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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39482E it is the complementary color #C6B7D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39482E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39482E shade: #3E4829, #4F5A3C, #606C4F, #717E62 and #829075

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39482E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39482E shade: #39482E, #28361B, #172408, #061200 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39482E shade: #39482E, #40482E, #47482E, #48422E and #483B2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39482E shade: #39482E, #32482E, #2E4831, #2E4838 and #2E483F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39482E shade matches the following richer shades: #39482E, #375124, #365B1B, #346411 and #336E08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39482E shade: #39482E, #3A3E37, #3C3541, #3D2B4A and #3F2254

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39482E shade: #47482E, #40482E, #39482E, #32482E and #2E4830

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39482E shade: #11150E, #252E1E, #39482E, #4D613E and #617A4E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39482E shade: #39482E, #2E4842 and #482E43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39482E shade: #39482E, #2E3948 and #482E39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39482E shade: #39482E, #2E4842, #3C2E48 and #482E34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39482E shade: #39482E, #2E4648, #3C2E48 and #482F2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 36 / 72

HEX #39482E

RGB 57 72 46

HSL 94.62, 0.22%, 0.23%

LAB 28.65, -11.59, 13.7

 

Complementary color

CMYK 5 / 12 / 0 / 18

HEX #C6B7D1

RGB 198 183 209

HSL 274.62, 0.22%, 0.77%

LAB 76.36, 10.13, -11.16

 

CMYK 14 / 0 / 43 / 72

HEX #3E4829

RGB 62 72 41

HSL 79.35, 0.27%, 0.22%

LAB 28.95, -10.18, 17.28

 

CMYK 12 / 0 / 33 / 65

HEX #4F5A3C

RGB 79 90 60

HSL 82, 0.2%, 0.29%

LAB 36.56, -10.23, 15.95

 

CMYK 11 / 0 / 27 / 58

HEX #606C4F

RGB 96 108 79

HSL 84.83, 0.16%, 0.37%

LAB 43.91, -10.24, 14.76

 

CMYK 10 / 0 / 22 / 51

HEX #717E62

RGB 113 126 98

HSL 87.86, 0.13%, 0.44%

LAB 51.05, -10.24, 13.68

 

CMYK 10 / 0 / 19 / 44

HEX #829075

RGB 130 144 117

HSL 91.11, 0.11%, 0.51%

LAB 58.01, -10.23, 12.68

 

CMYK 21 / 0 / 36 / 72

HEX #39482E

RGB 57 72 46

HSL 94.62, 0.22%, 0.23%

LAB 28.65, -11.59, 13.7

 

CMYK 26 / 0 / 50 / 79

HEX #28361B

RGB 40 54 27

HSL 91.11, 0.33%, 0.16%

LAB 20.71, -11.69, 15.11

 

CMYK 36 / 0 / 78 / 86

HEX #172408

RGB 23 36 8

HSL 87.86, 0.64%, 0.09%

LAB 12.36, -11.67, 14.77

 

CMYK 67 / 0 / 100 / 93

HEX #061200

RGB 6 18 0

HSL 100, 1%, 0.04%

LAB 4.26, -6.41, 6.26

 

CMYK 21 / 0 / 36 / 72

HEX #39482E

RGB 57 72 46

HSL 94.62, 0.22%, 0.23%

LAB 28.65, -11.59, 13.7

 

CMYK 11 / 0 / 36 / 72

HEX #40482E

RGB 64 72 46

HSL 78.46, 0.22%, 0.23%

LAB 29.21, -8.49, 14.56

 

CMYK 1 / 0 / 36 / 72

HEX #47482E

RGB 71 72 46

HSL 62.31, 0.22%, 0.23%

LAB 29.84, -5.27, 15.5

 

CMYK 0 / 8 / 36 / 72

HEX #48422E

RGB 72 66 46

HSL 46.15, 0.22%, 0.23%

LAB 28.04, -1.06, 13.12

 

CMYK 0 / 18 / 36 / 72

HEX #483B2E

RGB 72 59 46

HSL 30, 0.22%, 0.23%

LAB 25.87, 3.43, 10.19

 

CMYK 21 / 0 / 36 / 72

HEX #39482E

RGB 57 72 46

HSL 94.62, 0.22%, 0.23%

LAB 28.65, -11.59, 13.7

 

CMYK 31 / 0 / 36 / 72

HEX #32482E

RGB 50 72 46

HSL 110.77, 0.22%, 0.23%

LAB 28.14, -14.54, 12.94

 

CMYK 36 / 0 / 32 / 72

HEX #2E4831

RGB 46 72 49

HSL 126.92, 0.22%, 0.23%

LAB 27.95, -15.53, 10.73

 

CMYK 36 / 0 / 22 / 72

HEX #2E4838

RGB 46 72 56

HSL 143.08, 0.22%, 0.23%

LAB 28.12, -13.98, 6.49

 

CMYK 36 / 0 / 13 / 72

HEX #2E483F

RGB 46 72 63

HSL 159.23, 0.22%, 0.23%

LAB 28.31, -12.27, 2.25

 

CMYK 21 / 0 / 36 / 72

HEX #39482E

RGB 57 72 46

HSL 94.62, 0.22%, 0.23%

LAB 28.65, -11.59, 13.7

 

CMYK 32 / 0 / 56 / 68

HEX #375124

RGB 55 81 36

HSL 94.67, 0.38%, 0.23%

LAB 31.4, -19.05, 23.18

 

CMYK 41 / 0 / 70 / 64

HEX #365B1B

RGB 54 91 27

HSL 94.69, 0.54%, 0.23%

LAB 34.69, -25.57, 31.64

 

CMYK 48 / 0 / 83 / 61

HEX #346411

RGB 52 100 17

HSL 94.7, 0.71%, 0.23%

LAB 37.64, -31.28, 38.69

 

CMYK 54 / 0 / 93 / 57

HEX #336E08

RGB 51 110 8

HSL 94.71, 0.86%, 0.23%

LAB 41.01, -36.32, 44.21

 

CMYK 21 / 0 / 36 / 72

HEX #39482E

RGB 57 72 46

HSL 94.62, 0.22%, 0.23%

LAB 28.65, -11.59, 13.7

 

CMYK 6 / 0 / 11 / 76

HEX #3A3E37

RGB 58 62 55

HSL 94.29, 0.06%, 0.23%

LAB 25.63, -3.25, 3.73

 

CMYK 8 / 18 / 0 / 75

HEX #3C3541

RGB 60 53 65

HSL 275, 0.1%, 0.23%

LAB 23.3, 5.83, -6.33

 

CMYK 18 / 42 / 0 / 71

HEX #3D2B4A

RGB 61 43 74

HSL 274.84, 0.26%, 0.23%

LAB 20.88, 15.29, -16.1

 

CMYK 25 / 60 / 0 / 67

HEX #3F2254

RGB 63 34 84

HSL 274.8, 0.42%, 0.23%

LAB 19.4, 24.51, -25.16

 

CMYK 1 / 0 / 36 / 72

HEX #47482E

RGB 71 72 46

HSL 62.31, 0.22%, 0.23%

LAB 29.84, -5.27, 15.5

 

CMYK 11 / 0 / 36 / 72

HEX #40482E

RGB 64 72 46

HSL 78.46, 0.22%, 0.23%

LAB 29.21, -8.49, 14.56

 

CMYK 21 / 0 / 36 / 72

HEX #39482E

RGB 57 72 46

HSL 94.62, 0.22%, 0.23%

LAB 28.65, -11.59, 13.7

 

CMYK 31 / 0 / 36 / 72

HEX #32482E

RGB 50 72 46

HSL 110.77, 0.22%, 0.23%

LAB 28.14, -14.54, 12.94

 

CMYK 36 / 0 / 33 / 72

HEX #2E4830

RGB 46 72 48

HSL 124.62, 0.22%, 0.23%

LAB 27.92, -15.73, 11.33

 

CMYK 19 / 0 / 33 / 92

HEX #11150E

RGB 17 21 14

HSL 94.29, 0.2%, 0.07%

LAB 6.21, -3.05, 3.3

 

CMYK 20 / 0 / 35 / 82

HEX #252E1E

RGB 37 46 30

HSL 93.75, 0.21%, 0.15%

LAB 17.65, -7.6, 9.08

 

CMYK 21 / 0 / 36 / 72

HEX #39482E

RGB 57 72 46

HSL 94.62, 0.22%, 0.23%

LAB 28.65, -11.59, 13.7

 

CMYK 21 / 0 / 36 / 62

HEX #4D613E

RGB 77 97 62

HSL 94.29, 0.22%, 0.31%

LAB 38.68, -14.72, 17.56

 

CMYK 20 / 0 / 36 / 52

HEX #617A4E

RGB 97 122 78

HSL 94.09, 0.22%, 0.39%

LAB 48.27, -17.69, 21.21

 

CMYK 21 / 0 / 36 / 72

HEX #39482E

RGB 57 72 46

HSL 94.62, 0.22%, 0.23%

LAB 28.65, -11.59, 13.7

 

CMYK 36 / 0 / 8 / 72

HEX #2E4842

RGB 46 72 66

HSL 166.15, 0.22%, 0.23%

LAB 28.4, -11.49, 0.44

 

CMYK 0 / 36 / 7 / 72

HEX #482E43

RGB 72 46 67

HSL 311.54, 0.22%, 0.23%

LAB 22.78, 15.87, -8.32

 

CMYK 21 / 0 / 36 / 72

HEX #39482E

RGB 57 72 46

HSL 94.62, 0.22%, 0.23%

LAB 28.65, -11.59, 13.7

 

CMYK 36 / 21 / 0 / 72

HEX #2E3948

RGB 46 57 72

HSL 214.62, 0.22%, 0.23%

LAB 23.59, -0.28, -10.7

 

CMYK 0 / 36 / 21 / 72

HEX #482E39

RGB 72 46 57

HSL 334.62, 0.22%, 0.23%

LAB 22.4, 13.86, -2.11

 

CMYK 21 / 0 / 36 / 72

HEX #39482E

RGB 57 72 46

HSL 94.62, 0.22%, 0.23%

LAB 28.65, -11.59, 13.7

 

CMYK 36 / 0 / 8 / 72

HEX #2E4842

RGB 46 72 66

HSL 166.15, 0.22%, 0.23%

LAB 28.4, -11.49, 0.44

 

CMYK 17 / 36 / 0 / 72

HEX #3C2E48

RGB 60 46 72

HSL 272.31, 0.22%, 0.23%

LAB 21.52, 12.36, -13.77

 

CMYK 0 / 36 / 28 / 72

HEX #482E34

RGB 72 46 52

HSL 346.15, 0.22%, 0.23%

LAB 22.23, 12.95, 1.05

 

CMYK 21 / 0 / 36 / 72

HEX #39482E

RGB 57 72 46

HSL 94.62, 0.22%, 0.23%

LAB 28.65, -11.59, 13.7

 

CMYK 36 / 3 / 0 / 72

HEX #2E4648

RGB 46 70 72

HSL 184.62, 0.22%, 0.23%

LAB 27.92, -8.62, -4.17

 

CMYK 17 / 36 / 0 / 72

HEX #3C2E48

RGB 60 46 72

HSL 272.31, 0.22%, 0.23%

LAB 21.52, 12.36, -13.77

 

CMYK 0 / 35 / 36 / 72

HEX #482F2E

RGB 72 47 46

HSL 2.31, 0.22%, 0.23%

LAB 22.33, 11.3, 5.28

 

Description

Color code: HEX #39482E | qconv.com Color code: HEX #39482E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 72 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 72 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 36 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 36% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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