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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #395333 it is the complementary color #C6ACCC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #395333. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #395333 shade: #3E532E, #4F6541, #607754, #718967 and #829B7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #395333. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #395333 shade: #395333, #284120, #172F0D, #061D00 and #000B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #395333 shade: #385232, #415232, #4A5232, #525232 and #524A32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #395333 shade: #385232, #325235, #32523E, #325246 and #32524F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #395333 shade matches the following richer shades: #385232, #325D28, #2B681D, #247212 and #1E7D07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #395333 shade: #385232, #3F473D, #463D48, #4C3253 and #53275D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #395333 shade: #4A5232, #415232, #395232, #325235 and #32523D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #395333 shade: #151F13, #273923, #385232, #4A6C42 and #5B8552

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #395333 shade: #395333, #325252 and #523245

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #395333 shade: #395333, #323952 and #523239

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #395333 shade: #395333, #325252, #4C3252 and #523232

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #395333 shade: #395333, #324952, #4C3252 and #523C32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 39 / 67

HEX #395333

RGB 57 83 51

HSL 108.75, 0.24%, 0.26%

LAB 32.47, -16.97, 15.69

 

Complementary color

CMYK 3 / 16 / 0 / 20

HEX #C6ACCC

RGB 198 172 204

HSL 288.75, 0.24%, 0.74%

LAB 73.46, 15.15, -12.77

 

CMYK 25 / 0 / 45 / 67

HEX #3E532E

RGB 62 83 46

HSL 94.05, 0.29%, 0.25%

LAB 32.72, -15.74, 19.09

 

CMYK 22 / 0 / 36 / 60

HEX #4F6541

RGB 79 101 65

HSL 96.67, 0.22%, 0.33%

LAB 40.17, -15.62, 17.77

 

CMYK 19 / 0 / 29 / 53

HEX #607754

RGB 96 119 84

HSL 99.43, 0.17%, 0.4%

LAB 47.39, -15.49, 16.57

 

CMYK 18 / 0 / 25 / 46

HEX #718967

RGB 113 137 103

HSL 102.35, 0.14%, 0.47%

LAB 54.43, -15.36, 15.47

 

CMYK 16 / 0 / 21 / 39

HEX #829B7A

RGB 130 155 122

HSL 105.45, 0.14%, 0.54%

LAB 61.3, -15.25, 14.45

 

CMYK 31 / 0 / 39 / 67

HEX #395333

RGB 57 83 51

HSL 108.75, 0.24%, 0.26%

LAB 32.47, -16.97, 15.69

 

CMYK 38 / 0 / 51 / 75

HEX #284120

RGB 40 65 32

HSL 105.45, 0.34%, 0.19%

LAB 24.75, -17.19, 17.11

 

CMYK 51 / 0 / 72 / 82

HEX #172F0D

RGB 23 47 13

HSL 102.35, 0.57%, 0.12%

LAB 16.72, -17.24, 18.27

 

CMYK 79 / 0 / 100 / 89

HEX #061D00

RGB 6 29 0

HSL 107.59, 1%, 0.06%

LAB 8.28, -14.63, 12.14

 

CMYK 100 / 0 / 100 / 96

HEX #000B00

RGB 0 11 0

HSL 120, 1%, 0.02%

LAB 2.16, -4.42, 3.16

 

CMYK 32 / 0 / 39 / 68

HEX #385232

RGB 56 82 50

HSL 108.75, 0.24%, 0.26%

LAB 32.05, -16.99, 15.73

 

CMYK 21 / 0 / 39 / 68

HEX #415232

RGB 65 82 50

HSL 91.88, 0.24%, 0.26%

LAB 32.68, -13.27, 16.67

 

CMYK 10 / 0 / 39 / 68

HEX #4A5232

RGB 74 82 50

HSL 75, 0.24%, 0.26%

LAB 33.39, -9.31, 17.75

 

CMYK 0 / 0 / 39 / 68

HEX #525232

RGB 82 82 50

HSL 60, 0.24%, 0.26%

LAB 34.1, -5.66, 18.81

 

CMYK 0 / 10 / 39 / 68

HEX #524A32

RGB 82 74 50

HSL 45, 0.24%, 0.26%

LAB 31.63, -0.78, 15.57

 

CMYK 32 / 0 / 39 / 68

HEX #385232

RGB 56 82 50

HSL 108.75, 0.24%, 0.26%

LAB 32.05, -16.99, 15.73

 

CMYK 39 / 0 / 35 / 68

HEX #325235

RGB 50 82 53

HSL 125.63, 0.24%, 0.26%

LAB 31.74, -18.73, 13.41

 

CMYK 39 / 0 / 24 / 68

HEX #32523E

RGB 50 82 62

HSL 142.5, 0.24%, 0.26%

LAB 31.94, -16.82, 8.08

 

CMYK 39 / 0 / 15 / 68

HEX #325246

RGB 50 82 70

HSL 157.5, 0.24%, 0.26%

LAB 32.16, -14.91, 3.34

 

CMYK 39 / 0 / 4 / 68

HEX #32524F

RGB 50 82 79

HSL 174.38, 0.24%, 0.26%

LAB 32.43, -12.54, -1.97

 

CMYK 32 / 0 / 39 / 68

HEX #385232

RGB 56 82 50

HSL 108.75, 0.24%, 0.26%

LAB 32.05, -16.99, 15.73

 

CMYK 46 / 0 / 57 / 64

HEX #325D28

RGB 50 93 40

HSL 108.68, 0.4%, 0.26%

LAB 35.32, -26.51, 25.61

 

CMYK 59 / 0 / 72 / 59

HEX #2B681D

RGB 43 104 29

HSL 108.8, 0.56%, 0.26%

LAB 38.73, -34.98, 34.88

 

CMYK 68 / 0 / 84 / 55

HEX #247212

RGB 36 114 18

HSL 108.75, 0.73%, 0.26%

LAB 41.93, -41.57, 42.17

 

CMYK 76 / 0 / 94 / 51

HEX #1E7D07

RGB 30 125 7

HSL 108.31, 0.89%, 0.26%

LAB 45.58, -47.15, 48.05

 

CMYK 32 / 0 / 39 / 68

HEX #385232

RGB 56 82 50

HSL 108.75, 0.24%, 0.26%

LAB 32.05, -16.99, 15.73

 

CMYK 11 / 0 / 14 / 72

HEX #3F473D

RGB 63 71 61

HSL 108, 0.08%, 0.26%

LAB 29.16, -5.51, 4.92

 

CMYK 3 / 15 / 0 / 72

HEX #463D48

RGB 70 61 72

HSL 289.09, 0.08%, 0.26%

LAB 27.04, 6.28, -5.28

 

CMYK 8 / 40 / 0 / 67

HEX #4C3253

RGB 76 50 83

HSL 287.27, 0.25%, 0.26%

LAB 25.08, 18.43, -15.45

 

CMYK 11 / 58 / 0 / 64

HEX #53275D

RGB 83 39 93

HSL 288.89, 0.41%, 0.26%

LAB 23.94, 29.88, -23.76

 

CMYK 10 / 0 / 39 / 68

HEX #4A5232

RGB 74 82 50

HSL 75, 0.24%, 0.26%

LAB 33.39, -9.31, 17.75

 

CMYK 21 / 0 / 39 / 68

HEX #415232

RGB 65 82 50

HSL 91.88, 0.24%, 0.26%

LAB 32.68, -13.27, 16.67

 

CMYK 30 / 0 / 39 / 68

HEX #395232

RGB 57 82 50

HSL 106.88, 0.24%, 0.26%

LAB 32.11, -16.59, 15.83

 

CMYK 39 / 0 / 35 / 68

HEX #325235

RGB 50 82 53

HSL 125.63, 0.24%, 0.26%

LAB 31.74, -18.73, 13.41

 

CMYK 39 / 0 / 26 / 68

HEX #32523D

RGB 50 82 61

HSL 140.63, 0.24%, 0.26%

LAB 31.92, -17.04, 8.68

 

CMYK 32 / 0 / 39 / 88

HEX #151F13

RGB 21 31 19

HSL 110, 0.24%, 0.1%

LAB 10.46, -7.6, 6.63

 

CMYK 32 / 0 / 39 / 78

HEX #273923

RGB 39 57 35

HSL 109.09, 0.24%, 0.18%

LAB 21.87, -12.51, 11.45

 

CMYK 32 / 0 / 39 / 68

HEX #385232

RGB 56 82 50

HSL 108.75, 0.24%, 0.26%

LAB 32.05, -16.99, 15.73

 

CMYK 31 / 0 / 39 / 58

HEX #4A6C42

RGB 74 108 66

HSL 108.57, 0.24%, 0.34%

LAB 42.11, -21.17, 19.71

 

CMYK 32 / 0 / 38 / 48

HEX #5B8552

RGB 91 133 82

HSL 109.41, 0.24%, 0.42%

LAB 51.39, -25.02, 22.99

 

CMYK 31 / 0 / 39 / 67

HEX #395333

RGB 57 83 51

HSL 108.75, 0.24%, 0.26%

LAB 32.47, -16.97, 15.69

 

CMYK 39 / 0 / 0 / 68

HEX #325252

RGB 50 82 82

HSL 180, 0.24%, 0.26%

LAB 32.53, -11.7, -3.73

 

CMYK 0 / 39 / 16 / 68

HEX #523245

RGB 82 50 69

HSL 324.38, 0.24%, 0.26%

LAB 25.27, 17.74, -5.78

 

CMYK 31 / 0 / 39 / 67

HEX #395333

RGB 57 83 51

HSL 108.75, 0.24%, 0.26%

LAB 32.47, -16.97, 15.69

 

CMYK 39 / 30 / 0 / 68

HEX #323952

RGB 50 57 82

HSL 226.88, 0.24%, 0.26%

LAB 24.37, 4.19, -16.11

 

CMYK 0 / 39 / 30 / 68

HEX #523239

RGB 82 50 57

HSL 346.88, 0.24%, 0.26%

LAB 24.86, 15.6, 1.65

 

CMYK 31 / 0 / 39 / 67

HEX #395333

RGB 57 83 51

HSL 108.75, 0.24%, 0.26%

LAB 32.47, -16.97, 15.69

 

CMYK 39 / 0 / 0 / 68

HEX #325252

RGB 50 82 82

HSL 180, 0.24%, 0.26%

LAB 32.53, -11.7, -3.73

 

CMYK 7 / 39 / 0 / 68

HEX #4C3252

RGB 76 50 82

HSL 288.75, 0.24%, 0.26%

LAB 25.04, 18.19, -14.86

 

CMYK 0 / 39 / 39 / 68

HEX #523232

RGB 82 50 50

HSL 0, 0.24%, 0.26%

LAB 24.66, 14.52, 6.06

 

CMYK 31 / 0 / 39 / 67

HEX #395333

RGB 57 83 51

HSL 108.75, 0.24%, 0.26%

LAB 32.47, -16.97, 15.69

 

CMYK 39 / 11 / 0 / 68

HEX #324952

RGB 50 73 82

HSL 196.88, 0.24%, 0.26%

LAB 29.54, -6.24, -8.19

 

CMYK 7 / 39 / 0 / 68

HEX #4C3252

RGB 76 50 82

HSL 288.75, 0.24%, 0.26%

LAB 25.04, 18.19, -14.86

 

CMYK 0 / 27 / 39 / 68

HEX #523C32

RGB 82 60 50

HSL 18.75, 0.24%, 0.26%

LAB 27.45, 8.09, 9.94

 

Description

Color code: HEX #395333 | qconv.com Color code: HEX #395333 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 83 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 83 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 39 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 39% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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