6%

LAB 48.44, 37.19, -78.88

 

CMYK 3 / 78 / 0 / 2

HEX #F437FB

RGB 244 55 251

HSL 297.86, 0.96%, 0.6%

LAB 60.72, 88.69, -58.09

 

CMYK 29 / 0 / 78 / 2

HEX #B3FB37

RGB 179 251 55

HSL 82.04, 0.96%, 0.6%

LAB 91.17, -48.39, 79.23

 

CMYK 77 / 60 / 0 / 2

HEX #3965FB

RGB 57 101 251

HSL 226.39, 0.96%, 0.6%

LAB 48.44, 37.19, -78.88

 

CMYK 0 / 78 / 60 / 2

HEX #FB3765

RGB 251 55 101

HSL 345.92, 0.96%, 0.6%

LAB 56.27, 73.81, 22.03

 

CMYK 60 / 0 / 78 / 2

HEX #65FB37

RGB 101 251 55

HSL 105.92, 0.96%, 0.6%

LAB 87.99, -71.8, 75.12

 

CMYK 77 / 60 / 0 / 2

HEX #3965FB

RGB 57 101 251

HSL 226.39, 0.96%, 0.6%

LAB 48.44, 37.19, -78.88

 

CMYK 3 / 78 / 0 / 2

HEX #F437FB

RGB 244 55 251

HSL 297.86, 0.96%, 0.6%

LAB 60.72, 88.69, -58.09

 

CMYK 0 / 18 / 78 / 2

HEX #FBCD37

RGB 251 205 55

HSL 45.92, 0.96%, 0.6%

LAB 84.2, 2.45, 74.86

 

CMYK 75 / 0 / 78 / 2

HEX #3EFB37

RGB 62 251 55

HSL 117.86, 0.96%, 0.6%

LAB 87.14, -78.92, 74.03

 

CMYK 77 / 60 / 0 / 2

HEX #3965FB

RGB 57 101 251

HSL 226.39, 0.96%, 0.6%

LAB 48.44, 37.19, -78.88

 

CMYK 0 / 78 / 21 / 2

HEX #FB37C7

RGB 251 55 199

HSL 315.92, 0.96%, 0.6%

LAB 59.31, 82.9, -30.97

 

CMYK 0 / 18 / 78 / 2

HEX #FBCD37

RGB 251 205 55

HSL 45.92, 0.96%, 0.6%

LAB 84.2, 2.45, 74.86

 

CMYK 78 / 0 / 57 / 2

HEX #37FB6B

RGB 55 251 107

HSL 135.92, 0.96%, 0.6%

LAB 87.42, -75.1, 54.96

 

Description

Color code: HEX #3965FB | qconv.com Color code: HEX #3965FB | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 101 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 101 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 60 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 60% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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