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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3945C7 it is the complementary color #C6BA38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3945C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3945C7 shade: #3E45C2, #4F57D5, #6069E8, #717BFB and #828DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3945C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3945C7 shade: #3945C7, #2833B4, #1721A1, #060F8E and #00007B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3945C7 shade: #3844C7, #5338C7, #7938C7, #A038C7 and #C638C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3945C7 shade: #3844C7 and #3838C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3945C7 shade matches the following richer shades: #3844C7, #2333DC and #0F22F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3945C7 shade: #3844C7, #4D55B2, #61669E, #767889 and #8B8974

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3945C7 shade: #3893C7, #386CC7, #3846C7, #5038C7 and #7638C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3945C7 shade: #262E87, #2F39A7, #3844C7, #5862D0 and #7881D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3945C7 shade: #3945C7, #C738B9 and #80C738

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3945C7 shade: #3945C7, #C73846 and #46C738

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3945C7 shade: #3945C7, #C738B9, #C7B938 and #38C746

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3945C7 shade: #3945C7, #C7388E, #C7B938 and #38C771

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 65 / 0 / 22

HEX #3945C7

RGB 57 69 199

HSL 234.93, 0.56%, 0.5%

LAB 36.46, 38.71, -68.9

 

Complementary color

CMYK 0 / 6 / 72 / 22

HEX #C6BA38

RGB 198 186 56

HSL 54.93, 0.56%, 0.5%

LAB 74.45, -10.37, 63.65

 

CMYK 68 / 64 / 0 / 24

HEX #3E45C2

RGB 62 69 194

HSL 236.82, 0.52%, 0.5%

LAB 36.32, 37.61, -66.2

 

CMYK 63 / 59 / 0 / 16

HEX #4F57D5

RGB 79 87 213

HSL 236.42, 0.61%, 0.57%

LAB 43.19, 35.4, -65.95

 

CMYK 59 / 55 / 0 / 9

HEX #6069E8

RGB 96 105 232

HSL 236.03, 0.75%, 0.64%

LAB 50, 33.48, -65.63

 

CMYK 55 / 51 / 0 / 2

HEX #717BFB

RGB 113 123 251

HSL 235.65, 0.95%, 0.71%

LAB 56.72, 31.83, -65.3

 

CMYK 49 / 45 / 0 / 0

HEX #828DFF

RGB 130 141 255

HSL 234.72, 1%, 0.75%

LAB 62.52, 25.91, -58.15

 

CMYK 71 / 65 / 0 / 22

HEX #3945C7

RGB 57 69 199

HSL 234.93, 0.56%, 0.5%

LAB 36.46, 38.71, -68.9

 

CMYK 78 / 72 / 0 / 29

HEX #2833B4

RGB 40 51 180

HSL 235.29, 0.64%, 0.43%

LAB 29.7, 41.38, -68.87

 

CMYK 86 / 80 / 0 / 37

HEX #1721A1

RGB 23 33 161

HSL 235.65, 0.75%, 0.36%

LAB 23.15, 44.1, -68.29

 

CMYK 96 / 89 / 0 / 44

HEX #060F8E

RGB 6 15 142

HSL 236.03, 0.92%, 0.29%

LAB 17.15, 46.06, -66.56

 

CMYK 100 / 100 / 0 / 52

HEX #00007B

RGB 0 0 123

HSL 240, 1%, 0.24%

LAB 12.16, 46.16, -62.88

 

CMYK 72 / 66 / 0 / 22

HEX #3844C7

RGB 56 68 199

HSL 234.97, 0.56%, 0.5%

LAB 36.17, 39.22, -69.38

 

CMYK 58 / 72 / 0 / 22

HEX #5338C7

RGB 83 56 199

HSL 251.33, 0.56%, 0.5%

LAB 35.58, 49.61, -70.28

 

CMYK 39 / 72 / 0 / 22

HEX #7938C7

RGB 121 56 199

HSL 267.27, 0.56%, 0.5%

LAB 39.61, 55.75, -63.53

 

CMYK 20 / 72 / 0 / 22

HEX #A038C7

RGB 160 56 199

HSL 283.64, 0.56%, 0.5%

LAB 44.84, 63.26, -54.81

 

CMYK 1 / 72 / 0 / 22

HEX #C638C7

RGB 198 56 199

HSL 299.58, 0.56%, 0.5%

LAB 50.64, 71.19, -45.2

 

CMYK 72 / 66 / 0 / 22

HEX #3844C7

RGB 56 68 199

HSL 234.97, 0.56%, 0.5%

LAB 36.17, 39.22, -69.38

 

CMYK 72 / 72 / 0 / 22

HEX #3838C7

RGB 56 56 199

HSL 240, 0.56%, 0.5%

LAB 33.55, 46.37, -73.69

 

CMYK 72 / 66 / 0 / 22

HEX #3844C7

RGB 56 68 199

HSL 234.97, 0.56%, 0.5%

LAB 36.17, 39.22, -69.38

 

CMYK 84 / 77 / 0 / 14

HEX #2333DC

RGB 35 51 220

HSL 234.81, 0.73%, 0.5%

LAB 33.76, 54.49, -85.54

 

CMYK 94 / 86 / 0 / 6

HEX #0F22F0

RGB 15 34 240

HSL 234.93, 0.88%, 0.5%

LAB 33, 67.7, -98.23

 

CMYK 72 / 66 / 0 / 22

HEX #3844C7

RGB 56 68 199

HSL 234.97, 0.56%, 0.5%

LAB 36.17, 39.22, -69.38

 

CMYK 57 / 52 / 0 / 30

HEX #4D55B2

RGB 77 85 178

HSL 235.25, 0.4%, 0.5%

LAB 40.06, 24.56, -50.69

 

CMYK 39 / 35 / 0 / 38

HEX #61669E

RGB 97 102 158

HSL 235.08, 0.24%, 0.5%

LAB 44.96, 12.47, -31

 

CMYK 14 / 12 / 0 / 46

HEX #767889

RGB 118 120 137

HSL 233.68, 0.07%, 0.5%

LAB 50.79, 2.92, -9.5

 

CMYK 0 / 1 / 17 / 45

HEX #8B8974

RGB 139 137 116

HSL 54.78, 0.09%, 0.5%

LAB 56.72, -3.04, 11.54

 

CMYK 72 / 26 / 0 / 22

HEX #3893C7

RGB 56 147 199

HSL 201.82, 0.56%, 0.5%

LAB 57.88, -9.71, -34.6

 

CMYK 72 / 46 / 0 / 22

HEX #386CC7

RGB 56 108 199

HSL 218.18, 0.56%, 0.5%

LAB 46.56, 13.7, -52.51

 

CMYK 72 / 65 / 0 / 22

HEX #3846C7

RGB 56 70 199

HSL 234.13, 0.56%, 0.5%

LAB 36.64, 37.98, -68.61

 

CMYK 60 / 72 / 0 / 22

HEX #5038C7

RGB 80 56 199

HSL 250.07, 0.56%, 0.5%

LAB 35.32, 49.2, -70.72

 

CMYK 41 / 72 / 0 / 22

HEX #7638C7

RGB 118 56 199

HSL 266.01, 0.56%, 0.5%

LAB 39.25, 55.21, -64.13

 

CMYK 72 / 66 / 0 / 47

HEX #262E87

RGB 38 46 135

HSL 235.05, 0.56%, 0.34%

LAB 24.05, 28.1, -50.73

 

CMYK 72 / 66 / 0 / 35

HEX #2F39A7

RGB 47 57 167

HSL 235, 0.56%, 0.42%

LAB 30.21, 33.77, -60.24

 

CMYK 72 / 66 / 0 / 22

HEX #3844C7

RGB 56 68 199

HSL 234.97, 0.56%, 0.5%

LAB 36.17, 39.22, -69.38

 

CMYK 58 / 53 / 0 / 18

HEX #5862D0

RGB 88 98 208

HSL 235, 0.56%, 0.58%

LAB 46.13, 28.49, -58.29

 

CMYK 45 / 41 / 0 / 15

HEX #7881D9

RGB 120 129 217

HSL 234.43, 0.56%, 0.66%

LAB 56.79, 19.44, -46.24

 

CMYK 71 / 65 / 0 / 22

HEX #3945C7

RGB 57 69 199

HSL 234.93, 0.56%, 0.5%

LAB 36.46, 38.71, -68.9

 

CMYK 0 / 72 / 7 / 22

HEX #C738B9

RGB 199 56 185

HSL 305.87, 0.56%, 0.5%

LAB 50.07, 69.21, -37.98

 

CMYK 36 / 0 / 72 / 22

HEX #80C738

RGB 128 199 56

HSL 89.79, 0.56%, 0.5%

LAB 73.36, -44.61, 60.98

 

CMYK 71 / 65 / 0 / 22

HEX #3945C7

RGB 57 69 199

HSL 234.93, 0.56%, 0.5%

LAB 36.46, 38.71, -68.9

 

CMYK 0 / 72 / 65 / 22

HEX #C73846

RGB 199 56 70

HSL 354.13, 0.56%, 0.5%

LAB 46.19, 56.8, 25.63

 

CMYK 65 / 0 / 72 / 22

HEX #46C738

RGB 70 199 56

HSL 114.13, 0.56%, 0.5%

LAB 71.17, -61.19, 58.04

 

CMYK 71 / 65 / 0 / 22

HEX #3945C7

RGB 57 69 199

HSL 234.93, 0.56%, 0.5%

LAB 36.46, 38.71, -68.9

 

CMYK 0 / 72 / 7 / 22

HEX #C738B9

RGB 199 56 185

HSL 305.87, 0.56%, 0.5%

LAB 50.07, 69.21, -37.98

 

CMYK 0 / 7 / 72 / 22

HEX #C7B938

RGB 199 185 56

HSL 54.13, 0.56%, 0.5%

LAB 74.27, -9.42, 63.51

 

CMYK 72 / 0 / 65 / 22

HEX #38C746

RGB 56 199 70

HSL 125.87, 0.56%, 0.5%

LAB 70.96, -62.53, 52.2

 

CMYK 71 / 65 / 0 / 22

HEX #3945C7

RGB 57 69 199

HSL 234.93, 0.56%, 0.5%

LAB 36.46, 38.71, -68.9

 

CMYK 0 / 72 / 29 / 22

HEX #C7388E

RGB 199 56 142

HSL 323.92, 0.56%, 0.5%

LAB 48.16, 63.3, -15.46

 

CMYK 0 / 7 / 72 / 22

HEX #C7B938

RGB 199 185 56

HSL 54.13, 0.56%, 0.5%

LAB 74.27, -9.42, 63.51

 

CMYK 72 / 0 / 43 / 22

HEX #38C771

RGB 56 199 113

HSL 143.92, 0.56%, 0.5%

LAB 71.47, -56.53, 32.43

 

Description

Color code: HEX #3945C7 | qconv.com Color code: HEX #3945C7 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 69 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 69 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 65 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 65% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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