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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3934784C it is the complementary color #C6CB874C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3934784C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3934784C shade: #3E34734C, #4F46864C, #6058994C, #716AAC4C and #827CBF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3934784C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3934784C shade: #3934784C, #2822654C, #1710524C, #06003F4C and #00002C4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3934784C shade: #393479, #4C3479, #5F3479, #713479 and #79346F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3934784C shade: #393479 and #343479

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3934784C shade matches the following richer shades: #393479, #2D2687, #211895 and #150AA3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3934784C shade: #393479, #45426B, #51505D, #5D5E4F and #696C41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3934784C shade: #345479, #344279, #393479, #4B3479 and #5E3479

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3934784C shade: #1E1B40, #2C285C, #393479, #474096 and #554DB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3934784C shade: #393478, #793467 and #4B7934

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3934784C shade: #393478, #793934 and #347939

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3934784C shade: #393478, #793467, #757934 and #347947

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3934784C shade: #393478, #793452, #757934 and #34795B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 17 / 0 / 16

HEX #3934784C

RGBA 57 52 120 0.3

HSLA 244.41, 0.4%, 0.34%, 0.3

LABA 25.81, 22.2, -38.37, 0.3

 

Complementary color

CMYK 1 / 0 / 10 / 6

HEX #C6CB874C

RGBA 198 203 135 0.3

HSLA 64.41, 0.4%, 0.66%, 0.3

LABA 79.88, -12.3, 33.4, 0.3

 

CMYK 14 / 16 / 0 / 16

HEX #3E34734C

RGBA 62 52 115 0.3

HSLA 249.52, 0.38%, 0.33%, 0.3

LABA 25.92, 21.78, -35, 0.3

 

CMYK 12 / 14 / 0 / 14

HEX #4F46864C

RGBA 79 70 134 0.3

HSLA 248.44, 0.31%, 0.4%, 0.3

LABA 33.49, 20.5, -34.72, 0.3

 

CMYK 11 / 13 / 0 / 12

HEX #6058994C

RGBA 96 88 153 0.3

HSLA 247.38, 0.27%, 0.47%, 0.3

LABA 40.84, 19.45, -34.51, 0.3

 

CMYK 10 / 12 / 0 / 10

HEX #716AAC4C

RGBA 113 106 172 0.3

HSLA 246.36, 0.28%, 0.55%, 0.3

LABA 48, 18.57, -34.36, 0.3

 

CMYK 10 / 11 / 0 / 8

HEX #827CBF4C

RGBA 130 124 191 0.3

HSLA 245.37, 0.34%, 0.62%, 0.3

LABA 54.99, 17.81, -34.28, 0.3

 

CMYK 16 / 17 / 0 / 16

HEX #3934784C

RGBA 57 52 120 0.3

HSLA 244.41, 0.4%, 0.34%, 0.3

LABA 25.81, 22.2, -38.37, 0.3

 

CMYK 18 / 20 / 0 / 18

HEX #2822654C

RGBA 40 34 101 0.3

HSLA 245.37, 0.5%, 0.26%, 0.3

LABA 18.08, 24.04, -38.71, 0.3

 

CMYK 22 / 24 / 0 / 20

HEX #1710524C

RGBA 23 16 82 0.3

HSLA 246.36, 0.67%, 0.19%, 0.3

LABA 10.27, 26.19, -38.81, 0.3

 

CMYK 27 / 30 / 0 / 23

HEX #06003F4C

RGBA 6 0 63 0.3

HSLA 245.71, 1%, 0.12%, 0.3

LABA 3.59, 24.09, -36.52, 0.3

 

CMYK 30 / 30 / 0 / 25

HEX #00002C4C

RGBA 0 0 44 0.3

HSLA 240, 1%, 0.09%, 0.3

LABA 1.64, 11.54, -25.61, 0.3

 

CMYK 53 / 57 / 0 / 53

HEX #393479

RGB 57 52 121

HSL 244.35, 0.4%, 0.34%

LAB 25.88, 22.54, -38.89

 

CMYK 37 / 57 / 0 / 53

HEX #4C3479

RGB 76 52 121

HSL 260.87, 0.4%, 0.34%

LAB 27.77, 27.3, -35.75

 

CMYK 21 / 57 / 0 / 53

HEX #5F3479

RGB 95 52 121

HSL 277.39, 0.4%, 0.34%

LAB 30.08, 32.58, -31.92

 

CMYK 7 / 57 / 0 / 53

HEX #713479

RGB 113 52 121

HSL 293.04, 0.4%, 0.34%

LAB 32.58, 37.81, -27.8

 

CMYK 0 / 57 / 8 / 53

HEX #79346F

RGB 121 52 111

HSL 308.7, 0.4%, 0.34%

LAB 33.28, 38.28, -20.32

 

CMYK 53 / 57 / 0 / 53

HEX #393479

RGB 57 52 121

HSL 244.35, 0.4%, 0.34%

LAB 25.88, 22.54, -38.89

 

CMYK 57 / 57 / 0 / 53

HEX #343479

RGB 52 52 121

HSL 240, 0.4%, 0.34%

LAB 25.46, 21.42, -39.58

 

CMYK 53 / 57 / 0 / 53

HEX #393479

RGB 57 52 121

HSL 244.35, 0.4%, 0.34%

LAB 25.88, 22.54, -38.89

 

CMYK 67 / 72 / 0 / 47

HEX #2D2687

RGB 45 38 135

HSL 244.33, 0.56%, 0.34%

LAB 22.63, 34.2, -53.04

 

CMYK 78 / 84 / 0 / 42

HEX #211895

RGB 33 24 149

HSL 244.32, 0.72%, 0.34%

LAB 20.62, 45.34, -65.1

 

CMYK 87 / 94 / 0 / 36

HEX #150AA3

RGB 21 10 163

HSL 244.31, 0.88%, 0.34%

LAB 20.13, 54.15, -74.54

 

CMYK 53 / 57 / 0 / 53

HEX #393479

RGB 57 52 121

HSL 244.35, 0.4%, 0.34%

LAB 25.88, 22.54, -38.89

 

CMYK 36 / 38 / 0 / 58

HEX #45426B

RGB 69 66 107

HSL 244.39, 0.24%, 0.34%

LAB 29.97, 12, -23.44

 

CMYK 13 / 14 / 0 / 64

HEX #51505D

RGB 81 80 93

HSL 244.62, 0.08%, 0.34%

LAB 34.55, 3.37, -7.43

 

CMYK 1 / 0 / 16 / 63

HEX #5D5E4F

RGB 93 94 79

HSL 64, 0.09%, 0.34%

LAB 39.41, -3.35, 8.48

 

CMYK 3 / 0 / 40 / 58

HEX #696C41

RGB 105 108 65

HSL 64.19, 0.25%, 0.34%

LAB 44.39, -8.48, 23.68

 

CMYK 57 / 31 / 0 / 53

HEX #345479

RGB 52 84 121

HSL 212.17, 0.4%, 0.34%

LAB 34.91, 0.05, -24.57

 

CMYK 57 / 45 / 0 / 53

HEX #344279

RGB 52 66 121

HSL 227.83, 0.4%, 0.34%

LAB 29.43, 11.91, -33.22

 

CMYK 53 / 57 / 0 / 53

HEX #393479

RGB 57 52 121

HSL 244.35, 0.4%, 0.34%

LAB 25.88, 22.54, -38.89

 

CMYK 38 / 57 / 0 / 53

HEX #4B3479

RGB 75 52 121

HSL 260, 0.4%, 0.34%

LAB 27.66, 27.03, -35.93

 

CMYK 22 / 57 / 0 / 53

HEX #5E3479

RGB 94 52 121

HSL 276.52, 0.4%, 0.34%

LAB 29.95, 32.3, -32.14

 

CMYK 53 / 58 / 0 / 75

HEX #1E1B40

RGB 30 27 64

HSL 244.86, 0.41%, 0.18%

LAB 12.16, 13.2, -23.21

 

CMYK 52 / 57 / 0 / 64

HEX #2C285C

RGB 44 40 92

HSL 244.62, 0.39%, 0.26%

LAB 19.33, 17.61, -30.72

 

CMYK 53 / 57 / 0 / 53

HEX #393479

RGB 57 52 121

HSL 244.35, 0.4%, 0.34%

LAB 25.88, 22.54, -38.89

 

CMYK 53 / 57 / 0 / 41

HEX #474096

RGB 71 64 150

HSL 244.88, 0.4%, 0.42%

LAB 32.28, 27.46, -46.5

 

CMYK 53 / 57 / 0 / 30

HEX #554DB3

RGB 85 77 179

HSL 244.71, 0.4%, 0.5%

LAB 38.71, 31.55, -53.42

 

CMYK 53 / 57 / 0 / 53

HEX #393478

RGB 57 52 120

HSL 244.41, 0.4%, 0.34%

LAB 25.81, 22.2, -38.37

 

CMYK 0 / 57 / 15 / 53

HEX #793467

RGB 121 52 103

HSL 315.65, 0.4%, 0.34%

LAB 32.92, 36.88, -15.8

 

CMYK 38 / 0 / 57 / 53

HEX #4B7934

RGB 75 121 52

HSL 100, 0.4%, 0.34%

LAB 46.2, -29.28, 32.52

 

CMYK 53 / 57 / 0 / 53

HEX #393478

RGB 57 52 120

HSL 244.41, 0.4%, 0.34%

LAB 25.81, 22.2, -38.37

 

CMYK 0 / 53 / 57 / 53

HEX #793934

RGB 121 57 52

HSL 4.35, 0.4%, 0.34%

LAB 32.35, 27.41, 16.21

 

CMYK 57 / 0 / 53 / 53

HEX #347939

RGB 52 121 57

HSL 124.35, 0.4%, 0.34%

LAB 45.22, -36.05, 28.47

 

CMYK 53 / 57 / 0 / 53

HEX #393478

RGB 57 52 120

HSL 244.41, 0.4%, 0.34%

LAB 25.81, 22.2, -38.37

 

CMYK 0 / 57 / 15 / 53

HEX #793467

RGB 121 52 103

HSL 315.65, 0.4%, 0.34%

LAB 32.92, 36.88, -15.8

 

CMYK 3 / 0 / 57 / 53

HEX #757934

RGB 117 121 52

HSL 63.48, 0.4%, 0.34%

LAB 49.14, -11.8, 36.68

 

CMYK 57 / 0 / 41 / 53

HEX #347947

RGB 52 121 71

HSL 136.52, 0.4%, 0.34%

LAB 45.44, -33.68, 21.01

 

CMYK 53 / 57 / 0 / 53

HEX #393478

RGB 57 52 120

HSL 244.41, 0.4%, 0.34%

LAB 25.81, 22.2, -38.37

 

CMYK 0 / 57 / 32 / 53

HEX #793452

RGB 121 52 82

HSL 333.91, 0.4%, 0.34%

LAB 32.1, 33.61, -3.53

 

CMYK 3 / 0 / 57 / 53

HEX #757934

RGB 117 121 52

HSL 63.48, 0.4%, 0.34%

LAB 49.14, -11.8, 36.68

 

CMYK 57 / 0 / 25 / 53

HEX #34795B

RGB 52 121 91

HSL 153.91, 0.4%, 0.34%

LAB 45.85, -29.45, 9.99

 

Description

Color code: HEX #3934784C | qconv.com Color code: HEX #3934784C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 52 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 52 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 17 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 17% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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