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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39639E it is the complementary color #C69C61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39639E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39639E shade: #3E6399, #4F75AC, #6087BF, #7199D2 and #82ABE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39639E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39639E shade: #39639E, #28518B, #173F78, #062D65 and #001B52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39639E shade: #39639D, #39479D, #45399D, #60399D and #7B399D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39639E shade: #39639D, #39479D and #39399D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39639E shade matches the following richer shades: #39639D, #2760AF, #165DC0 and #055AD1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39639E shade: #39639D, #4A668C, #5B687B, #6D6B69 and #7E6E58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39639E shade: #39989D, #397E9D, #39639D, #39489D and #45399D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39639E shade: #233D61, #2E507F, #39639D, #4476BC and #628CC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39639E shade: #39639E, #88399D and #8B9D39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39639E shade: #39639E, #9D3963 and #639D39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39639E shade: #39639E, #88399D, #9D7339 and #4F9D39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39639E shade: #39639E, #9D3995, #9D7339 and #399D41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 37 / 0 / 38

HEX #39639E

RGB 57 99 158

HSL 215.05, 0.47%, 0.42%

LAB 41.63, 4.64, -36.41

 

Complementary color

CMYK 0 / 21 / 51 / 22

HEX #C69C61

RGB 198 156 97

HSL 35.05, 0.47%, 0.58%

LAB 67.01, 8.38, 36.68

 

CMYK 59 / 35 / 0 / 40

HEX #3E6399

RGB 62 99 153

HSL 215.6, 0.42%, 0.42%

LAB 41.61, 3.9, -33.45

 

CMYK 54 / 32 / 0 / 33

HEX #4F75AC

RGB 79 117 172

HSL 215.48, 0.37%, 0.49%

LAB 48.71, 2.95, -33.41

 

CMYK 50 / 29 / 0 / 25

HEX #6087BF

RGB 96 135 191

HSL 215.37, 0.43%, 0.56%

LAB 55.66, 2.2, -33.41

 

CMYK 46 / 27 / 0 / 18

HEX #7199D2

RGB 113 153 210

HSL 215.26, 0.52%, 0.63%

LAB 62.46, 1.6, -33.44

 

CMYK 43 / 25 / 0 / 10

HEX #82ABE5

RGB 130 171 229

HSL 215.15, 0.66%, 0.7%

LAB 69.13, 1.11, -33.51

 

CMYK 64 / 37 / 0 / 38

HEX #39639E

RGB 57 99 158

HSL 215.05, 0.47%, 0.42%

LAB 41.63, 4.64, -36.41

 

CMYK 71 / 42 / 0 / 45

HEX #28518B

RGB 40 81 139

HSL 215.15, 0.55%, 0.35%

LAB 34.4, 6.18, -36.49

 

CMYK 81 / 48 / 0 / 53

HEX #173F78

RGB 23 63 120

HSL 215.26, 0.68%, 0.28%

LAB 27, 8.3, -36.56

 

CMYK 94 / 55 / 0 / 60

HEX #062D65

RGB 6 45 101

HSL 215.37, 0.89%, 0.21%

LAB 19.45, 11.32, -36.55

 

CMYK 100 / 67 / 0 / 68

HEX #001B52

RGB 0 27 82

HSL 220.24, 1%, 0.16%

LAB 11.91, 15.75, -36.17

 

CMYK 64 / 37 / 0 / 38

HEX #39639D

RGB 57 99 157

HSL 214.8, 0.47%, 0.42%

LAB 41.58, 4.29, -35.9

 

CMYK 64 / 55 / 0 / 38

HEX #39479D

RGB 57 71 157

HSL 231.6, 0.47%, 0.42%

LAB 33.59, 22.52, -48.68

 

CMYK 56 / 64 / 0 / 38

HEX #45399D

RGB 69 57 157

HSL 247.2, 0.47%, 0.42%

LAB 30.94, 33.74, -52.94

 

CMYK 39 / 64 / 0 / 38

HEX #60399D

RGB 96 57 157

HSL 263.4, 0.47%, 0.42%

LAB 33.66, 39.34, -48.39

 

CMYK 22 / 64 / 0 / 38

HEX #7B399D

RGB 123 57 157

HSL 279.6, 0.47%, 0.42%

LAB 37.06, 45.73, -42.74

 

CMYK 64 / 37 / 0 / 38

HEX #39639D

RGB 57 99 157

HSL 214.8, 0.47%, 0.42%

LAB 41.58, 4.29, -35.9

 

CMYK 64 / 55 / 0 / 38

HEX #39479D

RGB 57 71 157

HSL 231.6, 0.47%, 0.42%

LAB 33.59, 22.52, -48.68

 

CMYK 64 / 64 / 0 / 38

HEX #39399D

RGB 57 57 157

HSL 240, 0.47%, 0.42%

LAB 29.99, 31.66, -54.53

 

CMYK 64 / 37 / 0 / 38

HEX #39639D

RGB 57 99 157

HSL 214.8, 0.47%, 0.42%

LAB 41.58, 4.29, -35.9

 

CMYK 78 / 45 / 0 / 31

HEX #2760AF

RGB 39 96 175

HSL 214.85, 0.64%, 0.42%

LAB 41.04, 10.12, -47.44

 

CMYK 89 / 52 / 0 / 25

HEX #165DC0

RGB 22 93 192

HSL 214.94, 0.79%, 0.42%

LAB 40.9, 17.26, -57.64

 

CMYK 98 / 57 / 0 / 18

HEX #055AD1

RGB 5 90 209

HSL 215, 0.95%, 0.42%

LAB 41.13, 25.3, -67.11

 

CMYK 64 / 37 / 0 / 38

HEX #39639D

RGB 57 99 157

HSL 214.8, 0.47%, 0.42%

LAB 41.58, 4.29, -35.9

 

CMYK 47 / 27 / 0 / 45

HEX #4A668C

RGB 74 102 140

HSL 214.55, 0.31%, 0.42%

LAB 42.54, 0.64, -24.16

 

CMYK 26 / 15 / 0 / 52

HEX #5B687B

RGB 91 104 123

HSL 215.63, 0.15%, 0.42%

LAB 43.59, -0.29, -12.22

 

CMYK 0 / 2 / 4 / 57

HEX #6D6B69

RGB 109 107 105

HSL 30, 0.02%, 0.42%

LAB 45.34, 0.38, 1.39

 

CMYK 0 / 13 / 30 / 51

HEX #7E6E58

RGB 126 110 88

HSL 34.74, 0.18%, 0.42%

LAB 47.36, 2.66, 14.59

 

CMYK 64 / 3 / 0 / 38

HEX #39989D

RGB 57 152 157

HSL 183, 0.47%, 0.42%

LAB 57.81, -25.78, -10.87

 

CMYK 64 / 20 / 0 / 38

HEX #397E9D

RGB 57 126 157

HSL 198.6, 0.47%, 0.42%

LAB 49.77, -11.89, -23.1

 

CMYK 64 / 37 / 0 / 38

HEX #39639D

RGB 57 99 157

HSL 214.8, 0.47%, 0.42%

LAB 41.58, 4.29, -35.9

 

CMYK 64 / 54 / 0 / 38

HEX #39489D

RGB 57 72 157

HSL 231, 0.47%, 0.42%

LAB 33.86, 21.86, -48.25

 

CMYK 56 / 64 / 0 / 38

HEX #45399D

RGB 69 57 157

HSL 247.2, 0.47%, 0.42%

LAB 30.94, 33.74, -52.94

 

CMYK 64 / 37 / 0 / 62

HEX #233D61

RGB 35 61 97

HSL 214.84, 0.47%, 0.26%

LAB 25.44, 2.54, -24.32

 

CMYK 64 / 37 / 0 / 50

HEX #2E507F

RGB 46 80 127

HSL 214.81, 0.47%, 0.34%

LAB 33.67, 3.43, -30.25

 

CMYK 64 / 37 / 0 / 38

HEX #39639D

RGB 57 99 157

HSL 214.8, 0.47%, 0.42%

LAB 41.58, 4.29, -35.9

 

CMYK 64 / 37 / 0 / 26

HEX #4476BC

RGB 68 118 188

HSL 215, 0.47%, 0.5%

LAB 49.27, 5.46, -41.83

 

CMYK 51 / 29 / 0 / 22

HEX #628CC6

RGB 98 140 198

HSL 214.8, 0.47%, 0.58%

LAB 57.49, 1.9, -34.51

 

CMYK 64 / 37 / 0 / 38

HEX #39639E

RGB 57 99 158

HSL 215.05, 0.47%, 0.42%

LAB 41.63, 4.64, -36.41

 

CMYK 13 / 64 / 0 / 38

HEX #88399D

RGB 136 57 157

HSL 287.4, 0.47%, 0.42%

LAB 38.89, 48.95, -39.72

 

CMYK 11 / 0 / 64 / 38

HEX #8B9D39

RGB 139 157 57

HSL 70.8, 0.47%, 0.42%

LAB 61.57, -20.77, 48.57

 

CMYK 64 / 37 / 0 / 38

HEX #39639E

RGB 57 99 158

HSL 215.05, 0.47%, 0.42%

LAB 41.63, 4.64, -36.41

 

CMYK 0 / 64 / 37 / 38

HEX #9D3963

RGB 157 57 99

HSL 334.8, 0.47%, 0.42%

LAB 39.57, 45.56, -2.66

 

CMYK 37 / 0 / 64 / 38

HEX #639D39

RGB 99 157 57

HSL 94.8, 0.47%, 0.42%

LAB 59.03, -36.59, 45.08

 

CMYK 64 / 37 / 0 / 38

HEX #39639E

RGB 57 99 158

HSL 215.05, 0.47%, 0.42%

LAB 41.63, 4.64, -36.41

 

CMYK 13 / 64 / 0 / 38

HEX #88399D

RGB 136 57 157

HSL 287.4, 0.47%, 0.42%

LAB 38.89, 48.95, -39.72

 

CMYK 0 / 27 / 64 / 38

HEX #9D7339

RGB 157 115 57

HSL 34.8, 0.47%, 0.42%

LAB 51.52, 10.13, 37.92

 

CMYK 50 / 0 / 64 / 38

HEX #4F9D39

RGB 79 157 57

HSL 106.8, 0.47%, 0.42%

LAB 58.1, -43.23, 43.8

 

CMYK 64 / 37 / 0 / 38

HEX #39639E

RGB 57 99 158

HSL 215.05, 0.47%, 0.42%

LAB 41.63, 4.64, -36.41

 

CMYK 0 / 64 / 5 / 38

HEX #9D3995

RGB 157 57 149

HSL 304.8, 0.47%, 0.42%

LAB 41.63, 52.85, -30.35

 

CMYK 0 / 27 / 64 / 38

HEX #9D7339

RGB 157 115 57

HSL 34.8, 0.47%, 0.42%

LAB 51.52, 10.13, 37.92

 

CMYK 64 / 0 / 59 / 38

HEX #399D41

RGB 57 157 65

HSL 124.8, 0.47%, 0.42%

LAB 57.43, -48.13, 39.09

 

Description

Color code: HEX #39639E | qconv.com Color code: HEX #39639E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 99 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 99 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 37 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 37% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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