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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39386E it is the complementary color #C6C791. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39386E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39386E shade: #3E3869, #4F4A7C, #605C8F, #716EA2 and #8280B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39386E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39386E shade: #39386E, #28265B, #171448, #060235 and #000022

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39386E shade: #393870, #483870, #573870, #663870 and #70386B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39386E shade: #393870 and #383870

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39386E shade matches the following richer shades: #393870, #2C2B7E, #1F1D8B, #121099 and #0502A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39386E shade: #393870, #474662, #545455, #616147 and #6E6F39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39386E shade: #385570, #384670, #393870, #483870 and #573870

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39386E shade: #1D1D39, #2B2B54, #393870, #47468B and #5654A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39386E shade: #39386E, #703864 and #4E7038

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39386E shade: #39386E, #703938 and #387039

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39386E shade: #39386E, #703864, #6F7038 and #387044

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39386E shade: #39386E, #703853, #6F7038 and #387055

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 49 / 0 / 57

HEX #39386E

RGB 57 56 110

HSL 241.11, 0.33%, 0.33%

LAB 26.23, 16.14, -31.33

 

Complementary color

CMYK 1 / 0 / 27 / 22

HEX #C6C791

RGB 198 199 145

HSL 61.11, 0.33%, 0.67%

LAB 78.98, -8.97, 27.01

 

CMYK 41 / 47 / 0 / 59

HEX #3E3869

RGB 62 56 105

HSL 247.35, 0.3%, 0.32%

LAB 26.37, 15.92, -27.88

 

CMYK 36 / 40 / 0 / 51

HEX #4F4A7C

RGB 79 74 124

HSL 246, 0.25%, 0.39%

LAB 34.01, 14.92, -27.69

 

CMYK 33 / 36 / 0 / 44

HEX #605C8F

RGB 96 92 143

HSL 244.71, 0.22%, 0.46%

LAB 41.41, 14.11, -27.6

 

CMYK 30 / 32 / 0 / 36

HEX #716EA2

RGB 113 110 162

HSL 243.46, 0.22%, 0.53%

LAB 48.6, 13.43, -27.58

 

CMYK 28 / 29 / 0 / 29

HEX #8280B5

RGB 130 128 181

HSL 242.26, 0.26%, 0.61%

LAB 55.6, 12.85, -27.61

 

CMYK 48 / 49 / 0 / 57

HEX #39386E

RGB 57 56 110

HSL 241.11, 0.33%, 0.33%

LAB 26.23, 16.14, -31.33

 

CMYK 56 / 58 / 0 / 64

HEX #28265B

RGB 40 38 91

HSL 242.26, 0.41%, 0.25%

LAB 18.33, 17.67, -31.69

 

CMYK 68 / 72 / 0 / 72

HEX #171448

RGB 23 20 72

HSL 243.46, 0.57%, 0.18%

LAB 10.19, 19.74, -32.04

 

CMYK 89 / 96 / 0 / 79

HEX #060235

RGB 6 2 53

HSL 244.71, 0.93%, 0.11%

LAB 3.06, 17.08, -30.08

 

CMYK 100 / 100 / 0 / 87

HEX #000022

RGB 0 0 34

HSL 240, 1%, 0.07%

LAB 1.04, 7.33, -18.78

 

CMYK 49 / 50 / 0 / 56

HEX #393870

RGB 57 56 112

HSL 241.07, 0.33%, 0.33%

LAB 26.36, 16.81, -32.41

 

CMYK 36 / 50 / 0 / 56

HEX #483870

RGB 72 56 112

HSL 257.14, 0.33%, 0.33%

LAB 27.78, 20.99, -30.05

 

CMYK 22 / 50 / 0 / 56

HEX #573870

RGB 87 56 112

HSL 273.21, 0.33%, 0.33%

LAB 29.47, 25.55, -27.26

 

CMYK 9 / 50 / 0 / 56

HEX #663870

RGB 102 56 112

HSL 289.29, 0.33%, 0.33%

LAB 31.4, 30.29, -24.1

 

CMYK 0 / 50 / 4 / 56

HEX #70386B

RGB 112 56 107

HSL 305.36, 0.33%, 0.33%

LAB 32.56, 32.51, -19.02

 

CMYK 49 / 50 / 0 / 56

HEX #393870

RGB 57 56 112

HSL 241.07, 0.33%, 0.33%

LAB 26.36, 16.81, -32.41

 

CMYK 50 / 50 / 0 / 56

HEX #383870

RGB 56 56 112

HSL 240, 0.33%, 0.33%

LAB 26.27, 16.55, -32.55

 

CMYK 49 / 50 / 0 / 56

HEX #393870

RGB 57 56 112

HSL 241.07, 0.33%, 0.33%

LAB 26.36, 16.81, -32.41

 

CMYK 65 / 66 / 0 / 51

HEX #2C2B7E

RGB 44 43 126

HSL 240.72, 0.49%, 0.33%

LAB 22.89, 27.7, -46.95

 

CMYK 78 / 79 / 0 / 45

HEX #1F1D8B

RGB 31 29 139

HSL 241.09, 0.65%, 0.33%

LAB 20.18, 39.36, -59.62

 

CMYK 88 / 90 / 0 / 40

HEX #121099

RGB 18 16 153

HSL 240.88, 0.81%, 0.33%

LAB 19.22, 49.29, -69.92

 

CMYK 97 / 99 / 0 / 35

HEX #0502A6

RGB 5 2 166

HSL 241.1, 0.98%, 0.33%

LAB 19.35, 56.91, -77.68

 

CMYK 49 / 50 / 0 / 56

HEX #393870

RGB 57 56 112

HSL 241.07, 0.33%, 0.33%

LAB 26.36, 16.81, -32.41

 

CMYK 28 / 29 / 0 / 62

HEX #474662

RGB 71 70 98

HSL 242.14, 0.17%, 0.33%

LAB 30.88, 7.44, -16.27

 

CMYK 1 / 1 / 0 / 67

HEX #545455

RGB 84 84 85

HSL 240, 0.01%, 0.33%

LAB 35.75, 0.22, -0.59

 

CMYK 0 / 0 / 27 / 62

HEX #616147

RGB 97 97 71

HSL 60, 0.15%, 0.33%

LAB 40.48, -4.77, 14.88

 

CMYK 1 / 0 / 49 / 56

HEX #6E6F39

RGB 110 111 57

HSL 61.11, 0.32%, 0.33%

LAB 45.61, -8.9, 29.75

 

CMYK 50 / 24 / 0 / 56

HEX #385570

RGB 56 85 112

HSL 208.93, 0.33%, 0.33%

LAB 35.02, -2.59, -18.79

 

CMYK 50 / 38 / 0 / 56

HEX #384670

RGB 56 70 112

HSL 225, 0.33%, 0.33%

LAB 30.38, 7.11, -26.03

 

CMYK 49 / 50 / 0 / 56

HEX #393870

RGB 57 56 112

HSL 241.07, 0.33%, 0.33%

LAB 26.36, 16.81, -32.41

 

CMYK 36 / 50 / 0 / 56

HEX #483870

RGB 72 56 112

HSL 257.14, 0.33%, 0.33%

LAB 27.78, 20.99, -30.05

 

CMYK 22 / 50 / 0 / 56

HEX #573870

RGB 87 56 112

HSL 273.21, 0.33%, 0.33%

LAB 29.47, 25.55, -27.26

 

CMYK 49 / 49 / 0 / 78

HEX #1D1D39

RGB 29 29 57

HSL 240, 0.33%, 0.17%

LAB 12.19, 8.85, -18.21

 

CMYK 49 / 49 / 0 / 67

HEX #2B2B54

RGB 43 43 84

HSL 240, 0.32%, 0.25%

LAB 19.56, 12.43, -25.03

 

CMYK 49 / 50 / 0 / 56

HEX #393870

RGB 57 56 112

HSL 241.07, 0.33%, 0.33%

LAB 26.36, 16.81, -32.41

 

CMYK 49 / 50 / 0 / 45

HEX #47468B

RGB 71 70 139

HSL 240.87, 0.33%, 0.41%

LAB 33.1, 19.98, -38.45

 

CMYK 49 / 50 / 0 / 35

HEX #5654A7

RGB 86 84 167

HSL 241.45, 0.33%, 0.49%

LAB 39.76, 23.59, -44.63

 

CMYK 48 / 49 / 0 / 57

HEX #39386E

RGB 57 56 110

HSL 241.11, 0.33%, 0.33%

LAB 26.23, 16.14, -31.33

 

CMYK 0 / 50 / 11 / 56

HEX #703864

RGB 112 56 100

HSL 312.86, 0.33%, 0.33%

LAB 32.24, 31.18, -15.04

 

CMYK 30 / 0 / 50 / 56

HEX #4E7038

RGB 78 112 56

HSL 96.43, 0.33%, 0.33%

LAB 43.5, -23.2, 27.17

 

CMYK 48 / 49 / 0 / 57

HEX #39386E

RGB 57 56 110

HSL 241.11, 0.33%, 0.33%

LAB 26.23, 16.14, -31.33

 

CMYK 0 / 49 / 50 / 56

HEX #703938

RGB 112 57 56

HSL 1.07, 0.33%, 0.33%

LAB 31.01, 24.06, 11.6

 

CMYK 50 / 0 / 49 / 56

HEX #387039

RGB 56 112 57

HSL 121.07, 0.33%, 0.33%

LAB 42.35, -30.88, 24.93

 

CMYK 48 / 49 / 0 / 57

HEX #39386E

RGB 57 56 110

HSL 241.11, 0.33%, 0.33%

LAB 26.23, 16.14, -31.33

 

CMYK 0 / 50 / 11 / 56

HEX #703864

RGB 112 56 100

HSL 312.86, 0.33%, 0.33%

LAB 32.24, 31.18, -15.04

 

CMYK 1 / 0 / 50 / 56

HEX #6F7038

RGB 111 112 56

HSL 61.07, 0.33%, 0.33%

LAB 45.98, -9.12, 30.77

 

CMYK 50 / 0 / 39 / 56

HEX #387044

RGB 56 112 68

HSL 132.86, 0.33%, 0.33%

LAB 42.53, -28.97, 18.92

 

CMYK 48 / 49 / 0 / 57

HEX #39386E

RGB 57 56 110

HSL 241.11, 0.33%, 0.33%

LAB 26.23, 16.14, -31.33

 

CMYK 0 / 50 / 26 / 56

HEX #703853

RGB 112 56 83

HSL 331.07, 0.33%, 0.33%

LAB 31.57, 28.26, -5.12

 

CMYK 1 / 0 / 50 / 56

HEX #6F7038

RGB 111 112 56

HSL 61.07, 0.33%, 0.33%

LAB 45.98, -9.12, 30.77

 

CMYK 50 / 0 / 24 / 56

HEX #387055

RGB 56 112 85

HSL 151.07, 0.33%, 0.33%

LAB 42.89, -25.4, 9.41

 

Description

Color code: HEX #39386E | qconv.com Color code: HEX #39386E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 56 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 56 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 49 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 49% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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