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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39552B it is the complementary color #C6AAD4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39552B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39552B shade: #3E5526, #4F6739, #60794C, #718B5F and #829D72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39552B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39552B shade: #39552B, #284318, #173105, #061F00 and #000D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39552B shade: #39552B, #44552B, #4F552B, #554F2B and #55432B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39552B shade: #39552B, #2D552B, #2B5533, #2B553F and #2B554A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39552B shade matches the following richer shades: #39552B, #355F20, #326916, #2E740C and #2B7E01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39552B shade: #39552B, #3C4A35, #40403F, #43364A and #462C54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39552B shade: #4F552B, #44552B, #39552B, #2E552B and #2B5533

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39552B shade: #141E0F, #26391D, #39552B, #4B7039 and #5D8C46

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39552B shade: #39552B, #2B554F and #552B4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39552B shade: #39552B, #2B3955 and #552B39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39552B shade: #39552B, #2B554F, #472B55 and #552B30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39552B shade: #39552B, #2B4E55, #472B55 and #55322B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 49 / 67

HEX #39552B

RGB 57 85 43

HSL 100, 0.33%, 0.25%

LAB 33.01, -19.36, 21.16

 

Complementary color

CMYK 7 / 20 / 0 / 17

HEX #C6AAD4

RGB 198 170 212

HSL 280, 0.33%, 0.75%

LAB 73.23, 17.81, -17.5

 

CMYK 27 / 0 / 55 / 67

HEX #3E5526

RGB 62 85 38

HSL 89.36, 0.38%, 0.24%

LAB 33.27, -17.97, 24.42

 

CMYK 23 / 0 / 45 / 60

HEX #4F6739

RGB 79 103 57

HSL 91.3, 0.29%, 0.31%

LAB 40.67, -17.95, 23.08

 

CMYK 21 / 0 / 37 / 53

HEX #60794C

RGB 96 121 76

HSL 93.33, 0.23%, 0.39%

LAB 47.86, -17.86, 21.79

 

CMYK 19 / 0 / 32 / 45

HEX #718B5F

RGB 113 139 95

HSL 95.45, 0.19%, 0.46%

LAB 54.87, -17.76, 20.59

 

CMYK 17 / 0 / 27 / 38

HEX #829D72

RGB 130 157 114

HSL 97.67, 0.18%, 0.53%

LAB 61.72, -17.65, 19.47

 

CMYK 33 / 0 / 49 / 67

HEX #39552B

RGB 57 85 43

HSL 100, 0.33%, 0.25%

LAB 33.01, -19.36, 21.16

 

CMYK 40 / 0 / 64 / 74

HEX #284318

RGB 40 67 24

HSL 97.67, 0.47%, 0.18%

LAB 25.36, -19.42, 22.54

 

CMYK 53 / 0 / 90 / 81

HEX #173105

RGB 23 49 5

HSL 95.45, 0.81%, 0.11%

LAB 17.41, -19.19, 22.49

 

CMYK 81 / 0 / 100 / 88

HEX #061F00

RGB 6 31 0

HSL 108.39, 1%, 0.06%

LAB 9.15, -16.27, 13.38

 

CMYK 100 / 0 / 100 / 95

HEX #000D00

RGB 0 13 0

HSL 120, 1%, 0.03%

LAB 2.6, -5.31, 3.8

 

CMYK 33 / 0 / 49 / 67

HEX #39552B

RGB 57 85 43

HSL 100, 0.33%, 0.25%

LAB 33.01, -19.36, 21.16

 

CMYK 20 / 0 / 49 / 67

HEX #44552B

RGB 68 85 43

HSL 84.29, 0.33%, 0.25%

LAB 33.77, -14.71, 22.28

 

CMYK 7 / 0 / 49 / 67

HEX #4F552B

RGB 79 85 43

HSL 68.57, 0.33%, 0.25%

LAB 34.67, -9.73, 23.59

 

CMYK 0 / 7 / 49 / 67

HEX #554F2B

RGB 85 79 43

HSL 51.43, 0.33%, 0.25%

LAB 33.35, -3.33, 22.08

 

CMYK 0 / 21 / 49 / 67

HEX #55432B

RGB 85 67 43

HSL 34.29, 0.33%, 0.25%

LAB 29.71, 4.12, 17.48

 

CMYK 33 / 0 / 49 / 67

HEX #39552B

RGB 57 85 43

HSL 100, 0.33%, 0.25%

LAB 33.01, -19.36, 21.16

 

CMYK 47 / 0 / 49 / 67

HEX #2D552B

RGB 45 85 43

HSL 117.14, 0.33%, 0.25%

LAB 32.32, -23.9, 20.15

 

CMYK 49 / 0 / 40 / 67

HEX #2B5533

RGB 43 85 51

HSL 131.43, 0.33%, 0.25%

LAB 32.37, -23.13, 15.41

 

CMYK 49 / 0 / 26 / 67

HEX #2B553F

RGB 43 85 63

HSL 148.57, 0.33%, 0.25%

LAB 32.63, -20.52, 8.37

 

CMYK 49 / 0 / 13 / 67

HEX #2B554A

RGB 43 85 74

HSL 164.29, 0.33%, 0.25%

LAB 32.93, -17.74, 1.88

 

CMYK 33 / 0 / 49 / 67

HEX #39552B

RGB 57 85 43

HSL 100, 0.33%, 0.25%

LAB 33.01, -19.36, 21.16

 

CMYK 44 / 0 / 66 / 63

HEX #355F20

RGB 53 95 32

HSL 100, 0.5%, 0.25%

LAB 36.07, -27.36, 30.71

 

CMYK 52 / 0 / 79 / 59

HEX #326916

RGB 50 105 22

HSL 99.76, 0.65%, 0.25%

LAB 39.31, -33.8, 38.45

 

CMYK 60 / 0 / 90 / 55

HEX #2E740C

RGB 46 116 12

HSL 100.38, 0.81%, 0.25%

LAB 42.91, -40.05, 44.85

 

CMYK 66 / 0 / 99 / 51

HEX #2B7E01

RGB 43 126 1

HSL 99.84, 0.98%, 0.25%

LAB 46.23, -44.96, 49.98

 

CMYK 33 / 0 / 49 / 67

HEX #39552B

RGB 57 85 43

HSL 100, 0.33%, 0.25%

LAB 33.01, -19.36, 21.16

 

CMYK 19 / 0 / 28 / 71

HEX #3C4A35

RGB 60 74 53

HSL 100, 0.17%, 0.25%

LAB 29.7, -10.21, 10.75

 

CMYK 0 / 0 / 2 / 75

HEX #40403F

RGB 64 64 63

HSL 60, 0.01%, 0.25%

LAB 27.06, -0.22, 0.61

 

CMYK 9 / 27 / 0 / 71

HEX #43364A

RGB 67 54 74

HSL 279, 0.16%, 0.25%

LAB 24.72, 10.19, -10.13

 

CMYK 17 / 48 / 0 / 67

HEX #462C54

RGB 70 44 84

HSL 279, 0.31%, 0.25%

LAB 22.8, 20.42, -19.71

 

CMYK 7 / 0 / 49 / 67

HEX #4F552B

RGB 79 85 43

HSL 68.57, 0.33%, 0.25%

LAB 34.67, -9.73, 23.59

 

CMYK 20 / 0 / 49 / 67

HEX #44552B

RGB 68 85 43

HSL 84.29, 0.33%, 0.25%

LAB 33.77, -14.71, 22.28

 

CMYK 33 / 0 / 49 / 67

HEX #39552B

RGB 57 85 43

HSL 100, 0.33%, 0.25%

LAB 33.01, -19.36, 21.16

 

CMYK 46 / 0 / 49 / 67

HEX #2E552B

RGB 46 85 43

HSL 115.71, 0.33%, 0.25%

LAB 32.37, -23.55, 20.23

 

CMYK 49 / 0 / 40 / 67

HEX #2B5533

RGB 43 85 51

HSL 131.43, 0.33%, 0.25%

LAB 32.37, -23.13, 15.41

 

CMYK 33 / 0 / 50 / 88

HEX #141E0F

RGB 20 30 15

HSL 100, 0.33%, 0.09%

LAB 9.89, -8.26, 8.15

 

CMYK 33 / 0 / 49 / 78

HEX #26391D

RGB 38 57 29

HSL 100.71, 0.33%, 0.17%

LAB 21.68, -14.02, 15.05

 

CMYK 33 / 0 / 49 / 67

HEX #39552B

RGB 57 85 43

HSL 100, 0.33%, 0.25%

LAB 33.01, -19.36, 21.16

 

CMYK 33 / 0 / 49 / 56

HEX #4B7039

RGB 75 112 57

HSL 100.36, 0.33%, 0.33%

LAB 43.33, -24.23, 26.37

 

CMYK 34 / 0 / 50 / 45

HEX #5D8C46

RGB 93 140 70

HSL 100.29, 0.33%, 0.41%

LAB 53.52, -29.47, 32.23

 

CMYK 33 / 0 / 49 / 67

HEX #39552B

RGB 57 85 43

HSL 100, 0.33%, 0.25%

LAB 33.01, -19.36, 21.16

 

CMYK 49 / 0 / 7 / 67

HEX #2B554F

RGB 43 85 79

HSL 171.43, 0.33%, 0.25%

LAB 33.08, -16.35, -1.06

 

CMYK 0 / 49 / 13 / 67

HEX #552B4A

RGB 85 43 74

HSL 315.71, 0.33%, 0.25%

LAB 24.17, 24.21, -10.75

 

CMYK 33 / 0 / 49 / 67

HEX #39552B

RGB 57 85 43

HSL 100, 0.33%, 0.25%

LAB 33.01, -19.36, 21.16

 

CMYK 49 / 33 / 0 / 67

HEX #2B3955

RGB 43 57 85

HSL 220, 0.33%, 0.25%

LAB 23.99, 2.99, -18.72

 

CMYK 0 / 49 / 33 / 67

HEX #552B39

RGB 85 43 57

HSL 340, 0.33%, 0.25%

LAB 23.52, 21.26, -0.24

 

CMYK 33 / 0 / 49 / 67

HEX #39552B

RGB 57 85 43

HSL 100, 0.33%, 0.25%

LAB 33.01, -19.36, 21.16

 

CMYK 49 / 0 / 7 / 67

HEX #2B554F

RGB 43 85 79

HSL 171.43, 0.33%, 0.25%

LAB 33.08, -16.35, -1.06

 

CMYK 16 / 49 / 0 / 67

HEX #472B55

RGB 71 43 85

HSL 280, 0.33%, 0.25%

LAB 22.73, 21.65, -20.48

 

CMYK 0 / 49 / 44 / 67

HEX #552B30

RGB 85 43 48

HSL 352.86, 0.33%, 0.25%

LAB 23.25, 19.96, 5.48

 

CMYK 33 / 0 / 49 / 67

HEX #39552B

RGB 57 85 43

HSL 100, 0.33%, 0.25%

LAB 33.01, -19.36, 21.16

 

CMYK 49 / 8 / 0 / 67

HEX #2B4E55

RGB 43 78 85

HSL 190, 0.33%, 0.25%

LAB 30.92, -10.5, -8.08

 

CMYK 16 / 49 / 0 / 67

HEX #472B55

RGB 71 43 85

HSL 280, 0.33%, 0.25%

LAB 22.73, 21.65, -20.48

 

CMYK 0 / 41 / 49 / 67

HEX #55322B

RGB 85 50 43

HSL 10, 0.33%, 0.25%

LAB 24.91, 14.95, 11.14

 

Description

Color code: HEX #39552B | qconv.com Color code: HEX #39552B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 85 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 85 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 49 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 49% 67% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

26% - Enterprise Sign On
Link: https://federation-sts.accenture.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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