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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #394152 it is the complementary color #C6BEAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #394152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #394152 shade: #3E414D, #4F5360, #606573, #717786 and #828999

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #394152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #394152 shade: #394152, #282F3F, #171D2C, #060B19 and #000006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #394152 shade: #384051, #383A51, #3E3851, #453851 and #4B3851

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #394152 shade: #384051, #383A51 and #383851

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #394152 shade matches the following richer shades: #384051, #2D3C5C, #223868, #173473 and #0C307E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #394152 shade: #384051, #444446, #4F483B, #5A4C30 and #655025

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #394152 shade: #384E51, #384751, #384151, #383A51 and #3D3851

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #394152 shade: #171A21, #282D39, #384051, #49546A and #5A6782

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #394152 shade: #394152, #4E3851 and #4B5138

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #394152 shade: #394152, #513841 and #415138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #394152 shade: #394152, #4E3851, #514938 and #3C5138

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #394152 shade: #394152, #51384D, #514938 and #38513D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 21 / 0 / 68

HEX #394152

RGB 57 65 82

HSL 220.8, 0.18%, 0.27%

LAB 27.46, 1.26, -11.3

 

Complementary color

CMYK 0 / 4 / 13 / 22

HEX #C6BEAD

RGB 198 190 173

HSL 40.8, 0.18%, 0.73%

LAB 77.19, -0.1, 9.58

 

CMYK 19 / 16 / 0 / 70

HEX #3E414D

RGB 62 65 77

HSL 228, 0.11%, 0.27%

LAB 27.68, 1.72, -7.66

 

CMYK 18 / 14 / 0 / 62

HEX #4F5360

RGB 79 83 96

HSL 225.88, 0.1%, 0.34%

LAB 35.39, 1.48, -8.08

 

CMYK 17 / 12 / 0 / 55

HEX #606573

RGB 96 101 115

HSL 224.21, 0.09%, 0.41%

LAB 42.81, 1.26, -8.51

 

CMYK 16 / 11 / 0 / 47

HEX #717786

RGB 113 119 134

HSL 222.86, 0.09%, 0.48%

LAB 50.01, 1.06, -8.95

 

CMYK 15 / 10 / 0 / 40

HEX #828999

RGB 130 137 153

HSL 221.74, 0.1%, 0.55%

LAB 57.01, 0.88, -9.39

 

CMYK 30 / 21 / 0 / 68

HEX #394152

RGB 57 65 82

HSL 220.8, 0.18%, 0.27%

LAB 27.46, 1.26, -11.3

 

CMYK 37 / 25 / 0 / 75

HEX #282F3F

RGB 40 47 63

HSL 221.74, 0.22%, 0.2%

LAB 19.4, 1.61, -11.07

 

CMYK 48 / 34 / 0 / 83

HEX #171D2C

RGB 23 29 44

HSL 222.86, 0.31%, 0.13%

LAB 10.87, 2.12, -10.95

 

CMYK 76 / 56 / 0 / 90

HEX #060B19

RGB 6 11 25

HSL 224.21, 0.61%, 0.06%

LAB 3.15, 1.61, -8.41

 

CMYK 100 / 100 / 0 / 98

HEX #000006

RGB 0 0 6

HSL 240, 1%, 0.01%

LAB 0.12, 0.83, -2.27

 

CMYK 31 / 21 / 0 / 68

HEX #384051

RGB 56 64 81

HSL 220.8, 0.18%, 0.27%

LAB 27.02, 1.27, -11.33

 

CMYK 31 / 28 / 0 / 68

HEX #383A51

RGB 56 58 81

HSL 235.2, 0.18%, 0.27%

LAB 25.14, 5.27, -14.21

 

CMYK 23 / 31 / 0 / 68

HEX #3E3851

RGB 62 56 81

HSL 254.4, 0.18%, 0.27%

LAB 25.1, 8.77, -14.24

 

CMYK 15 / 31 / 0 / 68

HEX #453851

RGB 69 56 81

HSL 271.2, 0.18%, 0.27%

LAB 25.83, 11.38, -13.05

 

CMYK 7 / 31 / 0 / 68

HEX #4B3851

RGB 75 56 81

HSL 285.6, 0.18%, 0.27%

LAB 26.5, 13.67, -11.96

 

CMYK 31 / 21 / 0 / 68

HEX #384051

RGB 56 64 81

HSL 220.8, 0.18%, 0.27%

LAB 27.02, 1.27, -11.33

 

CMYK 31 / 28 / 0 / 68

HEX #383A51

RGB 56 58 81

HSL 235.2, 0.18%, 0.27%

LAB 25.14, 5.27, -14.21

 

CMYK 31 / 31 / 0 / 68

HEX #383851

RGB 56 56 81

HSL 240, 0.18%, 0.27%

LAB 24.52, 6.62, -15.17

 

CMYK 31 / 21 / 0 / 68

HEX #384051

RGB 56 64 81

HSL 220.8, 0.18%, 0.27%

LAB 27.02, 1.27, -11.33

 

CMYK 51 / 35 / 0 / 64

HEX #2D3C5C

RGB 45 60 92

HSL 220.85, 0.34%, 0.27%

LAB 25.45, 3.94, -21.01

 

CMYK 67 / 46 / 0 / 59

HEX #223868

RGB 34 56 104

HSL 221.14, 0.51%, 0.27%

LAB 24.22, 8.49, -30.78

 

CMYK 80 / 55 / 0 / 55

HEX #173473

RGB 23 52 115

HSL 221.09, 0.67%, 0.27%

LAB 23.26, 14, -39.42

 

CMYK 90 / 62 / 0 / 51

HEX #0C307E

RGB 12 48 126

HSL 221.05, 0.83%, 0.27%

LAB 22.65, 20.44, -47.41

 

CMYK 31 / 21 / 0 / 68

HEX #384051

RGB 56 64 81

HSL 220.8, 0.18%, 0.27%

LAB 27.02, 1.27, -11.33

 

CMYK 3 / 3 / 0 / 73

HEX #444446

RGB 68 68 70

HSL 240, 0.01%, 0.27%

LAB 28.92, 0.45, -1.21

 

CMYK 0 / 9 / 25 / 69

HEX #4F483B

RGB 79 72 59

HSL 39, 0.14%, 0.27%

LAB 30.91, 0.49, 8.88

 

CMYK 0 / 16 / 47 / 65

HEX #5A4C30

RGB 90 76 48

HSL 40, 0.3%, 0.27%

LAB 33.04, 1.49, 18.8

 

CMYK 0 / 21 / 63 / 60

HEX #655025

RGB 101 80 37

HSL 40.31, 0.46%, 0.27%

LAB 35.28, 3.18, 28.23

 

CMYK 31 / 4 / 0 / 68

HEX #384E51

RGB 56 78 81

HSL 187.2, 0.18%, 0.27%

LAB 31.54, -7.61, -4.52

 

CMYK 31 / 12 / 0 / 68

HEX #384751

RGB 56 71 81

HSL 204, 0.18%, 0.27%

LAB 29.26, -3.25, -7.93

 

CMYK 31 / 20 / 0 / 68

HEX #384151

RGB 56 65 81

HSL 218.4, 0.18%, 0.27%

LAB 27.34, 0.62, -10.84

 

CMYK 31 / 28 / 0 / 68

HEX #383A51

RGB 56 58 81

HSL 235.2, 0.18%, 0.27%

LAB 25.14, 5.27, -14.21

 

CMYK 25 / 31 / 0 / 68

HEX #3D3851

RGB 61 56 81

HSL 252, 0.18%, 0.27%

LAB 25, 8.41, -14.4

 

CMYK 30 / 21 / 0 / 87

HEX #171A21

RGB 23 26 33

HSL 222, 0.18%, 0.11%

LAB 9.25, 0.65, -5.31

 

CMYK 30 / 21 / 0 / 78

HEX #282D39

RGB 40 45 57

HSL 222.35, 0.18%, 0.19%

LAB 18.47, 1.16, -8.38

 

CMYK 31 / 21 / 0 / 68

HEX #384051

RGB 56 64 81

HSL 220.8, 0.18%, 0.27%

LAB 27.02, 1.27, -11.33

 

CMYK 31 / 21 / 0 / 58

HEX #49546A

RGB 73 84 106

HSL 220, 0.18%, 0.35%

LAB 35.59, 1.39, -14.08

 

CMYK 31 / 21 / 0 / 49

HEX #5A6782

RGB 90 103 130

HSL 220.5, 0.18%, 0.43%

LAB 43.49, 1.84, -16.6

 

CMYK 30 / 21 / 0 / 68

HEX #394152

RGB 57 65 82

HSL 220.8, 0.18%, 0.27%

LAB 27.46, 1.26, -11.3

 

CMYK 4 / 31 / 0 / 68

HEX #4E3851

RGB 78 56 81

HSL 292.8, 0.18%, 0.27%

LAB 26.85, 14.82, -11.39

 

CMYK 7 / 0 / 31 / 68

HEX #4B5138

RGB 75 81 56

HSL 74.4, 0.18%, 0.27%

LAB 33.28, -7.33, 13.94

 

CMYK 30 / 21 / 0 / 68

HEX #394152

RGB 57 65 82

HSL 220.8, 0.18%, 0.27%

LAB 27.46, 1.26, -11.3

 

CMYK 0 / 31 / 20 / 68

HEX #513841

RGB 81 56 65

HSL 338.4, 0.18%, 0.27%

LAB 26.62, 12.71, -1.14

 

CMYK 20 / 0 / 31 / 68

HEX #415138

RGB 65 81 56

HSL 98.4, 0.18%, 0.27%

LAB 32.47, -11.65, 12.71

 

CMYK 30 / 21 / 0 / 68

HEX #394152

RGB 57 65 82

HSL 220.8, 0.18%, 0.27%

LAB 27.46, 1.26, -11.3

 

CMYK 4 / 31 / 0 / 68

HEX #4E3851

RGB 78 56 81

HSL 292.8, 0.18%, 0.27%

LAB 26.85, 14.82, -11.39

 

CMYK 0 / 10 / 31 / 68

HEX #514938

RGB 81 73 56

HSL 40.8, 0.18%, 0.27%

LAB 31.35, 0.28, 11.42

 

CMYK 26 / 0 / 31 / 68

HEX #3C5138

RGB 60 81 56

HSL 110.4, 0.18%, 0.27%

LAB 32.1, -13.72, 12.15

 

CMYK 30 / 21 / 0 / 68

HEX #394152

RGB 57 65 82

HSL 220.8, 0.18%, 0.27%

LAB 27.46, 1.26, -11.3

 

CMYK 0 / 31 / 5 / 68

HEX #51384D

RGB 81 56 77

HSL 309.6, 0.18%, 0.27%

LAB 27.06, 15.11, -8.42

 

CMYK 0 / 10 / 31 / 68

HEX #514938

RGB 81 73 56

HSL 40.8, 0.18%, 0.27%

LAB 31.35, 0.28, 11.42

 

CMYK 31 / 0 / 25 / 68

HEX #38513D

RGB 56 81 61

HSL 132, 0.18%, 0.27%

LAB 31.95, -14.28, 8.77

 

Description

Color code: HEX #394152 | qconv.com Color code: HEX #394152 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 65 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 65 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 21 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 21% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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